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| creative writing minor stanford: Erasure Percival Everett, 2011-10-25 Percival Everett's blistering satire about race and publishing, now adapted for the screen as the Academy Award-winning AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright Thelonious Monk Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been critically acclaimed. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited some relatives in Harlem for a couple of days. Meanwhile, Monk struggles with real family tragedies—his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is—under the pseudonym Stagg R. Leigh—and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel. |
| creative writing minor stanford: Thieves I've Known Tom Kealey, 2013 In these wondrously strange and revealing stories, Tom Kealey chronicles the struggles and triumphs of the young and marginalized as they discover many ways of growing up. Their names are Merrill, Omar, Shelby, Laika, Winston, and Toomey, but most people don't see them. They are boxers in training and the children of fishermen. They are altar boys in a poverty-stricken parish. They are assistant groundskeepers and assistant camel-keepers. They travel with the circus, care for disabled siblings, steal police cars, and retrieve the stolen boots of a priest. Ranging in abode from Puget Sound, Washington, to Pamlico Sound, North Carolina, they are abandoned yet courageous and plucky children and teenagers living on the edges of society. Thieves I've Known is a collection of powerful, moving stories about the lives of a redemptive and peculiar cast of young characters who become easy to know and difficult to forget. |
| creative writing minor stanford: The Creative Writing MFA Handbook Tom Kealey, 2005-01-01 Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice. |
| creative writing minor stanford: Young Widower John W. Evans, 2014-03-01 On a group hiking trip in the Buscegi Mountains of Romania in 2007, John and Katie Evans were unaware they'd be passing through an active brown bear habitat. Encountering a bear that night after dusk, Katie is separated from the group and trapped by the bear. Hearing her screams as the animal attacked her, John was unable to distract the bear and watched helplessly from a distance as it slowly crushed his wife to death. Katie was thirty years old. Young Widower is John Evans's memoir not just of one day, but of six years spent with a wife he loved, and the days and months that followed the tragedy. A widower at age twenty-nine, John finds himself living with Katie's family in the year after her death, discovering the cyclical nature of grief, the guilt of surviving, and what it means to lose a marriage. His desire to remember Katie is many things: devoted, empathic, needy, lonely, self-important, critical, nostalgic; he is a young widower negotiating a world that understands elderly widows, but doesn't know what to do with an angst-ridden young man worried about continuing to live without his wife for a very long time. Unflinching and unsentimental, Young Widower is a heartbreaking witness of living daily with grief, a rumination on the fragility of the human experience-- |
| creative writing minor stanford: Fieldnotes on Ordinary Love Keith S. Wilson, 2020-01-15 “Wilson’s collection is romantic yet world-weary, bereaved yet fortified―a kindred reflection of the heart in the modern world.” ―Publishers Weekly Fieldnotes on Ordinary Love is a collection whose poems approach family, politics, and romance, often through the lens of space: the vagaries of a relationship full of wonder and coldness, separation and exploration. There is the sense of the speaker as a cartographer of familiar spaces, of land he has never left or relationships that have stayed with him for years, and always with the newness of an alien or stranger. Acutely attuned to the heritage of Greco-Roman myth, Wilson writes through characters such as the Basilisk and the Minotaur, emphasizing the intense loneliness these characters experience from their uniqueness. For the racially ambiguous speaker of these poems, who is both black and not black, who has lived between the American South and the Midwest, there are no easy answers. From the fields of Kentucky to the pigeon coops of Chicago, identities and locations blur—the pastoral bleeds into the Afrofuturist, black into white and back again. |
| creative writing minor stanford: Should I Still Wish John W. Evans, 2017-01-01 In this candid and moving memoir, John W. Evans articulates the complicated joys of falling in love again as a young widower. Though heartbroken after his wife’s violent death, Evans realizes that he cannot remain inconsolable and adrift, living with his in-laws in Indiana. Motivated by a small red X on a map, Evans musters the courage for a cross-country trip. From the Badlands to Yellowstone to the foothills of the Sierra Mountains, Evans’s hope and determination propel him even as he contemplates his vulnerability and the legacy of a terrible tragedy. Should I Still Wish chronicles Evans’s efforts to leave an intense year of grief behind, to make peace with the natural world again, and to reconnect with a woman who promises, like San Francisco itself, a life of abundance and charm. With unflinching honesty Evans plumbs the uncertainties, doubts, and contradictions of a paradoxical experience in this love story, celebration of fatherhood, meditation on the afterlife of grief and resilience, and, ultimately, showcase for life’s many profound incongruities. |
