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| crash course film history: The Citizen Kane Crash Course in Cinematography David Worth, 2008 A graphic textbook that provides a fictional account of how legendary filmmakers, Orson Welles and Gregg Toland, learned the art of cinematography. |
| crash course film history: Latino Images in Film Charles Ramírez Berg, 2009-09-15 The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system. |
| crash course film history: The Hollywood MBA Tom Reilly, 2017-01-10 What would you do if alligators were loose in your office? Or if your place of business changed 80 times during a four month period? What if two of your key employees were infant twins? Or you were asked to manage 130 people who were hired yesterday? Tom Reilly has faced these obstacles and thousands more in his three-decade career managing major motion pictures. He’s led more than 100,000 employees and been responsible for overseeing over two billion dollars in pro-rated production budgets and learned that successful management isn’t about what you want; the question is, what do you NEED? Often filming at live locations, Reilly was forced to adopt a unique set of strategies to accommodate for extreme workplace conditions and the challenge of leading and managing big budget projects, a revolving-door workforce of technicians, and actors such as Al Pacino, Robert de Niro, Tom Hanks, Charlize Theron, Sean Connery, and Harrison Ford. In The Hollywood MBA, Reilly explores the ten key strategies he utilized to manage big crews, big budgets, and big personalities on major motion pictures, and shows us how these strategies can be leveraged in any business for success. With an eye for making small adjustments to management strategy that produce big results, Reilly utilizes the narrative backdrop of the film set as an extreme case study in modern management identifying proven, easy-to-implement, and often counter intuitive practices that will increase engagement, team cohesion, efficiency, creativity, quality, and the bottom line in any industry. |
| crash course film history: Film Art David Bordwell, Kristin Thompson, 2004 Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website. |
| crash course film history: In the Blink of an Eye Walter Murch, 2001 |
| crash course film history: Action! Meghan McCarthy, 2022-08-23 Meghan McCarthy tells the story of the history of movies and the creators who made them. In fascinating detail, she shows how early photography capturing motion became silent films, which led to the first color films-- |
| crash course film history: Character Animation Crash Course! Eric Goldberg, 2008 Detailed text and drawings illuminate how to conceive animated characters. |
| crash course film history: Horror Film Laura Cremonini, 2020-03-24 This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. And, most important thing is free. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: History, 1890s–1900s, Trick Films, 1910s, 1920s, German Expressionism, Universal Classic Monsters 1920s, Other productions, 1930s, Universal Classic Monsters 1930s, Other productions, 1940s, 1950s, 1960s, 1970s–1980s, 1990s, 2000s, 2010s, 2020s, Subgenres: Action horror, Body horror, Comedy horror, Cyber horror, Folk horror, Found footage horror, Gothic horror, Holiday horror, Horror adventure, Horror drama, Horror thriller, Natural horror, Psychological horror, Science fiction horror, Slasher film, Splatter film, Superhero horror, Supernatural horror, Teen horror, Zombie films, Psychological effects of horror films, Neurocinematics - the subconscious effect of horror films on the audience, Different techniques employed by horror films on the audience, Physical effects of horror films on the audience, Influences, Influences on society, Influences internationally, Notes, Bibliography. |
| crash course film history: The Railway Journey Wolfgang Schivelbusch, 2014-05-06 The impact of constant technological change upon our perception of the world is so pervasive as to have become a commonplace of modern society. But this was not always the case; as Wolfgang Schivelbusch points out in this fascinating study, our adaptation to technological change—the development of our modern, industrialized consciousness—was very much a learned behavior. In The Railway Journey, Schivelbusch examines the origins of this industrialized consciousness by exploring the reaction in the nineteenth century to the first dramatic avatar of technological change, the railroad. In a highly original and engaging fashion, Schivelbusch discusses the ways in which our perceptions of distance, time, autonomy, speed, and risk were altered by railway travel. As a history of the surprising ways in which technology and culture interact, this book covers a wide range of topics, including the changing perception of landscapes, the death of conversation while traveling, the problematic nature of the railway compartment, the space of glass architecture, the pathology of the railway journey, industrial fatigue and the history of shock, and the railroad and the city. Belonging to a distinguished European tradition of critical sociology best exemplified by the work of Georg Simmel and Walter Benjamin, The Railway Journey is anchored in rich empirical data and full of striking insights about railway travel, the industrial revolution, and technological change. Now updated with a new preface, The Railway Journey is an invaluable resource for readers interested in nineteenth-century culture and technology and the prehistory of modern media and digitalization. |
