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| captains of industry political cartoons: The Gilded Age Mark Twain, Charles Dudley Warner, 1904 |
| captains of industry political cartoons: Suffrage Songs and Verses Charlotte Perkins Gilman, 2022-07-19 Suffrage Songs and Verses, by Charlotte Perkins Gilman, is a collection of 25 poems which advocates the suffragette movement and women’s rights. Published in 1911, the poetry anthology includes both famous and lesser-known works such as ‘Women of To-day’, ‘Boys Will Be Boys’ and ‘The Socialist and the Suffragist’, and is a clear inspiration for modern feminist writers and pro-women’s rights campaigners. Now seen as a classic selection of American female poetry and inspirational literature, this forward-thinking anthology examines the role of women in a pre-WW1 patriarchal society – and was one of many works to inspire the 2015 British historical drama film ‘Suffragette’ which starred Carey Mulligan, Meryl Streep, Helena Bonham Carter and Anne‐Marie Duff. A selection of Perkins’ work featured in this book were originally published in the book ‘In this our World’ in 1898. Charlotte Perkins Gilman’s best known work was her autobiographical-inspired short story ‘The Yellow Wallpaper’, written about her experience of severe postnatal depression, which was made into a 2011 gothic thriller film by Logan Thomas. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self-declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best-known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that the domestic environment oppressed women through the patriarchal beliefs upheld by society. A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she chose chloroform over cancer. |
| captains of industry political cartoons: Captains of Industry Bernard A. Weisberger, 1966 Included: Cornelius Vanderbilt, Cyrus McCormick, James Hill, John D. Rockefeller, John Pierpont Morgan. Andrew Carnegie, Henry Ford. |
| captains of industry political cartoons: Rejuvenile Christopher Noxon, 2006-06-20 Once upon a time, boys and girls grew up and set aside childish things. Nowadays, moms and dads skateboard alongside their kids and download the latest pop-song ringtones. Captains of industry pose for the cover of BusinessWeek holding Super Soakers. The average age of video game players is twenty-nine and rising. Top chefs develop recipes for Easy-Bake Ovens. Disney World is the world’s top adult vacation destination (that’s adults without kids). And young people delay marriage and childbirth longer than ever in part to keep family obligations from interfering with their fun fun fun. Christopher Noxon has coined a word for this new breed of grown-up: rejuveniles. And as a self-confessed rejuvenile, he’s a sympathetic yet critical guide to this bright and shiny world of people who see growing up as “winding down”—exchanging a life of playful flexibility for anxious days tending lawns and mutual funds. In Rejuvenile, Noxon explores the historical roots of today’s rejuveniles (hint: all roads lead to Peter Pan), the “toyification” of practical devices (car cuteness is at an all-time high), and the new gospel of play. He talks to parents who love cartoons more than their children do, twenty-somethings who live happily with their parents, and grown-ups who evangelize on behalf of all-ages tag and Legos. And he takes on the “Harrumphing Codgers,” who see the rejuvenile as a threat to the social order. Noxon tempers stories of his and others’ rejuvenile tendencies with cautionary notes about “lost souls whose taste for childish things is creepy at best.” (Exhibit A: Michael Jackson.) On balance, though, he sees rejuveniles as optimists and capital-R Romantics, people driven by a desire “to hold on to the part of ourselves that feels the most genuinely human. We believe in play, in make believe, in learning, in naps. And in a time of deep uncertainty, we trust that this deeper, more adaptable part of ourselves is our best tool of survival.” Fresh and delightfully contrarian, Rejuvenile makes hilarious sense of this seismic culture change. It’s essential reading not only for grown-ups who refuse to “act their age,” but for those who wish they would just grow up. |
| captains of industry political cartoons: Oliphant's Anthem Pat Oliphant, Harry L. Katz, 1998-03-15 Ironic, isn't it? For more than a quarter century, Pat Oliphant has skewered the denizens of Congress with his bitingly sharp editorial cartoons. Now, in an exhibit and this companion volume, Oliphant is honored in the very repository of that illustrious body: The Library of Congress.Oliphant is, after all, the most important political cartoonist of the 20th century. His trademark wit -- shared with the adoring fans who read almost 350 daily and Sunday newspapers that carry his work -- has impaled presidents, dogged members of Congress, and critiqued a whole host of issues. From Vietnam to Bosnia, from Lyndon Johnson to Bill Clinton, Pat Oliphant has applied his considerable talent to the workings of the world.Oliphant's Anthem will catalog the 60 drawings, sculptures, and various art media that will be exhibited as a special tribute to Pat Oliphant's art in March 1998 at the Library of Congress. Interviews with the artist throughout the book will highlight his thoughts, concerns, and considerations as he has created this impressive body of work. Printed on glossy enamel stock, the black and white book will include an eight-page color signature. It is certain to be a collectible edition for Oliphant fans everywhere. |
