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| country music history today: Country Music Dayton Duncan, Ken Burns, 2019-09-10 The rich and colorful story of America's most popular music and the singers and songwriters who captivated, entertained, and consoled listeners throughout the twentieth century--based on the upcoming eight-part film series to air on PBS in September 2019 This gorgeously illustrated and hugely entertaining history begins where country music itself emerged: the American South, where people sang to themselves and to their families at home and in church, and where they danced to fiddle tunes on Saturday nights. With the birth of radio in the 1920s, the songs moved from small towns, mountain hollers, and the wide-open West to become the music of an entire nation--a diverse range of sounds and styles from honky tonk to gospel to bluegrass to rockabilly, leading up through the decades to the music's massive commercial success today. But above all, Country Music is the story of the musicians. Here is Hank Williams's tragic honky tonk life, Dolly Parton rising to fame from a dirt-poor childhood, and Loretta Lynn turning her experiences into songs that spoke to women everywhere. Here too are interviews with the genre's biggest stars, including the likes of Merle Haggard to Garth Brooks to Rosanne Cash. Rife with rare photographs and endlessly fascinating anecdotes, the stories in this sweeping yet intimate history will captivate longtime country fans and introduce new listeners to an extraordinary body of music that lies at the very center of the American experience. |
| country music history today: Country Music USA Bill C. Malone, Tracey Laird, 2018-06-04 “Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged. |
| country music history today: The Long Gone Lonesome History of Country Music Bret Bertholf, 2007 A journey through the history of country music. |
| country music history today: This Day in Music Neil Cossar, 2014-08 Births, deaths and marriages, No1 singles, drug busts and arrests, famous gigs and awards... all these and much more appear in this fascinating 50 year almanac.Using a page for every day of the calendar year, the author records a variety of rock and pop events that took place on a given day of the month across the years.This Day in Music is fully illustrated with hundreds of pictures, cuttings and album covers, making this the must-have book for any pop music fan. |
| country music history today: Dolly Parton, Gender, and Country Music Leigh H. Edwards, 2018-01-06 Introduction: Dolly mythology -- Backwoods Barbie: Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the hillbilly Mae West--Hungry again: reclaiming country authenticity narratives -- Digital Dolly and new media fandoms -- Conclusion: brand evolution and Dollywood |
| country music history today: The First Generation of Country Music Stars David Dicaire, 2015-01-27 This book focuses on 50 of the most important entertainers in the history of country music, from its beginnings in the folk music of early America through the 1970s. Divided into five distinct categories, it discusses the pioneers who brought mountain music to mass audiences; cowboys and radio stars who spread country music countrywide; honky-tonk and bluegrass musicians who differentiated country music during the 1940s; the major contributions that female artists made to the genre; and the modern country sound which dominated the genre from the late 1950s to the mid-1980s. Each entry includes a brief biography of the chosen artist with special emphasis on experiences which influenced their musical careers. Covered musicians include Fiddlin' John Carson, Riley Puckett, Gene Autry, Roy Rogers, Bob Wills, Bill Monroe, Hank Williams, Sr., Dale Evans, June Carter Cash, Loretta Lynn, Buck Owens, Roy Clark, Willie Nelson and Merle Haggard. |
