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| cast of history of violence: History of Violence Édouard Louis, 2018-06-19 Originally published in French in 2016 by Seuil, France, as Historie de la violence--Title page verso. |
| cast of history of violence: A History of Violence John Wagner, 2011 Originally published: New York: Paradox Press, 1997. |
| cast of history of violence: On Violence in History Philip Dwyer, Mark S. Micale, 2020-01-10 Is global violence on the decline? Scholars argue that Harvard psychologist Steven Pinker’s proposal that violence has declined dramatically over time is flawed. This highly-publicized argument that human violence across the world has been dramatically abating continues to influence discourse among academics and the general public alike. In this provocative volume, a cast of eminent historians interrogate Pinker’s thesis by exposing the realities of violence throughout human history. In doing so, they reveal the history of human violence to be richer, more thought-provoking, and considerably more complicated than Pinker claims. From the introduction: Not all of the scholars included in this volume agree on everything, but the overall verdict is that Pinker’s thesis, for all the stimulus it may have given to discussions around violence, is seriously, if not fatally, flawed.The problems that come up time and again are the failure to genuinely engage with historical methodologies; the unquestioning use of dubious sources; the tendency to exaggerate the violence of the past in order to contrast it with the supposed peacefulness of the modern era; the creation of a number of straw men, which Pinker then goes on to debunk; and its extraordinarily Western-centric, not to say Whiggish, view of the world. Complex historical questions, as the essays in this volume clearly demonstrate, cannot be answered with any degree of certainty, and certainly not in a simplistic way. Our goal here is not to offer a final, definitive verdict on Pinker’s work; it is, rather, to initiate an ongoing process of assessment that in the future will incorporate as much of the history profession as possible. |
| cast of history of violence: Fields of Blood Karen Armstrong, 2014-10-28 A sweeping exploration of religion and the history of human violence—from the New York Times bestselling author of The History of God • “Elegant and powerful.... Both erudite and accurate, dazzling in its breadth of knowledge and historical detail.” —The Washington Post In these times of rising geopolitical chaos, the need for mutual understanding between cultures has never been more urgent. Religious differences are seen as fuel for violence and warfare. In these pages, one of our greatest writers on religion, Karen Armstrong, amasses a sweeping history of humankind to explore the perceived connection between war and the world’s great creeds—and to issue a passionate defense of the peaceful nature of faith. With unprecedented scope, Armstrong looks at the whole history of each tradition—not only Christianity and Islam, but also Buddhism, Hinduism, Confucianism, Daoism, and Judaism. Religions, in their earliest days, endowed every aspect of life with meaning, and warfare became bound up with observances of the sacred. Modernity has ushered in an epoch of spectacular violence, although, as Armstrong shows, little of it can be ascribed directly to religion. Nevertheless, she shows us how and in what measure religions came to absorb modern belligerence—and what hope there might be for peace among believers of different faiths in our time. |
| cast of history of violence: David Cronenberg's A History of Violence Bart Beaty, 2008-11-01 Arguably the most famous and critically acclaimed Canadian filmmaker, David Cronenberg is celebrated equally for his early genre films, like Scanners (1981) and The Fly (1986), and his dark artistic vision in films such as Dead Ringers (1988) and Crash (1996). The 2005 film A History of Violence was a mainstream success that marked Cronenberg's return to the commercial fold of Hollywood after years of independent art house filmmaking. His international reputation grew and the film was honoured with numerous awards and two Oscar nominations (for screenwriter Josh Olson and supporting actor William Hurt). David Cronenberg's A History of Violence - the lead title in the new Canadian Cinema series - presents readers with a lively study of some of the filmmaker's favourite themes: violence, concealment, transformation, sex, and guilt. Bart Beaty introduces us to Cronenberg's film, situating it in the context of its aesthetic influences, and argues for its uniquely English-Canadian qualities. The author contends that A History of Violence is a nuanced study of masquerade and disguise, a film that thwarts our expectations of film genre as much as it challenges our perception of national geography and cultural mythology. As a contribution to the Canadian Cinema series, the volume also presents readers with an overview of Cronenberg's career, the production history of the film, a discussion of its critical reception, and a filmography. David Cronenberg's A History of Violence is a book for fans, critics, and cinephiles alike. |