| crash course film history: Visualizing Film History Christian Gosvig Olesen, 2025-01-07 Though many archival digital objects were not born digital, film archives are now becoming important resources for digital scholarship as a consequence of digitization. Moreover, with advancements in digital research methods involving video annotation, visual analysis, and GIS affecting the way we look at archival films' material, stylistic histories and circulation, new research practices are more important than ever. Visualizing Film History is an accessible introduction to archive-based digital scholarship in film and media studies and beyond. With a combined focus on the history of film historiography, archiving, and recent digital scholarship—covering a period from the first wave of film archiving in the early 1900s to recent data art—this book proposes ways to work critically with digitized archives and research methods. Christian Olesen encourages a shift towards new critical practices in the field with an in-depth assessment of and critical approach to doing film historiography with the latest digital tools and digitized archives. Olesen argues that if students, scholars and archivists are to fully realize the potential of emerging digital tools and methodologies, they must critically consider the roles that data analysis, visualization, interfaces and procedural human-machinery interactions play in producing knowledge in current film historical research. If we fail to do so, we risk losing our ability to critically navigate and renew contemporary research practices and evaluate the results of digital scholarship. |
| crash course film history: Sekabo Richard Woolley, 2014-09-30 ‘Sekabo’ is a thriller set in England in the future (2097) and recent past (1990). An egalitarian enclave with a hi-tech infrastructure that allows everyone to live in prosperity, Sekabo is an idyllic city-state on England’s Yorkshire coast ruled by China as part of a debt repayment deal. But can a secret from 1990 that may affect the Royal Family past and present upset this settled world? A recent Cryonics graduate, Samantha (Su-yin) is given the task of rehabilitating a young man deep-frozen in 1990, who is being resuscitated at the request of the English and Chinese governments. An accessible thriller by an award-winning film director, ‘Sekabo’ is packed with fast-paced action and imaginative descriptions of the social, technological and psychological developments of the future. |
| crash course film history: Film History , 2002 |
| crash course film history: Crazy U Andrew Ferguson, 2012-02-14 Andrew Ferguson's wildly entertaining memoir of his absurd experience trying to do all the right things to get his son into college. |
| crash course film history: Studies on Cinematography and Narrative in Film: Sequels, Serials, and Trilogies Seçmen, Emre Ahmet, 2024-07-18 Visual continuity in sequels poses a daunting challenge for filmmakers as they strive to maintain coherence while expanding upon established narratives and visual aesthetics. With cinema's evolution, audiences' expectations have grown more sophisticated, demanding seamless transitions and immersive experiences across film series. However, achieving this continuity requires a delicate balance between honoring the original work and introducing innovative elements to captivate viewers. Addressing this complication is the book, Studies on Cinematography and Narrative in Film: Sequels, Serials, and Trilogies, which emerges with a comprehensive approach. By delving into the interplay between cinematography and narrative structure, this book offers invaluable insights for filmmakers seeking to navigate the complexities of sequel production. Through meticulous analysis of prominent film series and theoretical frameworks, it provides a roadmap for achieving visual coherence while pushing creative boundaries. |
| crash course film history: Clint Patrick McGilligan, 2002-08-19 A biography of a Hollywood legend peels back the mystery surrounding Clint Eastwood to reveal a rebel with a clear vision of human existence. |
| crash course film history: Crash Course H. Bruce Franklin, 2018-09-03 In this gripping memoir, renowned historian former Air Force navigator and intelligence officer H. Bruce Franklin offers a unique firsthand look at the American Century's darkest hours. Crash Course is essential reading for anyone who wonders how America ended up with a deeply divided and disillusioned populace, led by a dysfunctional government and mired in unwinnable wars. |
| crash course film history: Pictures at a Revolution Mark Harris, 2008 Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing. |
| crash course film history: Backstabbing for Beginners Michael Soussan, 2010-06-01 A riveting, first-person account of the backstabbing and hypocrisy that led to the U.N.'s Oil-for-Food Program becoming the most corrupt enterprise ever overseen by the international community. |
