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| covergirl risky business lipstick: All Made Up Rae Nudson, 2021-07-13 A fascinating journey through history and culture, examining how makeup affects self-empowerment, how people have used it to define (and defy) their roles in society, and why we all need to care There is a history and a cultural significance that comes with wearing cat-eye-inspired liner or a bold red lip, one that many women feel to this day, even if we don’t realize exactly why. Increasingly, people of all genders are wrestling with what it means to be a woman living in a patriarchy, and part of that is how looking like a woman—whatever that means—affects people’s real lives. Through the stories of famous women like Cleopatra, Empress Wu, Madam C. J. Walker, Elizabeth Taylor, and Marsha P. Johnson, Rae Nudson unpacks makeup’s cultural impact—including how it can be used to shape a personal or cultural narrative, how often beauty standards align with whiteness, how and when it can be used for safety, and its function in the workplace, to name a few examples. Every woman has had to make a very personal choice about her relationship with makeup, and consciously or unconsciously, every woman knows that the choice is never entirely hers to make. This book also holds space for complicating factors, especially the ways that beauty standards differ across race, class, and culture. Engaging and informative, All Made Up will expand the discussion around what it means to participate in creating your own self-image. |
| covergirl risky business lipstick: My Transvestite Addictions Jack A. Shelia, 2013 A middle-aged transvestite presents his unusual life story in a fiction-inspired-by-fact account, describing his complex struggles with crossdressing and gender identity and his efforts to deal with various chronic addictions, including those involving alcohol, call girls, strippers, sex, and spending money. The diverse stories in the book range from serious to funny to outrageous and are written in an unflinchingly personal style that is also earthy, sexy, and sometimes politically incorrect. |
| covergirl risky business lipstick: Just Jessie Jessie James Decker, 2018-10-02 New York Times bestseller! From popular country music sensation and reality TV star Jessie James Decker (and wife of former NFL player Eric Decker) comes this gorgeously illustrated and highly inspiring lifestyle book fans have been clamoring for—featuring delectable family recipes, amazing fashion tips, and practical dating secrets. Whether she is belting out one of her number one hit country songs, cheering on her NFL-star husband in the stands, working on her fashion label, Kittenish, or making dinner for her hubby and three children, Jessie James Decker is constantly on the move. For years she has been performing and singing for fans, while also bringing people into her life through her hit E! show, Eric & Jessie, and Instagram, where she posts about family, food, and whatever else happens to be on her mind. Now, in Just Jessie, she invites you into her home, her marriage, and her kitchen like never before, sharing the stories that have mattered the most and the secrets of how she balances everything with a smile—and often a forkful of comfort food to go along. From following her childhood music dreams, to her struggles with bullying, to finding her soul mate, Jessie doesn’t hold anything back in this exclusive peek into her life, going behind the scenes of the best and the hardest moments and providing the lessons to help you survive yours as well. With the honesty and humor that have made her one of the most supportive voices out there, she offers warm, practical advice about dating, decor, fashion, beauty, parenting, fitness, keeping romance alive—and so much more. In addition, Just Jessie features fifteen of her favorite go-to recipes, going step by step through her most Instagrammable and delicious dishes. Whether at home or on the red carpet, Jessie always finds a way to make it work—and does so with style and charm. Gorgeously illustrated with never-before-seen childhood photos and original photography, Just Jessie is the essential guide to living life the way it works for Jessie, inspiring your dreams as you learn how Jessie made hers a reality. |