| cast of history of violence: Properties of Violence David Correia, 2013-03-01 Through the compelling story of the Tierra Amarilla conflict, David Correia examines how law and property, in general, and a Mexican-period land grant in northern New Mexico, in particular, have been constituted through violence and social struggle. Spain and Mexico populated what is today New Mexico through large common property land grants to sheepherders and agriculturalists. After the U.S.-Mexican War the area saw rampant land speculation and dubious property adjudication with nearly all the grants being rejected by U.S. courts or acquired by land speculators. Of all the land grant conflicts in New Mexico's history, Tierra Amarilla is one of the most sensational, with numerous nineteenth-century speculators ranking among the state's political and economic elite and a remarkable pattern of resistance to land loss by heirs in the twentieth century. Correia narrates a long and largely unknown history of property conflict in Tierra Amarilla characterized by nearly constant violence-night riding and fence cutting, pitched gun battles, and tanks rumbling along the rutted dirt roads of northern New Mexico. The legal geography he constructs is one that includes a remarkable cast of characters: millionaire sheep barons, Spanish anarchists, hooded Klansmen, Puerto Rican freedom fighters-or as J. Edgar Hoover, another of the characters in Correia's story would have called them, terrorists. By placing property and law at the center of his study, Properties of Violence first reveals and then examines a central irony: violence is not the opposite of law but rather is essential to its operation. |
| cast of history of violence: Between Legitimacy and Violence Marco Palacios, 2006-06-06 DIVComprehensive overview of modern Colombian history considers why Colombia's long-established, stable political institutions have not been able to prevent frequent and extreme violence./div |
| cast of history of violence: Killer Images Joram ten Brink, Joshua Oppenheimer, 2013-01-08 Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them |
| cast of history of violence: No Country for Old Men Cormac McCarthy, 2007-11-29 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a profoundly disturbing and gorgeously rendered novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| cast of history of violence: Safe Space Christina B. Hanhardt, 2013-12-04 Winner, 2014 Lambda Literary Award in LGBT Studies Since the 1970s, a key goal of lesbian and gay activists has been protection against street violence, especially in gay neighborhoods. During the same time, policymakers and private developers declared the containment of urban violence to be a top priority. In this important book, Christina B. Hanhardt examines how LGBT calls for safe space have been shaped by broader public safety initiatives that have sought solutions in policing and privatization and have had devastating effects along race and class lines. Drawing on extensive archival and ethnographic research in New York City and San Francisco, Hanhardt traces the entwined histories of LGBT activism, urban development, and U.S. policy in relation to poverty and crime over the past fifty years. She highlights the formation of a mainstream LGBT movement, as well as the very different trajectories followed by radical LGBT and queer grassroots organizations. Placing LGBT activism in the context of shifting liberal and neoliberal policies, Safe Space is a groundbreaking exploration of the contradictory legacies of the LGBT struggle for safety in the city. |
| cast of history of violence: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century. |
| cast of history of violence: Age of Anger Pankaj Mishra, 2017-01-20 A New York Times Notable Book of 2017 • Named a Best Book of the Year by Slate and NPR • Longlisted for the Orwell Prize One of our most important public intellectuals reveals the hidden history of our current global crisis How can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world—from American shooters and ISIS to Donald Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century before leading us to the present. He shows that as the world became modern, those who were unable to enjoy its promises—of freedom, stability, and prosperity—were increasingly susceptible to demagogues. The many who came late to this new world—or were left, or pushed, behind—reacted in horrifyingly similar ways: with intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the nineteenth century arose—angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally. Today, just as then, the wide embrace of mass politics and technology and the pursuit of wealth and individualism have cast many more billions adrift in a demoralized world, uprooted from tradition but still far from modernity—with the same terrible results. Making startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other. |
