| cormac mccarthy writing style: The Road Cormac McCarthy, 2007 In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity |
| cormac mccarthy writing style: Blood Meridian Cormac McCarthy, 2010-08-11 25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: Child of God Cormac McCarthy, 2010-08-11 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves. —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: The crossing , 1983 |
| cormac mccarthy writing style: The Crossing Cormac McCarthy, 1995-03-14 NATIONAL BESTSELLER • The second volume of the award-winning Border Trilogy—From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road—fulfills the promise of All the Pretty Horses and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth. In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch. But instead of killing it, he decides to take it back to the mountains of Mexico. With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence strikes as suddenly as heat-lightning—a world where there is no order save that which death has put there. An essential novel by any measure, The Crossing is luminous and appalling, a book that touches, stops, and starts the heart and mind at once. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: So What's the Difference Fritz Ridenour, 2001-03-02 Completely revised and updated for the postmodern age, So What's the Difference? gives you easy-to-understand, nonjudgmental answers to the question, How does orthodox biblical Christianity differ from other faiths? Here Fritz Ridenour explains the basic tenets of Protestantism, Roman Catholicism, Eastern Orthodoxy, Judaism, Islam, Hinduism, Buddhism, Jehovah's Witnesses, Christian Science, New Age, Mormonism, and other religions and belief systems of the world. You will also learn why relative thinking--the idea that there is no objective, absolute truth--has become the predominant mindset in our culture, and how you can respond. This bestselling guide will help you recognize the real differences between the Christian faith and other viewpoints and make it easier for you to explain and share your faith with others. |
| cormac mccarthy writing style: A Reader's Manifesto B. R. Myers, 2002 Including: A response to critics, and: Ten rules for serious writers, the author continues his fight on behalf of the American reader, arguing against pretension in so-called literary fiction, naming names and exposing the literary status quo. |
| cormac mccarthy writing style: Books Are Made Out of Books Michael Lynn Crews, 2017-09-05 Cormac McCarthy told an interviewer for the New York Times Magazine that books are made out of books, but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own. |
| cormac mccarthy writing style: Styles of Extinction: Cormac McCarthy's The Road Julian Murphet, Mark Steven, 2012-06-28 This collection shows how Cormac McCarthy's The Road reacts aesthetically to many of the ethical, ontological, and political concerns that define our times. |
| cormac mccarthy writing style: My Confession Samuel Emery Chamberlain, William H. Goetzmann, 1996 Not control his amorous and pugilistic inclinations and so left for the West. According to his Confession, he seduced countless women in the U.S. and Mexico, never missed a fandango, fought gallantly against Mexican guerrillas, and rode with the 1st Dragoons into the Battle of Buena Vista. His remarkable story is pure melodrama; but Goetzmann has proven by his painstaking research that much of it is true. In extensive annotation, the editor has been able to separate. |
| cormac mccarthy writing style: Mr. Shivers Robert Jackson Bennett, 2009-12-02 Discover Robert Jackson Bennett's stunning debut, set during the Great Depression and reading like a collaboration between Stephen King and John Steinbeck (Publishers Weekly -- starred review). In the ruins of the Dust Bowl, thousands have left their homes looking for a better life, a new life. But Marcus Connelly is not one of them. He searches for one thing, and one thing only: Revenge. Because out there, riding the rails, stalking the camps, is the scarred vagrant who murdered Connelly's daughter. One man must face a dark truth and answer the question -- how much is he willing to sacrifice for his satisfaction? |
