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| courtney love does the math: The Book of Audacity Carla Schroder, 2011-03-15 The Book of Audacity is the definitive guide to Audacity, the powerful, free, cross-platform audio editor. Audacity allows anyone to transform their Windows, Mac, or Linux computer into a powerful recording studio. The Book of Audacity is the perfect book for bands on a budget, solo artists, audiophiles, and anyone who wants to learn more about digital audio. Musician and podcaster Carla Schroder will guide you through a range of fun and useful Audacity projects that will demystify that geeky audio jargon and show you how to get the most from Audacity. You’ll learn how to: –Record podcasts, interviews, and live performances –Be your own backing band or chorus –Edit, splice, mix, and master multitrack recordings –Create super high-fidelity and surround-sound recordings –Digitize your vinyl or tape collection and clean up noise, hisses, and clicks –Create custom ringtones and sweet special effects In addition, you’ll learn how to choose and use digital audio hardware like mics and preamps, and tune your computer for flawless audio performance. You’ll also find out how to package your work for digital distribution, whether you want to share a podcast through iTunes or sell your own CDs. Become your own producer with The Book of Audacity. The fun starts now. |
| courtney love does the math: A Bad Woman Feeling Good: Blues and the Women Who Sing Them Buzzy Jackson, 2005-02-17 The women who broke the rules, creating their own legacy of how to live and sing the blues. An exciting lineage of women singers—originating with Ma Rainey and her protégée Bessie Smith—shaped the blues, launching it as a powerful, expressive vehicle of emotional liberation. Along with their successors Billie Holiday, Etta James, Aretha Franklin, Tina Turner, and Janis Joplin, they injected a dose of reality into the often trivial world of popular song, bringing their message of higher expectations and broader horizons to their audiences. These women passed their image, their rhythms, and their toughness on to the next generation of blues women, which has its contemporary incarnation in singers like Bonnie Raitt and Lucinda Williams (with whom the author has done an in-depth interview). Buzzy Jackson combines biography, an appreciation of music, and a sweeping view of American history to illuminate the pivotal role of blues women in a powerful musical tradition. Musician Thomas Dorsey said, The blues is a good woman feeling bad. But these women show by their style that he had it backward: The blues is a bad woman feeling good. |
| courtney love does the math: Poker Face Maureen Callahan, 2010-09-14 Stop feeding me bullshit. Tell me the truth. -- Lady Gaga, 2009 I hate the truth. I hate the truth so much I prefer a giant dose of bullshit any day over the truth. -- Lady Gaga, 2010 In little over a year, Stefani Germanotta, a struggling performer in New York's Lower East Side burlesque scene, has become the global demographic-smashing pop icon known as Lady Gaga. She is a once-in-a-decade artist, a gifted singer, composer, designer, and performance artist who mixes high and low culture, the avant-garde with the accessible, authenticity with artifice. Who is Lady Gaga? She is a twenty-four-year-old woman whose stage mantra -- I'm a free bitch! -- is the polar opposite of who she is offstage: isolated, insecure, and unable to be alone. She is an outree artist who wanted to be a sensitive singer-songwriter, whose musical heroes include Britney Spears, Billy Joel, and Bruce Springsteen. She is a woman who says no man can ever compete with her career, but who still isn't over the ex-boyfriend who said she was too ambitious. She claims not to care what people think, but spends her downtime online, reading what people have to say about her. She claims to be a con artist and utterly authentic. She is never less than compelling. Based on over fifty original interviews with friends, employees, rivals, and music industry veterans, Poker Face is the first in-depth biography of the extraordinary cultural phenomenon that is Lady Gaga. Quotes from Poker Face: It's a privilege to be here tonight to open for Lady Gaga. I've made it. -- President Barack Obama, October 2009 I remember thinking, 'That could be her. But I hope it's not.' -- Producer Rob Fusari Her 'crazy' outfit was putting suspenders on her jeans. -- former classmate She is perfectly, almost genetically engineered to be a twenty-first-century pop star. -- Eric Garland, CEO, BigChampagne.com If you looked at her, you'd think she was a jam band chick. She had a heady, grimy vibe. -- former NYU classmate Jon Sheldrick She's not progressive, but she's a good mimic. She sounds more like me than I f---ing do! -- Singer/rapper M.I.A. You won't be able to order a cup of coffee at the f---ing deli without hearing or seeing me. -- Lady Gaga to an ex-boyfriend, 2008 |
| courtney love does the math: Selling Digital Music, Formatting Culture Jeremy Wade Morris, 2015-09-01 Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the “digital music commodity,” Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music’s meanings and uses. Through case studies of five key technologies—Winamp, metadata, Napster, iTunes, and cloud computing—this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music’s encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love. |
