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| cause and effect in literature: Writing Dialogue Tom Chiarella, 1998 Whether you're writing an argument, a love scene, a powwow among sixth graders or scientists in a lab, this book demonstrates how to write dialogue that sounds authentic and original. &break;&break;You'll learn ways to find ideas for literary discussions by tuning in to what you hear every day. You'll learn to use gestures instead of speech, to insert silences that are as effective as outbursts, to add shifts in tone, and other strategies for making conversations more compelling. Nuts and bolts are covered, too - formatting, punctuation, dialogue tags - everything you need to get your characters talking. |
| cause and effect in literature: A Turkey for Thanksgiving Eve Bunting, 1995-09 Mr. and Mrs. Moose try to invite a turkey to their Thanksgiving feast. |
| cause and effect in literature: The Art & Craft of Novel Writing Oakley M. Hall, 1994 Timeless advice with examples from literary masters -- Flaubert to Hemingway to Oates.-- |
| cause and effect in literature: The Listeners Harrison Demchick, 2012-12 Before the plague, and the quarantine, fourteen-year-old Daniel Raymond had only heard of the Listeners. They were a gang, or at least that's what his best friend Katie's police officer father had said. They were criminals, thieves, monsters--deadly men clearly identifiable by the removal of their right ears.That's what Daniel had heard. But he didn't know.He didn't know much in those early days. He didn't know how the plague began, but then, no one did. The doctors and emergency medical personnel said it was airborne, and highly contagious. They said those infected became distorted both inside and out, and very, very dangerous.Then the helicopters came and took the doctors away, and no one said much of anything after that.Except the police officers. They said they'd provide food and order, in exchange for guns and, ultimately, anything else they felt like taking.Daniel's mother went out for toilet paper. She never came back. He hasn't heard from Katie since the phones went dead. And with his real family gone and surrogate family unreachable, Daniel, scared and alone, has nothing except the walls of his apartment, the window shattered, the poisonous air seeping in.That's when the Listeners arrive. Derek, the one-eared man with the big, soulful eyes, promises protection, and hope, and the choice not to sit alone and wait to die in some horrific way. He offers a brotherhood under the watch of their leader, the prophet Adam. He offers a place in the world to come.A harrowing work of literary horror, The Listeners, Harrison Demchick's electrifying debut, is a dark and terrifying journey into loneliness, desperation, and the devastating experience of one young boy in a world gone mad. |
| cause and effect in literature: Encyclopedia of Research Design Neil J. Salkind, 2010-06-22 Comprising more than 500 entries, the Encyclopedia of Research Design explains how to make decisions about research design, undertake research projects in an ethical manner, interpret and draw valid inferences from data, and evaluate experiment design strategies and results. Two additional features carry this encyclopedia far above other works in the field: bibliographic entries devoted to significant articles in the history of research design and reviews of contemporary tools, such as software and statistical procedures, used to analyze results. It covers the spectrum of research design strategies, from material presented in introductory classes to topics necessary in graduate research; it addresses cross- and multidisciplinary research needs, with many examples drawn from the social and behavioral sciences, neurosciences, and biomedical and life sciences; it provides summaries of advantages and disadvantages of often-used strategies; and it uses hundreds of sample tables, figures, and equations based on real-life cases.--Publisher's description. |
| cause and effect in literature: The Book of Why Judea Pearl, Dana Mackenzie, 2018-05-15 A Turing Award-winning computer scientist and statistician shows how understanding causality has revolutionized science and will revolutionize artificial intelligence Correlation is not causation. This mantra, chanted by scientists for more than a century, has led to a virtual prohibition on causal talk. Today, that taboo is dead. The causal revolution, instigated by Judea Pearl and his colleagues, has cut through a century of confusion and established causality -- the study of cause and effect -- on a firm scientific basis. His work explains how we can know easy things, like whether it was rain or a sprinkler that made a sidewalk wet; and how to answer hard questions, like whether a drug cured an illness. Pearl's work enables us to know not just whether one thing causes another: it lets us explore the world that is and the worlds that could have been. It shows us the essence of human thought and key to artificial intelligence. Anyone who wants to understand either needs The Book of Why. |