| creative writing minor stanford: The Program Era Mark McGurl, 2011-11-30 In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come. |
| creative writing minor stanford: M-A-C-N-O-L-I-A A. Van Jordan, 2004 MacNolia Cox won the Akron District Spelling Bee, and at the age of 13 she became the first African American to reach the final round of the national competition. The Southern judges, it is thought, kept her from winning by presenting a word not on the official list. The word that tripped MacNolia, ironically, was nemesis. When she died 40 years later, the girl who was almost/ The national spelling champ had become a cleaning woman, a grandmother, and the best damn maid in town. Cox's ambition and her later frustration find incisive shape in this remarkably varied meditation on ambition, racism, discouragement and ennui, where successive pages can bring to mind a handbook of poetic forms (a double sestina, Japanese-inspired syllabics, a blues ghazal and prose poems based on definitions of prepositions), Ann Carson's TV Men poems, Rita Dove's Thomas and Beulah and the documentary film Spellbound. Jordan (Rise) begins in Cox's later life, giving voice to her husband, John Montiere, at The Moment Before He Asks MacNolia Out on a Date, then to MacNolia herself when in 1970 her son dies just after his return from Vietnam. As counterpoints, Jordan intersperses poems about African-Americans who won more lasting public acclaim, among them Richard Pryor, Josephine Baker and the great labor organizer and orator A. Philip Randolph. Jordan's most quotable poems, however, return to the voice of the 13-year-old speller, who learned the word chiaroscuro/ By rolling it on my tongue// Like cotton candy the color/ Of day and night. (June) Copyright 2004 Reed Business Information. Library Journal. |
| creative writing minor stanford: The Party Is Here Georgina Beaty, 2021-09-27 A memorable, edgy debut exploring the climate crisis and young women on the verge of transformation These hip, thoroughly modern stories introduce us to young women grappling with the climate crisis and trying to make decisions that will affect the rest of their lives. Two admirers of Anne Carson decide the path to liberation is to ?become men? and embark on a mythic journey; a graduate student reports on the progressively unhinged unravelling of her climate change research project; a park ranger goes to extreme lengths to save his beloved tortoises; a woman freezes her eggs and then finds she can get glimpses into each potential life. As we travel with our protagonists to places at once familiar and thrillingly strange, Georgina Beaty fearlessly probes the ambitions and confusions of her generation. Wholly unexpected yet wildly entertaining, The Party Is Here daringly announces the arrival of a writer who brings explosive energy and an unforgettable flair all her own. |
| creative writing minor stanford: Fortune Smiles Adam Johnson, 2015-08-18 The National Book Award–winning story collection from the author of The Orphan Master’s Son offers something rare in fiction: a new way of looking at the world. “MASTERFUL.”—The Washington Post “ENTRANCING.”—O: The Oprah Magazine “PERCEPTIVE AND BRAVE.”—The New York Times Throughout these six stories, Pulitzer Prize winner Adam Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal, giving voice to the perspectives we don’t often hear. In “Nirvana,” a programmer whose wife has a rare disease finds solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous,” a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. WINNER OF THE STORY PRIZE • A NEW YORK TIMES NOTABLE BOOK NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The Miami Herald • San Francisco Chronicle • USA Today AND ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Marie Claire • St. Louis Post-Dispatch • BuzzFeed • The Daily Beast • Los Angeles Magazine • The Independent • BookPage • Kirkus Reviews “Remarkable . . . Adam Johnson is one of America’s greatest living writers.”—The Huffington Post “Haunting, harrowing . . . Johnson’s writing is as rich in compassion as it is in invention, and that rare combination makes Fortune Smiles worth treasuring.”—USA Today “Fortune Smiles [blends] exotic scenarios, morally compromised characters, high-wire action, rigorously limber prose, dense thickets of emotion, and, most critically, our current techno-moment.”—The Boston Globe “Johnson’s boundary-pushing stories make for exhilarating reading.”—San Francisco Chronicle |
| creative writing minor stanford: The Art of the Short Story Dana Gioia, R. S. Gwynn, 2005 52 great authors, their best short fiction, and their insights on writing--Cover. |
| creative writing minor stanford: Blood at the Root: A Racial Cleansing in America Patrick Phillips, 2016-09-20 [A] vital investigation of Forsyth’s history, and of the process by which racial injustice is perpetuated in America. —U.S. Congressman John Lewis Forsyth County, Georgia, at the turn of the twentieth century, was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders” launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten. National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and ’80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white” well into the 1990s. In precise, vivid prose, Blood at the Root delivers a vital investigation of Forsyth’s history, and of the process by which racial injustice is perpetuated in America (Congressman John Lewis). |