| courtney love does the math: Ray Davies Thomas M. Kitts, 2008-01-23 Ray Davies: Not Like Everybody Else is a critical biography of Ray Davies, with a focus on his music and his times. The book studies Davies’ work from the Kinks’ first singles through his 2006 solo album, from his rock musicals in the early 1970s to his one-man stage show in the 1990s, and from his films to his autobiography. Based on interviews with his closest associates, as well as studies of the recordings themselves, this book creates the most thorough picture of Davies’ work to date. Kitts situates Davies’ work in the context of the British Invasion and the growth of rock in the '60s and '70s, and in the larger context of English cultural history. For fans of rock music and the music of the Kinks, this book is a must have. It will finally place this legendary innovator in the pantheon of the great rock artists of the past half-century. Thomas M. Kitts, Professor of English and Chair of the Division of English/Speech at St. John’s University, NY, is the co-editor of Living on a Thin Line: Crossing Aesthetic Borders with The Kinks, the author of The Theatrical Life of George Henry Boker, articles on American literature and popular culture, reviews of books, CDs, and performances, and a play Gypsies. He is the book review editor of Popular Music and Society and the editor of The Mid-Atlantic Almanack. |
| courtney love does the math: Getting Signed David Arditi, 2020-09-28 Record contracts have been the goal of aspiring musicians, but are they still important in the era of SoundCloud? Musicians in the United States still seem to think so, flocking to auditions for The Voice and Idol brands or paying to perform at record label showcases in the hopes of landing a deal. The belief that signing a record contract will almost infallibly lead to some measure of success— the “ideology of getting signed,” as Arditi defines it—is alive and well. Though streaming, social media, and viral content have turned the recording industry upside down in one sense, the record contract and its mythos still persist. Getting Signed provides a critical analysis of musicians’ contract aspirations as a cultural phenomenon that reproduces modes of power and economic exploitation, no matter how radical the route to contract. Working at the intersection of Marxist sociology, cultural sociology, critical theory, and media studies, Arditi unfolds how the ideology of getting signed penetrated an industry, created a mythos of guaranteed success, and persists in an era when power is being redefined in the light of digital technologies. |
| courtney love does the math: How to Make it in the New Music Business Robert Wolff, 2004 In How to Make it in the New Music Business, author Robert Wolff welcomes you to today's new high-tech digital universe by taking you to school. In 13 lessons, Wolff teaches you why you no longer have to play by old music business rules. Offering information, inspiration, and advice, Wolff and his famous friends show you how to take complete control over your music, your product, and your dream Book jacket. |
| courtney love does the math: Resisting Intellectual Property Debora J. Halbert, 2006-02-01 Over the past decade, the scope of copyright and patent law has grown significantly, strengthening property rights, even when such rights seem to infringe upon other, more basic, priorities. This book investigates the ways in which activists, scholars, and communities are resisting the expansion of copyright and patent law in the information age. Debora J. Halbert explores how an alternative framework for understanding intellectual property - including about how we ought to think about the issues, the development of social movements around specific issues, and civil disobedience - has developed. Each chapter in the book discusses how resistance is developing in relation to a particular copyright or patent issue such as: access to patented medication access to copyrighted information and music via the Internet the patenting of genetic material. This controversial book examines the ways in which the idea of intellectual property is being re-thought by the victims of an over-expansive legal system. It will appeal to students and researchers from a range of disciplines, from law and political science to computer science, with an interest in intellectual property. |
| courtney love does the math: The SAGE Handbook of Intellectual Property Matthew David, Debora Halbert, 2014-11-18 This Handbook brings together scholars from around the world in addressing the global significance of, controversies over and alternatives to intellectual property (IP) today. It brings together over fifty of the leading authors in this field across the spectrum of academic disciplines, from law, economics, geography, sociology, politics and anthropology. This volume addresses the full spectrum of IP issues including copyright, patent, trademarks and trade secrets, as well as parallel rights and novel applications. In addition to addressing the role of IP in an increasingly information based and globalized economy and culture, it also challenges the utility and viability of IP today and addresses a range of alternative futures. |
