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| controversial pieces of art in history: Visual Shock Michael Kammen, 2009-04-22 In this lively narrative, award-winning author Michael Kammen presents a fascinating analysis of cutting-edge art and artists and their unique ability to both delight and provoke us. He illuminates America’s obsession with public memorials and the changing role of art and museums in our society. From Thomas Eakins’s 1875 masterpiece The Gross Clinic, (considered “too big, bold, and gory” when first exhibited) to the bitter disputes about Maya Lin’s Vietnam War Memorial, this is an eye-opening account of American art and the battles and controversies that it has ignited. |
| controversial pieces of art in history: Richard Prince , 2016-02-01 |
| controversial pieces of art in history: Three Women Artists Amy Von Lintel, Bonnie Roos, 2022 Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a decentered modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. |
| controversial pieces of art in history: Wyeth Laura J. Hoptman, 2012 In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called Christina's World. The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. Christina's World was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting. |
| controversial pieces of art in history: Whistler V. Ruskin James McNeill Whistler, 1879 |
| controversial pieces of art in history: But Is It Art? Cynthia Freeland, 2002-02-07 In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. |
| controversial pieces of art in history: Saving Leonardo Nancy Pearcey, 2010-09-01 Is secularism a positive force in the modern world? Or does it lead to fragmentation and disintegration? In Saving Leonardo, best-selling award-winning author Nancy Pearcey (Total Truth, coauthor How Now Shall We Live?) makes a compelling case that secularism is destructive and dehumanizing. Pearcey depicts the revolutionary thinkers and artists, the ideas and events, leading step by step to the unleashing of secular worldviews that undermine human dignity and liberty. She crafts a fresh approach that exposes the real-world impact of ideas in philosophy, science, art, literature, and film--voices that surround us in the classroom, in the movie theater, and in our living rooms. A former agnostic, Pearcey offers a persuasive case for historic Christianity as a holistic and humane alternative. She equips readers to counter the life-denying worldviews that are radically restructuring society and pervading our daily lives. Whether you are a devoted Christian, determined secularist, or don't know quite where you stand, reading Saving Leonardo will unsettle established views and topple ideological idols. Includes more than 100 art reproductions and illustrations that bring the book's themes to life. Praise for Saving Leonardo: A feast for the mind and for the eye. Nancy Pearcey not only is a trustworthy guide for a nuanced discussion on the relationship between culture and the gospel, but she is a gifted teacher as well . . . Saving Leonardo is a rare, precious gift to the churches and universities alike. Makoto Fujimura, artist and author of Refractions: A Journey of Faith, Art, and Culture Nancy Pearcey has done it again and better than ever. She has taken the complex sophistication of the best cultural analysis and laid it out for any person to grasp, enjoy and use to live out their daily lives honoring Christ. An astounding accomplishment! James W. Sire, author of The Universe Next Door G. K. Chesterton said 'the danger when Men stop believing in God is not that they'll believe in nothing; but that they will believe in anything.' Nancy Pearcey understands where believing in anything leads and in this book she reveals where a secular philosophy is taking us. A balanced, fair, and impacting work! Cal Thomas, syndicated and USA Today columnist Nancy Pearcey helps a new generation of evangelicals to understand the worldview challenges we now face and to develop an intelligent and articulate Christian understanding . . . Saving Leonardo should be put in the hands of all those who should always be ready to give an answer--and that means all of us. R. Albert Mohler, Jr., president, The Southern Baptist Theological Seminary Nancy Pearcey is an intellectual prophet in our day and one of Evangelicalism's foremost cultural observers. Saving Leonardo is a tour de force. In it, Pearcey provides a penetrating analysis of the nature of contemporary secularism, a helpful exposition of how we got to the present situation, and a well-crafted strategy for changing the situation. This is her best effort yet . . . a must read. J. P. Moreland, distinguished professor of Philosophy, Biola University and author of The God Question Nancy Pearcey is unsurpassed in the current generation of Christian thinkers . . . The magic continues with this book. Pearcey's virtues as a writer and thinker are once again fully evident in the range of material that she has mastered, the encyclopedic collection of data that she presents, and the analytic rigor with which she separates truth from error in worldviews. She is a prophetic voice for contemporary Christians. Leland Ryken, Clyde S. Kilby professor of English, Wheaton College Brilliant . . . The book brings complex, abstract ideas down-to-earth -- or rather, down-to-life. . . . Saving Leonardo bridges the gaps between the arts and the sciences, the theoretical and the practical. The book not only argues for the unity of Christian truth but exemplifies that unity and shows it in action. Gene Edward Veith, provost, Patrick Henry College |