| captains of industry political cartoons: The Myth of the Robber Barons Burton W. Folsom, 1991-01-01 In his book The Myth of the Robber Barons, Folsom distinguishes between political entrepreneurs who ran inefficient businesses supported by government favors, and market entrepreneurs who succeeded by providing better and lower-cost products or services, usually while facing vigorous competition. |
| captains of industry political cartoons: Luxury Arts of the Renaissance Marina Belozerskaya, 2005-10-01 Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men. |
| captains of industry political cartoons: The Robber Barons Matthew Josephson, 1962 Includes material on John D. Rockefeller, J. Pierpoint Morgan, Cornelius Vanderbilt, William H. Vanderbilt, Andrew Carnegie, E.H. Harriman, Jay Gould, Jim Fisk, Jay Cooke, Daniel Drew, Henry C. Frick, James J. Hill, Charles M. Schwab, Henry Villard, Standard Oil Company, trusts. |
| captains of industry political cartoons: The Gilded Age Janette Thomas Greenwood, 2003-02 Uses a wide variety of documents to show how Americans dealt with an age of extremes from 1887 to 1900, including rapid industrialization, unemployment, unprecedented wealth, and immigration. |
| captains of industry political cartoons: Engaging With History in the Classroom Janice I. Robbins, 2021-09-28 Engaging With History in the Classroom: The Post-Reconstruction Era is the third in a series of middle-grade U.S. history units that focus on what it means to be an American citizen, living in a democracy that expects as much from its citizens as it provides to them. In every lesson, students are asked to step into the world of the post-Reconstruction and industrialization era, to hear about and to see what was happening, to read the words of real people, and to imagine their hopes, dreams, and feelings. Students also learn to question the accounts left behind and to recognize different perspectives on the amazing changes in the social, political, and economic profile of America. Resources for teachers include a running script that's useful as a model for guiding conceptualization as well as extensive teacher notes with practical suggestions for personalizing activities. Grades 6-8 |
| captains of industry political cartoons: Raemaekers' Cartoons Louis Raemaekers, 1917 |
| captains of industry political cartoons: Gilded Age Cocktails Cecelia Tichi, 2021-05-04 A delightful romp through America’s Golden Age of Cocktails The decades following the American Civil War burst with invention—they saw the dawn of the telephone, the motor car, electric lights, the airplane—but no innovation was more welcome than the beverage heralded as the “cocktail.” The Gilded Age, as it came to be known, was the Golden Age of Cocktails, giving birth to the classic Manhattan and martini that can be ordered at any bar to this day. Scores of whiskey drinks, cooled with ice chips or cubes that chimed against the glass, proved doubly pleasing when mixed, shaken, or stirred with special flavorings, juices, and fruits. The dazzling new drinks flourished coast to coast at sporting events, luncheons, and balls, on ocean liners and yachts, in barrooms, summer resorts, hotels, railroad train club cars, and private homes. From New York to San Francisco, celebrity bartenders rose to fame, inventing drinks for exclusive universities and exotic locales. Bartenders poured their liquid secrets for dancing girls and such industry tycoons as the newspaper mogul William Randolph Hearst and the railroad king “Commodore” Cornelius Vanderbilt. Cecelia Tichi offers a tour of the cocktail hours of the Gilded Age, in which industry, innovation, and progress all take a break to enjoy the signature beverage of the age. Gilded Age Cocktails reveals the fascinating history behind each drink as well as bartenders’ formerly secret recipes. Though the Gilded Age cocktail went “underground” during the Prohibition era, it launched the first of many generations whose palates thrilled to a panoply of artistically mixed drinks. |
| captains of industry political cartoons: Bibliotheca Americana Joseph Sabin, 1873 |
| captains of industry political cartoons: How the Other Half Lives Jacob Riis, 2011 |