| creative writing minor stanford: The One vs. the Many Alex Woloch, 2009-02-09 Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The character-space, as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation. Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory. |
| creative writing minor stanford: Tragedy and Postcolonial Literature Ato Quayson, 2021-01-21 This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies. |
| creative writing minor stanford: The Orphan Master's Son Adam Johnson, 2012 The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us. |
| creative writing minor stanford: Our Lady of Not Asking why Courtney Kampa, 2017 Winner of the 2016 New Issues Prize |
| creative writing minor stanford: Perceptions of Medieval Manuscripts Elaine Treharne, 2022-01-13 Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book's life from the moment of its production to its use, collection, breaking-up, and digitization--all aspects of what can be termed 'dynamic architextuality'. The ten chapters include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts' blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts' heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as 'relics of existence', as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book's wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts. |
| creative writing minor stanford: On Swift Horses Shannon Pufahl, 2019-11-05 Set in 1950’s America at a time when people stopped looking west and started looking up: a breathtakingly beautiful debut novel of revolution, chance and the gambles we take with the human heart. |
| creative writing minor stanford: Reality Is Broken Jane McGonigal, 2011-01-20 “McGonigal is a clear, methodical writer, and her ideas are well argued. Assertions are backed by countless psychological studies.” —The Boston Globe “Powerful and provocative . . . McGonigal makes a persuasive case that games have a lot to teach us about how to make our lives, and the world, better.” —San Jose Mercury News “Jane McGonigal's insights have the elegant, compact, deadly simplicity of plutonium, and the same explosive force.” —Cory Doctorow, author of Little Brother A visionary game designer reveals how we can harness the power of games to boost global happiness. With 174 million gamers in the United States alone, we now live in a world where every generation will be a gamer generation. But why, Jane McGonigal asks, should games be used for escapist entertainment alone? In this groundbreaking book, she shows how we can leverage the power of games to fix what is wrong with the real world-from social problems like depression and obesity to global issues like poverty and climate change-and introduces us to cutting-edge games that are already changing the business, education, and nonprofit worlds. Written for gamers and non-gamers alike, Reality Is Broken shows that the future will belong to those who can understand, design, and play games. Jane McGonigal is also the author of SuperBetter: A Revolutionary Approach to Getting Stronger, Happier, Braver and More Resilient. |
| creative writing minor stanford: Brotherhood Anne Westrick, 2013-09-12 The year is 1867, the South has been defeated, and the American Civil War is over. But the conflict goes on. Yankees now patrol the streets of Richmond, Virginia, and its citizens, both black and white, are struggling to redefine their roles and relationships. By day, fourteen-year-old Shadrach apprentices with a tailor and sneaks off for reading lessons with Rachel, a freed slave, at her school for African-American children. By night he follows his older brother Jeremiah to the meetings of a group whose stated mission is to protect Confederate widows like their mother. But as the true murderous intentions of the group, now known as the Ku Klux Klan, are revealed, Shad finds himself trapped between old loyalties and what he knows is right. In this powerful and unflinching story of a family caught in the period of Reconstruction, A.B. Westrick provides a glimpse into the enormous social and political upheaval of the time. |
| creative writing minor stanford: Stanford Bulletin , 2006 |
| creative writing minor stanford: Girls That Never Die Safia Elhillo, 2022-07-12 Intimate poems that explore feminine shame and violence and imagine what liberation from these threats might look like, from the award-winning author of The January Children “Endlessly compelling . . . a book that gives us courage, despite all the despairing records of history.”—Ilya Kaminsky, author of Dancing in Odessa and Deaf Republic In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then] |
| creative writing minor stanford: A Working Theory of Love Scott Hutchins, 2013-08-27 An extraordinary debut novel that “hits that sweet spot where humor and melancholy comfortably coexist” (Entertainment Weekly) Before his brief marriage imploded, Neill Bassett took a job feeding data into what could be the world’s first sentient computer. Only his attempt to give it language—through the journals his father left behind after committing suicide—has unexpected consequences. Amidst this turmoil, Neill meets Rachel, a naïve young woman escaping a troubled past, and finds himself unexpectedly drawn to her and the possibilities she holds. But as everything he thought about the past becomes uncertain, every move forward feels impossible. |