| controversial pieces of art in history: Mondrian Meyer Schapiro, 1995 Schapiro here repackages two of his notable essays on Piet Mondrian and abstract painting. In 'On the |
| controversial pieces of art in history: ArtCurious Jennifer Dasal, 2020-09-15 A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore. |
| controversial pieces of art in history: Art in History/History in Art David Freedberg, Jan de Vries, 1996-07-11 Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture. |
| controversial pieces of art in history: The Controversy of Renaissance Art Alexander Nagel, 2011-09 Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. -- |
| controversial pieces of art in history: Art on Trial Laurie Adams, 1976 This book examines six modern art trials covering a wide range of legal and artistic considerations ... the first in-depth examination of the art trial from every intriguing point of view--Cover. |
| controversial pieces of art in history: A Little Life Hanya Yanagihara, 2016-01-26 NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise. |
| controversial pieces of art in history: British Art Show 9 Irene Aristizabal, 2021-07 An unrivaled survey of contemporary art from the UK Taking place every five years, the British Art Showis the largest touring exhibition of contemporary art in the UK. This catalog features artworks from its ninth edition, by artists including Hurvin Anderson, Michael Armitage, Simeon Barclay, Heather Phillipson and Alberta Whittle. |
| controversial pieces of art in history: The Pig Book Citizens Against Government Waste, 2013-09-17 The federal government wastes your tax dollars worse than a drunken sailor on shore leave. The 1984 Grace Commission uncovered that the Department of Defense spent $640 for a toilet seat and $436 for a hammer. Twenty years later things weren't much better. In 2004, Congress spent a record-breaking $22.9 billion dollars of your money on 10,656 of their pork-barrel projects. The war on terror has a lot to do with the record $413 billion in deficit spending, but it's also the result of pork over the last 18 years the likes of: - $50 million for an indoor rain forest in Iowa - $102 million to study screwworms which were long ago eradicated from American soil - $273,000 to combat goth culture in Missouri - $2.2 million to renovate the North Pole (Lucky for Santa!) - $50,000 for a tattoo removal program in California - $1 million for ornamental fish research Funny in some instances and jaw-droppingly stupid and wasteful in others, The Pig Book proves one thing about Capitol Hill: pork is king! |
| controversial pieces of art in history: The Brutish Museums Dan Hicks, 2020 Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism. |
| controversial pieces of art in history: Art and Obscenity Kerstin Mey, 2006-11-22 Explicit material is more widely available in the internet age than ever before, yet the concept of 'obscenity' remains as difficult to pin down as it is to approach without bias: notions of what is 'obscene' shift with societies' shifting mores, and our responses to explicit or disturbing material can be highly subjective. In this intelligent and sensitive book, Kerstin Mey grapples with the work of twentieth-century artists practising at the edges of acceptability, from Hans Bellmer through to Nobuyoshi Araki, from Robert Mapplethorpe to Annie Sprinkle, and from Hermann Nitsch to Paul McCarthy. Mey refuses sweeping statements and 'knee-jerk' responses, arguing with dexterity that some works, regardless of their 'high art' context, remain deeply problematic, whilst others are both groundbreaking and liberating. |
| controversial pieces of art in history: Harlem on My Mind Allon Schoener, 2007 Long before Harlem became one of the trendiest neighbourhoods in the red-hot property market of Manhattan, it was a metaphor for African American culture at its richest. This is the classic record of Harlem life during some of the most exciting and turbulent years of its history, a beautiful - and poignant - reminder of a powerful moment in African American history. Includes the work of some of Harlem's most treasured photographers, extraordinary images are juxtaposed with articles recording the daily life of one of New York's most memorialised neighbourhoods. |