| cause and effect in literature: The Event of Literature Terry Eagleton, 2012-05-29 Offers a thorough examination of the philosophy of literature, looking at the place of literature in human culture, what literature can be defined as and much more. |
| cause and effect in literature: Beatrice Doesn't Want to Laura Joffe Numeroff, Lynn Munsinger, 2008-05-13 On the third afternoon of going to the library with her brother Henry, Beatrice finally finds something she enjoys doing. |
| cause and effect in literature: Why I Write George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| cause and effect in literature: If You Give a Mouse a Cookie 25th Anniversary Edition Laura Joffe Numeroff, 1985-05-09 If a hungry little traveler shows up at your house, you might want to give him a cookie. If you give him a cookie, he's going to ask for a glass of milk. He'll want to look in a mirror to make sure he doesn't have a milk mustache, and then he'll ask for a pair of scissors to give himself a trim.... The consequences of giving a cookie to this energetic mouse run the young host ragged, but young readers will come away smiling at the antics that tumble like dominoes through the pages of this delightful picture book. |
| cause and effect in literature: The House That Jane Built Tanya Lee Stone, 2015-06-23 Ever since she was a little girl, Jane Addams hoped to help people in need. She wanted to create a place where people could find food, work, and community. In 1889, she chose a house in a run-down Chicago neighborhood and turned it into Hull House--a settlement home--soon adding a playground, kindergarten, and a public bath, By 1907, Hull House included thirteen buildings. And by the early 1920s, more than nine thousand people visited Hull House each week. The dreams of a smart, caring girl had become a reality. And the lives of hundreds of thousands of people were transformed when they stepped into the house that Jane Addams built.--Provided by publisher. |
| cause and effect in literature: Story Trumps Structure Steven James, 2014-05-27 Don't limit your fiction - LIBERATE IT All too often, following the rules of writing can constrict rather than inspire you. With Story Trumps Structure, you can shed those rules - about three-act structure, rising action, outlining, and more - to craft your most powerful, emotional, and gripping stories. Award-winning novelist Steven James explains how to trust the narrative process to make your story believable, compelling, and engaging, and debunks the common myths that hold writers back from creating their best work. • Ditch your outline and learn to write organically. • Set up promises for readers - and deliver on them. • Discover how to craft a satisfying climax. • Master the subtleties of characterization. • Add mind-blowing twists to your fiction. When you focus on what lies at the heart of story - tension, desire, crisis, escalation, struggle, discovery - rather than plot templates and formulas, you'll begin to break out of the box and write fiction that resonates with your readers. Story Trumps Structure will transform the way you think about stories and the way you write them, forever. |
| cause and effect in literature: If You Take a Mouse to the Movies Laura Numeroff, 2022-10-18 Mouse celebrates the holidays in this picture book in the beloved #1 New York Times bestselling If You Give... series! If you take a mouse to the movies, he'll ask you for some popcorn. If you give him the popcorn, he'll want to string it all together. Then he'll want to hang it on a Christmas tree. The famous little mouse from If You Give a Mouse a Cookie that has delighted millions of readers is back in an irresistible tale full of holiday antics. Collect all the books in this giggle-inspiring classic series! |
| cause and effect in literature: Expanding a Nation Elizabeth Raum, 2013-07 Describes the causes of and effects of the Louisiana Purchase on US history--Provided by publisher. |
| cause and effect in literature: My Abandonment Peter Rock, 2009 Living with her father in a nature preserve in Portland, Oregon, thirteen-year-old Caroline only merges with the civilized world once a week when they go into the city, but an encounter with a backcountry jogger derails their entire existence. |
| cause and effect in literature: The Comprehension Toolkit (Ages 5-8) Angela Ehmer, 2019-06-10 Teacher reference resource containing comprehension lessons for teachers of children in the early years of school. |
| cause and effect in literature: Alexander and the Terrible, Horrible, No Good, Very Bad Day Judith Viorst, 2009-09-22 Recounts the events of a day when everything goes wrong for Alexander. Suggested level: junior, primary. |
| cause and effect in literature: One Hundred Years of Solitude Gabriel García Márquez, 2022-10-11 Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race. |
