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| carnival history in trinidad and tobago: Trinidad Carnival Garth L. Green, Philip W. Scher, 2007-03-28 Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere. Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher. |
| carnival history in trinidad and tobago: Rituals of Power and Rebellion Hollis Liverpool, 1993 |
| carnival history in trinidad and tobago: Dancing in the Streets Barbara Ehrenreich, 2007-12-26 From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and savage, Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a danced religion. Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent carnivalization of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead.—Terry Eagleton, The Nation |
| carnival history in trinidad and tobago: Carnival Milla Cozart Riggio, 2004-10-14 This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world. |
| carnival history in trinidad and tobago: The Trinidad Carnival Errol Hill, 1972 |
| carnival history in trinidad and tobago: Midnight Robber Nalo Hopkinson, 2000-03 Fantasy-roman. |
| carnival history in trinidad and tobago: Carnival Is Woman Frances Henry, Dwaine Plaza, 2019-12-30 Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora. |
| carnival history in trinidad and tobago: Carnival Milla Cozart Riggio, 2004 This beautifully illustrated volume featuring leading writers and experts on carnival, presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival, its traditions, history, music and politics |
| carnival history in trinidad and tobago: Carnival Music in Trinidad Shannon Dudley, 2004 'Music in Trinidad: Carnival', appropriate for use in undergraduate, introductory courses on world music or ethnomusicology, describes the musical conventions, modes of performance, and social dynamics of Trinidadian music, placing the music of Carnival within the context of Trinidad's rich history and culture. |
| carnival history in trinidad and tobago: Carnival, Canboulay and Calypso John Cowley, 1998 Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history. |
| carnival history in trinidad and tobago: Culture and Education Hollis Liverpool, 1990 |
| carnival history in trinidad and tobago: Jump Up Time Lynn Joseph, 1998 Although she is jealous of all the attention being paid to her older sister's Carnival costume, Lily helps Christine when she gets nervous before time to go on stage. |
| carnival history in trinidad and tobago: What She Go Do Hope Munro, 2016-06-20 In the 1990s, expressive culture in the Caribbean was becoming noticeably more feminine. At the annual Carnival of Trinidad and Tobago, thousands of female masqueraders dominated the street festival on Carnival Monday and Tuesday. Women had become significant contributors to the performance of calypso and soca, as well as the musical development of the steel pan art form. Drawing upon ethnographic fieldwork conducted by the author in Trinidad and Tobago, What She Go Do demonstrates how the increased access and agency of women through folk and popular musical expressions has improved intergender relations and representation of gender in this nation. This is the first study to integrate all of the popular music expressions associated with Carnival—calypso, soca, and steelband music—within a single volume. The book includes interviews with popular musicians and detailed observation of musical performances, rehearsals, and recording sessions, as well as analysis of reception and use of popular music through informal exchanges with audiences. The popular music of the Caribbean contains elaborate forms of social commentary that allows singers to address various sociopolitical problems, including those that directly affect the lives of women. In general, the cultural environment of Trinidad and Tobago has made women more visible and audible than any previous time in its history. This book examines how these circumstances came to be and what it means for the future development of music in the region. |
| carnival history in trinidad and tobago: Historical Dictionary of Trinidad and Tobago Rita Pemberton, Debbie McCollin, Gelien Matthews, Michael Toussaint, 2018-03-19 As separate entities and later a unified state, the Caribbean islands of Trinidad and Tobago boast very unique histories. Initially claimed by the Spanish in 1498, these territories were affected by the imperialist thrusts of various European nations including the French, British and Dutch. The mercantilist infiltrations of these groups, particularly in the 18th century, led to the islands’ belated development as sugar producers and, particularly Trinidad, as a cradle of migration. World War II and the development of the oil and tourism industries in the 20th century transformed the economies, culture and society of these islands. The country has been one of the most important in the region in relation to economic and political leadership and as a centre of cultural development. Historical Dictionary of Trinidad and Tobago contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Trinidad and Tobago. |