| covergirl risky business lipstick: Identity Games Anikó Imre, 2009 An examination of the unique, hybrid media practices generated by Eastern Europe's accelerated transition from late communism to late capitalism. Eastern Europe's historically unprecedented and accelerated transition from late communism to late capitalism, coupled with media globalization, set in motion a scramble for cultural identity and a struggle over access to and control over media technologies. In Identity Games, Anikó Imre examines the corporate transformation of the postcommunist media landscape in Eastern Europe. Avoiding both uncritical techno-euphoria and nostalgic projections of a simpler, better media world under communism, Imre argues that the demise of Soviet-style regimes and the transition of postcommunist nation-states to transnational capitalism has crucial implications for understanding the relationships among nationalism, media globalization, and identity. Imre analyzes situations in which anxieties arise about the encroachment of global entertainment media and its new technologies on national culture, examining the rich aesthetic hybrids that have grown from the transitional postcommunist terrain. She investigates the gaps and continuities between the last communist and first post-communist generations in education, tourism, and children's media culture, the racial and class politics of music entertainment (including Roma Rap and Idol television talent shows), and mediated reconfigurations of gender and sexuality (including playful lesbian media activism and masculinity in carnivalistic post-Yugoslav film). Throughout, Imre uses the concepts of play and games as metaphorical and theoretical tools to explain the process of cultural change -- inspired in part by the increasing ludification of the global media environment and the emerging engagement with play across scholarly disciplines. In the vision that Imre offers, political and cultural participation are seen as games whose rules are permanently open to negotiation. |
| covergirl risky business lipstick: The Full Plate Ayesha Curry, 2020-09-22 NEW YORK TIMES BESTSELLER Enjoy family-friendly recipes that are ready in no time, when you've got no time, from New York Times bestselling author, online phenomenon, and TV star Ayesha Curry. Ayesha Curry knows what it's like to have so much on your plate you can barely think about dinner. But she also knows that finding balance between work and family life starts with gathering around the table to enjoy a home-cooked meal. The Full Plate brings the best of Ayesha's home kitchen straight to you, with 100 recipes that are flexible and flavorful and come together in less than an hour. You'll find sheet pan dinners and crowd-pleaser pastas, hearty salads and healthy updates to takeout favorites, and fresh spins on classic dishes-plus kid-friendly meals, desserts, and sides (and a few beverages just for the adults). Recipes include: Mushroom Tacos with Avocado Crema Hot Honey Chicken Sandwiches Crab Bucatini Sheet Pan Pork Chops Guava Ginger Ice Cream Spicy Margaritas, and more |
| covergirl risky business lipstick: Essentials of Contemporary Advertising William F. Arens, David H. Schaefer, Michael F. Weigold, 2009 Exploring the core principles that drive advertising, this book goes beyond academic theory. The authors present advertising as it is actually practiced and make the fundamentals accessible and relevant to the student's real life. Every chapter concludes with a learning exercise. |
| covergirl risky business lipstick: Principles of Marketing Philip Kotler, Gary Armstrong, 2020-11-11 |
| covergirl risky business lipstick: Honey, Baby, Sweetheart Deb Caletti, 2011-08-23 A summer romance headed for heartbreak turns into a mother-daughter road trip in the name of true love in this story of love, loss, and redemption from Printz Honor medal winner and National Book Award finalist Deb Caletti. It is summer in the northwest town of Nine Mile Falls, and Ruby McQueen—ordinarily dubbed The Quiet Girl—finds herself hanging out with gorgeous, rich, thrill-seeking Travis Becker. With Travis, Ruby can be someone she’s never been before: Fearless. Powerful. But Ruby is in over her head, risking more and more when she’s with him. In an effort to keep Ruby occupied and mend her own broken heart, her mother, Ann, drags Ruby to the weekly book club she runs for seniors. At first, Ruby can’t imagine a more boring way to spend an afternoon, but she is soon charmed by the women she’s spending time with. And when the group discovers one of their own members is the subject of the tragic love story they are reading, Ann and Ruby ditch their respective obsessions to spearhead a reunion between the long-ago lovers. They’re in search of a happy ending…but for who? This lyrical, multigenerational story of love, loss, and redemption speaks to everyone who has ever been in love—and lived to tell the tale. |
| covergirl risky business lipstick: The Face of Fashion Jennifer Craik, 2003-09-02 First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. |
| covergirl risky business lipstick: Foundations of Marketing John Fahy, David Jobber, 2012 This text begins by introducing basic concepts from the ground up, such as the marketing environment, customer behaviour and segmentation and positioning. |
