Cast Of Love Is Science

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  cast of love is science: Entolai, Or, This Letter to Those I Love, about Science and the Ideal ... Addison M. Bourland, 1893
  cast of love is science: English Mechanic and Mirror of Science , 1868
  cast of love is science: Sexual Science, Including Manhood, Womanhood, and Their Mutual Interrelations Orson Squire Fowler, 1870
  cast of love is science: Nuclear Science Abstracts , 1962
  cast of love is science: Putnam's Magazine. Original Papers on Literature, Science, Art, and National Interests , 1870
  cast of love is science: The Journal of the Assembly, during the ... session of the Legislature of the State of California California. Legislature. Assembly, California. Legislature. Senate, 1872
  cast of love is science: Operas in English Margaret Ross Griffel, 2012-12-21 Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
  cast of love is science: Christian Science Sentinel , 1898
  cast of love is science: The Science of Religion Daniel A. Simmons, 1916
  cast of love is science: A Complete Concordance to Science and Health Albert Francis Conant, 1903
  cast of love is science: The Saturday Review of Politics, Literature, Science and Art , 1895
  cast of love is science: Science, Politics, and Friendship in the Works of Thomas Lowell Beddoes Ute Berns, 2012 This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoes's poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeare's plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students' organisations, and from Byron, Baillie and London's illegitimate theatre to Schiller's and Tieck's highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoes's major and defining work, Death's Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Death's Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of 'life' and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoes's writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of B chner, Grabbe and a European theatre avant-garde. This innovative study of Beddoes's work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vorm rz studies, and to students and scholars of drama and theatre as well as Queer studies.
  cast of love is science: Science and Health, With Key To The Scriptures Mary Baker Eddy, 2021-01-01 A book introduces new thoughts, but it cannot make them speedily understood. It is the task of the sturdypioneer to hew the tall oak and to cut the rough granite. Future ages must declare what the pioneer has accomplished.
  cast of love is science: Chamber's Journal of Popular Literature, Science and Arts , 1872
  cast of love is science: The Christian Science Journal , 1926
  cast of love is science: The Saturday Review of Politics, Literature, Science, Art, and Finance , 1914
  cast of love is science: Science, Politics and Gnosticism Eric Voegelin, 2012-03-27 Science, Politics and Gnosticism comprises two essays by Eric Voegelin (1901-85), arguably one of the most provocative and influential political philosophers of the last century. In these essays, Voegelin contends that certain modern movements, including positivism, Hegelianism, Marxism, and the God is dead school, are variants of the gnostic tradition he identified in his classic work The New Science of Politics. Voegelin attempts to resolve the intellectual confusion that has resulted from the dominance of gnostic thought by clarifying the distinction between political gnosticism and the philosophy of politics.
  cast of love is science: The Museum of Foreign Literature, Science and Art Robert Walsh, Eliakim Littell, John Jay Smith, 1827
  cast of love is science: The Literary and Scientific Class Book Levi Washburn Leonard, 1827
  cast of love is science: Creative and Sexual Science Orson Squire Fowler, 1870
  cast of love is science: The Electrical Review , 1876
  cast of love is science: Keshub Chunder Sen in England Keshub Chunder Sen, 1915
  cast of love is science: The Telegraphic Journal and Electrical Review , 1875
  cast of love is science: English Mechanic and Mirror of Science and Art , 1881
  cast of love is science: American Journal of Science and Arts , 1840
  cast of love is science: Scientific Side-lights , 1903
  cast of love is science: Scientific Arena , 1887
  cast of love is science: The Misplaced Love of the Dead G.V. Loewen, 2023-03-09 Philosophy/Ethics The ‘sacrifice of the intellect’ is today mostly either a convenience or a contrivance. The marketeer assuages the consumer by her own feigned idiocy, the parish pirate invites the listless into his own fraudulent faith. It is exceedingly rare, in my estimation, to discover an authentically latter-day saint. But the ignominious fate of faith in our own time is mimicked by the corresponding downfall of reason, which in its turn is mostly used to calculate social control, warfare, or at best, economic trends. Could it be, for the first time in the history of human consciousness, that both reason and faith, in the face of their respective sacrifices, need one another more than ever, the separated siblings and estranged lovers that they are? That we live inside the question of our own existence should not be seen as a too-cunning conundrum, generating only misery and angst, pathos and melancholy. Rather it is the very thrownness of being which we are; resolute in our being-ahead, caring in our anxiety, concernful in our running along. Who better to respond to such a question that, though it bears the historicity of existence alone, marks us in our essence with a history of ontology that is shared and which constitutes our specific nature? (From the book) “Though it is not directly a part of my job as a critical philosopher, offending as many people as possible as succinctly as possible is a commonplace effect of my work.” So Loewen opens ‘The Return of the Martyr,’ a wickedly funny and equally perceptive critique of the moral panics surrounding the issue of gender identity and other fashionable faux pas. And this is merely one of the over twenty singularly insightful essays collected here for the first time. Nothing is beyond a reasoned and rational reproach, and each piece serves as a role model for the rest of us to take up the torch of a truly transformative ethics.” (From the publisher)
