| creative writing classes new orleans: The Futilitarians Anne Gisleson, 2017-08-22 A memoir of friendship and literature chronicling a search for meaning and comfort in great books, and a beautiful path out of grief. Anne Gisleson had lost her twin sisters, had been forced to flee her home during Hurricane Katrina, and had witnessed cancer take her beloved father. Before she met her husband, Brad, he had suffered his own trauma, losing his partner and the mother of his son to cancer in her young thirties. How do we keep moving forward, Anne asks, amid all this loss and threat? The answer: We do it together. Anne and Brad, in the midst of forging their happiness, found that their friends had been suffering their own losses and crises as well: loved ones gone, rocky marriages, tricky child-rearing, jobs lost or gained, financial insecurities or unexpected windfalls. Together these resilient New Orleanians formed what they called the Existential Crisis Reading Group, which they jokingly dubbed The Futilitarians. From Epicurus to Tolstoy, from Cheever to Amis to Lispector, each month they read and talked about identity, parenting, love, mortality, and life in post-Katrina New Orleans, In the year after her father's death, these living-room gatherings provided a sustenance Anne craved, fortifying her and helping her blaze a trail out of her well-worn grief. More than that, this fellowship allowed her finally to commune with her sisters on the page, and to tell the story of her family that had remained long untold. Written with wisdom, soul, and a playful sense of humor, The Futilitarians is a guide to living curiously and fully, and a testament to the way that even from the toughest soil of sorrow, beauty and wonder can bloom. |
| creative writing classes new orleans: The Anti-Racist Writing Workshop Felicia Rose Chavez, 2021-01-05 The Antiracist Writing Workshop is a call to create healthy, sustainable, and empowering artistic communities for a new millennium of writers. Inspired by June Jordan 's 1995 Poetry for the People, here is a blueprint for a 21st-century workshop model that protects and platforms writers of color. Instead of earmarking dusty anthologies, imagine workshop participants Skyping with contemporary writers of difference. Instead of tolerating bigoted criticism, imagine workshop participants moderating their own feedback sessions. Instead of yielding to the red-penned judgement of instructors, imagine workshop participants citing their own text in dialogue. The Antiracist Writing Workshop is essential reading for anyone looking to revolutionize the old workshop model into an enlightened, democratic counterculture. |
| creative writing classes new orleans: New Orleans T. R. Johnson, 2023-03-02 A comprehensive literary history of New Orleans, one of the most storied cities in the world. |
| creative writing classes new orleans: Advanced Screenwriting Linda Seger, 2003 This book is written by one of today's most active and respected screenwriting gurus and is a collection of meditations for fine-tuning the script. Among the many subjects it discusses: working with non-traditional forms; maintaining a consistent and ongoing storyline; developing a personal cinematic style; finding a script's audience; keeping an audience's attention; developing subtexts; utilising psychology and philosophy; creating realism; polishing scenes; creating memorable dialogue. |
| creative writing classes new orleans: The Booklover's Guide to New Orleans Susan Larson, 1999 The Booklover's Guide to New Orleans is Susan Larson's delightfully informative response to questions most frequently asked her as book editor of the Times-Picayune. Tourists and locals alike want to know what to read, where authors lived, which bookstores to browse, and when literary festivals are scheduled. Now all the answers can be found in this one convenient volume, the only complete directory of New Orleans's write life available. Whether you are passing through the Big Easy, residing there, or longing to visit, these pages will heighten your experience of one of the most intoxicating places on the planet, taking you into countless nooks and crannies along its storied streets. Book jacket. |
| creative writing classes new orleans: The Sugar Wife Elizabeth Kuti, 2005 Hannah Tewkley is torn between her work with the city's poor and her husband Samuel's prospering business: a string of oriental teahouses. Their new guests, Alfred, an English philanthropist, and Sarah, a freed slave, are both scarred by the horrors of America's Deep South. The visit begins with the best of intentions, but all four characters find it increasingly difficult to maintain their lofty ideals. Set amongst Dublin's Quaker community in 1850, but with clear resonances for the present day, The Sugar Wife offers an examination of sexual politics and political morality.--BOOK JACKET. |
| creative writing classes new orleans: Creating Characters & Plots , |