| crash course film history: The Gilded Age Mark Twain, Charles Dudley Warner, 1904 |
| crash course film history: The Advocate , 2004-12-21 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| crash course film history: Warning Shadows: Home Alone with Classic Cinema Gary Giddins, 2010-04-19 A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America’s most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry’s most famous classics and forgotten gems. Essays such as “Houdini Escapes! From the Vaults! Of the Past!,” “Edward G. Robinson, See,” and “Prestige and Pretension (Pride and Prejudice)” capture the wit and magic of classic cinema. Each chapter—ranging from the horror films of Hitchcock to the fantastical frames of Disney—provides readers with engaging analyses of influential films and the directors and actors who made them possible. |
| crash course film history: Movies John Naughton, Adam G. Smith, 1998 The lastest in the Crash Course series which includes ART, OPERA and ARCHITECTURE. MOVIES - A CRASH COURSE gives you an entree into the pretentious world of the cineaste, those people who won't go near a video store but sit up all night watching re-runs of old Bergman movies instead. From Battleship Potemkin to the Golden Age of Hollywood, from kitchen sink realism to European surrealism, MOVIES - A CRASH COURSE pans across the inspiring landscape of movie history, filling you in on who influenced whom, when and how. Key directors, box-office stars, archetypal scenes, all presented in glorious technicolour and plain English. So next time the lights go up at the end of the movie, you can be the person who says, 'Of course, it hasn't got the class of the original...' |
| crash course film history: But What I Really Want to Do Is Direct Ken Kwapis, 2020-10-06 For over three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That Into You. He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want To Do is Direct tackles Hollywood myths through Ken’s highly entertaining experiences. It’s a rollercoaster ride fueled by brawls with the top brass, clashes over budgets, and the passion that makes it all worthwhile. This humorous and refreshingly personal memoir is filled with inspiring instruction, behind-the-scenes hilarity, and unabashed joy. It’s a celebration of the director’s craft, and what it takes to succeed in show business on your own terms. Ken Kwapis always brought out the best in the actors on The Office. Whenever Ken was directing, I always felt safe to go out on a limb and take chances, knowing he had my back. Every aspiring director should read this book. (I can think of several 'professional' directors that should read it too!) -Jenna Fischer A vital, magnificent manifesto on the art and craft of directing, written with emotional, instinctual and intellectual depth by one of America's most beloved film and television directors -Amber Tamblyn In the years that I was fortunate to work with Ken on Malcolm in the Middle, he had an uncanny ability to guide actors right to the heart of a scene and reveal its truths. He admits that he doesn’t have all the answers, he’ll make mistakes, and at times he’ll struggle, but as he says in the book, 'It’s the struggle to get it right that makes us human.' -Bryan Cranston Good luck finding a more kind, passionate, and talented director alive than Ken. Seriously, good luck. -Tig Notaro “'Action!' is what most directors bark out to begin a scene. But Ken Kwapis starts by gently intoning the words 'Go ahead...' That simple suggestion assures everyone they’re in smart, capable, humble hands. That’s how you’ll feel reading this book. And so, if you’re anxious to discover how a top director always brings humor, honesty, and humanity to his work, all I can tell you is...Go ahead. -Larry Wilmore |
| crash course film history: Leaving the World Douglas Kennedy, 2010-06-15 #1 International Bestseller “In this surging epic, a veritable decathlon of the spirit, Kennedy incisively dramatizes the enigma of chance, petty cruelty, and catastrophic evil, ‘unalloyed grief,’ and the tensile strength concealed beneath our obvious vulnerability.” —Booklist (starred review) On the night of her thirteenth birthday, Jane Howard made a vow to her warring parents: she would never get married, and she would never have children. But life, as Jane comes to discover, is a profoundly random business. Many years and many lives later, she is a professor in Boston, in love with a brilliant, erratic man named Theo. And then Jane becomes pregnant. Motherhood turns out to be a great welcome surprise—but when a devastating turn of events tears her existence apart she has no choice but to flee all she knows and leave the world. Just when she has renounced life itself, the disappearance of a young girl pulls her back from the edge and into an obsessive search for some sort of personal redemption. Convinced that she knows more about the case than the police do, she is forced to make a decision—stay hidden or bring to light a shattering truth. Leaving the World is a riveting portrait of a brilliant woman that reflects the way we live now, of the many routes we follow in the course of a single life, and of the arbitrary nature of destiny. A critically acclaimed international bestseller, it is also a compulsive read and one that speaks volumes about the dilemmas we face in trying to navigate our way through all that fate throws in our path. |