| cormac mccarthy writing style: No Country for Old Men Cormac McCarthy, 2007-11-29 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a profoundly disturbing and gorgeously rendered novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: Underworld Don DeLillo, 2007-11-01 Finalist for the Pulitzer Prize Finalist for the National Book Award Finalist for the National Book Critics Circle Award Winner of the Howell’s Medal of the American Academy of Arts and Letters One of The New York Times Book Review’s 10 Best Books “A great American novel, a masterpiece, a thrilling page-turner.” —San Francisco Chronicle *With a new preface by Don DeLillo on the 25th anniversary of publication* Don DeLillo's mesmerizing novel was a major bestseller when it was published in 1997 and was the most widely reviewed novel of the year. It opens with a legendary baseball game played between the Brooklyn Dodgers and the New York Giants in 1951. The home run that won the game was called the Shot Heard Round the World, and was shadowed by the terrifying news that on the same day, Russia tested its first hydrogen bomb. Underworld then tells the story of Klara Sax and Nick Shay, and of a half century of American life during the Cold War and beyond. “A dazzling, phosphorescent work of art.” —Michiko Kakutani, The New York Times “This is a novel that draws together baseball, the Bomb, J. Edgar Hoover, waste disposal, drugs, gangs, Vietnam, fathers and sons, comic Lenny Bruce and the Cuban Missile Crisis. It also depicts passionate adultery, weapons testing, the care of aging mothers, the postwar Bronx, '60s civil rights demonstrations, advertising, graffiti artists at work, Catholic education, chess and murder. There's a viewing of a lost Eisenstein film, meditations on the Watts Tower, an evening at Truman Capote's Black & White Ball, a hot-air balloon ride, serial murders in Texas, a camping trip in the Southwest, a nun on the Internet, reflections on history, one hit (or possibly two) by the New York mob and an apparent miracle. As DeLillo says and proves, ‘Everything is connected in the end.’ —Michael Dirda, The Washington Post Book World “Underworld is an amazing performance, a novel that encompasses some five decades of history, both the hard, bright world of public events and the more subterranean world of private emotions. It is the story of one man, one family, but it is also the story of what happened to America in the second half of the 20th century.” —The New York Times “Astonishing…A benchmark of twentieth-century fiction, Underworld is stunningly beautiful in its generous humanity, locating the true power of history not in tyranny, collective political movements or history books, but inside each of us.” —Greg Burkman, The Seattle Times “It’s hard to imagine a way people might better understand American life in the second half of the twentieth century and beginning of the twenty-first than by reading Don DeLillo. The scale of his inquiry is global and historic… His work is astounding, made of stealthy blessings… it proves to my generation of writers that fiction can still do anything it wants.” —Jennifer Egan, in her presentation of the Medal for Distinguished Contribution to American Letters “Underworld is a page-turner and a masterwork, a sublime novel and a delight to read.” —Joan Mellen, The Baltimore Sun |
| cormac mccarthy writing style: Provinces of Night William Gay, 2009-09-09 It’s 1952, and E.F. Bloodworth is finally coming home to Ackerman’s Field, Tennessee. Itinerant banjo picker and volatile vagrant, he’s been gone ever since he gunned down a deputy thirty years before. Two of his sons won’t be home to greet him: Warren lives a life of alcoholic philandering down in Alabama, and Boyd has gone to Detroit in vengeful pursuit of his wife and the peddler she ran off with. His third son, Brady, is still home, but he’s an addled soothsayer given to voodoo and bent on doing whatever it takes to keep E.F. from seeing the wife he abandoned. Only Fleming, E.F.’s grandson, is pleased with the old man’s homecoming, but Fleming’s life is soon to careen down an unpredictable path hewn by the beautiful Raven Lee Halfacre. In the great Southern tradition of Faulkner, Styron, and Cormac McCarthy, William Gay wields a prose as evocative and lush as the haunted and humid world it depicts. Provinces of Night is a tale redolent of violence and redemption–a whiskey-scented, knife-scarred novel whose indelible finale is not an ending nearly so much as it is an apotheosis. |