| controversial pieces of art in history: The Metropolitan Museum of Art Kathryn Calley Galitz, 2016-09-20 This monumental new book is the first to celebrate the greatest and most iconic paintings from the encyclopedic collections of The Metropolitan Museum of Art, New York, one of the largest, most important, and most beloved museums in the world. This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. More than 1,000 lavish color illustrations and details of 500 masterpiece paintings, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa and the Americas, and and the greatest European and North American masters. The Metropolitan Museum of Art includes and introduction and illuminating texts about each artwork written specially for this volume by Kathryn Calley Galitz, whose experience as both curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renior, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, Jasper Johns, and Warhol. The artworks are arranged in rough chronological order, without regard to geography or culture, offering a visual timeline of the history of painting, from the earliest examples on pottery jars made over five thousand years ago to canvases on which the paint has barely dried. Freed from the constraints imposed by the physical layout of the Museum, the paintings resonate anew; and this chronological framework reveals unexpected visual affinities among the works. For those wishing to experience the unparalleled breadth and depth of the Met's collection, or study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world. |
| controversial pieces of art in history: Why Have There Been No Great Women Artists?: 50th anniversary edition Linda Nochlin, 2021-02-16 The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.” |
| controversial pieces of art in history: Nat Tate William Boyd, 2011-05-03 When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate.-David Bowie A moving account of an artist too well understood by his time.-Gore Vidal |
| controversial pieces of art in history: Disability and Art History Ann Millett-Gallant, Elizabeth Howie, 2016-10-26 This is the first book of its kind to feature interdisciplinary art history and disability studies. Moving away from the medical model of disability that is often scrutinized in art history, the book considers the social model and representations of disabled figures. Topics addressed include visible versus invisible impairments; scientific, anthropological, and vernacular images of disability; and the implications of looking/staring versus gazing. Disability and Art History explores ways in which art responds to, envisions, and at times stereotypes and pathologizes disability, and aims to contextualize disability historically, as well as in terms of medicine, literature, and visual culture. |
| controversial pieces of art in history: Robert Mapplethorpe Janet Kardon, Robert Mapplethorpe, David Joselit, Kay Larson, 1989 |
| controversial pieces of art in history: The Transfiguration of the Commonplace Arthur C. Danto, 1981 Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history. |
| controversial pieces of art in history: The Death of Caesar Barry Strauss, 2015-03-03 In this story of the most famous assassination in history, “the last bloody day of the [Roman] Republic has never been painted so brilliantly” (The Wall Street Journal). Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC—the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. “The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe” (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar’s who felt betrayed by the great man: He was the mole in Caesar’s camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar’s allies held a public funeral. Mark Antony made a brilliant speech—not “Friends, Romans, Countrymen” as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is “one of the most riveting hour-by-hour accounts of Caesar’s final day I have read....An absolutely marvelous read” (The Times, London). |
| controversial pieces of art in history: The Great Wall of Vagina Jamie McCartney, 2011 Female genitalia have long been a source of fascination, recently of celebration but generally of confusion. Step in British artist Jamie McCartney who has created a monumental wall sculpture from plastic casts of 400 women vulvas. Their privates have gone public and in this book over a quarter of them tell you why... |
| controversial pieces of art in history: Entangled Art Histories in Ukraine Stefaniia Demchuk, Illia Levchenko, 2024-11-29 This book explores ideologies, conflicts and ideas that underpinned art historical writing in Ukraine in the 20th century. Disciplinary beginnings testify both to its deep connection to Krakow, Saint Petersburg and especially Vienna with its school of art history and originality of theoretical thought. Art history started as another imperial project in Ukraine, but ultimately transformed into the means of assertion of national identity. The volume looks closely at the continuity and ruptures in scholarship caused by the establishment of Soviet power and challenges a number of existing stereotypes like total isolation under Communist rule and strict adherence to a Marxist-Leninist methodology. It showcases intellectual exchanges through published work, personal contacts and ways to resist the politically enforced methodology. Despite keeping the focus on one country, it contributes to understanding the development of art history as an academic discipline in Europe more generally. It also uncovers unknown or little-researched personal and academic connections between art historians from Ukraine and their peers abroad. Starting with the 19th-century quest for the method and proceeding by disentangling the complexities of the 20th century, the authors move on to the specifics of historiography after the formal collapse of the USSR. The volume transgresses purely academic boundaries and tackles the development of the discourse in periodicals, exhibition spaces and public discussions. Thus, the findings will be pertinent to all interested in politics, art history, museum studies, intellectual history, historiography and Eastern European studies. |