| captains of industry political cartoons: Franklin D. Roosevelt Robert Dallek, 2017-11-02 From the acclaimed author of John F. Kennedy: An Unfinished Life, the biography of one of America's greatest presidents, Franklin D. Roosevelt. Roosevelt was the only American president ever to serve four terms. He came from the highest echelons of American society, and though progressively incapacitated by polio from the age of thirty-nine, never showed the slightest self-pity, refusing to allow the disease to constrain his ambition or his place in public life. During the Depression of the 1930s he became the foremost presidential champion of the needy, instituted the famous New Deal and brought about revolutionary changes in America's social and political institutions. Two years into the Second World War he persuaded Americans that it was their unavoidable duty to fight, and brought about a profound reversal in the country's foreign policy. During that titanic conflict he formed a unique friendship with Winston Churchill, and became the central figure in the Western Alliance. Dallek attributes FDR's success to two remarkable political insights. First, more than any other president, he understood that effectiveness in American politics depended on building a national consensus and commanding stable long-term popular support. Second, he made the presidency the central, most influential institution in modern America's political system. In addressing the country's international and domestic problems, Roosevelt recognized the vital importance of remaining closely attentive to the full range of public sentiment around the decisions made by government-perhaps his most enduring lesson in effective leadership. In an era of national and international division, there could be no more timely biography of America's preeminent twentieth-century leader than one that demonstrates his unparalleled ability as a uniter and consensus maker. |
| captains of industry political cartoons: American History: A Very Short Introduction Paul S. Boyer, 2012-08-16 This volume in Oxford's A Very Short Introduction series offers a concise, readable narrative of the vast span of American history, from the earliest human migrations to the early twenty-first century when the United States loomed as a global power and comprised a complex multi-cultural society of more than 300 million people. The narrative is organized around major interpretive themes, with facts and dates introduced as needed to illustrate these themes. The emphasis throughout is on clarity and accessibility to the interested non-specialist. |
| captains of industry political cartoons: America in the Twenties and Thirties Sean Dennis Cashman, 1989 In this, the third volume of an interdisciplinary history of the United States since the Civil War, Sean Dennis Cashman provides a comprehensive review of politics and economics from the tawdry affluence of the 1920s throught the searing tragedy of the Great Depression to the achievements of the New Deal in providing millions with relief, job opportunities, and hope before America was poised for its ascent to globalism on the eve of World War II. The book concludes with an account of the sliding path to war as Europe and Asia became prey to the ambitions of Hitler and military opportunists in Japan. The book also surveys the creative achievements of America's lost generation of artists, writers, and intellectuals; continuing innovations in transportation and communications wrought by automobiles and airplanes, radio and motion pictures; the experiences of black Americans, labor, and America's different classes and ethnic groups; and the tragicomedy of national prohibition. The cast of characters includes FDR, the New Dealers, Eleanor Roosevelt, George W. Norris, William E. Borah, Huey Long, Henry Ford, Clarence Darrow, Ernest Hemingway, Scott Fitzgerald, W.E.B. DuBois, A. Philip Randolph, Orson Welles, Wendell Willkie, and the stars of radio and the silver screen. The first book in this series, America in the Gilded Age, is now accounted a classic for historiographical synthesis and stylisic polish. America in the Age of the Titans, covering the Progressive Era and World War I, and America in the Twenties and Thirties reveal the author's unerring grasp of various primary and secondary sources and his emphasis upon structures, individuals, and anecdotes about them. The book is lavishly illustrated with various prints, photographs, and reproductions from the Library of Congress, the Museum of Modern Art, and the Whitney Museum of American Art. |
| captains of industry political cartoons: Cartoons Magazine Henry Havens Windsor, 1919 |
| captains of industry political cartoons: No Logo Naomi Klein, 2000-01-15 What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands. Billy Bragg from the bookjacket. |
| captains of industry political cartoons: An Account of the Slave Trade on the Coast of Africa Alexander Falconbridge, 1788 |
| captains of industry political cartoons: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