| cause and effect in literature: Craft in the Real World Matthew Salesses, 2021-01-19 This national bestseller is a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, When we write fiction, we write the world. |
| cause and effect in literature: How I Spent My Summer Vacation Mark Teague, 2013-08-28 This wildly funny twist on the How I spent my summer vacation school-essay ritual details one child's imaginary adventures over the summer and is perfect for back-to-school reading! Most kids go to camp over the summer, or to Grandma's house, or maybe they're stuck at home. Not Wallace Bleff. He was supposed to visit his Aunt Fern. Instead, Wallace insists, he was carried off by cowboys and taught the ways of the West--from riding buckin' broncos to roping cattle. Lucky for Aunt Fern, he showed up at her house just in time to divert a stampede from her barbecue party! Perfect for back-to-school read-alouds, here's a western fantasy with sparkling illustrations and enough action to knock kids' boots off! |
| cause and effect in literature: The Philosophy of Composition Edgar Allan Poe, 2022-07-19 This fascinating literary essay, written by the famous American writer and poet, Edgar Allan Poe, explores the mystique of artistic creation. By using his renowned poem ‘The Raven’ as an example, Poe explains how good writers write well, concluding that brevity, ‘unity of effect’ and a logical method are the most important factors. Taking the reader through the deliberate choices made when writing the poem, the author also discusses theme, setting, sound, and the importance of refrain. ‘The Philosophy of Composition’ (1846) is a perfect read for literary scholars, writers, and fans of Poe. Edgar Allan Poe (1809–1849) was an American writer, poet, editor and literary critic, best known for his gothic, macabre tales that include ‘The Fall of the House of Usher’, ‘The Tell-Tale Heart’, and ‘The Murders in the Rue Morgue’. One of America’s first short story writers, Poe is considered the inventor of detective fiction and a key figure in both horror and science fiction. His work had a profound impact on American and international literature and he was one of the first American writers to earn international recognition. His other notable works include ‘The Raven and other Poem’s’, (1845) ‘The Cask of Amontillado’, ‘The Fall of the House of Usher’, and ‘The Tell-Take Heart’. With many of his stories adapted for TV and screen, including the gothic 2014 film ‘Stonehearst Asylum’, starring Kate Beckinsale, Michael Caine, and Ben Kingsley, Poe continues to influence literature, film, and television to this day. |
| cause and effect in literature: Elements of Fiction Writing - Scene & Structure Jack Bickham, 1999-03-15 Craft your fiction with scene-by-scene flow, logic and readability. An imprisoned man receives an unexpected caller, after which everything changed... And the reader is hooked. But whether or not readers will stay on for the entire wild ride will depend on how well the writer structures the story, scene by scene. This book is your game plan for success. Using dozens of examples from his own work - including Dropshot,Tiebreaker and other popular novels - Jack M. Bickham will guide you in building a sturdy framework for your novel, whatever its form or length. You'll learn how to: • worry your readers into following your story to the end • prolong your main character's struggle while moving the story ahead • juggle cause and effect to serve your story action As you work on crafting compelling scenes that move the reader, moment by moment, toward the story's resolution, you'll see why... • believable fiction must make more sense than real life • every scene should end in disaster • some scenes should be condensed, and others built big Whatever your story, this book can help you arrive at a happy ending in the company of satisfied readers. |
| cause and effect in literature: Writing Emotions Ingeborg Jandl, Susanne Knaller, Sabine Schönfellner, Gudrun Tockner, 2018-07-31 After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nünning, and Gesine Lenore Schiewer. |
| cause and effect in literature: Seduction and Betrayal Elizabeth Hardwick, 2011-07-13 A vivid and provocative literary criticism of famous women writers from Virginia Woolf to Zelda Fitzgerald by a “gifted miniaturist biographer” (Joyce Carol Oates) The novelist and essayist Elizabeth Hardwick is one of contemporary America’s most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is her most passionate and concentrated work of criticism. A gallery of unforgettable portraits—of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle—as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer’s reckoning with the relations between men and women, women and writing, writing and life. |