| controversial pieces of art in history: Monet's Impression Sunrise Claude Monet, Anne-Marie Bergeret-Gourbin, 2014 In April 1874, thirty artists, among them Monet, Renoir, Pissarro, Cezanne and Degas, participated in an exhibition held in a Paris studio. A scathing review in the newspaper 'Le Charivari' appeared under the title 'The Exhibition of the Impressionists', a derisive play on the title of one of the paintings by Monet on show, 'Impression, soleil levant' (Impression, Sunrise), thus giving this group of artists the name by which they would henceforth be known. This intriguing and colourful biography of Monet's world-famous painting accompanies an exhibition celebrating the 140th anniversary of the First Impressionist Exhibition. Author Biography: Marianne Mathieu is Deputy Director, Head of Collections and Communication of the Musee Marmottan Monet, Paris. Dominique Loebstein is the former head of documentary studies in the painting department of the Musee d'Orsay, Paris. Exhibition: Musée Monet Marottan, Paris, France (18.9.-18.1.2015). |
| controversial pieces of art in history: Picasso Marina Picasso, 2010-12-15 Marina Picasso remembers being six years old and standing awkwardly in front of the gates of Picasso's grand house near Cannes. She was there with her father and eight-year-old brother to collect from her grandfather the weekly allowance that Picasso grudgingly gave his eldest son to support is family. Sometimes they were sent away and on other occasions, the gates would be opened and they would walk into the intimidating, exciting chaos of Picasso's studio to face the man himself and his unpredictable moods. Looking back, Marina can understand why Picasso had so little interest in his grandchildren; but at the time, she and her brother longed for him to love and understand them. Just a few miles away down the Côte d'Azur, they led a hand-to-mouth existence. Her father was a weak man, reliant on his father for everything and her mother lived in her own fantasy world; the family were therefore utterly dependent on Picasso. People assumed they were rich and privileged because they were Picassos and they were to live their lives under the burden of these assumptions. It was this that caused Marina's brother to commit suicide and when her father died Marina found herself in the ironic position of being one of the major heirs to Picasso's estate. |
| controversial pieces of art in history: The Failures of Public Art and Participation Cameron Cartiere, Anthony Schrag, 2022-08-25 This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice. The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections. The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts. |
| controversial pieces of art in history: War and Art Joanna Bourke, 2017 In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Marc Chagall, Francis Bacon, K the Kollwitz, Joseph Beuys, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix, and many others. The volume also highlights the work of often overlooked artists, including children, non-Europeans, and prisoners of war. A wide range of subjects, from front-line combat to behind-the-lines wartime experiences are represented in paintings, etchings, photography, film, digital art, comics, and graffiti. Edited and with an introduction by Joanna Bourke, War and Art features essays written by premier experts in the field. This extensive survey is a fitting and timely contribution to our understanding of art, memory, and commemoration of war. |
| controversial pieces of art in history: American Pop Art Lawrence Alloway, Whitney Museum of American Art, 1974 Catalog of the exhibition: p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April 16. 1974, with support from the National Endowment for the Arts. |
| controversial pieces of art in history: Post-partum Document Mary Kelly, 1985 This book documents an evolving work of conceptual art about the mother-child relationship begun by Mary Kelly during the 70s and exhibited in the 70s & 80s as an installation, with photographs and analyses of the material evidence of her baby's transition from infancy to the beginnings of independence. It introduced an interrogation of subjectivity by using psychoanalytic theory and focusing on the construction of material femininity. |