| creative writing classes new orleans: The Muses Among Us Kim Stafford, 2012-03-15 The Muses Among Us is an inviting, encouraging book for writers at any stage of their development. In a series of first-person letters, essays, manifestos, and notes to the reader, Kim Stafford shows what might happen at the creative boundary he calls what we almost know. On the boundary's far side is our story, our poem, our song. On this side are the resonant hunches, griefs, secrets, and confusions from which our writing will emerge. Guiding us from such glimmerings through to a finished piece are a wealth of experiments, assignments, and tricks of the trade that Stafford has perfected over thirty years of classes, workshops, and other gatherings of writers. Informing The Muses Among Us are Stafford's own convictions about writing—principles to which he returns again and again. We must, Stafford says, honor the fragments, utterances, and half-discovered truths voiced around us, for their speakers are the prophets to whom writers are scribes. Such filaments of wisdom, either by themselves or alloyed with others, give rise to our poems, stories, and essays. In addition, as Stafford writes, all pleasure in writing begins with a sense of abundance—rich knowledge and boundless curiosity. By recommending ways for students to seek beyond the self for material, Stafford demystifies the process of writing and claims for it a Whitmanesque quality of participation and community. |
| creative writing classes new orleans: From Where You Dream Robert Olen Butler, 2007-12-01 The Pulitzer Prize–winning author “shares his insights into—and passion for—the creation and experience of fiction with total openness” (Publishers Weekly, starred review). Robert Olen Butler, author of Perfume River, A Good Scent from a Strange Mountain, and A Small Hotel, teaches graduate fiction at Florida State University—his version of literary boot camp. In From Where You Dream, Butler reimagines the process of writing as emotional rather than intellectual, and tells writers how to achieve the dreamspace necessary for composing honest, inspired fiction. Proposing that fiction is the exploration of the human condition with yearning as its compass, Butler reinterprets the traditional tools of the craft using the dynamics of desire. Offering a direct view into the mind and craft of a literary master, From Where You Dream is an invaluable tool for the novice and experienced writer alike. “Incisive and provocative, Butler’s tutorials are a must for anyone even thinking about writing fiction, and readers, too, will benefit from his passionate exhortations.” —Booklist |
| creative writing classes new orleans: A Group of Their Own Katherine H. Adams, 2001-02-22 A Group of Their Own is the fascinating story of the first generations of women who went to college to learn to be writers and then launched their careers writing poetry and prose. This unprecedented group included Elizabeth Bishop, Ruby Black, Pearl Buck, Emma Bugbee, Willa Cather, Zona Gale, Mildred Gilman, Zora Neale Hurston, Mary McCarthy, Marianne Moore, Eudora Welty, and Margaret Walker. This group was all about firsts. These women were among the first to attend college where they took a new array of writing classes in which students worked together in a workshop environment and extended this model of collaboration to campus clubs and publications. When they left college, they continued their new working methods by initiating and joining in a variety of activities such as mentorships, clubs, community theaters, and summer writing workshops. This expanded experience enabled them to move outside the restricted definitions of women's career paths and writing projects, ultimately changing the definition of American writer and American writing. |
| creative writing classes new orleans: Poets & Writers , 2006 |
| creative writing classes new orleans: Elmore Leonard's 10 Rules of Writing Elmore Leonard, 2009-10-13 These are the rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.—Elmore Leonard For aspiring writers and lovers of the written word, this concise guide breaks down the writing process with simplicity and clarity. From adjectives and exclamation points to dialect and hoopetedoodle, Elmore Leonard explains what to avoid, what to aspire to, and what to do when it sounds like writing (rewrite). Beautifully designed, filled with free-flowing, elegant illustrations and specially priced, Elmore Leonard's 10 Rules of Writing is the perfect writer's—and reader's—gift. |
| creative writing classes new orleans: 100 Tricks Every Boy Can Do Kim Stafford, 2012-09-27 Bret and Kim Stafford, the oldest children of the poet and pacifist William Stafford, were pals. Bret was the good son, the obedient public servant, Kim the itinerant wanderer. In this family of two parent teachers, with its intermittent celebration of “talking recklessly,” there was a code of silence about hard things: “Why tell what hurts?” As childhood pleasures ebbed, this reticence took its toll on Bret, unable to reveal his troubles. Against a backdrop of the 1960s — puritan in the summer of love, pacifist in the Vietnam era — Bret became a casualty of his interior war and took his life in 1988. 100 Tricks Every Boy Can Do casts spells in search of the lost brother: climbing the water tower to stand naked under the moon, cowboys and Indians with real bullets, breaking into church to play a serenade for God, struggling for love, and making bail. In this book, through a brother’s devotions, the lost saint teaches us about depression, the tender ancestry of violence, the quest for harmonious relations, and finally the trick of joy. |