| courtney love does the math: The Economics of Symbolic Exchange Alexander Dolgin, 2008-10-06 Alexander Dolgin’s Economics of Symbolic Exchange is in reality not one but three books, and although these semantic layers are interlinked, the reader will need to choose between the different vectors and modalities. One clearly evident dimension is research. Certain authors introduce quite new intellectual approaches into scienti?c debate. This requires a special frame of mind and a searching curiosity about social reality. Carl Gustav Jung identi?ed a p- nomenon which he called systematic blindness: when a science reaches a stage of maturity and equilibrium, it categorically refuses, from a sense of self-preservation, to note certain facts and phenomena which it ?nds inconvenient. In Alexander D- gin’s book whole complexes of such “non-canonical” material are to be found. Here are just a few examples: ?le exchange networks, through which digital works of art are spread through the Internet; bargain sales of fashionable clothing; the paradox of equal pricing of cultural goods of varying quality; and a discussion of whether - tronage or business has the more productive in?uence on creativity. Obviously, not all the issues Volginraises are totally new, but brought togetherand examinedwithin an elegant logical framework of informational economics, they pose a challenge to scienti?c thinking. Such challenges are by no means immediately or, in some cases, ever acclaimed bythescienti?cestablishment. J. K. Galbraith,forexample,agreatAmericaneco- mist, whose works are read throughout the world, who introduced a whole range of crucially important concepts, the director of John F. |
| courtney love does the math: Networked Crime Matthew David, 2023-07-17 Do digital networks make a difference to the scope, scale and severity of social harm? Considering four distinct digital affordances for crime (access, concealment, evasion and incitement) this book asks whether they are simply new packaging for old problems, with no greater effect on society overall – or is cyberculture significantly escalating illegality? Matthew David gives fresh insights into online harms and behaviours in the fields of hate, obscenity, corruptions of citizenship and appropriation, offering a comprehensive and integrated approach for those both new and experienced in the field of cybercrime. |
| courtney love does the math: Information Assurance, Security and Privacy Services H. Raghav Rao, Shambhu Upadhyaya, 2009-05-29 Focuses on Information Assurance, Security and Privacy Services. This book discusses Program Security, Data Security and Authentication, Internet Scourges, Web Security, Usable Security, Human-Centric Aspects, Security, Privacy and Access Control, Economic Aspects of Security, Threat Modeling, Intrusion and Response. |
| courtney love does the math: The Palgrave Handbook of Critical Music Industry Studies David Arditi, |
| courtney love does the math: The Economics of the Popular Music Industry C. Byun, 2016-04-29 This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields. |
| courtney love does the math: Peers, Pirates, and Persuasion John Logie, 2006-01-30 John Logie examines the rhetoric of the ongoing debate over peer-to-peer technologies, in particular Napster and its successors. The Grokster case, he contends, has already produced the chilling effects that will stifle the innovative spirit at the heart of the Internet and networked communities. |
| courtney love does the math: Managing Electronic Media Joan M. Van Tassel, Lisa Poe-Howfield, 2010 The book explains the new vocabulary of media moguls, such as bandwidth, digital rights management, customer relations management, distributed work groups, centralized broadcast operations, automated playlists, server-based playout, repurposing, mobisodes, TV-to-DVD, and content management. |
| courtney love does the math: Managing Electronic Media Joan Van Tassel, 2012-09-10 This college-level media management textbook reflects the changes in the media industries that have occurred in the past decade. Today's managers must address new issues that their predecessors never faced, from the threats of professional piracy and casual copying of digital media products, to global networks, on-demand consumption, and changing business models. The book explains the new new vocabulary of media moguls, such as bandwidth, digital rights management, customer relations management, distributed work groups, centralized broadcast operations, automated playlists, server-based playout, repurposing, mobisodes, TV-to-DVD, and content management. The chapters logically unfold the ways that managers are evolving their practices to make content, market it, and deliver it to consumers in a competitive, global digital marketplace. In addition to media companies, this book covers management processes that extend to all content-producing organizations, because today's students are as likely to produce high-quality video and Web video for ABC Computer Sales as they are for the ABC Entertainment Television Network. |
| courtney love does the math: Owning the Masters Richard Osborne, 2022-11-17 Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. |