| covergirl risky business lipstick: Balance the World! Aurelie Salvaire, 2018-01-31 This is a feminist guide for millennials.Here are some concrete examples from all around the world to shift the balance and contribute to making it a better place.This fun and visual guidebook will give you necessary tools to effectively navigate this seemingly controversial topic and provide you with concrete examples of best in class strategies.I invite you to be part of the gender revolution!Let's shift the balance together! |
| covergirl risky business lipstick: Aesthetic Labour Ana Sofia Elias, Rosalind Gill, Christina Scharff, 2017-01-18 This volume approaches questions about gender and the politics of appearance from a new perspective by developing the notion of aesthetic labour. Bringing together feminist writing regarding the ‘beauty myth’ with recent scholarship about new forms of work, the book suggests that in this moment of ubiquitous photography, social media, and 360 degree surveillance, women are increasingly required to be 'aesthetic entrepreneurs’, maintaining a constant state of vigilance about their appearance. The collection shows that this work is not just on the surface of bodies, but requires a transformation of subjectivity itself, characterised by notions of personal choice, risk-taking, self-management, and individual responsibility. The book includes analyses of online media, beauty service work, female genital cosmetic surgery, academic fashion, self-help literature and the seduction community, from a range of countries. Discussing beauty politics, postfeminism, neoliberalism, labour and subjectivity, the book will be of interest to scholars and students with an interest in Gender, Media Studies, Cultural Studies, Sociology, Social Psychology and Management Studies. “This highly engaging, smart, and wide-ranging collection analyzes how, under the self-governing mandates of neoliberalism, the demands that girls and women regulate and control their bodies and appearance have escalated to new, unforgiving levels. A special strength of the book is its emphasis on the rise of ‘aesthetic labour’ as a global, transnational and ever-colonizing phenomenon that seeks to sweep up women of all races, ages and locales into its disciplinary grip. Highly recommended.” -Susan J Douglas, University of Michigan, USA the inherited responsibility that remains women’s particular burden to manage.” -Melissa Gregg, Intel Corporation, USA “This book incisively conceptualizes how neo-liberalist and postfeminist tendencies are ramping up pressures for glamour, aesthetic, fashion, and body work in the general public. In a moment when YouTube ‘makeup how to’ videos receive millions of hits; what to wear and how to wear it blogs clock massive followings; and staying ‘on brand’ is sold to us as the key to personal and financial success, ‘aesthetic entrepreneurship’ is bound to become a go-to concept for anyone seeking to understand the profound shifts shaping labor and life in the 21st century.” -Elizabeth Wissinger, City University of New York, USA |
| covergirl risky business lipstick: Amazing Face Zoe Foster, 2013-05-22 Sometimes a lady just needs to know how to do the definitive smoky eye, or how to choose the perfect shade of lipstick or eye shadow. And there's no reason she shouldn't know which foundation or moisturiser is best for her, either. All the answers are here, in this top-to-toe beauty extravaganza. Former Cosmopolitan andHarper's BAZAAR beauty director Zoë Foster suggests makeup colours and brands for every occasion, skin care routines and products for every age, and step-by-step instructions for winged eyeliner, sensational red lips, foolproof tanning, simple updos, sexy-second-day hair, and much, much more . . . |
| covergirl risky business lipstick: Connected Marketing Justin Kirby, Paul Marsden, 2006 Through a wide range of solutions and case studies from the coalface, Connected Marketing demystifies viral, buzz and word of mouth marketing and demonstrates that managing successful connected marketing activity is possible through an organized series of decisions and approaches - it's not a hit-or-miss quest for that one groundbreaking idea.--BOOK JACKET. |
| covergirl risky business lipstick: Pouty Lips Kevin Garland James, 2017-09-16 This lovely notebook journal from designer and artist Kevin James is perfect for writing, sketching, note-taking and planning. It has a selection of blank and box frame pages,use them to spark your creativity.! |
| covergirl risky business lipstick: Looseleaf for Marketing: The Core Steven W. Hartley, Roger A. Kerin, 2019-01-29 Marketing: The Core is a more brief, 18-chapter version of the Kerin/Hartley Marketing 14e product, the most rigorous and robust program on the market. The Core 8e also continues to demonstrate the authors’ commitment to engagement, leadership, and innovation: Engagement in class-tested, active learning activities to help instructors illustrate textbook concepts as well as examples throughout featuring real people, cases and companies throughout. Media-enhanced PPT slides, alternate cases, and a 5,000+ item test bank are included in the comprehensive instructor resource suite. Leadership in leading, current content and conversational writing style, with new emphasis on marketing metrics and data-driven decision-making, with hyperlinked assignments throughout to easily correlate activities. Innovation in outcomes-oriented Connect®, a highly reliable, easy-to-use homework and learning management solution that embeds learning science and award-winning adaptive tools to improve student results. |