| creative writing classes new orleans: Many Love Sophie Lucido Johnson, 2018-06-26 “A fast-paced debut… A candid, modern take on polyamory for fans of memoirs and graphic novels, and anyone interested in stories of dating, love, and romance.” —Library Journal After trying for years to emulate her boomer parents’ forty-year and still-going-strong marriage, Sophie realized that maybe the love she was looking for was down a road less traveled. In this bold, graphic memoir, she explores her sexuality, her values, and the versions of love our society accepts and practices. Along the way, she shares what it’s like to play on Tinder side-by-side with your boyfriend, encounter—and surmount—many types of jealousy, learn the power of female friendship, and other amazing things that happened when she stopped looking for “the one.” In a lot of ways, Many Love is Sophie’s love letter to everyone she has ever cared for. Witty, insightful, and complete with illustrations, this debut provides a memorable glimpse into an unconventional life. |
| creative writing classes new orleans: Write for Your Life Lawrence Block, 2009-03-17 Based on Lawrence Block's extremely popular seminar for writers. Discover Block's tips for overcoming writer's block and unleashing your creativity. |
| creative writing classes new orleans: Take My Hand Dolen Perkins-Valdez, 2023-04-04 Winner of the 2023 NAACP Image Award for Outstanding Literary Work - Fiction “Deeply empathetic yet unflinching in its gaze…an unforgettable exploration of responsibility and redemption.”—Celeste Ng Inspired by true events that rocked the nation, a searing and compassionate new novel about a Black nurse in post-segregation Alabama who blows the whistle on a terrible injustice done to her patients, from the New York Times bestselling author of Wench Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies. But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them. Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten. Because history repeats what we don’t remember. Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption. “Highlights the horrific discrepancies in our healthcare system and illustrates their heartbreaking consequences.”—Essence |
| creative writing classes new orleans: Walking on Cowrie Shells Nana Nkweti, 2021-06-01 A “boisterous and high-spirited debut” (Kirkus starred review)“that enthralls the reader through their every twist and turn” (Publishers Weekly starred review), named one of the Most Anticipated Books for Brittle Paper, The Millions, and The Rumpus, penned by a finalist for the AKO Caine PrizeIn her powerful, genre-bending debut story collection, Nana Nkweti's virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor's wife struggles with the collision of western Christianity and her mother's traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves. |
| creative writing classes new orleans: Sleepwalkers on a Picnic Zvonko Karanović, 2020 Poetry. Translated from Serbian by Biljana D. Obradovi?. Imagine if James Tate--master of the surreal, blackly humorous prose poem--had lived through a hellish war and a repressive political regime without losing his zany wit. The outcome might well be these forty cinematic prose poems by Zvonko Karanovi?, expertly translated by the Serbian-American poet Biljana Obradovi?.--Julie Kane |
| creative writing classes new orleans: A Biocultural Approach to Literary Theory and Interpretation Nancy Easterlin, 2012-05-31 Combining cognitive and evolutionary research with traditional humanist methods, Nancy Easterlin demonstrates how a biocultural perspective in theory and criticism opens up new possibilities for literary interpretation. Easterlin maintains that the practice of literary interpretation is still of central intellectual and social value. Taking an open yet judicious approach, she argues, however, that literary interpretation stands to gain dramatically from a fair-minded and creative application of cognitive and evolutionary research. This work does just that, expounding a biocultural method that charts a middle course between overly reductive approaches to literature and traditionalists who see the sciences as a threat to the humanities. Easterlin develops her biocultural method by comparing it to four major subfields within literary studies: new historicism, ecocriticism, cognitive approaches, and evolutionary approaches. After a thorough review of each subfield, she reconsiders them in light of relevant research in cognitive and evolutionary psychology and provides a textual analysis of literary works from the romantic era to the present, including William Wordsworth’s “Simon Lee” and the Lucy poems, Mary Robinson’s “Old Barnard,” Samuel Taylor Coleridge’s “Dejection: An Ode,” D. H. Lawrence’s The Fox, Jean Rhys’s Wide Sargasso Sea, and Raymond Carver’s “I Could See the Smallest Things.” A Biocultural Approach to Literary Theory and Interpretation offers a fresh and reasoned approach to literary studies that at once preserves the central importance that interpretation plays in the humanities and embraces the exciting developments of the cognitive sciences. |