| country music history today: Detroit Country Music Craig Maki, Keith Cady, 2013-10-11 The richness of Detroit’s music history has by now been well established. We know all about Motown, the MC5, and Iggy and the Stooges. We also know about the important part the Motor City has played in the history of jazz. But there are stories about the music of Detroit that remain untold. One of the lesser known but nonetheless fascinating histories is contained within Detroit’s country music roots. At last, Craig Maki and Keith Cady bring to light Detroit’s most important country and western and bluegrass stars, such as Chief Redbird, the York Brothers, and Roy Hall. Beyond the individuals, Maki and Cady also map out the labels, radio programs, and performance venues that sustained Detroit’s vibrant country and bluegrass music scene. In the process, Detroit Country Music examines how and why the city’s growth in the early twentieth century, particularly the southern migration tied to the auto industry, led to this vibrant roots music scene. This is the first book—the first resource of any kind—to tell the story of Detroit’s contributions to country music. Craig Maki and Keith Cady have spent two decades collecting music and images, and visiting veteran musicians to amass more than seventy interviews about country music in Detroit. Just as astounding as the book’s revelations are the photographs, most of which have never been published before. Detroit Country Musicwill be essential reading for music historians, record collectors, roots music fans, and Detroit music aficionados. |
| country music history today: Country Music Culture Curtis W. Ellison, 1995 A social history of country music from the 1920s to the present, discussing such artists as Patsy Cline, Grandpa Jones, Dolly Parton, and Garth Brooks. |
| country music history today: Country Music Jocelyn R. Neal, 2018-07-13 Written by an experienced teacher and renowned scholar of the genre, Country Music: A Cultural and Stylistic History, Second Edition, offers a chronological narrative that explains country music's origins, development, and meaning from the first commercial recordings of the 1920s up to the present. It highlights significant performers, songs, and institutions throughout the history of country music. It also considers key social, political, and musical issues that span many decades of evolution within the genre. |
| country music history today: Country Music Goes to War Charles K. Wolfe, James E. Akenson, 2014-07-11 Listening to the Beat of the Bomb UPK author Charles Wolfe discusses his work and his new book Country Music Goes to War in the NEW YORK TIMES. While Toby Keith suggests that Americans should unite in support of the president, the Dixie Chicks assert their right to criticize the current administration and its military pursuits. Country songs about war are nearly as old as the genre itself, and the first gold record in country music went to the 1942 war song There's a Star Spangled Banner Waving Somewhere by Elton Britt. The essays in Country Music Goes to War demonstrate that country musicians' engagement with significant political and military issues is not strictly a twenty-first-century phenomenon. The contributors examine the output of country musicians responding to America's large-scale confrontation in recent history: World War II, the Korean War, Vietnam, the cold war, September 11, and both conflicts in the Persian Gulf. They address the ways in which country songs and artists have energized public discourse, captured hearts, and inspired millions of minds. Charles K. Wolfe, professor of English and folklore at Middle Tennessee State University, is the author of numerous books and articles on music. James E. Akenson, professor of curriculum and instruction at Tennessee Technological University, is the founder of the International Country Music Conference. Together they have edited the collections The Women of Country Music, Country Music Annual 2000, Country Music Annual 2001, and Country Music Annual 2002. |
| country music history today: Country Music Richard Carlin, 2019-10-09 Country Music: A Very Short Introduction presents a compelling overview of the music and its impact on American culture. Country music has long been a marker of American identity; from our popular culture to our politics, it has provided a soundtrack to our national life. While traditionally associated with the working class, country's appeal is far broader than any other popular music style. While this music rose from the people, it is also a product of the popular music industry, and the way the music has been marketed to its audience is a key part of its story. Key artists, songs, and musical styles are highlighted that are either touchstones for a particular social event (such as Tammy Wynette's Stand By Your Man, which produced both a positive and negative backlash as a marker of women's roles in society at the beginning of the liberation movement) or that encompass broader trends in the industry (for example, Jimmie Rodgers' T for Texas was an early example of the appropriation of black musical forms by white artists to market them to a mainstream audience). While pursuing a basically chronological outline, the book is structured around certain recurring themes (such as rural vs. urban; tradition vs. innovation; male vs. female; white vs. black) that have been documented through the work of country artists from the minstrel era to today. Truly the voice of the people, country music expresses both deep patriotism as well as a healthy skepticism towards the powers that dominate American society. Country Music: A Very Short Introduction illuminates this rich tradition and assesses its legacy in American popular music culture. |