| covergirl risky business lipstick: CONSUMER BEHAVIOUR: TEXT & CASES KAPOOR, This book aims to discuss consumer behaviour in an easy-to-understand and studentfriendly manner. It is based primarily on the curriculum of Indian universities and institutions, and adequate content coverage has been ensured to make it a complete text as well as reference material on the subject. |
| covergirl risky business lipstick: The Scott Chronicles Bob Wingate, 2020-11 |
| covergirl risky business lipstick: Gender Lisa Wade, Myra Marx Ferree, 2022-09-15 The new gold standard for sociology of gender courses. An instant best-seller and now the leading book for the course, Wade and Ferree's Gender is an accessible and inclusive introduction to sociological perspectives on gender. Drawing on memorable examples mined from history, pop culture, and current events, Gender deftly moves between theoretical concepts and applications to everyday life. Revised throughout to be more inclusive and intersectional, the Third Edition features expanded coverage of the nonbinary and trans experience and new discussions of the impact of Covid-19 on families and work-- |
| covergirl risky business lipstick: Air Kisses Zoe Foster, 2014-12-11 Is love really more important than lip gloss? Hannah Atkins - the girl most likely to be sporting streaky fake tan and a wobbly trail of liquid eyeliner - has bluffed her way into the position of beauty editor at Gloss magazine. Just as she's carving a path into the gorgeous world of guerrilla air kisses, she reads about her boyfriend and another girl in the gossip pages of the local newspaper. Then she gets dumped. By text. Vowing to claw back some dignity and make her ex regret what he's done, Hannah adopts some hardcore rules - look fabulous, act fabulous, steer clear of unsuitable men. But as her resolution starts to slip away, she finds herself having to decide on more important things than the perfect mascara. The sassy and hilarious debut novel from a former Cosmo beauty editor, Air Kisses is the ultimate feel-good read about life, love and lipstick. |
| covergirl risky business lipstick: Foundations of Marketing John Fahy, David Jobber, 2015 Discovera framework for digital marketing and social media that will help students navigate this rapidly changing field, how marketing adds value to customers and organisations, how innovative brand positioning drives commercial success, how companies in the service sector such as Paddy Power build a loyal customer base, and how viral campaigns are an effective marketing tool for charitable organisations like the Rainforest Alliance. |
| covergirl risky business lipstick: Enlightened Racism Sut Jhally, 2019-03-04 The Cosby Show needs little introduction to most people familiar with American popular culture. It is a show with immense and universal appeal. Even so, most debates about the significance of the program have failed to take into account one of the more important elements of its success—its viewers. Through a major study of the audiences of The Cosby Show, the authors treat two issues of great social and political importance—how television, America's most widespread cultural form, influences the way we think, and how our society in the post-Civil Rights era thinks about race, our most widespread cultural problem. This book offers a radical challenge to the conventional wisdom concerning facial stereotyping in the United States and demonstrates how apparently progressive programs like The Cosby Show, despite good intentions, actually help to construct enlightened forms of racism. The authors argue that, in the post-Civil Rights era, a new structure of racial beliefs, based on subtle contradictions between attitudes toward race and class, has brought in its wake this new form of racial thought that seems on the surface to exhibit a new tolerance. However, professors Jhally and Lewis find that because Americans cannot think clearly about class, they cannot, after all, think clearly about race. This groundbreaking book is rooted in an empirical analysis of the reactions to The Cosby Show of a range of ordinary Americans, both black and white. Professors Jhally and Lewis discussed with the different audiences their attitudes toward the program and more generally their understanding and perceptions of issues of race and social class. Enlightened Racism is a major intervention into the public debate about race and perceptions of race—a debate, in the 1990s, at the heart of American political and public life. This book is indispensable to understanding that debate. |