| cormac mccarthy writing style: Farewell to the Horse Ulrich Raulff, 2017-05-25 THE SUNDAY TIMES HISTORY BOOK OF THE YEAR 2017 'A beautiful and thoughtful exploration of the role of the horse in creating our world' James Rebanks 'Scintillating, exhilarating ... you have never read a book like it ... a new way of considering history' Observer The relationship between horses and humans is an ancient, profound and complex one. For millennia horses provided the strength and speed that humans lacked. How we travelled, farmed and fought was dictated by the needs of this extraordinary animal. And then, suddenly, in the 20th century the links were broken and the millions of horses that shared our existence almost vanished, eking out a marginal existence on race-tracks and pony clubs. Farewell to the Horse is an engaging, brilliantly written and moving discussion of what horses once meant to us. Cities, farmland, entire industries were once shaped as much by the needs of horses as humans. The intervention of horses was fundamental in countless historical events. They were sculpted, painted, cherished, admired; they were thrashed, abused and exposed to terrible danger. From the Roman Empire to the Napoleonic Empire every world-conqueror needed to be shown on a horse. Tolstoy once reckoned that he had cumulatively spent some nine years of his life on horseback. Ulrich Raulff's book, a bestseller in Germany, is a superb monument to the endlessly various creature who has so often shared and shaped our fate. |
| cormac mccarthy writing style: The Road by Cormac McCarthy (Book Analysis) Bright Summaries, 2016-11-09 Unlock the more straightforward side of The Road with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Road by Cormac McCarthy, the story of a father and son travelling south to escape the harsh winter in a postapocalyptic world. On the way, they must contend with food shortages, hordes of vicious cannibals and the existential problem of what there is left to live for in a world devoid of humanity. Described by The Times as “a work of such terrible beauty that you will struggle to look away”, the novel won the 2007 Pulitzer Prize for Fiction and has been adapted into a major motion picture. Known for his original and effective writing style, Cormac McCarthy is the multi-award-winning author of several acclaimed novels, including No Country for Old Men and Blood Meridian. Find out everything you need to know about The Road in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com! |
| cormac mccarthy writing style: Thrill Me Benjamin Percy, 2016-10-18 In fifteen essays that challenge the notion that literary and genre fiction are mutually exclusive turns to Cormac McCarthy, Ursula K. Le Guin, Stephen King, and others to discover how contemporary writers engage plot, character, dialogue, and suspense--Page 4 of cover. |
| cormac mccarthy writing style: The Cambridge Companion to Cormac McCarthy Steven Frye, 2013-04-22 This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers. |
| cormac mccarthy writing style: Suttree Cormac McCarthy, 2010-08-11 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there—a brilliantly imagined collection of eccentrics, criminals, and squatters—he rises above the physical and human squalor with detachment, humor, and dignity. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: All Things Left Wild James Wade, 2020-06-16 After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb’s moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill. Wealthy and bookish Randall Dawson, out of place in this rugged and violent country, is begrudgingly chasing after the Bentley brothers. With little sense of how to survive, much less how to take his revenge, Randall meets Charlotte, a woman experienced in the deadly ways of life in the West. Together they navigate the murky values of vigilante justice. Powerful and atmospheric, lyrical and fast-paced, All Things Left Wild is a coming-of-age for one man, a midlife odyssey for the other, and an illustration of the violence and corruption prevalent in our fast-expanding country. It artfully sketches the magnificence of the American West as mirrored in the human soul. |
| cormac mccarthy writing style: The Passenger Cormac McCarthy, 2022-10-25 NEW YORK TIMES BEST SELLER • The first of a two-volume masterpiece, The Passenger series, from the Pulitzer Prize–winning author of The Road • The story of a salvage diver, haunted by loss, afraid of the watery deep, pursued for a conspiracy beyond his understanding, and longing for a death he cannot reconcile with God. A NEW YORK TIMES BEST BOOK OF THE YEAR Blends the rowdy humor of some of McCarthy’s early novels with the parched tone of his more apocalyptic later work. —The New York Times Stella Maris, the second volume in The Passenger series, is available now. 1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul. Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness. |