| crash course film history: Martin Scorsese Mary Pat Kelly, 2022-10-25 In time for Scorsese’s 80th birthday and the release of Killers of the Flower Moon, a new edition of the seminal oral history tracing Scorsese’s journey from young filmmaker to legend, featuring a foreword by Steven Spielberg Few filmmakers, if any, make the kind of impact that Martin Scorsese has made on American cinema. The winner of every prestigious film award, including the Oscar, Scorsese is a living legend. Bestselling author and award-winning filmmaker Mary Pat Kelly’s groundbreaking biography reveals how this working-class boy from Manhattan’s Little Italy became one of our most acclaimed, celebrated, and influential filmmakers. Martin Scorsese: A Journey maps Scorsese’s personal and artistic evolution though his films, from early works like student films and Mean Streets through cinematic masterpieces like Taxi Driver, Raging Bull,The King of Comedy,Goodfellas. Across interviews with Scorsese himself; stars like Robert De Niro, Paul Newman, Liza Minelli, and Nick Nolte; colleagues including screenwriters and cinematographers; as well as family and friends, it reveals the story of a man in a way that only his community and fellow artists can, giving us unprecedented, intimate access to the making of these iconic films and the extraordinary mind behind them. Brimming with insight into Scorsese’s life, values, process, humor, and inspirations, it is a remarkable account of America’s premiere director, the shepherd of countless imaginations. |
| crash course film history: The Big Picture Tom Reilly, 2009-05-12 Film production veteran Tom Reilly has worked on the sets of critically praised films and commercial blockbusters for more than three decades?including seventeen years alongside director Woody Allen. In The Big Picture, he explores the art and the craft of filmmaking from the vantage point of someone actually running the movie set. Using examples unlike any of those in other books on film, Reilly exposes not only the power and the personalities, but the secrets of the pros. He shares the insights he gleaned while working with more than sixty Oscar-winning professionals?from Al Pacino, Robert De Niro, and Vanessa Redgrave to Sydney Pollack, Sven Nykvist, and Barbra Streisand. In these fifty entertaining, illuminating short essays, Reilly invites you to join him on the film set. What is it like to shoot a love scene? How do you do a full body burn? What is it like to film in the Everglades or in a morgue? What is blocking or matching, and how long should a script be? How do you decide when to build a set? Why is the color palette so critical? Is night shooting worth the suffering? The Big Picture delivers the surprising answers to these and other fascinating questions about what it takes to make a feature film, offering a glimpse into what it's like when the lights are bright, the camera is rolling, and the moviemakers are calling the shots. |
| crash course film history: Teaching Film Lucy Fischer, Patrice Petro, 2012-07-27 Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organizations, film studies has come to be recognized as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracting new scholars and fresh ideas, direction, and research. Given the dynamism of the field, experienced and beginning instructors alike need resources for bringing the study of film into the classroom. This volume will help instructors conceptualize contemporary film studies in pedagogical terms. The first part of the volume features essays on theory and on representation, including gender, race, and sexuality. Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national, regional, and transnational film. Several essays focus on interdisciplinary approaches, while others describe courses designed around genre (film noir, the musical), mode (animation, documentary, avant-garde film), or the formal elements of film, such as sound, music, and mise-en-scène. The volume closes with a section on film and media in the digital age, in which contributors discuss the opportunities and challenges presented by access to resources, media convergence, and technological developments in the field. |