| courtney love does the math: Popular Communication, Piracy and Social Change Jonas Andersson Schwarz, Patrick Burkart, 2018-04-19 Digital piracy cultures and peer-to-peer technologies combined to spark transformations in audio-visual distribution between the late 1990s and the mid-2000s. Digital piracy also inspired the creation of a global anti-piracy law and policy regime, and counter-movements such as the Swedish and German Pirate Parties. These trends provide starting points for a wide-ranging debate about the prospects for deep and lasting changes in social life enabled by piratical technology practices. This edited volume brings together contemporary scholarship in communication and media studies, addressing piracy as a recombinant feature of popular communication, technological innovation, and communication law and policy. An international collection of contributors highlights key debates about piracy, popular communication, and social change, and provides a lasting resource for global media studies. This book was originally published as a special issue of Popular Communication. |
| courtney love does the math: The Pirate's Dilemma Matt Mason, 2008-01-08 It started with punk. Hip-hop, rave, graffiti, and gaming took it to another level, and now modern technology has made the ideas and innovations of youth culture increasingly intimate and increasingly global at the same time. In The Pirate's Dilemma, VICE magazine's Matt Mason -- poised to become the Malcolm Gladwell of the iPod Generation -- brings the exuberance of a passionate music fan and the technological savvy of an IT wizard to the task of sorting through the changes brought about by the interface of pop culture and innovation. He charts the rise of various youth movements -- from pirate radio to remix culture -- and tracks their ripple effect throughout larger society. Mason brings a passion and a breadth of intelligence to questions such as the following: How did a male model who messed with disco records in the 1970s influence the way Boeing designs airplanes? Who was the nun who invented dance music, and how is her influence undermining capitalism as we know it? Did three high school kids who remixed Nazis into Smurfs in the 1980s change the future of the video game industry? Can hip-hop really bring about world peace? Each chapter crystallizes the idea behind one of these fringe movements and shows how it combined with technology to subvert old hierarchies and empower the individual. With great wit and insight -- and a cast of characters that includes such icons as the Ramones, Andy Warhol, Madonna, Russell Simmons, and 50 Cent -- Mason uncovers the trends that have transformed countercultural scenes into burgeoning global industries and movements, ultimately changing our way of life. |
| courtney love does the math: Appetite for Self-Destruction Steve Knopper, 2009-12-15 For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the modern recording industry, from an author who has been writing about it for more than ten years. With unparalleled access to those intimately involved in the music world’s highs and lows—including Warner Music chairman Edgar Bronfman Jr., renegade Napster creator Shawn Fanning, and more than 200 others—Steve Knopper is the first to offer such a detailed and sweeping contemporary history of the industry’s wild ride through the past three decades. From the birth of the compact disc, the explosion of CD sales, and the emergence of MP3-sharing websites that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. Just as the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world, the advent of file sharing brought it to its knees, and Knopper saw it all. |
| courtney love does the math: American Music Nicolae Sfetcu, 2014-05-09 The music of the United States is so cool! It reflects the country’s multicultural population through a diverse array of styles. Rock and roll, hip hop, country, rhythm and blues, and jazz are among the country’s most internationally renowned genres. Since the beginning of the 20th century, popular recorded music from the United States has become increasingly known across the world, to the point where some forms of American popular music is listened to almost everywhere. A history and an introduction in the ethnic music in the United States, American Indian music, classical music, folk music, hip hop, march music, popular music, patriotic music, as well as the American pop, rock, barbershop music, bluegrass music, blues, bounce music, Doo-wop, gospel, heavy metal, jazz, R&B, and the North American Western music. |
| courtney love does the math: CODE Rishab Ghosh, 2006-09-08 How open source creative collaboration provides an alternative to commercially driven policies determining intellectual property rights. Open source software is considered by many to be a novelty and the open source movement a revolution. Yet the collaborative creation of knowledge has gone on for as long as humans have been able to communicate. CODE looks at the collaborative model of creativity—with examples ranging from collective ownership in indigenous societies to free software, academic science, and the human genome project—and finds it an alternative to proprietary frameworks for creativity based on strong intellectual property rights. Intellectual property rights, argues Rishab Ghosh in his introduction, were ostensibly developed to increase creativity; but today, policy decisions that treat knowledge and art as if they were physical forms of property actually threaten to