| country music history today: Pickin' on Peachtree Wayne W. Daniel, 2001 But for a few twists of fate, Atlanta could have grown to be the recording center that Nashville is today. Pickin' on Peachtree traces Atlanta's emergence in the 1920s as a major force in country recording and radio broadcasting and its forty years as a hub of country music. From the Old Time Fiddlers' Conventions and barn dances through the rise of station WSB and other key radio outlets, Wayne W. Daniel thoroughly documents the consolidation of country music as big business in Atlanta. He also profiles a vast array of performers, radio personalities, and recording moguls who transformed the Peachtree city into the nerve center of early country music. |
| country music history today: Songs of America Jon Meacham, Tim McGraw, 2019-06-11 NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be. |
| country music history today: The Comprehensive Country Music Encyclopedia Country Music Magazine (Périodique), 1994 Country music has come of age. It has a rich history in American culture, and its story is well told in this definitive encyclopedia, written with verve and insight by the editors of America's leading and most popular country music magazine. The background of all the major -- and minor -- performers in country music, their greatest hits, fascinating anecdotes about their childhoods, their rise to (or fall from) fame, the truth behind publicity releases and general rumor -- it's all here, from Roy Acuff and Billy Ray Cyrus to Patsy Cline and Reba McEntire. The Comprehensive Country Music Encyclopedia offers a fresh, absorbing portrait of country music from its folkloric origins to its present status as the popular music of choice for 42 percent of the adult population, according to industry estimates. Indeed, in the past decade, the country music audience has tripled. Between 1988 and 1990, sales of country records jumped 56 percent as sales of rock-'n'-roll records slumped 5 percent. Combining more than six hundred short descriptive entries with longer evaluative articles, the encyclopedia is informative, engaging, and a pleasure to read. The critical events and individuals that have shaped country music are all here in one indispensable volume. More than a reference book to be consulted simply for the dates or details of a particular artist's hits or career, the encyclopedia offers a virtual social history of country music. It distinguishes itself not only by the unassailable authority of its contributors -- the most knowledgeable and gifted writers in this field -- but by its in-depth portraits of country music's pioneers and contemporary stars. Individual entries are placedwithin a larger historical and musical context. Linking discrete facts, dates, and events through what amount to interpretive essays, The Comprehensive Country Music Encyclopedia presents the overarching themes and musical ideas that have animated the landscape of country music. An additional feature of the encyclopedia is the more than six hundred photographs, many rarely seen. These superb photographs convey the social and cultural spirit of the artists depicted. Together with the compelling text, the encyclopedia is certain to engage the curiosity, interests, and passions of every reader, and of every fan. |