| cast of history of violence: Histories of Violence Brad Evans, Terrell Carver, 2017-01-15 While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence. |
| cast of history of violence: The Field of Blood Joanne B. Freeman, 2018-09-11 One of the best history books I've read in the last few years. —Chris Hayes The Field of Blood recounts the previously untold story of the violence in Congress that helped spark the Civil War. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR AN NPR BEST BOOK OF THE YEAR ONE OF SMITHSONIAN'S BEST HISTORY BOOKS OF THE YEAR Historian Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril. |
| cast of history of violence: Violence and The Caste War of Yucatán Wolfgang Gabbert, 2019-08-22 This book analyzes the extent and forms of violence in one of the most significant indigenous rural revolts in nineteenth-century Latin America. Combining historical, anthropological, and sociological research, it shows how violence played a role in the establishment and maintenance of order and leadership within the contending parties. |
| cast of history of violence: Violence and Social Orders Douglass Cecil North, John Joseph Wallis, Barry R. Weingast, 2009-02-26 This book integrates the problem of violence into a larger framework, showing how economic and political behavior are closely linked. |
| cast of history of violence: The Last Duel Eric Jager, 2005-09-13 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later. |
| cast of history of violence: Violence Slavoj Zizek, 2008-07-22 Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world. |
| cast of history of violence: The Great Leveler Walter Scheidel, 2018-09-18 How only violence and catastrophes have consistently reduced inequality throughout world history Are mass violence and catastrophes the only forces that can seriously decrease economic inequality? To judge by thousands of years of history, the answer is yes. Tracing the global history of inequality from the Stone Age to today, Walter Scheidel shows that inequality never dies peacefully. Inequality declines when carnage and disaster strike and increases when peace and stability return. The Great Leveler is the first book to chart the crucial role of violent shocks in reducing inequality over the full sweep of human history around the world. Ever since humans began to farm, herd livestock, and pass on their assets to future generations, economic inequality has been a defining feature of civilization. Over thousands of years, only violent events have significantly lessened inequality. The Four Horsemen of leveling—mass-mobilization warfare, transformative revolutions, state collapse, and catastrophic plagues—have repeatedly destroyed the fortunes of the rich. Scheidel identifies and examines these processes, from the crises of the earliest civilizations to the cataclysmic world wars and communist revolutions of the twentieth century. Today, the violence that reduced inequality in the past seems to have diminished, and that is a good thing. But it casts serious doubt on the prospects for a more equal future. An essential contribution to the debate about inequality, The Great Leveler provides important new insights about why inequality is so persistent—and why it is unlikely to decline anytime soon. |
| cast of history of violence: The Better Angels of Our Nature Steven Pinker, 2012-09-25 Faced with the ceaseless stream of news about war, crime, and terrorism, one could easily think this is the most violent age ever seen. Yet as bestselling author Pinker shows in this startling and engaging new work, just the opposite is true. |
| cast of history of violence: Salt in the Sand Lessie Jo Frazier, 2007-07-17 Salt in the Sand is a compelling historical ethnography of the interplay between memory and state violence in the formation of the Chilean nation-state. The historian and anthropologist Lessie Jo Frazier focuses on northern Chile, which figures prominently in the nation’s history as a site of military glory during the period of national conquest, of labor strikes and massacres in the late nineteenth century and early twentieth, and of state detention and violence during World War II and the Cold War. It was also the site of a mass-grave excavation that galvanized the national human rights movement in 1990, during Chile’s transition from dictatorship to democracy. Frazier analyzes the creation of official and alternative memories of specific instances of state violence in northern Chile from 1890 to the present, tracing how the form and content of those memories changed over time. In so doing, she shows how memory works to create political subjectivities mobilized for specific political projects within what she argues is the always-ongoing process of nation-state formation. Frazier’s broad historical perspective on political culture challenges the conventional periodization of modern Chilean history, particularly the idea that the 1973 military coup marked a radical break with the past. Analyzing multiple memories of state violence, Frazier innovatively shapes social and cultural theory to interpret a range of sources, including local and national government archives, personal papers, popular literature and music, interviews, architectural and ceremonial commemorations, and her ethnographic observations of civic associations, women's and environmental groups, and human rights organizations. A masterful integration of extensive empirical research with sophisticated theoretical analysis, Salt in the Sand is a significant contribution to interdisciplinary scholarship on human rights, democratization, state formation, and national trauma and reconciliation. |