| creative writing minor stanford: Workshops of Empire Eric Bennett, 2015-10-15 During and just after World War II, an influential group of American writers and intellectuals projected a vision for literature that would save the free world. Novels, stories, plays, and poems, they believed, could inoculate weak minds against simplistic totalitarian ideologies, heal the spiritual wounds of global catastrophe, and just maybe prevent the like from happening again. As the Cold War began, high-minded and well-intentioned scholars, critics, and writers from across the political spectrum argued that human values remained crucial to civilization and that such values stood in dire need of formulation and affirmation. They believed that the complexity of literature—of ideas bound to concrete images, of ideologies leavened with experiences—enshrined such values as no other medium could. Creative writing emerged as a graduate discipline in the United States amid this astonishing swirl of grand conceptions. The early workshops were formed not only at the time of, but in the image of, and under the tremendous urgency of, the postwar imperatives for the humanities. Vivid renderings of personal experience would preserve the liberal democratic soul—a soul menaced by the gathering leftwing totalitarianism of the USSR and the memory of fascism in Italy and Germany. Workshops of Empire explores this history via the careers of Paul Engle at the University of Iowa and Wallace Stegner at Stanford. In the story of these founding fathers of the discipline, Eric Bennett discovers the cultural, political, literary, intellectual, and institutional underpinnings of creative writing programs within the university. He shows how the model of literary technique championed by the first writing programs—a model that values the interior and private life of the individual, whose experiences are not determined by any community, ideology, or political system—was born out of this Cold War context and continues to influence the way creative writing is taught, studied, read, and written into the twenty-first century. |
| creative writing minor stanford: The Consolations John William Evans, 2013 |
| creative writing minor stanford: Double Portrait Brittany Perham, 2017-08-08 “Musical, insightful, and all the way human.”—Claudia Rankine, 2016 Barnard Women Poets Prize citation Each poem in Brittany Perham’s prize-winning collection links two portraits: lover and beloved, child and parent, citizen and country, spirit and body, living and dead. Each speaker investigates what it means to be in relationship to another: what does it mean to see and be seen, to reflect and be reflected, to address and be addressed? With musicality, grit, and humor, these poems challenge our conceptions of identity and language. By questioning the ways we think and speak, the ways we rehash and reshape our experience, they formalize obsession. Emotionally stirring and unapologetic, Double Portrait contemplates the nature of devotion. |
| creative writing minor stanford: Taste Denise Gigante, 2008-10-01 div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV |
| creative writing minor stanford: South Asian Writers, Latin American Literature, and the Rise of Global English Roanne Kantor, 2022-02-24 Ever since T.B. Macaulay leveled the accusation in 1835 that 'a single shelf of a good European library was worth the whole native literature of India,' South Asian literature has served as the imagined battleground between local linguistic multiplicity and a rapidly globalizing English. In response to this endless polemic, Indian and Pakistani writers set out in another direction altogether. They made an unexpected journey to Latin America. The cohort of authors that moved between these regions include Latin-American Nobel laureates Pablo Neruda and Octavio Paz; Booker Prize notables Salman Rushdie, Anita Desai, Mohammed Hanif, and Mohsin Hamid. In their explorations of this new geographic connection, Roanne Kantor claims that they formed the vanguard of a new, multilingual world literary order. Their encounters with Latin America fundamentally shaped the way in which literature written in English from South Asia exploded into popularity from the 1980s until the mid-2000s, enabling its global visibility. |
| creative writing minor stanford: Happy for You Claire Stanford, 2023-04-18 A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE NAMED A MOST ANTICIPATED BOOK OF 2022 BY GLAMOUR, ELECTRIC LIT, AND THE MILLIONS “Engrossing and clever . . . Stanford captures the allure, absurdity and menace of corporate spaces with wit and levity . . . Anyone who has resisted fitting neatly into an algorithm will find a companion in Evelyn, and in this book.” —The New York Times Book Review “The optimal novel for the strange times we find ourselves in.” —Rachel Khong, author of Goodbye, Vitamin A whip-smart, funny, affecting novel about a young woman who takes a job at a tech company looking to break into the “happiness market”—even as her own happiness feels more unknowable than ever Four years into writing her still-unfinished philosophy dissertation, and