| controversial pieces of art in history: Women of the Underground: Art Zora von Burden, 2012-11-20 “It is not about provocation, reaction or even invocation, it is about transformation: mentally and physically.”—Marina Abramovic, artist “Art is subjective, and if one sees something in an image, that projection is a reflection of the spectator, who sees what he or she wants to see, whose critique is relevant to him or herself, exposing his or her own perversions.”—Irina Ionesco, artist Until the late twentieth century, women’s creative skills were relegated to craft and decorative arts, and valued only for utilitarian purposes in service to others and the manufacturing of products to benefit society. After enduring the great injustice of being denied the freedom that self-expression brings through art for the joy of the human spirit, Women of the Underground: Art celebrates those female cultural innovators who are creating new artwork that pushes boundaries, dares to question, and redefines the genres of mixed media; theater; film; photography; and visual, conceptual, and performance art. In this groundbreaking anthology that will inspire artists and everyone interested in alternatives to mainstream culture, as well as serve as a reference book for art historians, twenty-six female artists describe their ideas, beginnings, influences, and creative techniques. Contains interviews with Lady Pink, Marina Abramovic, Orlan, Aleksandra Mir, Penny Arcade, Johanna Went, the Guerrilla Girls, and many others. Editor Zora von Burden was born and raised in San Francisco, California. A frequent contributor to The San Francisco Herald, von Burden also wrote the screenplay for Geoff Cordner’s underground cult classic film, Hotel Hopscotch. |
| controversial pieces of art in history: Every Day is a Good Day John Cage, Jeremy Millar, Baltic Centre for Contemporary Art, 2010 This book is published to accompany the first major UK retrospective of the visual art of the pioneering American composer and artist John Cage (1912ndash;1992). The use of chance operations, in particular the Chinese Book of Changes, or I Ching, was central to Cage's compositional method and his approach to his drawings, watercolours and prints, many of which are reproduced here for the first time. Cage's practice is explored in new interviews with key collaborators: printmaker Kathan Brown; Laura Kuhn, Director of the John Cage Trust; artist Ray Kass; and Julie Lazar, curator of Cage's 1992 'composition for a museum', Rolywholyover: A Circus. Extracts from a 1966 interview between Cage and the critic Irving Sandler are also included. At the heart of the book is a 'Companion to Cage': a selection of quotations by Cage and notes on key themes and influences from 'Alphabet' to 'Zen', making it essential reading on this important figure of the twentieth-century avant-garde. Published to accompany the UK touring exhibition in 2010 ndash; 2011 at Baltic Centre for Contemporary Art, Gateshead; Kettle's Yard, Cambridge; Huddersfield Art Gallery; Hunterian Art Gallery, Glasgow; De La Warr Pavilion, Bexhill-on-Sea. |
| controversial pieces of art in history: Art and China After 1989 Alexandra Munroe, Hou Hanru, Philip Tinari, 2017 Twenty years of experimental art from a globalized China Published on the occasion of the largest exhibition of contemporary art from China ever mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and China after 1989: Theater of the World explores recent experimental art from 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. Featuring over 150 iconic and lesser-known artworks by more than 70 artists and collectives, this catalog offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization and the rise of China. Critical essays explore how Chinese artists have been both agents and skeptics of China's arrival as a global presence, while an extensive entry section offers detailed analysis on works made in a broad range of experimental mediums, including film and video, ink, installation, land art and performance, as well as painting and photography. Featured artists include Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Ding Yi, Geng Jianyi, Huang Yong Ping, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang and Zhou Tiehai. An appendix includes a selected history of contemporary art exhibitions in China, artist biographies and a bibliography. |
| controversial pieces of art in history: Joycelyn Elders, M.D. M. Joycelyn Elders, Joycelyn Elders, David Chanoff, 1996 A great deal of controversy has surrounded both the tenure and resignation of former Surgeon General Jocelyn Elders. Now, for the first time, Dr. Elders shares both the travails and triumphs of her life in an autobiography which is not only a political memoir chock full of insider information, but also a chronicle of the triumphant rise of a great-granddaughter of slaves and impoverished child of sharecroppers to the highest medical position in the Unites States. of photos. |
| controversial pieces of art in history: Encyclopaedia Britannica Hugh Chisholm, 1910 This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style. |
| controversial pieces of art in history: Andy Warhol: Liz , 2012-04-17 Andy Warhol’s iconic portraits of Elizabeth Taylor are images that have lost none of their explosive power in the decades that separate the present from the moment of their making. Frequently hailed as the greatest movie star of all time, Elizabeth Taylor was a friend of Andy Warhol in the 1970s and 1980s. The personification of charisma, whose highly public life was charged with drama, tragedy, and romance, this iconic muse was a perfect vehicle for Warhol’s vivid silk-screen portraiture derived from press clippings, publicity shots, and film stills. Warhol made over fifty portraits of Taylor in all her incarnations—from the ethereally beautiful child actress in National Velvet to the commanding, voluptuous screen goddess of Cleopatra. Andy Warhol: Liz sheds light on the relationship between Warhol and one of his most notorious muses. |