| cast of history of violence: Vampire Nation Toma Longinović, 2011-08-12 Analyzes how the rhetoric of Yugoslav intellectuals and politicians and the U.S.-led Western media and political leadership framed the serbs as metaphorical vampires in the last decades of the twentieth century. |
| cast of history of violence: The Cambridge World History of Violence: Volume 1, The Prehistoric and Ancient Worlds Garrett G. Fagan, Linda Fibiger, Mark Hudson, Matthew Trundle, 2020-03-31 The first in a four-volume set, The Cambridge World History of Violence, Volume 1 provides a comprehensive examination of violence in prehistory and the ancient world. Covering the Palaeolithic through to the end of classical antiquity, the chapters take a global perspective spanning sub-Saharan Africa, the Near East, Europe, India, China, Japan and Central America. Unlike many previous works, this book does not focus only on warfare but examines violence as a broader phenomenon. The historical approach complements, and in some cases critiques, previous research on the anthropology and psychology of violence in the human story. Written by a team of contributors who are experts in each of their respective fields, Volume 1 will be of particular interest to anyone fascinated by archaeology and the ancient world. |
| cast of history of violence: The Wild Bunch W. K. Stratton, 2019-02-12 For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it. |
| cast of history of violence: Bloody Breathitt T.R.C. Hutton, 2013-09-20 This book uses the history of Breathitt County, Kentucky, to examine political violence in the United States and its interpretation in media and memory. Violence in Breathitt County, during and after the Civil War, usually reflected what was going on elsewhere in Kentucky and the American South. In turn, the types of violence recorded there corresponded with discernible political scenarios. |
| cast of history of violence: The Hidden Structure of Violence Marc Pilisuk, Jennifer Achord Rountree, 2015-07-17 Acts of violence assume many forms: they may travel by the arc of a guided missile or in the language of an economic policy, and they may leave behind a smoldering village or a starved child. The all-pervasiveness of violence makes it seem like an unavoidable, and ultimately incomprehensible, aspect of the modern world. But, in this detailed and expansive book, Marc Pilisuk and Jen Rountree demonstrate otherwise. Widespread violence, they argue, is in fact an expression of the underlying social order, and whether it is carried out by military forces or by patterns of investment, the aim is to strengthen that order for the benefit of the powerful. The Hidden Structure of Violence marshals vast amounts of evidence to examine the costs of direct violence, including military preparedness and the social reverberations of war, alongside the costs of structural violence, expressed as poverty and chronic illness. It also documents the relatively small number of people and corporations responsible for facilitating the violent status quo, whether by setting the range of permissible discussion or benefiting directly as financiers and manufacturers. The result is a stunning indictment of our violent world and a powerful critique of the ways through which violence is reproduced on a daily basis, whether at the highest levels of the state or in the deepest recesses of the mind. |
| cast of history of violence: Blood, Sweat & Chrome Kyle Buchanan, 2022-02-22 One of Entertainment Weekly's Best Books of 2022! New York Times journalist Kyle Buchanan details the bonkers construction of director George Miller's long-awaited and often seemingly-doomed fourth Mad Max movie via testimony from the filmmaker, Charlize Theron, Tom Hardy, and a host of others. The result is an epic and – when it comes to the Theron-Hardy on-set relationship – acrimonious tale no less jaw-dropping than the movie itself. — Entertainment Weekly A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road—with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New York Times, Kyle Buchanan. It won six Oscars and has been hailed as the greatest action film ever, but it is a miracle Mad Max: Fury Road ever made it to the screen… or that anybody survived the production. The story of this modern classic spanned nearly two decades of wild obstacles as visionary director George Miller tried to mount one of the most difficult shoots in Hollywood history. Production stalled several