| captains of industry political cartoons: Andrew Carnegie Speaks to the 1% Andrew Carnegie, 2016-04-14 Before the 99% occupied Wall Street... Before the concept of social justice had impinged on the social conscience... Before the social safety net had even been conceived... By the turn of the 20th Century, the era of the robber barons, Andrew Carnegie (1835-1919) had already accumulated a staggeringly large fortune; he was one of the wealthiest people on the globe. He guaranteed his position as one of the wealthiest men ever when he sold his steel business to create the United States Steel Corporation. Following that sale, he spent his last 18 years, he gave away nearly 90% of his fortune to charities, foundations, and universities. His charitable efforts actually started far earlier. At the age of 33, he wrote a memo to himself, noting ...The amassing of wealth is one of the worse species of idolatry. No idol more debasing than the worship of money. In 1881, he gave a library to his hometown of Dunfermline, Scotland. In 1889, he spelled out his belief that the rich should use their wealth to help enrich society, in an article called The Gospel of Wealth this book. Carnegie writes that the best way of dealing with wealth inequality is for the wealthy to redistribute their surplus means in a responsible and thoughtful manner, arguing that surplus wealth produces the greatest net benefit to society when it is administered carefully by the wealthy. He also argues against extravagance, irresponsible spending, or self-indulgence, instead promoting the administration of capital during one's lifetime toward the cause of reducing the stratification between the rich and poor. Though written more than a century ago, Carnegie's words still ring true today, urging a better, more equitable world through greater social consciousness. |
| captains of industry political cartoons: The Book of Business Samuel Crowther, 1920 |
| captains of industry political cartoons: The New Nationalism Theodore Roosevelt, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| captains of industry political cartoons: The American Journey Joyce Oldham Appleby, Alan Brinkley, James M. McPherson, 2003 |
| captains of industry political cartoons: Captain America, Masculinity, and Violence J. Richard Stevens, 2015-05-26 Since 1940, Captain America has battled his enemies in the name of American values, and as those values have changed over time, so has Captain America’s character. Because the comic book world fosters a close fan–creator dialogue, creators must consider their ever-changing readership. Comic book artists must carefully balance storyline continuity with cultural relevance. Captain America’s seventy-year existence spans from World War II through the Cold War to the American War on Terror; beginning as a soldier unopposed to offensive attacks against foreign threats, he later becomes known as a defender whose only weapon is his iconic shield. In this way, Captain America reflects America’s need to renegotiate its social contract and reinvent its national myths and cultural identity, all the while telling stories proclaiming an eternal and unchanging spirit of America. In Captain America, Masculinity, and Violence, Stevens reveals how the comic book hero has evolved to maintain relevance to America’s fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America’s adventures and places the unfolding storyline in dialogue with the comic book industry as well as America’s varying political culture. Stevens shows that Captain America represents the ultimate American story: permanent enough to survive for nearly seventy years with a history fluid enough to be constantly reinterpreted to meet the needs of an ever-changing culture. |
| captains of industry political cartoons: Roosevelt and Churchill Franklin Delano Roosevelt, Harold D. Loewenheim, 1975 |
| captains of industry political cartoons: Reading the Market Peter Knight, 2016-09-01 America’s fascination with the stock market dates back to the Gilded Age. Winner of the BAAS Book Prize of the British Association of American Studies Americans pay famously close attention to “the market,” obsessively watching trends, patterns, and swings and looking for clues in every fluctuation. In Reading the Market, Peter Knight explores the Gilded Age origins and development of this peculiar interest. He tracks the historic shift in market operations from local to national while examining how present-day ideas about the nature of markets are tied to past genres of financial representation. Drawing on the late nineteenth-century explosion of art, literature, and media, which sought to dramatize the workings of the stock market for a wide audience, Knight shows how ordinary Americans became both emotionally and financially invested in the market. He analyzes popular investment manuals, brokers’ newsletters, newspaper columns, magazine articles, illustrations, and cartoons. He also introduces readers to fiction featuring financial tricksters, which was characterized by themes of personal trust and insider information. The book reveals how the popular culture of the period shaped the very idea of the market as a self-regulating mechanism by making the impersonal abstractions of high finance personal and concrete. From the rise of ticker-tape technology to the development of conspiracy theories, Reading the Market argues that commentary on the Stock Exchange between 1870 and 1915 changed how Americans understood finance—and explains what our pervasive interest in Wall Street says about us now. |