| cause and effect in literature: Under the Literary Microscope Sina Farzin, Susan M. Gaines, Roslynn D. Haynes, 2021-05-03 “Science in fiction,” “geek novels,” “lab-lit”—whatever one calls them, a new generation of science novels has opened a space in which the reading public can experience and think about the powers of science to illuminate nature as well as to generate and mitigate social change and risks. Under the Literary Microscope examines the implications of the discourse taking place in and around this creative space. Exploring works by authors as disparate as Barbara Kingsolver, Richard Powers, Ian McEwan, Ann Patchett, Margaret Atwood, and Michael Crichton, these essays address the economization of scientific institutions; ethics, risk, and gender disparity in scientific work; the reshaping of old stereotypes of scientists; science in an evolving sci-fi genre; and reader reception and potential contributions of the novels to public understandings of science. Under the Literary Microscope illuminates the new ways in which fiction has been grappling with scientific issues—from climate change and pandemics to artificial intelligence and genomics—and makes a valuable addition to both contemporary literature and science studies courses. In addition to the editors, the contributors include Anna Auguscik, Jay Clayton, Carol Colatrella, Sonja Fücker, Raymond Haynes, Luz María Hernández Nieto, Emanuel Herold, Karin Hoepker, Anton Kirchhofer, Antje Kley, Natalie Roxburgh, Uwe Schimank, Sherryl Vint, and Peter Weingart. |
| cause and effect in literature: Will I Ever Be Free of You? Karyl McBride, 2016-03-15 A practical guide to separating and divorcing from a narcissist, healing yourself, and protecting your children-- |
| cause and effect in literature: For Life and Liberty Becky Levine, 2014 Many people traveled far to a new land in search of freedom. But years later, they were still ruled by a foreign power. How did the Declaration of Independence proclaim freedom? And how did it help form the United States? |
| cause and effect in literature: Rube Goldberg's Simple Normal Humdrum School Day Jennifer George, 2017-08-29 If Rube’s inventions are any indication, “normal” means something very different in the Goldberg household. For Rube, up is down, in is out, and the simplest path to accomplishing an everyday task—like brushing his teeth or getting dressed—is a humorously complicated one. Follow Rube as he sets out on a typical school day, overcomplicating each and every step from the time he wakes up in the morning until the time he goes to bed at night. This book features fourteen inventions, each depicting an interactive sequence whose purpose is to help Rube accomplish mundane daily tasks: a simple way to get ready for school, to make breakfast, to do his homework, and so much more. |
| cause and effect in literature: The Little Raindrop Joanna Gray, 2014-03-04 From cloud to puddle, and puddle to stream, the Little Raindrop is making its way on the remarkable journey that is Earth’s water cycle. In this inviting story—illustrated with pastels for a soft, full color—readers are taught about science and nature through a character driven narrative that leads a little raindrop on a big adventure. With an easy to follow plot that teaches precipitation, water flow, and evaporation, The Little Raindrop offers a sweet story full of learning and discovery. Featuring a heartwarming adventure from author Joanna Gray, and beautiful pastel illustrations by Dubravka Kolanovic, The Little Raindrop takes readers on a fun and educational ride through the water cycle. This is a wonderful introduction for children ages 3 to 6 about the water cycle. They will instantly connect with the cute, smiling little raindrop as it starts its journey in the clouds. The author gives wonderful, age-appropriate explanations and details about the raindrop's journey from air to pond to stream to ocean and back into the air again, making this a wonderful first introduction to science for preschoolers. Parents will appreciate the educational value of the book, as will early educational teachers. This is the type of picture book Scholastic Book Clubs and Fairs are wanting and so it should definitely have a great reception in the school and library market, as well as the general trade. Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home. |
| cause and effect in literature: Literature as a Lens for Climate Change Rebecca L. Young, 2022-03-03 Each chapter in this collection offers a practical approach for using literature to engage and empower students to confront aspects of climate crises. Educators from different backgrounds and parts of the world share their experience using novels, short stories, drama, poetry, and nonfiction to help students understand the causes and consequences of climate change as well as how they can contribute to potential solutions. |
| cause and effect in literature: What Is Cause and Effect? Anna DiGilio, 2021-12-15 (L) Read all about examples of cause and effect. |