decrease creativity, limit public access to creativity, and discourage collaborative creativity. Newton should have had to pay a license fee before being allowed even to see how tall the 'shoulders of giants' were, let alone to stand upon them, he writes. The contributors to CODE, from such diverse fields as economics, anthropology, law, and software development, examine collaborative creativity from a variety of perspectives, looking at new and old forms of creative collaboration and the mechanisms emerging to study them. Discussing the philosophically resonant issues of ownership, property, and the commons, they ask if the increasing application of the language of property rights to knowledge and creativity constitutes a second enclosure movement—or if the worldwide acclaim for free software signifies a renaissance of the commons. Two concluding chapters offer concrete possibilities for both alternatives, with one proposing the establishment of positive intellectual rights to information and another issuing a warning against the threats to networked knowledge posed by globalization. Contributors Philippe Aigrain, Yochai Benkler, Boatema Boateng, David Bollier, James Boyle, John Henry Clippinger, Paul Allen David, Rishab Aiyer Ghosh, Cori Hayden, Tim Hubbard, Christopher Kelty, James Leach, James Love, Fred Meyers, Anthony Seeger, Richard Stallman, Marilyn Strathern |
| courtney love does the math: CyberEthics Terry Halbert, Elaine Ingulli, 2002 Halbert (legal studies, Temple U.) and Ingulli (business, Richard Stockton College, Pomona, NJ) provide an undergraduate text suitable for any course (economics, sociology, media studies, computer science, etc.) that looks at how cyberspace is affecting culture. They consider major crunch points i |
| courtney love does the math: The Disappearing Product Chris Bilton, 2017-09-29 Technological and social change has transfigured the market for creative industries. A new generation of intermediaries including Amazon, Apple, Facebook and Google deal in context (how we consume) more than content (what we consume), displacing cultural producers, devaluing culturing products and monopolising consumer attention. Drawing on theoretical models across disciplines and rich in practical examples, this book charts an approach to marketing which challenges cultural producers to reclaim their place in the creative economy. |
| courtney love does the math: Planned Obsolescence Kathleen Fitzpatrick, 2011 Academic institutions are facing a crisis in scholarly publishing at multiple levels: presses are stressed as never before, library budgets are squeezed, faculty are having difficulty publishing their work, and promotion and tenure committees are facing a range of new ways of working without a clear sense of how to understand and evaluate them. Planned Obsolescence is both a provocation to think more broadly about the academy's future and an argument for re-conceiving that future in more communally-oriented ways. Facing these issues head-on, Kathleen Fitzpatrick focuses on the technological changeso especially greater utilization of internet publication technologies, including digital archives, social networking tools, and multimediaonecessary to allow academic publishing to thrive into the future. But she goes further, insisting that the key issues that must be addressed are social and institutional in origin.Confronting a change-averse academy, she insists that before we can successfully change the systems through which we disseminate research, scholars must re-evaluate their ways of workingohow they research, write, and reviewowhile administrators must reconsider the purposes of publishing and the role it plays within the university. Springing from original research as well as Fitzpatrick's own hands-on experiments in new modes of scholarly communication through MediaCommons, the digital scholarly network she co-founded, Planned Obsolescence explores all of these aspects of scholarly work, as well as issues surrounding the preservation of digital scholarship and the place of publishing within the structure of the contemporary university. Written in an approachable style designed to bring administrators and scholars into a conversation, Planned Obsolescence explores both symptom and cure to ensure that scholarly communication will remain vibrant and relevant in the digital future. |
| courtney love does the math: Licensing Best Practices Robert Goldscheider, Alan H. Gordon, 2006-06-26 The LESI Guide to Licensing Best Practices, to which I was proudto contribute, has found solid acceptance in the internationallicensing community. The new volume of Licensing BestPractices maintains this high standard. It was designed to becomplementary to its predecessor and broadens the scope of thescholarship. Standing alone, Licensing Best Practices is avaluable source of contemporary information. In combination withThe LESI Guide to Licensing Best Practices, we have a veryvaluable source of insights and practical knowledge. —Heinz Goddar Partner Boehmert & Boehmert Few if any other intellectual property references lay therequired geographic foundation for the scientific, business, andlegal issues presented. Goldscheider and Gordon demonstrate thattech transfer occurs in a global arena. The book lives up to itstitle: Licensing Best Practices. —James E. Malackowski President & CEO, Ocean Tomo, LLCpast president, LES-USA & Canada An invaluable complement to the field's acclaimed book onlicensing best practices Spanning the globe, from Scandinavia to Japan and Mexico toKorea, Licensing Best Practices provides a comprehensive anduser-friendly resource for professionals in licensing andtechnology management. Featuring contributions from some of themost highly regarded LESI professionals, this definitive guideincludes detailed discussions on some of the hottest topics inlicensing, including: Licensing and Technology Transfer to China Software Licensing as a Driver of the Indian Economy Secrets of Successful Dealmaking in Asia Licensing in Scandinavia-Home of Entrepreneurial Inventors,Industrialists, and Philanthropists Global Innovation and Licensing Opportunities on theInternet Energy and Environment Driving Technology and Licensing Licensing Nanotechnology Assuring Royalty Compliance in High Technology Licensing Intellectual Property Allocation Strategies in JointVentures Applications of Game Theory to IP Royalty Negotiations |
| courtney love does the math: The Future of Ideas Lawrence Lessig, 2002-11-12 The Internet revolution has come. Some say it has gone. In The Future of Ideas, Lawrence Lessig explains how the revolution has produced a counterrevolution of potentially devastating power and effect. Creativity once flourished because the Net protected a commons on which widest range of innovators could experiment. But now, manipulating the law for their own purposes, corporations have established themselves as virtual gatekeepers of the Net while Congress, in the pockets of media magnates, has rewritten copyright and patent laws to stifle creativity and progress. Lessig weaves the history of technology and its relevant laws to make a lucid and accessible case to protect the sanctity of intellectual freedom. He shows how the door to a future of ideas is being shut just as technology is creating extraordinary possibilities that have implications for all of us. Vital, eloquent, judicious and forthright, The Future of Ideas is a call to arms that we can ill afford to ignore. |
| courtney love does the math: Playing for Change Rob Rosenthal, Richard Flacks, 2015-11-17 Although music is known to be part of the great social movements that have rocked the world, its specific contribution to political struggle has rarely been closely analyzed. Is it truly the 'lifeblood' of movements, as some have declared, or merely the entertainment between the speeches? Drawing on interviews, case studies and musical and lyrical analysis, Rosenthal and Flacks offer a brilliant analysis and a wide-ranging look at the use of music in movements, in the US and elsewhere, over the past hundred years. From their interviews, the voices of Pete Seeger, Ani DiFranco, Tom Morello, Holly Near, and many others enliven this highly readable book. |
| courtney love does the math: 101 Songwriting Wrongs and How to Right Them Pat Luboff, Pete Luboff, 2007-10-30 Give Your Songwriting a Competitive Edge This book takes you on the songwriter's journey from the first inspiration for a song to the collection of worldwide royalties. Experienced songwriters Pat and Pete Luboff point out the stumbling blocks you'll encounter along the way, and how to turn them into stepping stones to songwriting success. In 101 fun and easy-to-read chapters, you'll find tips on: • building solid, marketable song structures • creating the perfect lyrics accompanied by moving melodies • forming productive and profitable collaboration ventures • producing effective demos that you can pitch • tracking your royalty collection You'll also discover how new technology is changing songwriting and how to use that to your advantage. Plus, you'll get insider tips on traveling to and living in the songwriting centers of the country–Los Angeles, New York City, and Nashville. Everything you need to live and succeed at the songwriter's life can be found in this great resource. |
| courtney love does the math: Capturing Sound Mark Katz, 2010-10-07 Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography. |
| courtney love does the math: Gatewatching Axel Bruns, 2005 Gatewatching: Collaborative Online News Production is the first comprehensive study of the latest wave of online news publications. The book investigates the collaborative publishing models of key news Websites, ranging from the worldwide Indymedia network to the massively successful technology news site Slashdot, and further to the multitude of Weblogs that have emerged in recent years. Building on collaborative approaches borrowed from the open source software development community, this book illustrates how gatewatching provides an alternative to gatekeeping and other traditional journalistic models of reporting, and has enabled millions of users around the world to participate in the online news publishing process. |
| courtney love does the math: The Paralysis of Analysis in African American Studies Stephen Ferguson II, 2023-09-21 Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the cultural turn in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped. |
| courtney love does the math: Chokepoint Capitalism Rebecca Giblin, Cory Doctorow, 2022-09-27 A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism, scholar Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late. |