| covergirl risky business lipstick: Strategic Management , 2012 |
| covergirl risky business lipstick: New Femininities R. Gill, C. Scharff, 2013-05-31 This collection of original essays looks at the way in which experiences and representations of femininity are changing, and explores the possibilities for producing 'new' femininities in the twenty-first century. The volume includes a Preface by leading feminist scholar Angela McRobbie. |
| covergirl risky business lipstick: What a Girl Wants? Diane Negra, 2009-06-02 From domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self. |
| covergirl risky business lipstick: Women and the Media in Asia Y. Kim, 2012-05-22 At a time of significant change in the precarious world of female individualization, this collection explores such phenomena by critically incorporating the parameters of popular media culture into the overarching paradigm of gender relations, economics and politics of everyday life. |
| covergirl risky business lipstick: Gender, Race, and Class in Media Bill Yousman, William E Yousman, Lori Bindig Yousman, Gail Dines, Jean McMahon Humez, 2020-07-24 Incisive analyses of mass media - including such forms as talk shows, MTV, the internet, soap operas, television sitcoms, dramatic series, pornography, and advertising-enable this provocative new edition of Gender, Race and Class in Media to engage students in critical mass media scholarship. Issues of power related to gender, race, and class are integrated into a wide range of articles examining the economic and cultural implications of mass media as institutions, including the political economy of media production, textual analysis, and media consumption. Throughout, Gender, Race and Class in Media examines the mass media as economic and cultural institutions that shape our social identities, especially in regard to gender, race, and class-- |
| covergirl risky business lipstick: Powerlines Steve Cone, 2010-05-11 Powerlines, the exceptional slogans that people remember long after the campaign ends, stand out from the barrage of marketing messages consumers face each day. A product, service, company, candidate, or an organization with a powerline outshines the competition every time. Steve Cone, author of Steal These Ideas!, reveals the secrets to contemporary marketing's biggest mystery: how to conjure the phrase that will make a product irresistible and memorable. This book restores the lost art of creating killer slogans to its proper place: front and center in every campaign. Drawing on examples of great and not-so-great lines from marketing, politics, and popular culture, Cone provides an irreverent, intelligent, and insightful primer on a singularly important aspect of brand building. Silver Medal Winner, Advertising/Marketing/PR/Event Planning Category, Axiom Business Book Awards (2009) |
| covergirl risky business lipstick: Boredom Peter Toohey, 2011-01-01 In the first book to argue for the benefits of boredom, Peter Toohey dispels the myth that it's simply a childish emotion or an existential malaise like Jean-Paul Sartre's nausea. He shows how boredom is, in fact, one of our most common and constructive emotions and is an essential part of the human experience. This informative and entertaining investigation of boredom--what it is and what it isn't, its uses and its dangers--spans more than 3,000 years of history and takes readers through fascinating neurological and psychological theories of emotion, as well as recent scientific investigations, to illustrate its role in our lives. There are Australian aboriginals and bored Romans, Jeffrey Archer and caged cockatoos, Camus and the early Christians, Durer and Degas. Toohey also explores the important role that boredom plays in popular and highbrow culture and how over the centuries it has proven to be a stimulus for art and literature. Toohey shows that boredom is a universal emotion experienced by humans throughout history and he explains its place, and value, in today's world. Boredom: A Lively History is vital reading for anyone interested in what goes on when supposedly nothing happens. |