| controversial pieces of art in history: Poppies Imperial War Museum, 2018 The major art installation Blood Swept Lands and Seas of Red at the Tower of London marked one hundred years since the first full day of Britain's involvement in the First World War. Created by artists Paul Cummins and Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war. The poppies encircled the iconic landmark, creating a spectacular display visible from all around the Tower, which attracted more than 5 million visitors. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration. Featuring forewords by Paul Cummins and Tom Piper and stunning photography of the installation, The Poppies: Blood Red Lands and Seas of Red is the only official publication to mark this landmark event. As thousands of the poppies used in the installation tour the country during the remainder of the First World War Centenary, this publication will undoubtedly prove popular with visitors to both the Tower and the new venues alike. |
Uneasy Pieces: Controversial Works in the History of Art, 1830 …
Since there is no dearth of uneasy pieces in the history of art (and not only in modern art), this issue of Art Journal contains essays addressing works by artists whose adversarial …
Controversial Pieces Of Art In History Copy
Controversial Pieces Of Art In History: Art That Changed the World DK,2013-10-01 Experience the uplifting power of art on this breathtaking visual tour of 2 500 paintings and sculptures …
The New York Public Library Humanities and Social Sciences …
The collective produced some controversial pieces, most notably the Kissing Doesn't Kill bus poster, for which they received the Municipal Art Society of New York's Brendan Gill Prize in …
memoire 2122 copy 2
controversy that involves art is the ongoing discussion about whether certain pieces should be considered art. Damien Hirst is a highly controversial artist. The artist is known for his …
Morally Provocative Art. Contemporary Ethical-Aesthetic …
We can characterize contemporary ethical and aesthetic thought by its movement from extreme forms of moralism (Plato, Hume, Tolstoy) and autonomy (Wilde, Beardsley) to the search for …
Controversial Pieces Of Art In History - origin-biomed.waters
controversial pieces of art in history: Wyeth Laura J. Hoptman, 2012 In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate …
Beyond Provocation: How Viewers make Sense of …
Transgressive taboo art refers to a controversial visual art genre that deliberately discomforts its viewing audience by provocatively questioning commonly held values and widely accepted …
Removing the Fig Leaf - ResearchGate
Art Room T he nude body is an enduring and universal ... evolving status throughout history as it ... more controversial pieces are discovered by.
Controversial Art - TSFX
While controversial art can be an effective vehicle to spark thought in the peoples (which in my opinion is the primary purpose of art), some artists seek only notoriety and exposure rather …
Aestheticism: Sensations and Ideas
This paper takes as its topic Pater’s presence in Locke’s important 1925 anthology of Harlem Renaissance literature and art, The New Negro, and more specifically Locke’s controversial …
National Museum of American Art, March-July 1991 - JSTOR
raised, and the reasons why the National Museum of American Art was turned into a political battlefield. The show itself, what it consisted of, how it was organized, and what pieces of art it …
Controversial Art - Turton School
Street art and graffiti can be considered criminal damage, so in the beginning it's thought the artist stayed anonymous to keep out of trouble. In the beginning his pieces were mainly in Bristol, …
Negotiating with the Past: The Art of Calligraphy in Post-Mao …
most controversial pieces have been created by the so-called avant-gardes, or modernists or postmodernists, 3 as they are variably called, who seem bent on challenging the conven- …
The Gothic Revival and the Aesthetics of Abolitionism
Beginning with the critical reception of Anne Whitney’s Africa, this essay examines the racial dimension of the movement toward “naturalism” that swept through the fine arts in America …
Art Is Often Controversial Because (Download Only)
Art, at its core, is a powerful tool for expression and reflection. However, this very power often makes it controversial. From provocative imagery to challenging societal norms, art frequently …
Appropriation in Postmodernism: Analyzing Andy Warhol and …
specifically, 20th century art of Postmodernism distinguishes itself for taking different styles and media to create new controversial pieces, usually taking inspirations, ironically or 8 David …
The Feminist Critique of Art History
Oct 8, 2016 · In this survey, we propose, first, to outline the history of feminist art and art history, then to discuss the interrelated themes in each, and, finally, in the concluding and pivotal …
Controversial Art - Turton School