| courtney love does the math: Artists, Technology & the Ownership of Creative Content , 2003 |
| courtney love does the math: Lady Gaga Paula Johanson, 2012-02-22 This biography details Lady Gaga's life from all angles, documenting her family background; the events before and during her meteoric rise to success as a songwriter, singer, and performance artist; her deft use of social media; and her political commentary. Lady Gaga: A Biography details Lady Gaga's life from birth to 2011. Readers will learn about her personal background—where she was born, who her parents were, what her early school years as a weird girl with rabbit teeth were like—as well as her pre-fame years where she gained an education in music and paid her dues as a small-time professional in small performance venues. The many milestones of her wildly successful career so far are documented in detail, as are Haus of Gaga, the artistic collective that supports her performances; her ongoing activities as a performer; her presentation in couture and accessories; and her stated intentions for the future. This book will be an engrossing read for fans of Lady Gaga as well as anyone interested in popular culture or the entertainment industry. Its inclusion of chapter endnotes containing quotations and controversial points along with a bibliography of print and electronic resources make it an authoritative research tool for students as well. |
| courtney love does the math: Gonzo Marketing Christopher Locke, 2009-06-17 Ladies and gentlemen, please return your tray tables to the fully upright and locked position, suspend your disbelief and put on your tinfoil pyramid hats. We are now entering -- [cue lights, cue music] the Brand Dimension! Gonzo Marketing is a knuckle-whitening ride to the place where social criticism, biting satire, and serious commerce meet -- and where the outdated ideals of mass marketing and broadcast media are being left in the dust. As master of ceremonies at the wake for traditional one-size-fits-all marketing, Locke has assembled a unique guest list, from Geoffrey Chaucer to Hunter S. Thompson, to guide us through the revolution that is rocking business today, as people connect on the Web to form powerful micromarkets. These networked communities, based on candor, trust, passion, and a general disdain for anything that smacks of corporate smugness, reflect much deeper trends in our culture, which Locke illuminates with his characteristic wit. Just as gonzo journalism arose in response to objective news standards that claimed to foster fairness but in practice discouraged writers from speaking their minds in their own voices, so too does gonzo marketing call for a similar response to assumptions about consumer behavior that no longer relate to how people actually live their lives. Gonzo Marketing is not yet-another nostrum for hoodwinking the unwary. It's about market advocacy. It describes how the artist formerly known as advertising must do a 180. It's about transforming the marketing message from we want your money to we share your interests. It's about tapping into, listening to, and even forming alliances with emerging on-line markets, who probably know more about your company than you do. It's a hip-hop cover of boring old best practices played backwards. The paradox is that companies that support and promote these communities can have everything they've always wanted: greater market share, customer loyalty, brand equity. Irreverent, penetrating, profoundly simple, and on-the-money, Gonzo Marketing is the raucous wake-up that no one interested in any aspect of twenty-first century business-from the trading floor right up to the boardroom-can afford to ignore. |
| courtney love does the math: Blogs, Wikipedia, Second Life, and Beyond Axel Bruns, 2008 Explores our developing participatory online culture, establishing the core principles which drive the rise of collaborative content creation in environments, from open source through blogs and Wikipedia to Second Life. Argues that what is emerging is no longer just a new form of content production, but a new process for the continuous creation and extension of knowledge and art by collarborative communities: produsage. |
| courtney love does the math: Digitize this Book! Gary Hall, 2008 In the sciences, the merits and ramifications of open accessa the electronic publishing model that gives readers free, irrevocable, worldwide, and perpetual access to researcha have been vigorously debated. Open access is now increasingly proposed as a valid means of both disseminating knowledge and career advancement. In Digitize This Book! Gary Hall presents a timely and ambitious polemic on the potential that open access publishing has to transform both a papercentrica humanities scholarship and the institution of the university itself. |