| cormac mccarthy writing style: Cormac McCarthy Lydia R. Cooper, 2021-06-29 Combining the fields of evolutionary economics and the humanities, this book examines McCarthy’s literary works as a significant case study demonstrating our need to recognise the interrelated complexities of economic policies, environmental crises, and how public policy and rhetoric shapes our value systems. In a world recovering from global economic crisis and poised on the brink of another, studying the methods by which literature interrogates narratives of inevitability around global economic inequality and eco-disaster is ever more relevant. |
| cormac mccarthy writing style: Outer Dark Cormac McCarthy, 2010-08-11 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • A novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: Faulkner and Hemingway Christopher Rieger, Andrew B. Leiter, 2018 Faulkner and Hurston is a collection of literary criticism from the 2016 Faulkner/Hemingway Conference at Southeast Missouri State University. Faulkner and Hemingway is Volume Six in Southeast's Faulkner Conference Series. |
| cormac mccarthy writing style: All the Pretty Horses Cormac McCarthy, 1993-06-29 NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • The first volume in the Border Trilogy, from the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself. With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood. Look for Cormac McCarthy's latest novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: Tenth of December George Saunders, 2013-01-03 The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity. |
| cormac mccarthy writing style: Very Old Bones William Kennedy, 2011-12-22 It is 1958 and the Phelan clan has gathered to hear Peter Phelan's will, read by the living Peter himself, an artist whose paintings about members of the family have given him belated critical recognition. The paintings illuminate the lives of his brother Francis (the exiled hero of Ironweed), and a family ancestor, Malachi McIlhenny, a true madman beset by demons, and determined to send them back to hell. Orson Purcell, bastard son of Peter, and half-mad himself, encounters his first true solace through this obsessive and close-knit family he has never quite entered; most especially through his Aunt Molly, whose intense love affair holds secrets that only another love can resurrect. It is through Orson's modern eye that we see the tragedies, obsessions, and clandestine joys of this singular family. This is climatic work in William Kennedy's Albany Cycle, riding on the melody of its language and the power of its story, which is full of surprise, comedy, terror, and earthly delight. |
| cormac mccarthy writing style: A Quiet Apocalypse Dave Jeffery, 2020-01-22 The end is hear... A mutant strain of meningitis has wiped out most of mankind. The few who have survived the fever are now deaf. Bitter with loss and terrified to leave the city known as Cathedral, the inhabitants rely on The Samaritans, search teams sent out into the surrounding countryside. Their purpose, to hunt down and enslave the greatest commodity on Earth, an even smaller group of people immune to the virus, people who can still hear. People like me. My name is Chris. This is my story. A Quiet Apocalypse is told from the perspective of ex-schoolteacher Chris, a hearing survivor. He has lost everything, including his freedom, and through his eyes we learn of what it is like to live as a slave in this terrible new world of fear and loss. I was keen to write a piece that preyed upon people's traditional misconceptions of deafness as an illness, and the imposition of 'hearing' norms. It is a story that has poignancy in any understanding of the struggles of minority groups. - Author, Dave Jeffery (Cover by Adrian Baldwin; original artwork by Roberto Segate) |
| cormac mccarthy writing style: Savage Night Jim Thompson, 2012-05-01 Jake Winroy had no looks, no education, and little else before he'd worked his way to the top of a million-dollar-a-month horse-betting ring. But when the state's latched onto his game, the feds take a bite and the lawyer fees eat away at the rest, all Jake's got left is the bottle and a beautiful wife whose every word is ugly. Jake's to be the top witness in a major case against organized crime -- if he hasn't already kicked the bucket before the trial has its day in court. But an enigmatic mafioso known only as The Man has a plan to make dead certain Jake never gets the chance to testify. The Man's hired Charlie Little Bigger, a hit man barely five feet tall, to infiltrate the Winroy residence as a tenant and murder Winroy in cold blood. To Little, it seems like the easiest job on Earth. Until he lays eyes on the beautiful and dangerous Fay and the Winroy's young housemaid Ruth, a woman as sensual as she is vulnerable. Savage Night is Jim Thompson at his most unpredictable and deeply suspenseful, in a claustrophobic thriller of one man's fractured mind. |