| carnival history in trinidad and tobago: Governing Sound Jocelyne Guilbault, 2007-09-15 Written in two parts, part 1 explores the development of Calypso, from it's emergence in the pre-colonial period to the post colonial period. In part 2, the focus is on the new Carnival musical practices of soca, rapso, chutney, soca and ragga soca, and the ways in which they contirbuted to the redefination of Trinidadian cultural politics in the neoliberal era. The new rationailities, contigencies, desires and musical experments that animated the new musics and enabled them to gradually displace calypso from its centrality as national expression is examined. |
| carnival history in trinidad and tobago: Rituals of Power and Rebellion Hollis Liverpool, 2001 |
| carnival history in trinidad and tobago: Bacchanal! Peter Mason, 1998 For two days each year Trinidad's capital, Port of Spain, hosts 'the greatest show on earth' - a raucous mix of music, costume and revelry known as Carnival. The festival has become more or less synonymous with the Caribbean island and is an intrinsic part of its identity and popular culture. Making extensive use of interviews with artists and other participants, BACCHANAL! explores the place of Carnival in Trinidadian society and the people who take part in it: -- How the festival reflects and affects attitudes towards religion, language, humour, politics, male-female relations and folk traditions. -- The historical role of Carnival, its roots in colonial society and slavery, and its traditional function as an expression of subversion and revolt. -- The effect of contemporary social and cultural influences on the dynamic, evolving phenomenon of Carnival. -- The increasing involvement of Indo-Trinidadians and women, the competing musical forms of reggae and soca, and the impact of tourism and commercialism. |
| carnival history in trinidad and tobago: Erotic Islands Lyndon K. Gill, 2018-06-07 In Erotic Islands, Lyndon K. Gill maps a long queer presence at a crossroads of the Caribbean. This transdisciplinary book foregrounds the queer histories of Carnival, calypso, and HIV/AIDS in the Republic of Trinidad and Tobago. At its heart is an extension of Audre Lorde's use of the erotic as theory and methodology. Gill turns to lesbian/gay artistry and activism to insist on eros as an intertwined political-sensual-spiritual lens through which to see self and society more clearly. This analysis juxtaposes revered musician Calypso Rose, renowned mas man Peter Minshall, and resilient HIV/AIDS organization Friends For Life. Erotic Islands traverses black studies, queer studies, and anthropology toward an emergent black queer diaspora studies. |
| carnival history in trinidad and tobago: Carnival Robert Antoni, 2005 The ambitious third novel from one of the most innovative voices to emerge from the Caribbean and the Americas takes readers on an expedition that stretches from contemporary New York City to the glitter of Trinidadian Carnival, going deep into the island's mountainous interior. |
| carnival history in trinidad and tobago: A Spirited Butterfly Rosemary Stone, 2011-01-01 This lavishly illustrated book presents a historical perspective and a contemporary look at fashion design and manufacturing, as well as the role of the fashion industry in the social, cultural and economic development of Trinidad and Tobago. Chapters review the history of fashion development from 1834, after slavery, through the twentieth century and brings us to an exciting and new visionary approach to the business of fashion. Chapters also examine areas of local fashion, including shows, and the unique fashion designs of Carnival. |
| carnival history in trinidad and tobago: Tourists and Tourism Simone Abram, Don Macleod, Jackie D. Waldren, 2021-04-26 The fact that tourism is a major global industry forecast to continue its dramatic growth well into the twenty-first century is often cited as a rationale for its analysis. However, while the connection between individual locations and the world's global markets is an obvious product of tourism, the heart of the tourist experience is the construction of identity: the relation of the traveller to resident populations; the participants' views of themselves and others; tourists' search for authenticity and their testing of boundaries.This book significantly furthers current debates on tourism by asking important and vexing questions about the nature of the tourist experience: 'folk museums' that forget many of the 'folk' who live in the areas represented; the environments and events that are shaped to meet the 'imagined dreams' of tourist spectators; the categorization of visitors and returnees who take up residence and participate in the construction of 'local' identities; the evolving meanings associated with indigenous culture, tradition, heritage, representation, reality and authenticity. In renegotiating the definitions of tourism for the new millennium, this book represents a major contribution to an emerging and highly topical area of study. |