| crash course film history: Essential Cinema Jonathan Rosenbaum, 2004-04-27 In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike. In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that film culture today is dominated by advertising executives, sixty-second film reviewers, and other players in the Hollywood publicity machine who champion mediocre films at the expense of genuinely imaginative and challenging works. He proposes specific definitions of excellence in film art through the creation a personal canon of both well-known and obscure movies from around the world and suggests ways in which other canons might be similarly constructed. Essential Cinema offers in-depth assessments of an astonishing range of films: established classics such as Rear Window, M, and Greed; ambitious but flawed works like The Thin Red Line and Breaking the Waves; eccentric masterpieces from around the world, including Irma Vep and Archangel; and recent films that have bitterly divided critics and viewers, among them Eyes Wide Shut and A.I. He also explores the careers of such diverse filmmakers as Robert Altman, Raúl Ruiz, Frank Tashlin, Elaine May, Sam Fuller, Terrence Davies, Edward Yang, Hou Hsiao-hsien, and Orson Welles. In conclusion, Rosenbaum offers his own film canon of 1,000 key works from the beginning of cinema to the present day. A cogent and provocative argument about the art of film, Essential Cinema is also a fiercely independent reference book of must-see movies for film lovers everywhere. |
| crash course film history: Digital Film-making Revised Edition Mike Figgis, 2014-02-04 In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings. |
| crash course film history: Atsumori Zeami Motokiyo, 2014-03-07 The japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by The Tales of Heike. Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes |
| crash course film history: The Short Story of Film Ian Hayden Smith, 2020-03-24 The Short Story of Film is a new and innovative introduction to the art of film-making. Simply constructed, the book explores 50 key movies, from superhero blockbusters to indie darlings. The design of the book allows the reader to navigate their way around key genres, movements, and techniques with ease. Accessible, concise, and fun to read, this pocket guide will give moviegoers a new way to enjoy their favorite films and to discover new ones to watch. |
| crash course film history: Streaming Wheeler Winston Dixon, 2013-05-01 Film stocks are vanishing, but the iconic images of the silver screen remain -- albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant. The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the imperfect medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact. Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion. Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture. |
| crash course film history: Europe [2 volumes] Thomas M. Wilson, 2023-11-30 This two-volume encyclopedia profiles the contemporary culture and society of every country in Europe. Each country receives a chapter encompassing such topics as religion, lifestyle and leisure, standard of living, cuisine, gender roles, relationships, dress, music, visual arts, and architecture. This authoritative and comprehensive encyclopedia provides readers with richly detailed entries on the 45 nations that comprise modern Europe. Each country profile looks at elements of contemporary life related to family and work, including popular pastimes, customs, beliefs, and attitudes. Students can make cross-cultural comparisons-for instance, a student could compare social customs in Denmark with those in Norway, compare Greece's cuisine with that of Italy, and contrast the architecture of Paris with Amsterdam and Barcelona. Culture and society are changing in each region and nation of Europe due to many political and economic forces, both inside and outside of each nation's borders. This encyclopedia considers many of the transformations connected to globalization, as well as traditions that still hold strong, to provide a complete assessment of the processes that make European societies and cultures distinctive. |
| crash course film history: Encyclopedia of Leadership George R. Goethals, Georgia J. Sorenson, James MacGregor Burns, 2004-02-29 Click ′Additional Materials′ for downloadable samples Not just for reference, this is an essential learning resource for libraries and the personal collections of modern leaders. Narratives, examples, photographs, and illustrations illuminate the ideas and concepts being examined, making the set readable, attention-grabbing, and unordinary. Readers can explore leadership theories and practices, and examine the effects of leadership. More volumes are promised in this source that brings interest and excitement to a subject overlooked by the consultants, CEOs, and coaches whose earlier works captured a small view of leadership subject matter. Summing Up: Highly recommended for all collections. --CHOICE Because there really is nothing available like this encyclopedia, it is a must buy for academic libraries. Extremely well done, with good quality print and illustrations, this work should become an important resource for active citizens as well as for managers and scholars. --BOOKLIST (starred review) Because of its breadth, ease of navigation, high level of scholarship, clear writing, and practical format, this model encyclopedia should help establish leadership as a normative field of study. Highly recommended. --LIBRARY JOURNAL (star review) SAGE has, again, been the first to hit the market with a major reference in a rapidly growing field of the social sciences. Virtually every academic and large public library will need the Encyclopedia of Leadership. --BOOK NEWS The enormous demands on leadership in today′s world-the rise of