| country music history today: Country Music Hair Erin Duvall, 2016-11-08 Country music’s greatest mullets, bobs, beehives, and bouffants collected together in one entertaining volume, illustrated with dozens of color and black-and-white photographs. The higher the hair, the closer to god. From mullets to mustaches and teased hair to bobs, country singers each have their own distinct looks which enhance their performance and image. Some wear hats and others wear wigs. Some follow the trends and others set them. Some have stylists on the tour bus and others rely on God and hair-spray. As Dolly Parton famously said, People always ask me how long it takes to do my hair. I don’t know, I’m never there. As country has grown in stature and popularity since the 1960s, country musicians have evolved their music—and their hairstyles and fashion as well. Industry insider Erin Duvall takes fans on a lively tour in this entertaining history that combines interviews with famous hairstylists and fifty of country music stars’ best ’dos, including 1990s mullet king, Billy Ray Cyrus. While business in the front and party in the back may be outdated today, twenty years ago it was one of country’s defining styles. In Country Music Hair, Duvall tells a tale of the day the mullet died and the rumor of the strong emotional reaction from the Achy Breaky Heart singer’s young daughter, Miley, who desperately pleaded with him to keep his mane. A fantastic and fun trip down memory lane, Country Music Hair is a must for country listeners and pop culture fans. |
| country music history today: Whisperin' Bill Anderson Bill Anderson, Peter Michael Cooper, 2016 Whisperin' Bill: An Unprecedented Life in Country Music presents a revealing portrait of Bill Anderson, one of the most prolific songwriters in the history of country music. Mega country music hits like City Lights, (Ray Price), Tips Of My Fingers, (Roy Clark, Eddy Arnold, Steve Wariner), Once A Day, (Connie Smith), Saginaw, Michigan, (Lefty Frizzell), and many more flowed from his pen, making him one of the most decorated songwriters in music history. But the iconic singer, songwriter, performer, and TV host came to a point in his career where he questioned if what he had to say mattered anymore. Music Row had changed, a new generation of artists and songwriters had transformed the genre, and the Country Music Hall of Fame member and fifty-year Grand Ole Opry star was no longer relevant. By 1990, he wasn't writing anymore. Bad investments left him teetering at bankruptcy's edge. His marriage was falling apart. And in Nashville, a music town where youth often carries the day, he was a museum piece--only seen as a nostalgia act, waving from the stage of the Grand Ole Opry. Anderson was only in his fifties when he assumed he had climbed all the mountains he was intended to scale. But in those moments plagued with self-doubt, little did he know, his most rewarding climb lie ahead. A follow-up to his 1989 autobiography, this honest and revealing book tells the story of a man with an unprecedented gift, holding on to it in order to share it. Known as Whisperin' Bill to generations of fans for his soft vocalizations and spoken lyrics, Anderson is the only songwriter in country music history to have a song on the charts in each of the past seven consecutive decades. He has celebrated chart-topping success as a recording artist with eighty charting singles and thirty-seven Top Ten country hits, including Still, 8 x 10, I Love You Drops, and Mama Sang A Song. A six-time Song of the Year Award-winner and BMI Icon Award recipient, Anderson has taken home many CMA and ACM Award trophies and garnered multiple GRAMMY nominations. His knack for the spoken word has also made him a successful television host, having starred on The Bill Anderson Show, Opry Backstage, Country's Family Reunion, and others. Moreover, his multi-faceted success extends far beyond the country format with artists like James Brown, Aretha Franklin, Dean Martin, and Elvis Costello recording his songs. Today, thanks to the support of musical peers and a few famous friends who believed in him, Anderson continues to forge the path of lyrical integrity in music, harnessing his ability to craft a song that tells a familiar story, grabs you by the heart and moves you. Modern day examples include Whiskey Lullaby (Brad Paisley and Allison Krauss), Give It Away (George Strait), A Lot of Things Different (Kenny Chesney), and Which Bridge to Cross (Vince Gill). A product of a long-gone Nashville, Anderson worked to reinvent himself, and this biography documents Anderson's fifty-plus-year career--a career he once thought unattainable. Richly illustrated with black-and-white photos of Anderson interacting with the superstars of American music, including such legends as Patsy Cline, Vince Gill, and Steve Wariner, this book highlights Anderson's trajectory in the business and his influence on the past, present, and future of this dynamic genre. |