| carnival history in trinidad and tobago: An Introduction to the History of Trinidad and Tobago Bridget Brereton, 1996 The first history of Trinidad and Tobago written at this level. Give students a foundation in the history of Trinidad and Tobago and prepare them for their study of the wider Caribbean and other parts of the world. |
| carnival history in trinidad and tobago: A History of Creole Trinidad, 1956-2010 Raymond Ramcharitar, 2021-08-06 This book offers a history of post-Independence Trinidad and Tobago. It explores how culture and politics have operated in tandem to shape the society. Drawing on a wide range of sources, including literature, government reports, official statistics, the press and the Carnival, it critically analyses the popular conception of creolization as the driving force in modern Trinidad and Tobago. Ultimately, the book examines the way in which Trinidad and Tobago's unique ethnic and political ecosystems contribute to its national character. |
| carnival history in trinidad and tobago: Carnival, Calypso and Steel Pan John Gray, 2015-04-10 |
| carnival history in trinidad and tobago: Palace of the Peacock (Faber Editions) Wilson Harris, 2021-11-02 The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' T sitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Staggering ... Both brilliant and terrifying.' The Times 'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville |
| carnival history in trinidad and tobago: Parade of the Carnivals of Trinidad, 1839-1989 Michael Anthony, 1989 |
| carnival history in trinidad and tobago: High Mas Kevin Adonis Browne, 2018-09-26 Overall Winner of the 2019 OCM Bocas Prize for Caribbean Literature High Mas: Carnival and the Poetics of Caribbean Culture explores Caribbean identity through photography, criticism, and personal narrative. Taking a sophisticated and unapologetically subjective Caribbean point of view, the author delves into Mas—a key feature of Trinidad performance—as an emancipatory practice. The photographs and essays here immerse the viewer in carnival experience as never before. Kevin Adonis Browne divulges how performers are or wish to be perceived, along with how, as the photographer, he is implicated in that dynamic. The resulting interplay encourages an informed, nuanced approach to the imaging of contemporary Caribbeanness. The first series, “Seeing Blue,” features Blue Devils from the village of Paramin, whose performances signify an important revision of the post-emancipation tradition of Jab Molassie (Molasses Devil) in Trinidad. The second series, “La Femme des Revenants,” chronicles the debut performance of Tracey Sankar’s La Diablesse, which reintroduced the “Caribbean femme fatale” to a new audience. The third series, “Moko Jumbies of the South,” looks at Stephanie Kanhai and Jonadiah Gonzales, a pair of stilt-walkers from the performance group Touch de Sky from San Fernando in southern Trinidad. “Jouvay Reprised,” the fourth series, follows the political activist group Jouvay Ayiti performing a Mas in the streets of Port of Spain on Emancipation Day in 2015. Troubling the borders that persist between performer and audience, embodiment and spirituality, culture and self-consciousness, the book interrogates what audiences understand about the role of the participant-observer in public contexts. Representing the uneasy embrace of tradition in Trinidad and the Caribbean at large, the book probes the multiple dimensions of vernacular experience and their complementary cultural expressions. For Browne, Mas performance is an exquisite refusal to fully submit to the lingering traumas of slavery, the tyrannies of colonialism, and the myths of independence. |
| carnival history in trinidad and tobago: Carnival Milla Cozart Riggio, 2004-09-30 This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world. |
| carnival history in trinidad and tobago: In a World of Their Own , 2018 |
| carnival history in trinidad and tobago: Resonances Esther M. Morgan-Ellis, 2020-06-02 Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives. |