times, stars Tom Hardy and Charlize Theron clashed repeatedly in the brutal Namib Desert, and Miller’s crew engineered death-defying action scenes that were among the most dangerous ever committed to film. Even accomplished Hollywood figures are flummoxed by the accomplishment: As the director Steven Soderbergh has said, “I don’t understand how they’re not still shooting that film, and I don’t understand how hundreds of people aren’t dead.” Kyle Buchanan takes readers through every step of that moviemaking experience in vivid detail, from Fury Road’s unexpected origins through its outlandish casting process to the big-studio battles that nearly mutilated a masterpiece. But he takes the deepest dive in reporting the astonishing facts behind a shoot so unconventional that the film’s fantasy world began to bleed into the real lives of its cast and crew. As they fought and endured in a wasteland of their own, the only way forward was to have faith in their director’s mad vision. But how could Miller persevere when almost everything seemed to be stacked against him? With hundreds of exclusive interviews and details about the making of Fury Road, readers will be left with one undeniable conclusion: There has never been a movie so drenched in sweat, so forged by fire, and so epic in scope. |
| cast of history of violence: A Fiery & Furious People James Sharpe, 2016-09-08 *Chosen as a Book of the Year by The Times, History Today and the Sunday Telegraph* ‘Wonderfully entertaining, comprehensive and astute.’ The Times ‘Genuinely hard to put down.’ BBC History Magazine From murder to duelling, highway robbery to mugging: the darker side of English life explored. Spanning some seven centuries, A Fiery & Furious People traces the subtle shifts that have taken place both in the nature of violence and in people’s attitudes to it. How could football be regarded at one moment as a raucous pastime that should be banned, and the next as a respectable sport that should be encouraged? When did the serial killer first make an appearance? What gave rise to particular types of violent criminal - medieval outlaws, Victorian garrotters – and what made them dwindle and then vanish? Above all, Professor James Sharpe hones in on a single, fascinating question: has the country that has experienced so much turmoil naturally prone to violence or are we, in fact, becoming a gentler nation? ‘Wonderful . . . A fascinating and rare example of a beautifully crafted scholarly work.’ Times Higher Education ‘Sweeping and ambitious . . . A humane and clear-eyed guide to a series of intractable and timely questions.’ Observer ‘Deeply researched, thoughtfully considered and vividly written . . . Read it.’ History Today ‘Magisterial . . . The outlaw’s song has surely never been better rendered.’ Times Literary Supplement |
| cast of history of violence: High Noon in Lincoln Robert M. Utley, 1989-12-01 Here is the most detailed and most engagingly narrated history to date of the legendary two-year facedown and shootout in Lincoln. Until now, New Mexico's late nineteenth-century Lincoln County War has served primarily as the backdrop for a succession of mythical renderings of Billy the Kid in American popular culture. In research, writing, and interpretation, High Noon in Lincoln is a superb book. It is one of the best books (maybe the best) ever written on a violent episode in the West.--Richard Maxwell Brown, author of Strain of Violence: Historical Studies of American Violence and Vigilantism A masterful account of the actual facts of the gory Lincoln County War and the role of Billy the Kid. . . . Utley separates the truth from legend without detracting from the gripping suspense and human interest of the story.--Alvin M. Josephy, Jr. |
| cast of history of violence: Popular Crime Bill James, 2012-05-08 Originally published: 2011. With new addendum. |
| cast of history of violence: Starship Troopers Robert A. Heinlein, 1987-05-15 In Robert A. Heinlein’s controversial Hugo Award-winning bestseller, a recruit of the future goes through the toughest boot camp in the Universe—and into battle against mankind’s most alarming enemy... Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job... “A classic…If you want a great military adventure, this one is for you.”—All SciFi |
| cast of history of violence: The Gangs of New York Herbert Asbury, 1928 |
| cast of history of violence: Color of Violence INCITE! Women of Color Against Violence INCITE! Women of Color Against Violence, 2016-09-02 The editors and contributors to Color of Violence ask: What would it take to end violence against women of color? Presenting the fierce and vital writing of organizers, lawyers, scholars, poets, and policy makers, Color of Violence radically repositions the antiviolence movement by putting women of color at its center. The contributors shift the focus from domestic violence and sexual assault and map innovative strategies of movement building and resistance used by women of color around the world. The volume's thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war. At a time of heightened state surveillance and repression of people of color, Color of Violence is an essential intervention. Contributors. Dena Al-Adeeb, Patricia Allard, Lina Baroudi, Communities Against Rape and Abuse (CARA), Critical Resistance, Sarah Deer, Eman Desouky, Ana Clarissa Rojas Durazo, Dana Erekat, Nirmala Erevelles, Sylvanna Falcón, Rosa Linda Fregoso, Emi Koyama, Elizabeth Betita Martínez, maina minahal, Nadine Naber, Stormy Ogden, Julia Chinyere Oparah, Beth Richie, Andrea J. Ritchie, Dorothy Roberts, Loretta J. Ross, s.r., Puneet Kaur Chawla Sahota, Renee Saucedo, Sista II Sista, Aishah Simmons, Andrea Smith, Neferti Tadiar, TransJustice, Haunani-Kay Trask, Traci C. West, Janelle White |