| creative writing classes new orleans: Having Everything Right Kim Stafford, 2016-10-01 A collection of essays first published in 1986, Having Everything Right revolves around the history, folklore, and physical beauty of the Pacific Northwest. In terms of genre the book comes closest to books like Wallace Stegner's Wolf Willow or the essay collections of Edward Abbey and Wendell Berry, books that blend personal vision and regional evocation. Stafford's essays in this tradition range from the direct exploration of A Walk in Early May to the abstract meditation of Out of This World with Chaucer and the Astronauts, to the familial and social reflections of The Great Depression as Heroic Age. Animating them all is the sense that there is joy in knowing the world–and the belief that true knowing brings, as Stafford says, a change of heart. Stafford writes poetic and evocative prose as he reflects on such subjects as Indian place names, bears, and local eccentrics. |
| creative writing classes new orleans: Endlessly Ever After Laurel Snyder, 2022-04-19 This funny, original choose-your-path picture book of fractured fairy tales will charm any young fan of the genre, putting the power of storytelling right in the reader's hands! Grab your basket and your coat. Put on some walking shoes. Turn the page and begin: Which story will you choose? Award-winning creators Laurel Snyder and Dan Santat transform a crowd of classic tales into an ever-changing, fascinating, laugh-out-loud choose-your-path picture book, in which you may find a sleeping maiden, waste away in a sticky licorice cage, discover the gold at the end of a wild goose chase, or maybe (just maybe) save yourself—and the day! GIVES YOUNG READERS THE POWER OF CHOICE: Where do you want to take the story next? Choice and autonomy are essential concepts for children to learn at a young age, and this choose-your-path picture book puts the decision-making power right in their hands. FUNNY TWISTS ON CLASSIC FAIRY TALES: The Three Little Pigs, Hansel and Gretel, Snow White, Sleeping Beauty, Little Red Riding Hood, and more—characters and settings from these classic fairy tales take on hilarious new life in a brand-new story, just right for the youngest fairy tale fans. TEACHES STORYTELLING BY EXAMPLE: This playful picture book offers young readers the chance to build their own narratives out of the decisions they make each step of the way, powerfully illustrating how a story is created and how it proceeds from beginning to middle to end. Both a teaching tool and an exciting adventure in its own right, this book is a great resource for learning storytelling. FABULOUS AUTHOR-ILLUSTRATOR TEAM: Laurel Snyder is the author of the Geisel Award–winning Charlie & Mouse early chapter book series. Her books have earned numerous starred reviews and Best Book designations, and her middle grade novel Orphan Island was longlisted for the National Book Award. Acclaimed artist Dan Santat has illustrated over 50 books for children, earning a Caldecott Medal for his picture book The Adventures of Beekle and the Asian/Pacific American Award for Literature for Drawn Together. Perfect for: • Teachers and librarians • Lovers of fairy tales and fairy tale retellings • Readers who enjoy choose-your-path stories • Parents and caregivers seeking a story that will continue to surprise and delight, even after the 100th time through • Gift-givers looking for a beautiful present that can be read again and again • Anyone who appreciates clever, hilarious takes on classic fairy tales |
| creative writing classes new orleans: Creative Writing in Science Katie Coppens, 2016-03-01 |
| creative writing classes new orleans: Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts Matt Bell, 2022-03-08 They say writing is rewriting. So why does the second part get such short shrift? Refuse To Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger. From lauded writer and teacher Matt Bell, Refuse to Be Done is encouraging and intensely practical, focusing always on specific rewriting tasks, techniques, and activities for every stage of the process. You won’t find bromides here about the “the writing Muse.” Instead, Bell breaks down the writing process in three sections. In the first, Bell shares a bounty of tactics, all meant to push you through the initial conception and get words on the page. The second focuses on reworking the narrative through outlining, modeling, and rewriting. The third and final section offers a layered approach to polishing through a checklist of operations, breaking the daunting project of final revisions into many small, achievable tasks. Whether you are a first time novelist or a veteran writer, you will find an abundance of strategies here to help motivate you and shake up your revision process, allowing you to approach your work, day after day and month after month, with fresh eyes and sharp new tools. |