| carnival history in trinidad and tobago: Trinidad and Tobago Adventure Guide Kathleen O'Donnell, S. Pefkaros, 2000 Although definitely a part of the Caribbean, these two islands are unique, refusing to conform with the stock Caribbean image created by glossy brochures and travel agencies. They are both generous and Caribbean-spirited, but quite capable of going their own way. This Adventure Guide takes you across the nation from mountains and hills to grasslands, savannahs and palm-lined beaches, offering the intrepid traveler a ticket to explore. Birdwatchers are drawn by the chance to see the beautiful scarlet ibis. Night-time excursions allow visitors to watch the miraculous egg-laying practices of the leatherback turtle. And caiman smaller versions of the South's alligators are a common sight. And then there's Carnival, which offers wild dances, fantastical costumes and frenzied revellers. Whatever your reason to visit T&T, you have the right guide in hand. Accommodations, restaurants, travel tips, sights, museums, excursions it's all here. A special section is dedicated to the nation's booming yachting industry, with details on marinas, facilities and services. I wish I'd had this book the first time I visited Trinidad and Tobago. The book fully describes the culture of these island people and this knowledge would make a trip to these wonderful islands even more enjoyable. I also believe it's a good choice for readers who can't make the trip but still want to taste the culture. -- Amazon customer I've been to TNT once for two weeks and am returning again in a few months. I bought the book to refresh my memory and, more importantly, get me excited about my return trip. It's a great read, and as the back cover suggests, it really is written for the traveler who wants to experience more than just sunbathing. However, once you've been to Trindad and Tobago, you discover that they are not your generic Caribbean islands. Visiting Trindad and Tobago is more of a cultural vacation than an island getaway. Once you step foot off the plane at Piarco airport, you'll never want to leave, or you'll want to go back once every year. The two islands are full of charisma, and O'Donnell and Pefkaros do a good job of capturing this spirit in the book. You really cannot be intimidated by the cultures of TNT. From the street vendor corn soup, to crab and dumplings, down de islands, Maracas, Pigeon Point, Speyside, fried flying fish, Caribs, lorries, maxis, wining, Trinidad's great bar/club scene, the Northern Range, etc. - this book virtually covers all Trinidad and Tobago vacation opportunities and experiences. -- Amazon customer An excellent take-long tote, as is the more adventurous Trinidad & Tobago, 2nd Edition by Kathleen O'Donnell and Stassi Pefkaros, which updates information on adventure travel with special focus on the wildlife and culture of the islands. -- Midwest Book Review |
| carnival history in trinidad and tobago: Dictionary of Caribbean English Usage Richard Allsopp, Jeannette Allsopp, 2003 This remarkable new dictionary represents the first attempt in some four centuries to record the state of development of English as used across the entire Caribbean region. |
| carnival history in trinidad and tobago: Masking and Power Gerard Aching, 2002 Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond. |
| carnival history in trinidad and tobago: Perspectives on the Caribbean Philip W. Scher, 2009-09-15 perspectives on The Caribbean perspectives on The Caribbean “Genuflecting to no tired metaphors, this is a refreshing collection of cross-disciplinary voices that compel new ways of seeing and thinking about the still undiscovered Caribbean.” Patricia Mohammed, University of the west Indies, St Augustine Presenting a broad understanding of the complex region of the Caribbean, Perspectives on the Caribbean: A Reader in Culture, History, and Representation provides a variety of viewpoints on the rich spectrum of Caribbean culture. Essays, carefully chosen from a vast body of existing literature, expose readers to a variety of approaches, voices and topics that have emerged in Caribbean studies. Readings are interdisciplinary in nature and integrate themes from history, folklore, sociology, anthropology and political economy. Both contemporary viewpoints and classic readings reveal how the Caribbean has led scholars to new ways of exploring cultural hybridity in contemporary society. Each section includes brief introductions to put the readings in context with the connections between modern Caribbean culture and its historical roots, and also includes suggested readings for more in-depth study. Perspectives on the Caribbean offers revealing insights into one of the most diverse and complex regions in the Americas. |