| captains of industry political cartoons: Joy on Demand Chade-Meng Tan, 2016-05-31 A long-awaited follow-up to the New York Times bestselling Search Inside Yourself shows us how to cultivate joy within the context of our fast-paced lives and explains why it is critical to creativity, innovation, confidence, and ultimately success in every arena. In Joy on Demand, Chade-Meng Tan shows that you don’t need to meditate for hours, days, months or years to achieve lasting joy—you can actually get consistent access to it in as little as fifteen seconds. Explaining joy and meditation as complementary things that naturally reinforce each other, Meng explains how these two skills form a virtuous cycle, and once put into motion, become a solid practice that can be sustained in daily life. For many years, meditation has been taught and practiced in cultures where almost all meditators practice full-time for years, resulting in training programs optimized for practitioners with lots of free time and not much else to do but develop profound mastery over the mind. Seeing a disconnect between the traditional practice and the modern world, the bestselling author and Google’s “Jolly Good Fellow” has developed a program, through “wise laziness,” to help readers meditate more efficiently and effectively. Meng shares the three pillars of joy (inner peace, insight, and happiness), why joy is the secret is to success, and demonstrates the practical tools anyone can use to cultivate it on demand. |
| captains of industry political cartoons: Dred Scott and the Politics of Slavery Earl M. Maltz, 2007 Closely examines on of the Supreme Court's most infamous decisions: that went far beyond one slave's suit for freeman status by declaring that ALL blacks--freemen as well as slaves--were not, and never could become, U.S. citizens, bringing an end to the 1820 Missouri Compromise, while also resulting in the outrage that led to the Civil War. |
| captains of industry political cartoons: Water, Civilisation and Power in Sudan Harry Verhoeven, 2015-03-05 Water, Civilisation and Power in Sudan offers an alternative account of how water policy, violence, and economic modernisation are linked. |
| captains of industry political cartoons: Paper Politics Josh MacPhee, 2009-10-01 Paper Politics: Socially Engaged Printmaking Today is a major collection of contemporary politically and socially engaged printmaking. This full-color book showcases print art that uses themes of social justice and global equity to engage community members in political conversation. Based on an art exhibition that has traveled to a dozen cities in North America, Paper Politics features artwork by over 200 international artists; an eclectic collection of work by both activist and non-activist printmakers who have felt the need to respond to the monumental trends and events of our times. Paper Politics presents a breathtaking tour of the many modalities of printing by hand: relief, intaglio, lithography, serigraph, collagraph, monotype, and photography. In addition to these techniques, included are more traditional media used to convey political thought, finely crafted stencils and silk-screens intended for wheat pasting in the street. Artists range from the well established (Sue Coe, Swoon, Carlos Cortez) to the up-and-coming (Favianna Rodriguez, Chris Stain, Nicole Schulman), from street artists (BORF, You Are Beautiful) to rock poster makers (EMEK, Bughouse). |
| captains of industry political cartoons: Dragon Teeth Michael Crichton, 2017-05-23 Michael Crichton, the #1 New York Times bestselling author of Jurassic Park, returns to the world of paleontology in this recently discovered novel—a thrilling adventure set in the Wild West during the golden age of fossil hunting. The year is 1876. Warring Indian tribes still populate America’s western territories even as lawless gold-rush towns begin to mark the landscape. In much of the country it is still illegal to espouse evolution. Against this backdrop two monomaniacal paleontologists pillage the Wild West, hunting for dinosaur fossils, while surveilling, deceiving and sabotaging each other in a rivalry that will come to be known as the Bone Wars. Into this treacherous territory plunges the arrogant and entitled William Johnson, a Yale student with more privilege than sense. Determined to survive a summer in the west to win a bet against