| country music history today: Backstage at the Grand Ole Opry Grandin Hood Publishers, Brenda Colladay, Dan Rogers, 2013-10-10 Photo illustrated book presenting a backstage tour of the dressing room area of the Grand Ole Opry. Book includes nostalgic, archibval photos of stars and events of the Opry though its eighty-five year history, as well as contemporary scenes of themed dressing rooms and backstage activities. |
| country music history today: The Oxford Handbook of Country Music Travis D. Stimeling, 2017-06-01 Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century. |
| country music history today: Music Ted Gioia, 2019-10-15 A dauntingly ambitious, obsessively researched (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions. Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how outcasts, immigrants, slaves, and others at the margins of society have repeatedly served as trailblazers of musical expression, reinventing our most cherished songs from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. Music: A Subversive History is essential reading for anyone interested in the meaning of music, from Sappho to the Sex Pistols to Spotify. |
| country music history today: Traditional Country & Western Music Karl Anderson, 2020 Traditional Country & Western Music presents historical photographs, memorabilia, and stories about an enduring music genre that took root in America from the late 1920s through the mid-1930s. Although many of our early folk songs originated from the British Isles, Jimmie Rodgers (the Father of Country Music) and Gene Autry (America's Favorite Singing Cowboy) became the foundation of modern country and western music. Many regional styles and variations of country and western music developed during the first half of the 20th century, including hillbilly, bluegrass, honky-tonk, rockabilly, southern gospel, Cajun, and Texas swing. Local artists, live radio shows, and regional barn dance programs provided entertainment throughout the Great Depression, World War II, and into America's postwar years. During the 1950s, country and western music became homogenized with the Nashville sound and the Bakersfield sound. By the end of the 1960s, country music completed its move to Nashville, and western was dropped from the equation. This book recalls the golden age of country and western music from the late 1920s through the 1960s. Each of the featured artists and programs in this book were once household names. We celebrate these early legends, live radio and television shows, unsung heroes, and local performers from Maine to California. |
| country music history today: The Grand Ole Opry History of Country Music Paul Kingsbury, 1995 The best and most luxurious history of country music ever published, this 70th-anniversary tribute to the Grand Ole Opry has been selected by this beloved institution as its chief souvenir. The complete history of the Opry is given, from the early days of Roy Acuff and the Carter Family through Dolly Parton and Minnie Pearl to Garth Brooks and Reba McIntire--all illustrated with more than 225 photos, many in full color. |
| country music history today: I'd Fight the World Peter La Chapelle, 2019-09-09 Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape. |
| country music history today: Major Labels Kelefa Sanneh, 2021-10-05 One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. |
| country music history today: Rednecks, Queers, and Country Music Nadine Hubbs, 2014-03-18 In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase I’ll listen to anything but country allows middle-class Americans to declare inclusive omnivore musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture. |
| country music history today: The Encyclopedia of Country Music Michael McCall, John Rumble, Paul Kingsbury, 2012-02-01 Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association Any serious country music fan will treasure this authoritative book. --The Seattle Times A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy. --The Nashville Musician Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans. --Houston Chronicle This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions. --San Francisco Examiner Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended. --Library Journal |
| country music history today: 100 Ways to Beat the Blues Tanya Tucker, 2005 How do you beat the blues? We all have moments in life when we're down, lonely, or just plain sad. It's part of being human. Just as everyone is different, everyone has a unique way of beating the blues. |
| country music history today: The Nashville Sound Paul Hemphill, 2015-04-15 While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history. |