| carnival history in trinidad and tobago: The Last Mas Patricia Ganase, Kevin Baldeosingh, 2023-11 Carnival in Trinidad during the 1990s delivered a significant turning point for the Carnival Arts. In this limited edition, which will inform and inspire generations, U.S. scholars Gerard Aching, Antron D. Mahoney, Philip W. Scher and Milla Cozart Riggio offer provocative analysis that is positioned alongside interrogations by playwright Tony Hall, art curator Claire Tancons, Carnival historian Patricia Ganase and photojournalist Sean Drakes to create a fascinating survey of the contemporary Carnival designs of artist Peter Minshall, who earned an Emmy® award in 2002. Minshall is distinguished for his designs that were produced for the Opening Ceremonies of the 1992 Barcelona Olympic Games, the 1996 Atlanta Olympic Games, and the 2002 Salt Lake City Olympic Winter Games. |
| carnival history in trinidad and tobago: Carnival and the Formation of a Caribbean Transnation Philip W. Scher, 2004 A welcome contribution to the growing number of recent anthropological studies of popular culture in Trinidad.--David Scott, Columbia University This dual-site ethnography follows the celebration of Carnival from Trinidad to North America, where immigrant Trinidadian-Americans loyally perpetuate this annual cultural event. Philip Scher uses the lens of transnationalism to explore the Carnival tradition transported from Trinidad by the immigrant Trinis living in Brooklyn, New York. As Scher moves back and forth between these two sites, he outlines aspects of the history of Carnival in Trinidad, looking in particular at the ways in which the middle class appropriated it and incorporated it into their nationalist agenda. Then, outlining the history of Carnival in Brooklyn, he explores in detail the place of Carnival in the lives of Trinis in New York by focusing attention on a mas' camp--the arena of creative activity, from making costumes to general liming. He demonstrates how Trinis, in their attempt to import the folk traditions of their native island into their American lifestyle, have infused Carnival with a new, distinctly American meaning. Scher incorporates case studies and interviews into ideas about how the preparation and reception of cultural rituals serve as a bridge between the original culture and its displaced people, and about how this helps the immigrant population to forge its own identity in a new land. The discussion alludes to ethnic and ethnographic theories while remaining grounded and accessible, thus revealing the linkage between Trinidadian Carnival as popular culture and the people who celebrate it in Trinidad and beyond. In all of this description, a judicious use of the voices of participants and a sensitive positioning of the ethnographic presence make for an engaging and subtle analysis. Philip Scher is assistant professor of anthropology at the University of Oregon. |
| carnival history in trinidad and tobago: Lonely Planet's Best in Travel 2019 Lonely Planet, 2018-10-01 This annual bestseller ranks the hottest, must-visit countries, regions, cities and best-value destinations for 2019. Drawing on the knowledge and passion of Lonely Planets staff, authors and online community, we present a years worth of inspiration to take you out of the ordinary and into the unforgettable. As self-confessed travel geeks, our staff collectively rack up hundreds of thousands of miles each year, exploring almost every destination on the planet. And every year, we ask ourselves: where are the best places in the world to visit right now? Its a very hotly contested topic at Lonely Planet and generates more discussion than any other. Best in Travel is our definitive answer. Inside Best in Travel 2019, youll discover the: Top ten countries, regions, cities and best-value destinations Best new attractions for families Best new openings and experiences Best new places to stay Top travel trends About Lonely Planet: Lonely Planet is a leading travel media company and the worlds number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, weve printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. Youll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition. |
| carnival history in trinidad and tobago: Dictionary of the English/Creole of Trinidad & Tobago Lise Winer, 2009-01-16 Using the historical principles of the Oxford English Dictionary, Lise Winer presents the first scholarly dictionary of this unique language. The dictionary comprises over 12,200 entries, including over 4500 for flora and fauna alone, with numerous cross-references. Entries include definitions, alternative spellings, pronunciations, etymologies, grammatical information, and illustrative citations of usage. Winer draws from a wide range of sources - newspapers, literature, scientific reports, sound recordings of songs and interviews, spoken language - to provide a wealth and depth of language, clearly situated within a historical, cultural, and social context. |