militant followings; the struggle of long-suppressed people to rise to leadership positions; the heightened demand for moral, principled leadership--all these dynamic forces contribute to making this encyclopedia timely--and timeless. --From the Foreword by James MacGregor Burns, Williams College, author of Leadership and winner of the Pulitzer Prize and National Book Award As the field of leadership studies expands, and the list of important authors and concepts grows, the time is at hand for a comprehensive encyclopedia of leadership. This collection will be welcomed by all who want to understand this important and complex field. --Howard Gardner, John H. and Elisabeth A. Hobbs Professor of Cognition and Education at the Harvard Graduate School of Education and author of Good Work: When Excellence and Ethics Meet (2001) and Leading Minds: An Anatomy of Leadership (1995) In 1975 a wag declared that the concept of leadership should be abandoned. It was not, of course. The 300 contributors to the Encyclopedia of Leadership are leaders among the many thousands of scholars responsible for the health and vast breadth of leadership studies. They show us that leadership plays an important, increasingly integral role today in fields ranging from world politics to community development. --Bernard M. Bass, Distinguished Professor Emeritus, Center for Leadership Studies, School of Management, Binghamton University and author of Transformational Leadership: Industrial, Military and Educational Impact (1998) and Leadership and Performance beyond Expectations (1985) This new Encyclopedia provides leaders with the historical perspective and a vision of the tenuous future so essential if leaders of the future are to redefine leadership on their own terms, with their own people. --Frances Hesselbein, Chairman of the Board of Governors, Leader to Leader Institute (formerly the Drucker Foundation) and coeditor of On Creativity, Innovation, and Renewal: A Leader to Leader Guide (2002) and Leading Beyond the Walls (1999) From the earliest times people have been entranced by stories about leaders—about Greek city state rulers, Roman consuls, Chinese emperors, religious potentates, military conquerors, and politicians. Perhaps more importantly, leadership is a challenge and an opportunity facing millions of people in their professional and personal lives. The Encyclopedia of Leadership brings together for the first time everything that is known and truly matters about leadership as part of the human experience. Developed by the award-winning editorial team at Berkshire Publishing Group, the Encyclopedia includes hundreds of articles, written by 280 leading scholars and experts from 17 countries, exploring leadership theories and leadership practice. Entries and sidebars show leadership in action—in corporations and state houses, schools, churches, small businesses, and nonprofit organizations. Questions the Encyclopedia of Leadership will answer: - What is a leader? - What is a great leader? - How does someone become a leader? - What are the types of leadership? - How can leadership theories help us understand contemporary situations? - How can I be a good (and maybe great) leader? The Encyclopedia of Leadership is an unprecedented learning resource. Scholars, students, professionals, and active citizens will turn to the Encyclopedia for guidance on the theory and practice of leadership, for the stories of great leaders, and for the tools and knowledge they need to lead in the 21st century. Key Features - Four volumes - 400 substantive articles, ranging in length from 1000-6000 words - 200 photographs and other illustrations - 250 sidebars drawn from public records, newspaper accounts, memoirs, and ethnography Key Themes - Biographies - Case studies - Followers and followership - Gender issues - Leadership in different disciplines - Leadership in different domains - Leadership styles - Personality characteristics - Situational factors - Theories and concepts The Encyclopedia of Leadership will be a vital tool for librarians with collections in business, management, history, politics, communication, psychology, and a host of other disciplines. Students and teachers in courses ranging from history to psychology, anthropology, and law will also find this an invaluable reference. In addition, there are nearly 900 leadership programs in American post-secondary institutions and a growing number of efforts to develop leadership in high schools. There are leadership studies majors and minors, as well as certificate and Ph.D. programs, in the United States, Belgium, U.K., Japan, and elsewhere. Editorial Board Laurien Alexandre, Antioch University Bruce Avolio, University of Nebraska, Lincoln Martin Chemers, University of California, Santa Cruz Kisuk Cho, Ewha Womans University Joanne Ciulla, University of Richmond David Collinson, Lancaster University, UK Yiannis Gabriel, Imperial College, London Zachary Green, Alexander Institute and University of Maryland Keith Grint, Oxford University Michael Hogg, University of Queensland Jerry Hunt, Texas Tech University Barbara Kellerman, Harvard University Jean Lipman-Blumen, Claremont Graduate University Larraine Matusak, LarCon Associates Ronald Riggio, Claremont McKenna College Jürgen Weibler, Fernuniversitat Hagen Contributors Include Warren Bennis (Management) John Chandler (Higher Education) Cynthia Cherrey (International Leadership Association) Bob Edgerton (Mau Mau Rebellion) Gene Gallagher (Religion) Betty Glad (Camp David Accords and Tyrannical Leadership) Louis Gould (Woodrow Wilson and Lyndon Johnson) Allen Guttmann (Modern Olympics Movement and Women′s Movement) Ronald Heifetz (Adaptive Work) Dale Irvin (Ann Lee) David Malone (Billy Graham) Martin Marty (Martin Luther) Kenneth Ruscio (Trust) Robert Solomon (Friedrich Nietzsche) Robert Sternberg (Intelligence and Tacit Knowledge) Fay Vincent (Sports Industry) Gary Yukl (Influence Tactics and Group Performance) |