| covergirl risky business lipstick: The Rise of Enlightened Sexism Susan J. Douglas, 2010-12-21 Women today are inundated with conflicting messages from the mass media: they must either be strong leaders in complete command or sex kittens obsessed with finding and pleasing a man. In The Rise Of Enlightened Sexism, Susan J. Douglas, one of America's most entertaining and insightful cultural critics, takes readers on a spirited journey through the television programs, popular songs, movies, and news coverage of recent years, telling a story that is nothing less than the cultural biography of a new generation of American women. Revisiting cultural touchstones from Buffy the Vampire Slayer to Survivor to Desperate Housewives, Douglas uses wit and wisdom to expose these images of women as mere fantasies of female power, assuring women and girls that the battle for equality has been won, so there's nothing wrong with resurrecting sexist stereotypes—all in good fun, of course. She shows that these portrayals not only distract us from the real-world challenges facing women today but also drive a wedge between baby-boom women and their millennial daughters. In seeking to bridge this generation gap, Douglas makes the case for casting aside these retrograde messages, showing us how to decode the mixed messages that restrict the ambitions of women of all ages. And what makes The Rise Of Enlightened Sexism such a pleasure to read is Douglas's unique voice, as she blends humor with insight and offers an empathetic and sisterly guide to the images so many American women love and hate with equal measure. |
| covergirl risky business lipstick: Bloom Estee Lalonde, 2016-10-04 From rising YouTube star Estée Lalonde comes a book that's about more than just living the perfect lifestyle; it's about giving readers the confidence to live the lifestyle that's perfect for you. What makes you happy? What makes you you? What defines your style? In Bloom, YouTube personality Estée Lalonde shares the moments, people and things that have made her who she is today. She reveals her life lessons, and offers her tips for surviving life and finding yourself. With the same charming and friendly voice and advice that has made her a global star, Estee guides readers in discovering their own bloom story and celebrating what makes them unique. Life * People * Work * Beauty * Fashion * Home * Travel * Food |
| covergirl risky business lipstick: Code of Human Research Ethics , 2014 |
| covergirl risky business lipstick: Dior Catwalk , 2017 The Collections, 1947-2017: from Christian Dior to Maria Grazia Chiuri in over 1,100 photographs--Sleeve. |
| covergirl risky business lipstick: Strategic Business Diagnostic Tools - Theory and Practice Mike Morrison, 2013-07-29 SWOT, PESTLE & PRIMO-F analysis are amongst the most commonly misused tools in business. This book sets out the myths and practical applications of these and other diagnostic approaches is a robust but practical way. |
| covergirl risky business lipstick: The Social Psychology of Clothing Susan B. Kaiser, 1997 A single glance at our clothing reveals a wealth of information about how we perceive ourselves, each other, and our place in society. In this classic text, Susan B. Kaiser brings to the surface the unconscious thought processes we use to decide not just how clothes look, but what they mean. In a new section written especially for this updated edition, Kaiser addresses the increasingly multicultural emphasis of the study of clothing and appearance. She also reexamines fashion in terms of gender, ethnicity, sexuality, and social class, offering a more broad-based and inclusive vision of the social psychology of clothing. |
| covergirl risky business lipstick: Hidden Americans Hugo Prosper Leaming, 1995-01-01 First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company. |
| covergirl risky business lipstick: Mastering Strategy Saïd Business School, 2000 Everyone in business is involved in strategy, either formulating it or implementing it. Using case studies and examples of what leading companies are doing, this textbook presents the latest ideas from the world's four top business schools. |
| covergirl risky business lipstick: The Cosmo Smallpiece Guide to Male Liberation Les Dawson, 1979-01-01 |
| covergirl risky business lipstick: M: Advertising David H. Schaefer, William F. Arens, Christian Arens, Michael F. Weigold, 2014-04-09 M: Advertising 2e was created with students' and professors' needs in mind. It explores the core principles that drive advertising, using a lively voice that goes beyond academic theory. The authors' goal was to present advertising as it is actually practiced and make the fundamentals accessible and relevant to the student's “real life.“ This approach truly transcends the conceptual and propels students into an exciting and practical dimension. Students receive a cost - effective, easy to read, focused text complete with study resources to help them review for tests and apply chapter concepts. Professors receive a text that contains all the pertinent information - yet in a more condensed format that is easier to cover by students. McGraw-Hill Connect assignments are provided to utilise the power of the web, providing application of concepts for students and automatically grade materials to support instructors. |
| covergirl risky business lipstick: Ifism Cromwell Osamaro Ibiè, 1986 |
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