his arch-rival, William has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition. But when the paranoid and secretive Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, he abandons him in Cheyenne, Wyoming, a locus of crime and vice. William is forced to join forces with Cope and soon stumbles upon a discovery of historic proportions. With this extraordinary treasure, however, comes exceptional danger, and William’s newfound resilience will be tested in his struggle to protect his cache, which pits him against some of the West’s most notorious characters. A page-turner that draws on both meticulously researched history and an exuberant imagination, Dragon Teeth is based on the rivalry between real-life paleontologists Cope and Marsh; in William Johnson readers will find an inspiring hero only Michael Crichton could have imagined. Perfectly paced and brilliantly plotted, this enormously winning adventure is destined to become another Crichton classic. |
| captains of industry political cartoons: Rebirth of a Nation Jackson Lears, 2009-06-02 An illuminating and authoritative history of America in the years between the Civil War and World War I, Jackson Lears’s Rebirth of a Nation was named one of the best books of 2009 by The Washington Post, The Chicago Tribune, and The Pittsburgh Post-Gazette. Fascinating.... A major work by a leading historian at the top of his game—at once engaging and tightly argued. —The New York Times Book Review “Dazzling cultural history: smart, provocative, and gripping. It is also a book for our times, historically grounded, hopeful, and filled with humane, just, and peaceful possibilities.” —The Washington Post In the half-century between the Civil War and World War I, widespread yearning for a new beginning permeated American public life. Dreams of spiritual, moral, and physical rebirth formed the foundation for the modern United States, inspiring its leaders with imperial ambition. Theodore Roosevelt's desire to recapture frontier vigor led him to promote U.S. interests throughout Latin America. Woodrow Wilson's vision of a reborn international order drew him into a war to end war. Andrew Carnegie's embrace of philanthropy coincided with his creation of the world's first billion-dollar corporation, United States Steel. Presidents and entrepreneurs helped usher the nation into the modern era, but sometimes the consequences of their actions failed to match the grandeur of their hopes. Award-winning historian Jackson Lears richly chronicles this momentous period when America reunited and began to form the world power of the twentieth century. Lears vividly captures imperialists, Gilded Age mavericks, and vaudeville entertainers, and illuminates the roles played by a variety of seekers, male and female, from populist farmers to avant-garde artists and writers to progressive reformers. Some were motivated by their own visions of Christianity; all were swept up in longings for revitalization. In these years marked by wrenching social conflict and vigorous political debate, a modern America emerged and came to dominance on a world stage. Illuminating and authoritative, Rebirth of a Nation brilliantly weaves the remarkable story of this crucial epoch into a masterful work of history. |
| captains of industry political cartoons: Owen D. Young Ida Minerva Tarbell, 1932 Biography about Owen D. Young. |
| captains of industry political cartoons: American Military History Volume 1 Army Center of Military History, 2016-06-05 American Military History provides the United States Army-in particular, its young officers, NCOs, and cadets-with a comprehensive but brief account of its past. The Center of Military History first published this work in 1956 as a textbook for senior ROTC courses. Since then it has gone through a number of updates and revisions, but the primary intent has remained the same. Support for military history education has always been a principal mission of the Center, and this new edition of an invaluable history furthers that purpose. The history of an active organization tends to expand rapidly as the organization grows larger and more complex. The period since the Vietnam War, at which point the most recent edition ended, has been a significant one for the Army, a busy period of expanding roles and missions and of fundamental organizational changes. In particular, the explosion of missions and deployments since 11 September 2001 has necessitated the creation of additional, open-ended chapters in the story of the U.S. Army in action. This first volume covers the Army's history from its birth in 1775 to the eve of World War I. By 1917, the United States was already a world power. The Army had sent large expeditionary forces beyond the American hemisphere, and at the beginning of the new century Secretary of War Elihu Root had proposed changes and reforms that within a generation would shape the Army of the future. But world war-global war-was still to come. The second volume of this new edition will take up that story and extend it into the twenty-first century and the early years of the war on terrorism and includes an analysis of the wars in Afghanistan and Iraq up to January 2009. |