Street art and graffiti can be considered criminal damage, so in the beginning it's thought the artist stayed anonymous to keep out of trouble. In the beginning his pieces were mainly in Bristol, …
The Marcel Duchamp - Hofstra University
In 1912, Duchamp painted the controversial Nude Descending a Staircase, No. 2, which expressed motion through the use of successive superimposed images. This piece was one of …
January 2015 “artiStiC EXPrESSion anWar SHouLD nEVEr BE …
to this view, one commentator suggests that: “...original art is never created in the safe middle ground, but always at the edge. Originality is dangerous. It challenges, questions, overturns …
Uneasy Pieces: Controversial Works in the History of Art, …
Since there is no dearth of uneasy pieces in the history of art (and not only in modern art), this issue of Art Journal contains essays addressing works by artists whose adversarial …
Controversial Pieces Of Art In History Copy
Controversial Pieces Of Art In History: Art That Changed the World DK,2013-10-01 Experience the uplifting power of art on this breathtaking visual tour of 2 500 paintings and sculptures …
The New York Public Library Humanities and Social Sciences …
The collective produced some controversial pieces, most notably the Kissing Doesn't Kill bus poster, for which they received the Municipal Art Society of New York's Brendan Gill Prize in …
memoire 2122 copy 2
controversy that involves art is the ongoing discussion about whether certain pieces should be considered art. Damien Hirst is a highly controversial artist. The artist is known for his …
Morally Provocative Art. Contemporary Ethical-Aesthetic …
We can characterize contemporary ethical and aesthetic thought by its movement from extreme forms of moralism (Plato, Hume, Tolstoy) and autonomy (Wilde, Beardsley) to the search for …
Controversial Pieces Of Art In History - origin-biomed.waters
controversial pieces of art in history: Wyeth Laura J. Hoptman, 2012 In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate …
Beyond Provocation: How Viewers make Sense of …
Transgressive taboo art refers to a controversial visual art genre that deliberately discomforts its viewing audience by provocatively questioning commonly held values and widely accepted …
Removing the Fig Leaf - ResearchGate
Art Room T he nude body is an enduring and universal ... evolving status throughout history as it ... more controversial pieces are discovered by.
Controversial Art - TSFX
While controversial art can be an effective vehicle to spark thought in the peoples (which in my opinion is the primary purpose of art), some artists seek only notoriety and exposure rather …
Aestheticism: Sensations and Ideas
This paper takes as its topic Pater’s presence in Locke’s important 1925 anthology of Harlem Renaissance literature and art, The New Negro, and more specifically Locke’s controversial …
National Museum of American Art, March-July 1991 - JSTOR
raised, and the reasons why the National Museum of American Art was turned into a political battlefield. The show itself, what it consisted of, how it was organized, and what pieces of art it …
Controversial Art - Turton School
Street art and graffiti can be considered criminal damage, so in the beginning it's thought the artist stayed anonymous to keep out of trouble. In the beginning his pieces were mainly in Bristol, …
Negotiating with the Past: The Art of Calligraphy in Post-Mao …
most controversial pieces have been created by the so-called avant-gardes, or modernists or postmodernists, 3 as they are variably called, who seem bent on challenging the conven- …
The Gothic Revival and the Aesthetics of Abolitionism
Beginning with the critical reception of Anne Whitney’s Africa, this essay examines the racial dimension of the movement toward “naturalism” that swept through the fine arts in America …
Art Is Often Controversial Because (Download Only)
Art, at its core, is a powerful tool for expression and reflection. However, this very power often makes it controversial. From provocative imagery to challenging societal norms, art frequently …
Appropriation in Postmodernism: Analyzing Andy Warhol and …
specifically, 20th century art of Postmodernism distinguishes itself for taking different styles and media to create new controversial pieces, usually taking inspirations, ironically or 8 David …
The Feminist Critique of Art History
Oct 8, 2016 · In this survey, we propose, first, to outline the history of feminist art and art history, then to discuss the interrelated themes in each, and, finally, in the concluding and pivotal …
Controversial Art - Turton School
Street art and graffiti can be considered criminal damage, so in the beginning it's thought the artist stayed anonymous to keep out of trouble. In the beginning his pieces were mainly in Bristol, …
The Marcel Duchamp - Hofstra University
In 1912, Duchamp painted the controversial Nude Descending a Staircase, No. 2, which expressed motion through the use of successive superimposed images. This piece was one of …
January 2015 “artiStiC EXPrESSion anWar SHouLD nEVEr BE …
to this view, one commentator suggests that: “...original art is never created in the safe middle ground, but always at the edge. Originality is dangerous. It challenges, questions, overturns …