anticipating a marriage proposal from her long-term boyfriend, Evelyn Kominsky Kumamoto is wrestling with big questions about life: How can she do meaningful work in the world? Is she ready for marriage—and motherhood? But no one else around her seems to share her ambivalence. Her relentlessly optimistic, Midwestern boyfriend has no hesitation about making a lifelong commitment; her best friend, Sharky, seems to have wholeheartedly embraced his second-choice career as a trend forecaster; and her usually reserved father has thrown himself headlong into a new relationship—his first since her mother’s passing when Evelyn was fourteen. Swallowing her doubts, Evelyn makes a leap, leaving academia for a job as a researcher at the third-most popular internet company, where her team is tasked with developing an app that will help users quantify and augment their happiness. Confronting Silicon Valley’s norm-reinforcing algorithms and predominantly white culture, she struggles to find belonging: as a biracial person, as an Asian American, and as someone who doesn’t know how to perform social media’s vision of what womanhood should look like. As her misgivings mount, an unexpected development upends her assumptions about her future, and Evelyn embarks on a journey toward an authentic happiness all her own. Wry, touching, and sharply attuned to the ambivalence, atomization, and illusion of control that characterize modern life, Happy for You is a story of a young woman at a crossroads that movingly explores how, even in this mediated world, our emotions, contradictions, and vulnerabilities have a transformative power we could never predict. |
| creative writing minor stanford: If You Follow Me Malena Watrous, 2010-02-20 “I love, love, love If You Follow Me. It’s fearlessly honest, occasionally heartbreaking, and extremely funny, and I can’t recommend it highly enough.” — Curtis Sittenfeld, New York Times bestselling author of Prep and American Wife “Graceful, smart, and filled with wonder, If You Follow Me is a heartfelt delight from beginning to end.” — Michelle Richmond, bestselling author of The Year of Fog Beautifully wrought and deftly written, If You Follow Me is the stunning debut novel from author Malena Watrous. It tells the story of Marina, who moves to Japan to teach English shortly after her father’s tragic suicide, and finds unexpected solace with her Japanese supervisor and seemingly indifferent neighbors. Fans of the works of Curtis Sittenfeld, Diana Spechler, and Min Jin Lee, as well as those interested in Japanese culture, will love If You Follow Me. |
| creative writing minor stanford: On Such a Full Sea Chang-rae Lee, 2014-01-07 “Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . With On Such a Full Sea, [Chang-rae Lee] has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, lonely human heart.”—Andrew Sean Greer, The New York Times Book Review “I've never been a fan of grand hyperbolic declarations in book reviews, but faced with On Such a Full Sea, I have no choice but to ask: Who is a greater novelist than Chang-rae Lee today?”—Porochista Khakpour, The Los Angeles Times From the beloved award-winning author of Native Speaker,The Surrendered, and My Year Abroad, a highly provocative, deeply affecting story of one woman’s legendary quest in a shocking, future America. On Such a Full Sea takes Chang-rae Lee’s elegance of prose, his masterly storytelling, and his long-standing interests in identity, culture, work, and love, and lifts them to a new plane. Stepping from the realistic and historical territories of his previous work, Lee brings us into a world created from scratch. Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in. In a future, long-declining America, society is strictly stratified by class. Long-abandoned urban neighborhoods have been repurposed as highwalled, self-contained labor colonies. And the members of the labor class—descendants of those brought over en masse many years earlier from environmentally ruined provincial China—find purpose and identity in their work to provide pristine produce and fish to the small, elite, satellite charter villages that ring the labor settlement. In this world lives Fan, a female fish-tank diver, who leaves her home in the B-Mor settlement (once known as Baltimore), when the man she loves mysteriously disappears. Fan’s journey to find him takes her out of the safety of B-Mor, through the anarchic Open Counties, where crime is rampant with scant governmental oversight, and to a faraway charter village, in a quest that will soon become legend to those she left behind. |