| cause and effect in literature: The Day Jimmy's Boa Ate the Wash Trinka Hakes Noble, 1992-10 A slapstick comedy details the hilarious results when Jimmy's class takes a field trip to a farm. |
| cause and effect in literature: The Cow Tripped Over the Moon Jeanne Willis, 2016-04 Synopsis coming soon....... |
| cause and effect in literature: Into the West Terry Collins, 2013-07 Explains westward expansion in the United States and its impact--Provided by publisher. |
| cause and effect in literature: Patterns for College Writing with 2021 MLA Update Laurie G. Kirszner, Stephen Mandell, 2021-08-17 This ebook has been updated to provide you with the latest guidance on documenting sources in MLA style and follows the guidelines set forth in the MLA Handbook, 9th edition (April 2021). Patterns for College Writing provides instruction, visual texts, diverse essays, and student writing examples to help you develop your writing skills using rhetorical patterns like narration, description, argumentation, and more. |
| cause and effect in literature: If You Give a Moose a Muffin Laura Numeroff, 1991-09-30 If a big hungry moose comes to visit, you might give him a muffin to make him feel at home. If you give him a muffin, he'll want some jam to go with it. When he's eaten all your muffins, he'll want to go to the store to get some more muffin mix. In this hilarious sequel to If You Give a Mouse a Cookie, the young host is again run ragged by a surprise guest. Young readers will delight in the comic complications that follow when a little boy entertains a gregarious moose. |
| cause and effect in literature: Hold Still Lynn Steger Strong, 2017-03-21 A wildly evocative (Elle.com) family portrait that explores the depths and limits of a mother’s love. When Maya Taylor, an English professor with a tendency to hide in her books, sends her daughter to Florida to look after a friend’s child, she does so with the best of intentions; it’s a chance for Ellie, twenty and spiraling, to rebuild her life. But in the sprawling hours of one humid afternoon, Ellie makes a mistake she cannot take back. In two separate timelines—before and after the catastrophe—Maya and Ellie must try to repair their fractured relationship and find a way to transcend not only their differences but also their more troubling similarities. [Melding] psychological insight, precise plotting and limpid prose (Huffington Post), Lynn Steger Strong traces the anatomy of a mistake and the weight of culpability. Hold Still marks a taut and propulsive debut that builds to a perfect crescendo, an ending that is both surprising and true (Marcy Dermansky, author of The Red Car). |
| cause and effect in literature: If You Give a Mouse a Brownie Laura Numeroff, 2022-06-14 Mouse is back in this ninth picture book in the beloved #1 New York Times bestselling If You Give... series! If you give a mouse a brownie, he's going to ask for some ice cream to go with it. When you give him the ice cream, he'll probably ask you for a spoon. He'll start drumming on the table. Drumming will get him so excited he'll want to start a band. . . . Mouse makes his long-anticipated return to the spotlight in this winning picture book from the acclaimed team of Laura Numeroff and Felicia Bond. Fans of If You Give a Mouse a Cookie won't want to miss this! |
| cause and effect in literature: Write Your Novel from the Middle James Scott Bell, 2014-03-15 A powerful secret and a fresh approach to writing bestselling fiction! What's the best way to write a next level novel? Some writers start at the beginning and let the story unfold without a plan. They are called pantsers, because they write by the seat of the pants. Other writers plan and outline and know the ending before they start. These are the plotters. The two sides never seem to agree with each other on the best approach. But what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to #1 bestselling writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's Mirror Moment is the secret, and its power is available to any writer, at any stage of the writing process. Bringing together years of craft study and personal discovery, Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life. I need three things before I tackle a new novel: Diet Coke, a laptop, and my dog-eared copies of James Scott Bell's books on writing craft!- Kami Garcia, #1 NYT Times & International Bestselling author |
| cause and effect in literature: Social Studies Skills Tutor Prentice-Hall, Inc., 2002-03-01 Developed specifically for middle school American history programs, this text covers American History from the roots of the American people to the present. |
'cause, 'cos, because | WordReference Forums
Jan 13, 2008 · For example, native New Yorkers do not pronounce 'cause as anything that could reasonably be transcribed as "cos", and so this would not make any sense if you were …
Is "cause" instead of "because" becoming Standard English?