| creative writing classes new orleans: Secrets of the Casa Rosada Alex Temblador, 2018-10-31 Sixteen-year-old Martha and her mother move constantly, never staying anywhere for long. So she knows better than to ask if they’ve been evicted again when her mom says they’re going on a “vacation” to meet the grandmother Martha didn’t know existed. Laredo, Texas, is like no other city she has seen. Driving past businesses with Spanish names and colorfully painted houses with burnt lawns, Martha can’t imagine her mother living somewhere so … Mexican. At her grandmother’s pink house, Martha’s shocked and hurt when her mom abandons her, even though a part of her had been expecting it. Suddenly, Martha must deal with a lifestyle that is completely foreign. Her grandmother doesn’t speak English, so communication is difficult, and she’s not particularly kind like most grandmothers. Even weirder, it turns out that her grandmother is revered as a healer, or curandera. And there are tons of cousins, aunts, and uncles all ready to embrace her! Meanwhile, at Martha’s new school, she can’t be anonymous because everyone knows she’s Doña González’s granddaughter, and a girl named Marcella has it out for her. Why does she hate Martha so much?!? As Martha struggles to adjust to her new life, she can’t help but wonder why her mother left Laredo. No one is willing to discuss it, so she’ll have to unravel the secrets herself. |
| creative writing classes new orleans: The Screenwriter's Handbook Barry Turner, 2008-01-08 Encompassing thousands of entries that cover every aspect of the screenwriter's trade, a valuable resource features articles, essays, advice, and insider's tips from leading scriptwriters on topics including British and U.S. film and TV companies, agents, contracts, copyrights, markets, and more. Original. 20,000 first printing. |
| creative writing classes new orleans: The Smitten Kitchen Cookbook Deb Perelman, 2012-10-30 NEW YORK TIMES BEST SELLER • Celebrated food blogger and best-selling cookbook author Deb Perelman knows just the thing for a Tuesday night, or your most special occasion—from salads and slaws that make perfect side dishes (or a full meal) to savory tarts and galettes; from Mushroom Bourguignon to Chocolate Hazelnut Crepe. “Innovative, creative, and effortlessly funny. —Cooking Light Deb Perelman loves to cook. She isn’t a chef or a restaurant owner—she’s never even waitressed. Cooking in her tiny Manhattan kitchen was, at least at first, for special occasions—and, too often, an unnecessarily daunting venture. Deb found herself overwhelmed by the number of recipes available to her. Have you ever searched for the perfect birthday cake on Google? You’ll get more than three million results. Where do you start? What if you pick a recipe that’s downright bad? With the same warmth, candor, and can-do spirit her award-winning blog, Smitten Kitchen, is known for, here Deb presents more than 100 recipes—almost entirely new, plus a few favorites from the site—that guarantee delicious results every time. Gorgeously illustrated with hundreds of her beautiful color photographs, The Smitten Kitchen Cookbook is all about approachable, uncompromised home cooking. Here you’ll find better uses for your favorite vegetables: asparagus blanketing a pizza; ratatouille dressing up a sandwich; cauliflower masquerading as pesto. These are recipes you’ll bookmark and use so often they become your own, recipes you’ll slip to a friend who wants to impress her new in-laws, and recipes with simple ingredients that yield amazing results in a minimum amount of time. Deb tells you her favorite summer cocktail; how to lose your fear of cooking for a crowd; and the essential items you need for your own kitchen. From salads and slaws that make perfect side dishes (or a full meal) to savory tarts and galettes; from Mushroom Bourguignon to Chocolate Hazelnut Crepe Cake, Deb knows just the thing for a Tuesday night, or your most special occasion. Look for Deb Perelman’s latest cookbook, Smitten Kitchen Keepers! |
| creative writing classes new orleans: The Program Era Mark McGurl, 2011-11-30 In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come. |
| creative writing classes new orleans: Evening's Empire Zachary Lazar, 2009-11-08 When he was just six years old, Zachary Lazar's father, Edward, was shot dead by hit men in a Phoenix, Arizona parking garage. The year was 1975, a time when, according to the Arizona Republic, land-fraud artists roamed the state in sharp suits, gouging money from buyers and investors. How did his father fit into this world and how could his son ever truly understand the man, his time and place, and his motivations? In Evening's Empire, Zachary Lazar, whose novel Sway was named one of the Best Books of 2008 by Rolling Stone, Los Angeles Times, and other publications, brilliantly attempts to reconstruct the sequence of events that led to his father's murder. How did Ed Lazar, a fun-loving but meticulous accountant, become involved in a multi-million dollar real-estate scandal involving politicians and Mafia figures? How much did he know about his colleagues' illegal activities? Why had he chosen to testify against his former business partner, Ned Warren, Sr.? Warren was a mystery man, according to 60 Minutes, widely known as the Godfather of land fraud. The day before Ed