  cast of love is science: The Vocation Lectures Max Weber, David S. Owen, 2004-03-12 Originally published separately, Weber's 'Science as a Vocation' and 'Politics as a Vocation' stand as the classic formulations of his positions on two related subjects that go to the heart of his thought: the nature and status of science and its claims to authority; and the nature and status of political claims and the ultimate justification for such claims. Together in this volume, these newly translated lectures offer an ideal point of entry into Weber's central project: understanding how, as Weber put it, in the West alone there have appeared cultural manifestations [that seem to] go in the direction of universal significance and validity.
  cast of love is science: COMPLETE CONCORDANCE TO MISCELLANEOUS WRITINGS AND WORKS OTHER THAN SCIENCE AND HEALTH MARY BAKER EDDY, 1915
  cast of love is science: The Radical , 1871
  cast of love is science: The Radical Sidney H. Morse, Joseph B. Marvin, 1871
  cast of love is science: The Essential Science Fiction Television Reader J.P. Telotte, 2008-05-02 “A richly detailed and critically penetrating overview . . . from the plucky adventures of Captain Video to the postmodern paradoxes of The X-Files and Lost.” —Rob Latham, coeditor of Science Fiction Studies Exploring such hits as The Twilight Zone, Star Trek, Battlestar Galactica, and Lost, among others, The Essential Science Fiction Television Reader illuminates the history, narrative approaches, and themes of the genre. The book discusses science fiction television from its early years, when shows attempted to recreate the allure of science fiction cinema, to its current status as a sophisticated genre with a popularity all its own. J. P. Telotte has assembled a wide-ranging volume rich in theoretical scholarship yet fully accessible to science fiction fans. The book supplies readers with valuable historical context, analyses of essential science fiction series, and an understanding of the key issues in science fiction television.
  cast of love is science: The Literary Gazette, Or, Journal of Criticism, Science, and the Arts , 1821
  cast of love is science: The Rhodesia Science News , 1974
  cast of love is science: Interval of Freedom George Gibian, 1960 The Interval of Freedom was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. When Boris Pasternak's Doctor Zhivago was published in Europe and America in 1957 and 1958, the Western world was astonished and elated. But Doctor Zhivago is not the only significant literary work to come out of Soviet Russia recently. During four extraordinary years, 1954 to 1957, from Stalin's death to the aftermath of the Hungarian revolt, Soviet Russian authors were able to express their minds with unusual freedom. In this volume Professor Gibian examines various revelations made in Soviet literature during this interval of comparative freedom. Nearly a score of contemporary Soviet writers are considered in detail. The authors and their works are grouped according to three major subjects to which Soviet writers have devoted much attention: science, love and sex, and the literary villain or negative character. Works of the following writers are discussed in depth: Alexander Bek, Leonid Leonov, Daniel Granin, Venyamin Kaverin, Vladimir Dudintsev, Semen Kirsanov, S. Aleshin, Viktor Nekrasov, Nikolai Pogodin, Galina Nikolaeva, Alexander Korneichuk, Alexander Shtein, Alexander Volodin, Nikolai Gorbunov, Nikolai Zhdanov, and Alexander Yahin. An entire chapter is devoted to Doctor Zhivago. In an introductory chapter, the author provides a survey of literary developments during the interval of freedom. In a final chapter he draws conclusions about the nature of the thinking of Soviet literary intelligentsia, comparing it with Western literary thought. The book is illuminating from social and political as well as literary viewpoints.
  cast of love is science: Women, Science and Fiction D. Shaw, 2000-09-19 Since Mary Shelley drew inspiration for Frankenstein from the scientific speculations to which she attended as a 'nearly silent listener' at the now famous chateau in Switzerland, many other women have been similarly motivated to produce works informed by scientific theory. Successive chapters trace the history of women's science fiction writing from the turn of the century to the early 1990s, analysing how women writers have utilised the genre to critique the ideology that informs what counts as scientific knowledge.
  cast of love is science: Chambers's Journal of Popular Literature, Science and Arts , 1872
  cast of love is science: Miscellaneous Writings Mary Baker Eddy, 1896
  cast of love is science: Miscellaneous Writings, 1833-1896 Mary Baker Eddy, 1924
Cast from Chrome to your TV - Streaming Help - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …

Introducing Google Cast
With Cast, your phone is your personalized remote control that you can use to browse, play, pause, and even make playlists. You can cast from Android tablets and smartphones, …

Cast media from Google Cast-enabled apps to your TV or display
The Cast button isn't located in the same place across all Google Cast-enabled apps. Tap the device you'd like to cast to. When you're connected, the Cast button will turn solid, which lets …

Presentamos Google Cast
Con Google Cast, tu teléfono se convierte en un mando a distancia personalizado que puedes utilizar para navegar, reproducir y pausar contenido, e incluso crear listas de reproducción. …

Cast from a device to Google TV - Google TV Help
You can cast content from phones, tablets, or laptops to your Google TV. Cast to your Google TV. Important: The steps below may vary based on your device. For more info, contact your device …

How to cast: A quick start guide - Streaming Help - Google Help
Step 4. Cast content. Learn how to cast from Chrome or Chromecast-enabled apps to your TV. For more help with Android phones, go to Cast music & video from your phone to a device. …

Choose a device below to get started in the Help Center
This help content & information General Help Center experience. Search. Clear search

Cast from Chrome to your TV - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …

Cast movies & shows to a TV - Computer - Google Play Help
At the top of your video player, click Cast . Under "Connect to a device," select your Chromecast from the device list. Select a video. Click Watch. To disconnect from your Chromecast, click …

Cast music & video from your phone to a device - Android Help
On the output switcher , select the device that you want from the list of cast devices. After you select your cast device, the media will start to play on your cast device. Tip: You can change …

Cast from Chrome to your TV - Streaming Help - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …

Introducing Google Cast
With Cast, your phone is your personalized remote control that you can use to browse, play, pause, and even make playlists. You can cast from Android tablets and smartphones, …

Cast media from Google Cast-enabled apps to your TV or display
The Cast button isn't located in the same place across all Google Cast-enabled apps. Tap the device you'd like to cast to. When you're connected, the Cast button will turn solid, which lets …

Presentamos Google Cast
Con Google Cast, tu teléfono se convierte en un mando a distancia personalizado que puedes utilizar para navegar, reproducir y pausar contenido, e incluso crear listas de reproducción. …

Cast from a device to Google TV - Google TV Help
You can cast content from phones, tablets, or laptops to your Google TV. Cast to your Google TV. Important: The steps below may vary based on your device. For more info, contact your device …

How to cast: A quick start guide - Streaming Help - Google Help
Step 4. Cast content. Learn how to cast from Chrome or Chromecast-enabled apps to your TV. For more help with Android phones, go to Cast music & video from your phone to a device. …

Choose a device below to get started in the Help Center
This help content & information General Help Center experience. Search. Clear search

Cast from Chrome to your TV - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …

Cast movies & shows to a TV - Computer - Google Play Help
At the top of your video player, click Cast . Under "Connect to a device," select your Chromecast from the device list. Select a video. Click Watch. To disconnect from your Chromecast, click …

Cast music & video from your phone to a device - Android Help
On the output switcher , select the device that you want from the list of cast devices. After you select your cast device, the media will start to play on your cast device. Tip: You can change …