| carnival history in trinidad and tobago: The Rough Guide to Trinidad and Tobago Dominique De-Light, Polly Thomas, 2001 A handbook to the diverse Caribbean nation that comprises the small is land of Tobago and its more rural and much larger neighbour, Trinidad. Features include: critical listings of the best places to stay and eat; practical tips on how to explore; and coverage of the islands' cultural life, including Trinidad's world-famous carnival, traditional Indian festivals, indigenous music and local folklore. The guide also provides tips on birdwatching and exploring forested peaks and mangrove flats, as well as diving and snorkelling. |
| carnival history in trinidad and tobago: Fashion Criticism Francesca Granata, 2021-02-25 This is the first anthology of fashion criticism, a growing field that has been too long overlooked. Fashion Criticism aims to redress the balance, claiming a place for writing on fashion alongside other more well-established areas of criticism. Exploring the history of fashion criticism in the English language, this essential work takes readers from the writing published in avant-garde modernist magazines at the beginning of the twentieth century to the fashion criticism of Robin Givhan-the first fashion critic to win a Pulitzer Prize-and of Judith Thurman, a National Book Award winner. It covers the shift in newspapers from the so-called “women's pages” to the contemporary style sections, while unearthing the work of cultural critics and writers on fashion including Susan Sontag and Eve Babitz (Vogue), Bebe Moore Campbell (Ebony), Angela Carter (New Statesman) and Hilton Als (New Yorker). Examining the gender dynamics of the field and its historical association with the feminine, Fashion Criticism demonstrates how fashion has gained ground as a subject of critical analysis, capitalizing on the centrality of dress and clothing in an increasingly visual and digital world. The book argues that fashion criticism occupied a central role in negotiating shifting gender roles as well as shifting understandings of race. Bringing together two centuries of previously uncollected articles and writings, from Oscar Wilde's editorials in The Woman's World to the ground-breaking fashion journalism of the 1980s and today's proliferation of fashion bloggers, it will be an essential resource for students of fashion studies, media and journalism. |
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FL Carnivals is a directory of events and carnivals in Florida, from local church fairs and street fairs, to fall festivals and county fairs in Florida along with information on dates, hours, …
Tampa Bay International Carnival 2024 Returns July 13 and 14
Apr 22, 2024 · Get ready to celebrate the vibrant culture, music, food and fun at the 25th annual Tampa Bay International Carnival Saturday, July 13 and Sunday, July 14 from 10 am to 10 pm …
Carnival Corporation & plc
Jun 2, 2025 · Carnival Corporation & plc provides unparalleled cruise vacations through a world-class portfolio of cruise lines and a global fleet of more than 90 ships visiting over 800 ports …
News | Carnival Cruise Line
May 19, 2025 · Carnival Cruise Line Set to Sail More Summer Fun Than Ever: Embarking Nearly Two Million Guests and Opening Celebration Key May 19, 2025 With its largest fleet yet and …
Guide to All 29 Carnival Cruise Ships - Leisure
Jun 3, 2025 · Carnival Cruise Line has 29 ships in its fleet. Compare the vessels by itinerary length, ports of call, guest capacity, amenities, and onboard activities.
Saint Petersburg, FL Carnivals 2025 - AllEvents.in
Winter Carnivals, Street Fairs & Family Friendly Carnivals in Saint Petersburg, Florida; everything is listed right here. Discover the best of carnival events near you with us.
Carnival Cruise guests banned after brawl with chair thrown
2 days ago · Carnival Cruise Line has a "zero-tolerance" policy toward disruptive behavior, as these guests discovered after an on-board fight.
Cruise Search: Find Your Perfect Carnival Cruise
Book your Carnival cruise online using our convenient cruise search. Find a cruise based on date range, home port, destination & duration. Get started!
Carnival Midways - US and Canada Traveling Carnivals Websites ...
Carnival Midways is a Directory of Traveling Carnivals. If You don't see a Traveling Carnival's Website Please submit it below