| cast of history of violence: A Brief History of Seven Killings Marlon James, 2015-09-08 A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil. |
| cast of history of violence: I'll Scream Later Marlee Matlin, 2009-04-14 Critically acclaimed and award-winning actress Marlee Matlin reveals the illuminating, moving, and often surprising story of how she defied all expectations to become one of the most prolific and beloved actresses of our time. Marlee Matlin entered our lives as the deaf pupil turned custodian audiences fell in love with in Children of a Lesser God, a role for which she became the youngest woman ever to win a Best Actress Oscar. More than twenty years after her stunning big screen debut, the Golden Globe- and Emmy-nominated actress is an inspirational force of nature -- a mother, an activist, and a role model for millions of deaf and hard-of-hearing people around the world. In I'll Scream Later, Marlee takes readers on the frank and touching journey of her life, from the frightening loss of her hearing at eighteen months old to the highs and lows of Hollywood, her battles with addiction, and the unexpected challenges of being thrust into the spotlight as an emissary for the deaf community. She speaks candidly for the first time about the troubles of her youth, the passionate and tumultuous two-year relationship with Oscar winner William Hurt that dovetailed with a stint in rehab, and her subsequent romances with heartthrobs like Rob Lowe, Richard Dean Anderson, and David E. Kelley. Though she became famous at the age of twenty-one, Marlee struggled all her life to connect with people, fighting against anyone who tried to hold her back. Her own mother often hid behind their communication barrier, and Marlee turned to drugs before she even started high school. However, she found in acting -- with the encouragement of her mentor, Henry Winkler -- a discipline, a drive, and a talent for understanding the human condition that belied her age and her inability to hear. By the time Hollywood embraced her, she had almost no formal training, a fact that caused many other deaf actors to give her the cold shoulder, even as she was looked upon as a spokesperson for their community. She has played memorable roles on wildly popular television shows such as Seinfeld, The West Wing, and The L Word, danced a show-stopping cha-cha-cha on Dancing with the Stars, and now, with uncompromising honesty and humor, Marlee shares the story of her life -- an enduring tale that is an unforgettable lesson in following your dreams. |
| cast of history of violence: War of Words, War of Stones Jonathon Glassman, 2011-02-21 The Swahili coast of Africa is often described as a paragon of transnational culture and racial fluidity. Yet, during a brief period in the 1960s, Zanzibar became deeply divided along racial lines as intellectuals and activists, engaged in bitter debates about their nation's future, ignited a deadly conflict that spread across the island. War of Words, War of Stones explores how violently enforced racial boundaries arose from Zanzibar's entangled history. Jonathon Glassman challenges explanations that assume racial thinking in the colonial world reflected only Western ideas. He shows how Africans crafted competing ways of categorizing race from local tradition and engagement with the Atlantic and Indian Ocean worlds. |
| cast of history of violence: The Book of Night Women Marlon James, 2009-02-19 From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft. |
| cast of history of violence: A History of Violence Robert Muchembled, 2012 Presents a history of violence in Europe and discusses the theory that violence has actually been in decline since the thirteenth century. |