May 20, 2015 · Nowadays, I'm seeing a drastic increase in usage of cause in place of because, especially in written English. People are in such a hurry, that a statement like below passes off …
Cause for vs cause of - English Language & Usage Stack Exchange
"Cause for" seems to mean "a valid reason for", as in "cause for alarm". "Cause of" implies a causal relationship, as in "this is the cause of that". I personally can't think of many contexts …
Word that describes someone that causes his own misfortune
Sep 4, 2013 · The lack of judgement does not necessarily cause one's misfortune, but the risk is so high, that anyone knowing the risk, is in fact responsible for causing their own misfortune …
What is direct vs. indirect cause and effect?
Apr 4, 2015 · A direct cause acts on the object itself. An indirect cause acts on a third party, which then acts on the object. An example: A lot of people say the MPAA supports infringing our …
capitalization - Do we capitalize names of documents like …
Feb 19, 2025 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for …
Reason for vs Reason of | WordReference Forums
Sep 9, 2013 · That is simply wrong. It should be (i) the cause of the illness. or (ii) the reason for the illness. In the sentence "he reason of the illness." With "of", reason would have the …
Is it correct to say "The reason is because ..."?
Jul 15, 2011 · For example the reason that the wagon is red is that I painted it with red paint. The wagon being red is caused by my painting it. I could also say the wagon is red because I …
meaning - What is a word that could define someone who likes to …
Sep 13, 2013 · A drama queen is a person who goes out of their way to cause trouble (drama) simply for the sake of creating a problem. It carries the connotation of someone who finds …
Can I say "cause problems to"? - WordReference Forums
Mar 2, 2016 · What about "cause problems with"? Does it have the same meaning? The extract has been taken from "The Valley of Lost Secrets" by Lesley Parr. Thank you. Mrs Thomas …
'cause, 'cos, because | WordReference Forums
Jan 13, 2008 · For example, native New Yorkers do not pronounce 'cause as anything that could reasonably be transcribed as "cos", and so this would not make any sense if you were …
Is "cause" instead of "because" becoming Standard English?
May 20, 2015 · Nowadays, I'm seeing a drastic increase in usage of cause in place of because, especially in written English. People are in such a hurry, that a statement like below passes off …
Cause for vs cause of - English Language & Usage Stack Exchange
"Cause for" seems to mean "a valid reason for", as in "cause for alarm". "Cause of" implies a causal relationship, as in "this is the cause of that". I personally can't think of many contexts …
Word that describes someone that causes his own misfortune
Sep 4, 2013 · The lack of judgement does not necessarily cause one's misfortune, but the risk is so high, that anyone knowing the risk, is in fact responsible for causing their own misfortune …
What is direct vs. indirect cause and effect?
Apr 4, 2015 · A direct cause acts on the object itself. An indirect cause acts on a third party, which then acts on the object. An example: A lot of people say the MPAA supports infringing our …
capitalization - Do we capitalize names of documents like …
Feb 19, 2025 · Stack Exchange Network. Stack Exchange network consists of 183 Q&A communities including Stack Overflow, the largest, most trusted online community for …
Reason for vs Reason of | WordReference Forums
Sep 9, 2013 · That is simply wrong. It should be (i) the cause of the illness. or (ii) the reason for the illness. In the sentence "he reason of the illness." With "of", reason would have the …
Is it correct to say "The reason is because ..."?
Jul 15, 2011 · For example the reason that the wagon is red is that I painted it with red paint. The wagon being red is caused by my painting it. I could also say the wagon is red because I …
meaning - What is a word that could define someone who likes to …
Sep 13, 2013 · A drama queen is a person who goes out of their way to cause trouble (drama) simply for the sake of creating a problem. It carries the connotation of someone who finds …
Can I say "cause problems to"? - WordReference Forums
Mar 2, 2016 · What about "cause problems with"? Does it have the same meaning? The extract has been taken from "The Valley of Lost Secrets" by Lesley Parr. Thank you. Mrs Thomas …