| crash course film history: Specworld John Thornton Caldwell, 2023-01-24 John Thornton Caldwell’s landmark Specworld demonstrates how twenty-first-century media industries monetize and industrialize creative labor at all levels of production. Through illuminating case studies and rich ethnography of colliding social-media and filmmaking practices, Caldwell takes readers into the world of production workshopping and trade mentoring to show media production as an untidy social construct rather than a unified, stable practice. This messy complex system, he argues, is full of discrete yet interconnected parts that include legacy production companies, marketers and influencers, aspirant online producers, data miners, financiers, talent agencies, and more. Caldwell peels away the layers of these embedded production systems to examine the folds, fault lines, and fractures that underlie a risky, high-pressure, and often exploitative industry. With insights on the ethical and human predicament faced by industry hopefuls and crossover creators seeking professional careers, Caldwell offers new interpretive frames and research methods that allow readers to better see the hidden and multifaceted financial logics and forms of labor embedded in contemporary media production industries. |
| crash course film history: How Not to Make a Movie William Robert Carey, 2021-01-25 Part memoir, part primer, part cautionary tale, this book takes the reader along on a filmmaker's 12-year journey through Hollywood Hell, culminating in the movie Angels In Stardust (2016), starring Alicia Silverstone, AJ Michalka and Billy Burke. Describing meetings with producers, agents, managers, hustlers, wannabes and famous celebrities, and how he overcame the host of problems encountered while trying to produce a movie, William Robert Carey's humorous and confessional narrative illustrates why it takes a minor miracle, a cabinet of liquor and plenty of Pepto-Bismol to complete a film. Copies of his option agreement, script sales contract and director's contract, crafted by LA entertainment attorneys, are included as a valuable guide for aspiring filmmakers. |
| crash course film history: Returning the Gaze Anna Everett, 2001 Rediscovers and examines the lost history of African-American film criticism from the first half of the century. |
| crash course film history: A Short History of Film Wheeler Winston Dixon, Gwendolyn Audrey Foster, 2008-03-01 The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry. Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike. |
| crash course film history: SPIN , 2005-11 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| crash course film history: A Short History of Film, Third Edition Wheeler Winston Dixon, Gwendolyn Audrey Foster, 2018-03-30 With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century. |
Film History & Culture - Lecture - createfilms.org
The 7 Main Eras in Film History 1. The Pioneer Era: 1895 to 1910 2. The Silent Era: 1911 to 1926 3. The Talkies & Rise of Hollywood: 1927 to 1940 4. Golden Era & Restructuring Hollywood: …
World War II: Crash Course World History #38 - OER Project
John Green examines the origins of the war in Germany. World War II was characterized by a new mechanized warfare as the German blitzkrieg swept across most of Europe in nine …
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Crash Course Film Production 9-12 Courses in all areas of film production Crash Course Film Criticism 9-12 Intro curriculum on criticism through analysis of 15 films with different genres, …
Digital Resources for Teaching World History with Cinema and …
Feb 22, 2025 · Shane Denson and Ruth Mayer have suggested inviting students to consider how historical incidents, historical characters can change over time as they move from books, …
FILM HISTORY: An Introduction, Fifth Edition - etextbook.to
Her books include Eisenstein’s Ivan the Terrible (1981), Exporting Entertainment: America’s Place in World Film Markets 1901–1934 (1985), Breaking the Glass Armor: Neoformalist Film …
Expressionism vs reality
What role does this film play in turning points in history? How does the director create alternative perspectives? How does this film transcend actual or perceived boundaries?
Film Studies (Elective)
In this semester-long course, students will explore the foundations of film, examine major film genres and directorial styles, and learn about the elements of film production.