| country music history today: Yankee Twang Clifford R. Murphy, 2014-10-15 Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders. As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style. But the music also gave--and gives--voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life. |
| country music history today: Nashville Songwriter Jake Brown, 2014-09-09 You've heard them on the radio, listened to them on repeat for days, and sang along at the top of your lungs—but have you ever wondered about the real stories behind all your favorite country songs? Nashville Songwriter gives readers the first completely authorized collection of the true stories that inspired hits by the biggest multi-platinum country superstars of the last half century—recounted by the songwriters themselves. Award-winning music biographer Jake Brown gives readers an unprecedented, intimate glimpse inside the world of country music songwriting. Featuring exclusive commentary from country superstars and chapter-length interviews with today's biggest hit-writers on Music Row, this book chronicles the stories behind smash hits such as: Willie Nelson's Always on My Mind Tim McGraw's Live Like You Were Dying, Southern Voice, and Real Good Man George Jones's Tennessee Whiskey Carrie Underwood's Jesus Take the Wheel and Cowboy Casanova Brooks & Dunn's Ain't Nothing 'Bout You Lady Antebellum's We Owned the Night and Just a Kiss Brad Paisley's Mud on the Tires, We Danced, and I'm Still a Guy Luke Bryan's Play It Again, Crash My Party, and That's My Kind of Night The Oak Ridge Boys's American Made George Strait's Ocean Front Property and The Best Day, Rascal Flatts's Fast Cars and Freedom, and Take Me There Kenny Chesney's Living in Fast Forward and When the Sun Goes Down Ricochet's Daddy's Money Montgomery Gentry's If You Ever Stop Loving Me The Crickets's I Fought the Law Tom T. Hall's A Week in a County Jail and That Song Is Driving Me Crazy Trace Adkins's You're Gonna Miss This David Lee Murphy's Dust on the Bottle Jason Aldean's Big Green Tractor and Fly Over States And many more top country hits over the past 40 years! |
| country music history today: My Country Pamela E. Foster, 1998 |
| country music history today: Country Music U.S.A. Bill C. Malone, 1968 Studies the evolution of country music from its early rural beginnings in the South to its emergence into the national culture. |
| country music history today: Hidden in the Mix Diane Pecknold, 2013-07-10 Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became white, how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as the white man’s blues. Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever |
| country music history today: Creating Country Music Richard A. Peterson, 2013-04-26 In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers, this book is the first to explore what it means to be authentic within popular culture. [Peterson] restores to the music a sense of fun and diversity and possibility that more naive fans (and performers) miss. Like Buck Owens, Peterson knows there is no greater adventure or challenge than to 'act naturally.'—Ken Emerson, Los Angeles Times Book Review A triumphal history and theory of the country music industry between 1920 and 1953.—Robert Crowley, International Journal of Comparative Sociology One of the most important books ever written about a popular music form.—Timothy White, Billboard Magazine |
| country music history today: Linthead Stomp Patrick Huber, 2008 An exploration of the origins and development of American country music in the Piedmont's mill villages celebrates the colorful cast of musicians and considers the impact that urban living, industrial music, and mass culture had on their lives and music. |
| country music history today: Her Country Marissa R. Moss, 2022-05-10 In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better. |
| country music history today: The Encyclopedia of Country Music Paul Kingsbury, Michael McCall, John Rumble, Jay Orr, 2012-03-29 Covers the important figures, trends, and forms of country music throughout its history--from the Carter Family of the 1920s to Taylor Swift and Keith Urban today. |