| cormac mccarthy writing style: Outer Dark Cormac McCarthy, 2010 This stark novel is set in an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution. |
| cormac mccarthy writing style: The Big Book Of Lesbian Horse Stories Alisa Surkis, Monica Nolan, 2012-07-11 These Are The Unbridled Desires Of Women Without Men. . .When Their Same-Sex Passion Explodes, Will The Stables Ever Be Safe Again? You've read about them, these sisters under the skin, vulnerable to the temptations of Sappho. . .Passion-starved twilight girls crossing over into a man's world of high withers, rippling hindquarters and glossy coats. . . Meet women like Pauline in Miss Barnard's Unit--the country girl bereft of feminine influence who comes of age in World War I, and comes undone in the arms of a worldly debutante. . .Terry in Snake Eyes for Silky, a jockey from the school of hard knocks who falls hard for a whip-wielding gangster's moll, and finds that she must choose between her heart and her horse . . . Innocents like Lena and Lily in The Chosen Horse, who bond over the sad fate of a cart horse, and their unspoken need to tread the waters of Lesbos . . .A world-class jumper like Julie in Lady Snow, a champion tempted by the irresistible rhythms of the bisexual Euro-beat. . .A young girl like Oreola in Pastures of Passion, who follows a lost foal to a curious farm girl--and her own destiny. . . These Are The Women Of The Big Book Of Lesbian Horse Stories. The Paddock Gates Are Open--Come Inside And Join The Fun! With an inspired sense of nostalgia, sensation, and wry humor, Alisa Surkis and Monica Nolan invite readers back into the curves of third-sex pulp fiction where odd-girls-out now ride as free as a filly with their Bohemian desires--side-saddle be damned. But this time, from coy flirtation to requited lust, there's nary a man in sight to set them on the straight-and-narrow. |
| cormac mccarthy writing style: Drowned Hopes Donald E. Westlake, 2011-10-25 This rollicking tale of an aging robber who wants to blow up a reservoir “will keep readers laughing” (Publishers Weekly). In his day, Tom was a hard man. He came up with Dillinger in the 1930s, and pulled a lot of high-profile jobs before the state put him away. They meant it to be for good, but after twenty-three years the prisons are too crowded for seventy-year-old bank robbers, and so they let the old man go. Finally free, he heads straight for John Dortmunder’s house. Long ago, Tom buried $700,000, and now he needs help digging it up. While he was inside, the government dammed a nearby river, creating a reservoir and putting fifty feet of water on top of his money. He wants to blow the dam, drown the villagers, and move to Acapulco. If Dortmunder wants a clean conscience to go along with his share, he needs to find a nice way to get the money before Tom’s nasty instincts get the best of both of them. |
| cormac mccarthy writing style: Cormac McCarthy Sara Spurgeon, 2011-08-04 > |
| cormac mccarthy writing style: Caffeinated Murray Carpenter, 2015-01-27 “You’ll never think the same way about your morning cup of coffee.”—Mark McClusky, editor in chief of Wired.com and author of Faster, Higher, Stronger Journalist Murray Carpenter has been under the influence of a drug for nearly three decades. And he’s in good company, because chances are you’re hooked, too. Humans have used caffeine for thousands of years. A bitter white powder in its most essential form, a tablespoon of it would kill even the most habituated user. This addictive, largely unregulated substance is everywhere—in places you’d expect (like coffee and chocolate) and places you wouldn’t (like chewing gum and fruit juice), and Carpenter reveals its impact on soldiers, athletes, and even children. It can make you stronger, faster, and more alert, but it’s not perfect, and its role in health concerns like obesity and anxiety will surprise you. Making stops at the coffee farms of central Guatemala, a synthetic caffeine factory in China, and an energy shot bottler in New Jersey, among numerous other locales around the globe, Caffeinated exposes the high-stakes but murky world of caffeine, drawing on cutting-edge science and larger-than-life characters to offer an unprecedented understanding of America’s favorite drug. |