Read Film History An Introduction 3rd Edition Free
Crash Course Film History Preview - Crash Course Film History Preview 1 minute, 30 seconds - Beginning April 13th, join Craig Benzine (the internet's WheezyWaiter) for 16 weeks of Film …
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Select video (listed in order of chronology), copy and paste URL of resulting page into translation program (aka. Google translate) to translate into non-english language. …
SYLLABUS HISTORY OF THE CINEMA I - orion.sfasu.edu
I. Course Description This course provides an introductory survey of film history, covering the birth of film out of photography in the 1890s, its commercial expansion, first great actors and …
Crash Viewing Guide and Discussion Questions - writing101.net
During this time the stories of several characters interweave, interconnect, and crash into one another as each grapples with matters of race, class, family, and gender.
Thanks, Thought Bubble. - Mr. Eriksen's Teacher and Coaching …
Well, to answer that question we're not going to be able to look strictly at history, because there isn't a written record about a lot of these things. But thanks to archaeology and paleobiology, …
The Railroad Journey and the Industrial Revolution: Crash …
So, in this Crash Course World History series, we’re talking a lot about a lot of different history books so that we can approach subjects from a variety of angles. We want to introduce you to …
World War II Part 1: Crash Course US History #35
So here at Crash Course we like to focus on causes and effects of wars rather than strategy and tactics. But given the importance that World War II has in the American imagination, we're …
'Crash' Course: Race, Class, and Context - JSTOR
So Crash is not the film I thought it was going to be. Does this mean I would not teach it? No, on the contrary. When Crash came out on DVD, I went ahead and paired it with John Singleton's …
The Agricultural Revolution CCWH #1 - OER Project
My name is John Green and I want to welcome you to Crash Course World History. Over the next 40 weeks together, we will learn how in a mere 15,000 years, humans went from hunting and …
Nonviolence and Peace Movements: Crash Course World …
Crash Course will take you from Gandhi to Gregg to Bayard Rustin to Martin Luther King, Jr, to the Cold War to Arab Spring along a path of nonviolent resistance and peaceful change.
Globalization I - The Upside: Crash Course World History #41
As shown in this video, even something as seemingly simple as a t-shirt represents the ways in which the production and distribution of everyday goods connects us as consumers to global …
2,000 Years of Chinese History! The Mandate of Heaven and …
In this video, John Green explores how the concept of the Mandate of Heaven affected the dynastic cycle in China. He also examines the impact of one of the main philosophies that …
The Roman Empire. Or Republic. OrWhich Was It?: Crash …
In this video, John Green discusses Caesar’s rise to power and argues that Rome already was an empire way before Julius Caesar crossed a river and stuck some leaves on his head.
Film History - Crash Course
Film History: In 16 episodes, Craig Benzine will teach you about film history! This course is based on an introductory college-level curriculum, with A History of Narrative Film by David A. Cook …
CrashCourse - Film History - YouTube
Course on the history of film entirely by the CrashCourse YouTube channel.
Free Video: Film History from CrashCourse | Class Central
In 16 episodes, Craig Benzine will teach you about film history! This course is based on an introductory college level curriculum, with A History of Narrative Film by David A. Cook as its …
Crash Course Film History · Season 1 - Plex
Craig Benzine teaches you about film history, discussing the birth of the motion picture, to be able to understand how we get meaning out of cinema, and to contextualize the use of film. Watch …
Film History Crash Course Course by Craig Benzine on Free …
In 16 episodes, Craig Benzine will teach you about film history! This course is based on an introductory college level curriculum, with A History of Narrative Film by David A. Cook as its …
» Crash Course Film History Lesson Plan of Happiness
Welcome to Crash Course Film History! This 9-week course (one quarter of a school year, or 45 days) is intended to help you get an overview of the history of film making. We will cover …
Film History - YouTube
In 16 episodes, Craig Benzine will teach you about film history! This course is based on an introductory college level curriculum, with A History of Narrative Film by David A. Cook as its...
Crash Course Film History: All Episodes - Trakt
Apr 13, 2017 · From A Trip to the Moon to Captain America: Civil War, the history of film is really a history of humanity and Craig will do his best to lead us all through it.
Movies are Magic: Crash Course Film History #1
As we begin this journey of the history of cinema, we need to understand how movies trick our brains into even understanding that a movie is a movie. In this episode of Crash Course Film …
Crash Course: Film History (TV Series 2017) - IMDb
Crash Course: Film History: With Craig Benzine. Craig Benzine teaches you about film history, discussing the birth of the motion picture, to be able to understand how we get meaning out of …