| creative writing minor stanford: The Surrendered Chang-rae Lee, 2010-03-09 Read an essay by Chang-rae Lee here. The bestselling, award-winning writer of Native Speaker, Aloft, and My Year Abroad returns with his biggest, most ambitious novel yet: a spellbinding story of how love and war echo through an entire lifetime. With his three critically acclaimed novels, Chang-rae Lee has established himself as one of the most talented writers of contemporary literary fiction. Now, with The Surrendered, Lee has created a book that amplifies everything we've seen in his previous works, and reads like nothing else. It is a brilliant, haunting, heartbreaking story about how love and war inalterably change the lives of those they touch. June Han was only a girl when the Korean War left her orphaned; Hector Brennan was a young GI who fled the petty tragedies of his small town to serve his country. When the war ended, their lives collided at a Korean orphanage where they vied for the attentions of Sylvie Tanner, the beautiful yet deeply damaged missionary wife whose elusive love seemed to transform everything. Thirty years later and on the other side of the world, June and Hector are reunited in a plot that will force them to come to terms with the mysterious secrets of their past, and the shocking acts of love and violence that bind them together. As Lee unfurls the stunning story of June, Hector, and Sylvie, he weaves a profound meditation on the nature of heroism and sacrifice, the power of love, and the possibilities for mercy, salvation, and surrendering oneself to another. Combining the complex themes of identity and belonging of Native Speaker and A Gesture Life with the broad range, energy, and pure storytelling gifts of Aloft, Chang-rae Lee has delivered his most ambitious, exciting, and unforgettable work yet. It is a mesmerizing novel, elegantly suspenseful and deeply affecting. |
| creative writing minor stanford: Looking Like a Language, Sounding Like a Race Jonathan Rosa, 2019 Looking like a Language, Sounding like a Race examines the emergence of linguistic and ethnoracial categories in the context of Latinidad. The book draws from more than twenty-four months of ethnographic and sociolinguistic fieldwork in a Chicago public school, whose student body is more than 90% Mexican and Puerto Rican, to analyze the racialization of language and its relationship to issues of power and national identity. It focuses specifically on youth socialization to U.S. Latinidad as a contemporary site of political anxiety, raciolinguistic transformation, and urban inequity. Jonathan Rosa's account studies the fashioning of Latinidad in Chicago's highly segregated Near Northwest Side; he links public discourse concerning the rising prominence of U.S. Latinidad to the institutional management and experience of raciolinguistic identities there. Anxieties surrounding Latinx identities push administrators to transform at risk Mexican and Puerto Rican students into young Latino professionals. This institutional effort, which requires students to learn to be and, importantly, sound like themselves in highly studied ways, reveals administrators' attempts to navigate a precarious urban terrain in a city grappling with some of the nation's highest youth homicide, dropout, and teen pregnancy rates. Rosa explores the ingenuity of his research participants' responses to these forms of marginalization through the contestation of political, ethnoracial, and linguistic borders. |
| creative writing minor stanford: Native Speaker Chang-rae Lee, 1996-03-01 ONE OF THE ATLANTIC’S GREAT AMERICAN NOVELS OF THE PAST 100 YEARS The debut novel from critically acclaimed and New York Times–bestselling author of On Such a Full Sea and My Year Abroad. In Native Speaker, author Chang-rae Lee introduces readers to Henry Park. Park has spent his entire life trying to become a true American—a native speaker. But even as the essence of his adopted country continues to elude him, his Korean heritage seems to drift further and further away. Park's harsh Korean upbringing has taught him to hide his emotions, to remember everything he learns, and most of all to feel an overwhelming sense of alienation. In other words, it has shaped him as a natural spy. But the very attributes that help him to excel in his profession put a strain on his marriage to his American wife and stand in the way of his coming to terms with his young son's death. When he is assigned to spy on a rising Korean-American politician, his very identity is tested, and he must figure out who he is amid not only the conflicts within himself but also within the ethnic and political tensions of the New York City streets. Native Speaker is a story of cultural alienation. It is about fathers and sons, about the desire to connect with the world rather than stand apart from it, about loyalty and betrayal, about the alien in all of us and who we finally are. |
| creative writing minor stanford: The Novel Art Mark McGurl, 2020-06-30 Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one. |
| creative writing minor stanford: Why Do We Care about Literary Characters? Blakey Vermeule, 2010-01-01 Blakey Vermeule wonders how readers become involved in the lives of fictional characters, people they know do not exist. Vermeule examines the ways in which readers’ experiences of literature are affected by the emotional attachments they form to fictional characters and how those experiences then influence their social relationships in real life. She focuses on a range of topics, from intimate articulations of sexual desire, gender identity, ambition, and rivalry to larger issues brought on by rapid historical and economic change. Vermeule discusses the phenomenon of emotional attachment to literary characters primarily in terms of 18th-century British fiction but also considers the postmodern work of Thomas Mann, J. M. Coetzee, Ian McEwan, and Chinua Achebe. From the perspective of cognitive science, Vermeule finds that caring about literary characters is not all that different from caring about other people, especially strangers. The tools used by literary authors to sharpen and focus reader interest tap into evolved neural mechanisms that trigger a caring response. This book contributes to the emerging field of evolutionary literary criticism. Vermeule draws upon recent research in cognitive science to understand the mental processes underlying human social interactions without sacrificing solid literary criticism. People interested in literary theory, in cognitive analyses of the arts, and in Darwinian approaches to human culture will find much to ponder in Why Do We Care about Literary Characters? |