| captains of industry political cartoons: Painting America's Portrait James C. Thompson, 2017-04-07 Painting America's Portrait - How Illustrators Created America is the second book in the Painting America's Portrait series. In the first, James Thompson uses over 300 illustrations to show how America's artist admen and storytellers capitalized on three decades of advances in corporate advertising and image reproduction technology to create highly dramatic and colorful images. Their business during these notorious decades was to sell products with pictures. By 1914, they were better and more successful than ever. Their success notwithstanding their Golden Age ended with the Great War. Mr. Thompson begins his sequel with an account of the war prior to America's entry in April 1917. Among the first acts of America's wartime President was to create a Committee of Public Information to manage public opinion and build public support for the nation's new mission. The committee's chairman, George Creel, recruited the most celebrated illustrator of the day, Charles Dana Gibson, to draw his colleagues into the enterprise. With Gibson's help, hundreds of illustrators became producers of propaganda art.Thompson explains that America's artist pitchmen had three tasks: 1) recruit young men and women in the service of their country, 2) build public support for the war effort, and 3) record the heroism of our boys over there. Thompson uses dozens of wartime posters to show how Gibson's legionnaires accomplished their first two assignments. He uses a gripping collection of works from the National Archives and other repositories to show how the artists of the American Expeditionary Force completed their difficult mission. Uncle Sam's talented artists were instrumental in winning the war to end all wars. While doing their unique jobs, they created an enduring image. They showed the peoples who lived in the land of the free and the home of the brave that they were Americans. Painting America's Portrait - How Illustrators Created America is planned for release on the 100th anniversary of the declaration of war on Germany, (6 April 1917). It will be a uniquely fitting tribute to the American men and women who won it. |
| captains of industry political cartoons: Living Together David Schmidtz, 2023 Is moral philosophy more foundational than political theory? It is often assumed to be. David Schmidtz argues that the reverse is true: the question of how to live in a community is more fundamental than questions about how to live. This book questions whether we are getting to the foundations of human morality when we ignore contingent features of communities in which political animals live. Schmidtz disputes the idea that reflection on how to live needs to begin with timeless axioms. Rather, theorizing about how to live together should take its cue from contemporary moral philosophy's attempts to go beyond formal theory, and ask which principles have a history of demonstrably being organizing principles of actual thriving communities at their best. Ideals emerging from such research should be a distillation of social scientific insight from observable histories of successful community building. What emerges from ongoing testing in the crucible of life experience will be path-dependent in detail even if not in general outline, partly because any way of life is a response to challenges that are themselves contingent, path dependent, and in flux. Building on this view, Schmidtz argues that justice evolved as a device for grounding peace in the mutual recognition that everyone has their own life to live, and everyone has the right and the responsibility to decide for themselves what to want. Justice, he says, evolved as a device for conveying our mutual intention not to be in each other's way, and beyond that, our mutual intention to build places for ourselves as contributors to a community. Any understanding of justice should thus rely not on untestable intuitions but should instead be grounded in observable fact. |
| captains of industry political cartoons: The Republic for which it Stands Richard White, 2017 The newest volume in the Oxford History of the United States series, The Republic for Which It Stands argues that the Gilded Age, along with Reconstruction--its conflicts, rapid and disorienting change, hopes and fears--formed the template of American modernity. |
| captains of industry political cartoons: How Change Happens Duncan Green, 2016 DLP, Developmental Leadership Program; Australian Aid; Oxfam. |
Lake County Captains | MiLB.com
The official website of the Lake County Captains with the most up-to-date information on scores, schedule, stats, tickets, and team news.