| courtney love does the math: Copyright Law Benedict Atkinson, 2017-07-05 This volume shows how, since 1950, the growth of copyright regulation has followed, and enabled, the extraordinary economic growth of the entertainment, broadcasting, software and communications industries. It reproduces articles written by an extensive list of leading thinkers. US scholars represented in readings include James Boyle, Lawrence Lessig, Pamela Samuelson, Mark Lemley, Alfred Yen, Julie Cohen, Peter Jaszi and Eben Moglen. Leading non-US contributors include Alan Story, Brian Fitzgerald and Peter Drahos. These and other authors explain copyright origins, the development of the law, the theory of enclosure, international trends, recent developments, and current and future directions. Today, the copyright system is often portrayed as an engine of growth, and effective regulation as a predictor of economic development. However, critics see dangers in the expansion of intellectual property rights. The articles in this volume focus principally on the digital age, examining how copyright regulation is likely to affect goals of dissemination and access. |
Courtney (given name) - Wikipedia
Courtney is a unisex given name. Courtney was used as a given name for men beginning at least as far back as the 17th century (e.g. the British Member of Parliament Sir Courtney Pool, …
Courtney - Name Meaning, What does Courtney mean? - Think Baby Names
What does Courtney mean? C ourtney as a girls' name (also used less widely as boys' name Courtney ) is pronounced KORT-nee . It is of Old French origin, and the meaning of Courtney …
Meaning, origin and history of the name Courtney
May 30, 2025 · Originally more common as a name for boys in America, it became more popular for girls in the 1960s. It began rapidly increasing after 1973, possibly due to a character …
Courtney Vandersloot injury: Chicago Sky legend suffered torn …
Jun 8, 2025 · CHICAGO --The first WNBA game at the United Center got off to an unfortunate start when Chicago Sky point guard and franchise icon Courtney Vandersloot went down with …
Courtney Name Meaning, Origin, History, And Popularity
May 7, 2024 · Courtney is a name that has Old French origins. It likely traces its origins to the Latin word ‘curtus,’ which means ‘short,’ and may have likely been used as a nickname for a …
Courtney Name Meaning: Trends, Facts & Namesakes - Mom …
Feb 17, 2025 · Courtney is a popular unisex name derived from the Latin word “Curtenus” which came from “curtus,” the Latin word for “short.” A second meaning was a Norman nickname for …
Courtney - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Courtney is a girl's name of French origin meaning "short nose". Among the Top 20 names of the 1990s, today's Courtney is more apt to be the babysitter than the …
Courtney: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · The name Courtney is primarily a gender-neutral name of English origin that means A French Dynasty Name. Click through to find out more information about the name Courtney …
Courtney - Name Meaning and Origin
The name Courtney is of English origin and is derived from the surname Courtenay, which itself comes from a French place name meaning "courtier" or "dweller by the court." As a given …
Dangerous Animals review: Jai Courtney puts sharks to shame
Jun 6, 2025 · Jai Courtney puts sharks to shame in the bloody blast Dangerous Animals Killer turns by Hassie Harrison and Courtney make the gritty and violent tale a thrilling trip to sea.
Courtney (given name) - Wikipedia
Courtney is a unisex given name. Courtney was used as a given name for men beginning at least as far back as the 17th century (e.g. the British Member of Parliament Sir Courtney Pool, …
Courtney - Name Meaning, What does Courtney mean? - Think Baby Names
What does Courtney mean? C ourtney as a girls' name (also used less widely as boys' name Courtney ) is pronounced KORT-nee . It is of Old French origin, and the meaning of Courtney …
Meaning, origin and history of the name Courtney
May 30, 2025 · Originally more common as a name for boys in America, it became more popular for girls in the 1960s. It began rapidly increasing after 1973, possibly due to a character (played …
Courtney Vandersloot injury: Chicago Sky legend suffered torn …
Jun 8, 2025 · CHICAGO --The first WNBA game at the United Center got off to an unfortunate start when Chicago Sky point guard and franchise icon Courtney Vandersloot went down with a …
Courtney Name Meaning, Origin, History, And Popularity
May 7, 2024 · Courtney is a name that has Old French origins. It likely traces its origins to the Latin word ‘curtus,’ which means ‘short,’ and may have likely been used as a nickname for a …
Courtney Name Meaning: Trends, Facts & Namesakes - Mom …
Feb 17, 2025 · Courtney is a popular unisex name derived from the Latin word “Curtenus” which came from “curtus,” the Latin word for “short.” A second meaning was a Norman nickname for …
Courtney - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Courtney is a girl's name of French origin meaning "short nose". Among the Top 20 names of the 1990s, today's Courtney is more apt to be the babysitter than the …
Courtney: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · The name Courtney is primarily a gender-neutral name of English origin that means A French Dynasty Name. Click through to find out more information about the name Courtney …
Courtney - Name Meaning and Origin
The name Courtney is of English origin and is derived from the surname Courtenay, which itself comes from a French place name meaning "courtier" or "dweller by the court." As a given …
Dangerous Animals review: Jai Courtney puts sharks to shame
Jun 6, 2025 · Jai Courtney puts sharks to shame in the bloody blast Dangerous Animals Killer turns by Hassie Harrison and Courtney make the gritty and violent tale a thrilling trip to sea.