| creative writing minor stanford: The Enculturated Gene Duana Fullwiley, 2011-11-07 In the 1980s, a research team led by Parisian scientists identified several unique DNA sequences, or haplotypes, linked to sickle cell anemia in African populations. After casual observations of how patients managed this painful blood disorder, the researchers in question postulated that the Senegalese type was less severe. The Enculturated Gene traces how this genetic discourse has blotted from view the roles that Senegalese patients and doctors have played in making sickle cell mild in a social setting where public health priorities and economic austerity programs have forced people to improvise informal strategies of care. Duana Fullwiley shows how geneticists, who were fixated on population differences, never investigated the various modalities of self-care that people developed in this context of biomedical scarcity, and how local doctors, confronted with dire cuts in Senegal's health sector, wittingly accepted the genetic prognosis of better-than-expected health outcomes. Unlike most genetic determinisms that highlight the absoluteness of disease, DNA haplotypes for sickle cell in Senegal did the opposite. As Fullwiley demonstrates, they allowed the condition to remain officially invisible, never to materialize as a health priority. At the same time, scientists' attribution of a less severe form of Senegalese sickle cell to isolated DNA sequences closed off other explanations of this population's measured biological success. The Enculturated Gene reveals how the notion of an advantageous form of sickle cell in this part of West Africa has defined--and obscured--the nature of this illness in Senegal today. Some images inside the book are unavailable due to digital copyright restrictions. |
| creative writing minor stanford: When the Elephants Dance Tess Uriza Holthe, 2002-03-26 “Papa explains the war like this: ‘When the elephants dance, the chickens must be careful.’ The great beasts, as they circle one another, shaking the trees and trumpeting loudly, are the Amerikanos and the Japanese as they fight. And our Philippine Islands? We are the small chickens.” Once in a great while comes a storyteller who can illuminate worlds large and small, in ways both magical and true to life. When the Elephants Dance is set in the waning days of World War II, as the Japanese and the Americans engage in a fierce battle for possession of the Philippine Islands. Through the eyes of three narrators, thirteen-year-old Alejandro Karangalan, his spirited older sister Isabelle, and Domingo, a passionate guerilla commander, we see how ordinary people find hope for survival where none seems to exist. While the Karangalan family and their neighbors huddle together for survival in the cellar of a house, they tell magical stories to one another based on Filipino myth that transport the listeners from the chaos of the war around them and give them new resolve to continue fighting. Outside the safety of their refuge the war rages on—fiery bombs torch the countryside, Japanese soldiers round up and interrogate innocent people, and from the hills guerilla fighters wage a desperate campaign against the enemy. Inside the cellar, these men, women, and children put their hopes and dreams on hold as they wait out the war. This stunning debut novel celebrates with richness and depth the spirit of the Filipino people and their fascinating story and marks the introduction of an author who will join the ranks of writers such as Arundhati Roy, Manil Suri, and Amy Tan. |
| creative writing minor stanford: Ugly Feelings Sianne Ngai, 2009-07-01 Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory. |
| creative writing minor stanford: The Writer's Resource David Emblidge, 1997 Creative writers--in fiction, nonfiction, poetry, drama, journalism, and many other genres--can easily choose a writing program to suit their needs thanks to the help of this resource. With humor and insight, this affordable, comprehensive guide helps the writer find the perfect program, no matter what the area of interest or expertise. 31 halftones and 17 illustrations. |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
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CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
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May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
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creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
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CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
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Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in …
CREATIVE definition and meaning | Collins English Dict…
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human …