25 legendary pop culture captains - Entertainment Weekly
Jun 27, 2022 · Read ahead for our list of the 25 most legendary captains ranked in no particular order from film, TV, literature, music, and even a certain cereal brand.
Captain - Wikipedia
Captain is a title, an appellative for the commanding officer of a military unit; the supreme leader or highest rank officer of a navy ship, merchant ship, aeroplane, spacecraft, or other vessel; or …
Fictional Captains - List Challenges
A list of captains (military, ship, police, and/or superhero) from books, comics, movies, and television.
CAPTAIN Definition & Meaning - Merriam-Webster
The meaning of CAPTAIN is a military leader : the commander of a unit or a body of troops. How to use captain in a sentence.
Who Are the Best Captains in Pop Culture? - The Mary Sue
We’ve covered the finest Star Trek captains in the past (the correct answers are Sisko and Kirk, I will not be taking questions at this time), but there are a whole lot of captains to be found...
26 famous captains who became icons of pop culture: the ... - Briefly
Mar 4, 2025 · The famous captains who became icons of pop culture represent resilience, quick thinking, leadership, and unwavering heroism. Discover the 26 famous captains.
Famous Captains Who've Charted The Course Of History
Jan 2, 2025 · Discover the famous captains who've navigated the high seas of history, leaving lasting impacts through their thrilling maritime exploits.
CAPTAIN | English meaning - Cambridge Dictionary
It's unusual to have a goalkeeper as (the) captain of a football team. This is your captain speaking. We expect to be landing at Osaka Kansai airport in an hour's time. The captain gave …
Captains - definition of captains by The Free Dictionary
One who supervises or directs the work of others, especially: a. A district official for a political party. b. A restaurant employee who is in charge of the waiters and usually attends to table …
Lake County Captains | MiLB.com
The official website of the Lake County Captains with the most up-to-date information on scores, schedule, stats, tickets, and team news.
25 legendary pop culture captains - Entertainment Weekly
Jun 27, 2022 · Read ahead for our list of the 25 most legendary captains ranked in no particular order from film, TV, literature, music, and even a certain cereal brand.
Captain - Wikipedia
Captain is a title, an appellative for the commanding officer of a military unit; the supreme leader or highest rank officer of a navy ship, merchant ship, aeroplane, spacecraft, or other vessel; or …
Fictional Captains - List Challenges
A list of captains (military, ship, police, and/or superhero) from books, comics, movies, and television.
CAPTAIN Definition & Meaning - Merriam-Webster
The meaning of CAPTAIN is a military leader : the commander of a unit or a body of troops. How to use captain in a sentence.
Who Are the Best Captains in Pop Culture? - The Mary Sue
We’ve covered the finest Star Trek captains in the past (the correct answers are Sisko and Kirk, I will not be taking questions at this time), but there are a whole lot of captains to be found...
26 famous captains who became icons of pop culture: the ... - Briefly
Mar 4, 2025 · The famous captains who became icons of pop culture represent resilience, quick thinking, leadership, and unwavering heroism. Discover the 26 famous captains.
Famous Captains Who've Charted The Course Of History
Jan 2, 2025 · Discover the famous captains who've navigated the high seas of history, leaving lasting impacts through their thrilling maritime exploits.
CAPTAIN | English meaning - Cambridge Dictionary
It's unusual to have a goalkeeper as (the) captain of a football team. This is your captain speaking. We expect to be landing at Osaka Kansai airport in an hour's time. The captain gave …
Captains - definition of captains by The Free Dictionary
One who supervises or directs the work of others, especially: a. A district official for a political party. b. A restaurant employee who is in charge of the waiters and usually attends to table …