| country music history today: Country Music Annual 2002 Charles K. Wolfe, James E. Akenson, 2015-01-13 In the third volume of this acclaimed country music series, readers can explore topics ranging from the career of country music icon Conway Twitty to the recent phenomenal success of the bluegrass flavored soundtrack to the film O Brother, Where Art Thou?. The tricky relationship between conservative politics and country music in the sixties, the promotion of early country music artists with picture postcards, the history of the voice of the Blue Ridge Mountains (North Carolina radio station WPAQ), and the formation of the Country Music Association as a chamber of commerce for country music to battle its negative hillbilly stereotype are just a few of the eclectic subjects that country music fans and scholars won't want to miss. |
| country music history today: Prairie Nights to Neon Lights Joe Carr, Alan Munde, 1995 From the regional bands of the 1930s and 1940s to the impact of Elvis Presley on the musicians and singers of the 1950s, Prairie Nights to Neon Lights takes us inside the heart of West Texas music. |
| country music history today: No Country for Old Men Cormac McCarthy, 2007-11-29 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a profoundly disturbing and gorgeously rendered novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| country music history today: My House of Memories Merle Haggard, Tom Carter, 2010-12-28 In this riveting personal story, award-winning, bestselling country music recording artist Merle Haggard takes you on a tour through his house of memories, offering a fascinating look inside his turbulent yet successful life. Merle reveals the true stories about his birth and troubled upbringing in a converted railroad boxcar. He recalls the loss of his father when he was nine, after which his childhood disobedience transformed into full-blown delinquency that eventually landed him behind the cold walls of San Quentin. He gives tribute to his mother and relives the painful memory of her death. He shares the lessons he learned from a life shaped by violence, gambling, and drugs, never shying away from the fact that he continues to pay for decades of reckless living. And he talks about the music he loves—how, ultimately, it has defined the man he is. |
「国家」这个词在英文中视语境不同。state、nation、country 三 …
country一词的主权意味其实是非常低的，国际法上“主权国家”的英文是“State”或“sovereign state”。 因此我们会发现，在英语的发源地，英国，在其政府官方网站的介绍中说，英国由四 …
「国家」这个词在英文中视语境不同。state、nation、country 三 …
「国家」这个词在英文中视语境不同。 state、nation、country 三者的含义与区别在哪里？ 卡梅伦说：「Four nations in one country」，那英国是 country，苏格兰是 nation。 那为什么联合国 …
Country到底有没有地区的意思呢？ - 知乎
Country到底有没有地区的意思呢？ 最近发现部分海外品牌在选择地区时将HK、TW等单独列出，country一词我用部分电子词典查只有国家的意思，在牛津高阶词典中查出有地区的意思。 …
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被美国人说「chink」、「ching chong」等如何回击？ - 知乎
如果让你go back to ur country, 你可以说：Well you should fuck off to England and give the land back to the aboriginals you racist piece of shit. 如果有中国小伙伴可以对着骂你的人说中文，随 …
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Fastback ：Volkswagen CC 溜背——Fastback，也可以直译成“快背”，是对“车背”风格的描述：车背线条流畅的不断下降，并延伸至车尾。溜背式的设计风格最早可以追溯到1930年代流行的流 …
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xxxProvincexxx (邮编) xxx（country） 地址在名片上，应该保持一定的完整性。 门牌号与街道名不可分开写，必须在同一行，不可断行。 名种名称不可断开。 门牌号英美写法可有不同，英 …
如何导出正确的IEEE参考文献格式？ - 知乎
Nov 24, 2020 · IEEE参考文献列表的页面格式 在IEEE引用格式中，文末参考文献列表应当出现在一个单独页面上。在页面顶部应当用粗黑体的“ References ”作为标题。该标题可以居中，也可 …
「国家」这个词在英文中视语境不同。state、nation、country 三 …
country一词的主权意味其实是非常低的，国际法上“主权国家”的英文是“State”或“sovereign state”。 因此我们会发现，在英语的发源地，英国，在其政府官方网站的介绍中说，英国由四 …
「国家」这个词在英文中视语境不同。state、nation、country 三 …
「国家」这个词在英文中视语境不同。 state、nation、country 三者的含义与区别在哪里？ 卡梅伦说：「Four nations in one country」，那英国是 country，苏格兰是 nation。 那为什么联合国 …
Country到底有没有地区的意思呢？ - 知乎
Country到底有没有地区的意思呢？ 最近发现部分海外品牌在选择地区时将HK、TW等单独列出，country一词我用部分电子词典查只有国家的意思，在牛津高阶词典中查出有地区的意思。 …
为什么知乎对《赤色黎明》普遍评价不高？ - 知乎
《赤黎》的干部们在书中短时间内就得到了科学政治等全方面的灌输，这样才是主角陈克能够在清末就成功建立Socialist country的原因。 去掉了干部培养挂，那么整本书就变得虚幻起来，这 …
英国的英格兰、北爱尔兰、苏格兰、威尔士到底是什么关系？ - 知乎
来自人人 关于英国的一些混淆概念和趣事（1） 来源：唐哲Hon.Tong的日志 LZ都没有去过英国，甚至连英国的任何一个殖民地都没去过。。。。但是眼见很多人，甚至像罗振宇这样的“资 …
被美国人说「chink」、「ching chong」等如何回击？ - 知乎
如果让你go back to ur country, 你可以说：Well you should fuck off to England and give the land back to the aboriginals you racist piece of shit. 如果有中国小伙伴可以对着骂你的人说中文，随 …
护照编码规则是什么？ - 知乎
The second character can be assigned by the issuing country to distinguish different types of passports. If unused a < is assigned. The United States, at least in the cases I've seen, …
掀背、溜背、coupe有什么区别？ - 知乎
Fastback ：Volkswagen CC 溜背——Fastback，也可以直译成“快背”，是对“车背”风格的描述：车背线条流畅的不断下降，并延伸至车尾。溜背式的设计风格最早可以追溯到1930年代流行的流 …
名片上正确的英文缩写是？ - 知乎
xxxProvincexxx (邮编) xxx（country） 地址在名片上，应该保持一定的完整性。 门牌号与街道名不可分开写，必须在同一行，不可断行。 名种名称不可断开。 门牌号英美写法可有不同，英 …
如何导出正确的IEEE参考文献格式？ - 知乎
Nov 24, 2020 · IEEE参考文献列表的页面格式 在IEEE引用格式中，文末参考文献列表应当出现在一个单独页面上。在页面顶部应当用粗黑体的“ References ”作为标题。该标题可以居中，也 …