| cast of history of violence: Caste Isabel Wilkerson, 2023-02-14 #1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • “An instant American classic and almost certainly the keynote nonfiction book of the American century thus far.”—Dwight Garner, The New York Times The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions—now with a new Afterword by the author. #1 NONFICTION BOOK OF THE YEAR: Time ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, The New York Times, Los Angeles Times, The Boston Globe, O: The Oprah Magazine, NPR, Bloomberg, The Christian Science Monitor, New York Post, The New York Public Library, Fortune, Smithsonian Magazine, Marie Claire, Slate, Library Journal, Kirkus Reviews Winner of the Carl Sandberg Literary Award • Winner of the Los Angeles Times Book Prize • National Book Award Longlist • National Book Critics Circle Award Finalist • Dayton Literary Peace Prize Finalist • PEN/John Kenneth Galbraith Award for Nonfiction Finalist • PEN/Jean Stein Book Award Longlist • Kirkus Prize Finalist “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched, and beautifully written narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their outcasting of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. Original and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today. |
| cast of history of violence: In the Shadow of Violence Douglass C. North, John Joseph Wallis, Steven B. Webb, Barry R. Weingast, 2013 This book explains how political control of economic privileges is used to limit violence and coordinate coalitions of powerful organizations. |
Cast from Chrome to your TV - Streaming Help - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …
Introducing Google Cast
With Cast, your phone is your personalized remote control that you can use to browse, play, pause, and even make playlists. You can cast from Android tablets and smartphones, iPhones, …
Cast media from Google Cast-enabled apps to your TV or display
The Cast button isn't located in the same place across all Google Cast-enabled apps. Tap the device you'd like to cast to. When you're connected, the Cast button will turn solid, which lets …
Presentamos Google Cast
Con Google Cast, tu teléfono se convierte en un mando a distancia personalizado que puedes utilizar para navegar, reproducir y pausar contenido, e incluso crear listas de reproducción. …
Cast from a device to Google TV - Google TV Help
You can cast content from phones, tablets, or laptops to your Google TV. Cast to your Google TV. Important: The steps below may vary based on your device. For more info, contact your device …
How to cast: A quick start guide - Streaming Help - Google Help
Step 4. Cast content. Learn how to cast from Chrome or Chromecast-enabled apps to your TV. For more help with Android phones, go to Cast music & video from your phone to a device. …
Choose a device below to get started in the Help Center
This help content & information General Help Center experience. Search. Clear search
Cast from Chrome to your TV - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …
Cast movies & shows to a TV - Computer - Google Play Help
At the top of your video player, click Cast . Under "Connect to a device," select your Chromecast from the device list. Select a video. Click Watch. To disconnect from your Chromecast, click …
Cast music & video from your phone to a device - Android Help
On the output switcher , select the device that you want from the list of cast devices. After you select your cast device, the media will start to play on your cast device. Tip: You can change …
Cast from Chrome to your TV - Streaming Help - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …
Introducing Google Cast
With Cast, your phone is your personalized remote control that you can use to browse, play, pause, and even make playlists. You can cast from Android tablets and smartphones, …
Cast media from Google Cast-enabled apps to your TV or display
The Cast button isn't located in the same place across all Google Cast-enabled apps. Tap the device you'd like to cast to. When you're connected, the Cast button will turn solid, which lets …
Presentamos Google Cast
Con Google Cast, tu teléfono se convierte en un mando a distancia personalizado que puedes utilizar para navegar, reproducir y pausar contenido, e incluso crear listas de reproducción. …
Cast from a device to Google TV - Google TV Help
You can cast content from phones, tablets, or laptops to your Google TV. Cast to your Google TV. Important: The steps below may vary based on your device. For more info, contact your device …
How to cast: A quick start guide - Streaming Help - Google Help
Step 4. Cast content. Learn how to cast from Chrome or Chromecast-enabled apps to your TV. For more help with Android phones, go to Cast music & video from your phone to a device. …
Choose a device below to get started in the Help Center
This help content & information General Help Center experience. Search. Clear search
Cast from Chrome to your TV - Google Help
Important: When you cast your screen, the audio might play on your computer. To play the audio on your TV instead, cast the tab. On your computer, open Chrome. At the top right, select …
Cast movies & shows to a TV - Computer - Google Play Help
At the top of your video player, click Cast . Under "Connect to a device," select your Chromecast from the device list. Select a video. Click Watch. To disconnect from your Chromecast, click …
Cast music & video from your phone to a device - Android Help
On the output switcher , select the device that you want from the list of cast devices. After you select your cast device, the media will start to play on your cast device. Tip: You can change …