| cormac mccarthy writing style: The Border Trilogy Cormac McCarthy, 2018-07-12 Beautiful and brutal, two young cowboys come of age in The Border Trilogy – Cormac McCarthy's award-winning requiem for the American frontier. 'A landmark in American literature' – Guardian With an introduction from Rachel Kushner, author of The Mars Room. During the middle of the twentieth century, two teenage boys leave their childhoods behind across the US-Mexico border. John Grady Cole will search for his future to the south, a friend by his side, finding adventure and barbarism in the vanishing world of the Old West. Billy Parnham, after deciding not to kill her, will be drawn to the mountains of Mexico accompanied by a lone, pregnant wolf. When the two boys come together as men, in the trilogy's final volume, a dangerous chain of events will bring this story to its savage, inevitable conclusion. A stunning saga of loyalty and love, filled equally with sorrow and humour, The Border Trilogy is a powerful story of two friends growing up in a world where blood and violence are conditions of life. 'In these three fierce, desolate, beautiful novels, McCarthy has created a masterpiece' – Sunday Times This edition collects all three novels in the Border Trilogy: All the Pretty Horses, The Crossing and Cities of the Plain. Praise for Cormac McCarthy ‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road and The Wren, The Wren 'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining and the Dark Tower series '[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain |
| cormac mccarthy writing style: The Son Philipp Meyer, 2013-07-18 THE NEW YORK TIMES BESTSELLER NOW A MAJOR TV SERIES starring Pierce Brosnan and co-written by Philipp Meyer The critically acclaimed, New York Times-bestselling epic, a saga of land, blood and power, follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century. Eli McCullough is just twelve years old when a marauding band of Comanche storm his Texas homestead, brutally murder his mother and sister and take him captive. Despite their torture and cruelty, Eli - against all odds - adapts to life with the Comanche, learning their ways and language, taking on a new name, finding a place as the adopted son of the band's chief and fighting their wars against not only other Indians but white men too, which complicates his sense of loyalty, his promised vengeance and his very understanding of self. But when disease, starvation and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized nor fully wild. Deftly interweaving Eli’s story with those of his son Peter and his great-granddaughter JA, The Son maps the legacy of Eli’s ruthlessness, his drive to power and his lifelong status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching and oil dynasty that is as resilient and dangerous as the land they claim. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Panoramic, deeply evocative and utterly transporting, The Son is a masterpiece American novel - part epic of Texas, part classic coming-of-age story - that combines the narrative prowess of Larry McMurtry with the knife-edge sharpness of Cormac McCarthy. 'Stunning ... a book that for once really does deserve to be called a masterpiece' Kate Atkinson 'Magnificent ... McCarthy's Border Trilogy is a point of reference, as is There Will Be Blood, but it is not fanciful to be reminded of certain passages from Moby-Dick - it's that good'The Times 'Brilliant ... a wonderful novel' Lionel Shriver |
| cormac mccarthy writing style: The Orchard Keeper Cormac McCarthy, 2010-08-11 The acclaimed first novel from one of America's most celebrated novelists, the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • Set is a remote community in rural Tennessee in the years between the two world wars, it is the story of a young boy and a bootlegger who, unbeknownst to either of them, has killed the boy's father. The boy, John Wesley Rattner, and the outlaw, Marion Sylder–together with Rattner's Uncle Ather, who belongs to a former age in his communion with nature and his stoic independence–enact a drama that seems born of the land itself. All three are heroes of an intense and compelling celebration of values lost to time and industrialization. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cormac mccarthy writing style: Cormac McCarthy Robert L. Jarrett, 1997 In this astute and learned analysis of McCarthy's fiction, Robert Jarrett looks at all seven of the novels published to date and responds to much of the current (and proliferating) critical thought about McCarthy. After an introductory biographical chapter, Jarrett addresses what he considers the two phases of McCarthy's fiction: as a regional writer of the Appalachian South, whose work mixes modernist and realistic techniques and merges contemporary fiction with the tradition of Southern literature (as in The Orchard Keeper [1965], Outer Dark [1968], Child of God [1973], and Suttree [1979]), and as a bold experimenter in form and style, with a keenly rendered postmodern esthetic (as in Blood Meridian [1985], All the Pretty Horses, and The Crossing [1994]). Jarrett regards McCarthy's early novels as attempts to write a modern fiction of the twentieth-century Tennessee hill country, comparable to what local-color realists or regionalists accomplished in the nineteenth century and to what William Faulkner accomplished in his mixture of modernism and regionalism in his Yoknapatawpha fiction. It is during his second phase, Jarrett points out, that the locales of McCarthy's novels shift to the Southwest, and any appearance they give of being popular westerns becomes only a disguise. In the final chapter Jarrett stresses three distinctive aspects of McCarthy's fiction: the diverse and idiosyncratic style of the narrative discourse, the central theme of the quest undertaken through a visionary landscape, and the role of interpolated tales. Drawing keenly on literary theory to synthesize the various strands of McCarthy's unique narrative voice, Jarrett concludes that while the author's tales -often steeped in violence - may not tell us what we want to hear, the enduring pleasure of his novels lies in their imaginative and stylistic power. |
| cormac mccarthy writing style: Will Poole's Island Tim Weed, 2021-06 New England, 1643. In a walled English village crouched at the edge of a wilderness believed to be haunted by monsters and devil-worshipping savages, Will Poole chafes against the constraints of Puritan society and is visited by strange hallucinations that fill him with unease. Hunting in the forest, he encounters Squamiset, an enigmatic native elder whose influence will open the door to possibilities well beyond the narrow existence his upbringing led him to expect. The meeting leads to a dangerous collision of worldviews, an epic sea voyage, and the making of an unforgettable friendship. Green Writers Press is thrilled to present new paperback and audio editions of Will Poole's Island, a novel of literary adventure, mystery, and wonder that offers readers of all ages an experience of early America that feels fresh and entirely relevant to our own times. |
| cormac mccarthy writing style: Understanding Cormac McCarthy Steven Frye, 2012-08-27 A roadmap to the dark and mythic topography of McCarthy's fiction Named by Harold Bloom as one of the most significant American novelists of our time, Cormac McCarthy has been honored with the National Book Award and the National Book Critics Circle Award for All the Pretty Horses, the James Tait Black Memorial Prize and the Pulitzer Prize for The Road, and the coveted MacArthur Fellowship. Steven Frye offers a comprehensive treatment of McCarthy's fiction to date, dealing with the author's aesthetic and thematic concerns, his philosophical and religious influences, and his participation in Western literary traditions. Frye provides extensive readings of each novel, charting the trajectory of McCarthy's development as a writer who invigorates literary culture both past and present through a blend of participation, influence, and aesthetic transformation. Understanding Cormac McCarthy explores the early works of the Tennessee period in the context of the romance genre, the southern gothic and grotesque, as well as the carnivalesque. A chapter is devoted to Blood Meridian, a novel that marks McCarthy's transition to the West and his full recognition as a major force in American letters. In the final two chapters, Frye explores McCarthy's Border Trilogy and his later works— specifically No Country for Old Men and The Road—addressing the manner in which McCarthy's preoccupation with violence and human depravity exists alongside a perpetual search for meaning, purpose, and value. Frye provides scholars, students, and general readers alike with a clearly argued foundational examination of McCarthy's novels in their historical and literary contexts as an ideal roadmap illuminating the author's work as it charts the dark and mythic topography of the American frontier. |
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