Lazar was scheduled to appear in front of a grand jury he was killed in a gangland-style murder, as reported by Walter Cronkite on the CBS Evening News. Four hundred mourners attended a memorial service for him the next day. Evening's Empire is based on archival research and interviews -- introducing a cast of characters as various as Senator Barry Goldwater and Cesar Romero -- and is clarified by scenes imagined in the context of this evidence. It is a singular and haunting story of American ambition and its tragic cost. Of Zachary Lazar's previous book, Sway, the reviewer for The New York Times Book Review wrote, This brilliant novel is about what's to be found in the shadows. The same can be said of Evening's Empire's true story, but here the shadows are very close to home. |
| creative writing classes new orleans: Pym: A Novel Mat Johnson, 2012-09-04 “THE SHARPEST AND MOST UNUSUAL STORY I READ LAST YEAR . . . [Mat] Johnson’s satirical vision roves as freely as Kurt Vonnegut’s and is colored with the same sort of passionate humanitarianism.”—Maud Newton, New York Times Magazine NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • Vanity Fair • Houston Chronicle • The Seattle Times • Salon • National Post • The A.V. Club Recently canned professor of American literature Chris Jaynes has just made a startling discovery: the manuscript of a crude slave narrative that confirms the reality of Edgar Allan Poe’s strange and only novel, The Narrative of Arthur Gordon Pym of Nantucket. Determined to seek out Tsalal, the remote island of pure and utter blackness that Poe describes, Jaynes convenes an all-black crew of six to follow Pym’s trail to the South Pole, armed with little but the firsthand account from which Poe derived his seafaring tale, a bag of bones, and a stash of Little Debbie snack cakes. Thus begins an epic journey by an unlikely band of adventurers under the permafrost of Antarctica, beneath the surface of American history, and behind one of literature’s great mysteries. “Outrageously entertaining, [Pym] brilliantly re-imagines and extends Edgar Allan Poe’s enigmatic and unsettling Narrative of Arthur Gordon Pym of Nantucket. . . . Part social satire, part meditation on race in America, part metafiction and, just as important, a rollicking fantasy adventure . . . reminiscent of Philip Roth in its seemingly effortless blend of the serious, comic and fantastic.”—Michael Dirda, The Washington Post “Blisteringly funny.”—Laura Miller, Salon “Relentlessly entertaining.”—The New York Times Book Review “Imagine Kurt Vonnegut having a beer with Ralph Ellison and Jules Verne.”—Vanity Fair “Screamingly funny . . . Reading Pym is like opening a big can of whoop-ass and then marveling—gleefully—at all the mayhem that ensues.”—Houston Chronicle |
| creative writing classes new orleans: Miss Pamela's Writing School for Electric Ladies Pamela Des Barres, 2022-09-30 There’s a Buddhist saying, “When the student is ready, the teacher will appear.” That teacher is Pamela Des Barres, known to her students —and to the world over —as Miss Pamela. Miss Pamela has created a safe space for hundreds of women across the country and throughout the world to share their lives and express their most secret thoughts through writing. Their ages range from 20 to 75, and in her writing workshops the 20 year-olds can come across like wise-old sages, and the 70-year olds can appear like teenagers discovering their voices for the first time. The magic of getting women together to share their stories has wrought this collection of powerful, moving writing. The pieces are funny, angry, joyful, sad, full of hope, tragedy, and transformation—each a revelation in its own right. You will marvel at the skill with which these women have told their tales based on the prompts Miss Pamela gives them, all written extemporaneously in 12 minutes. You may also discover yourself in these glimpses into the lives of your fellow humans. |
| creative writing classes new orleans: Playing with Possibilities Peter O'Connor, Claudia Rozas, 2018-01-23 Playing with Possibilities sits at the heart of all creative endeavours. This collection brings together a multidisciplinary group of thinkers and writers to explore the potential of play to shape and reshape who we are and the worlds in which we live. It offers a series of encounters with playful possibilities, and asks us to question, consider and ultimately celebrate the importance of fanciful approaches to living. This book is a companion to The Possibilities of Creativity (2016). |
| creative writing classes new orleans: Fingerprints of You Kristen-Paige Madonia, 2012-08-07 A teen embarks on the road trip of a lifetime in this authentic, beautifully written debut novel that Judy Blume says is “sure to appeal to both teens and adults.” Lemon grew up with Stella, a single mom who wasn’t exactly maternal. Stella always had a drink in her hand and a new boyfriend every few months, and when things got out of hand, she would whisk Lemon off to a new town for a fresh beginning. Now, just as they are moving yet again, Lemon discovers that she is pregnant from a reckless encounter—with a guy Stella had been flirting with. On the verge of revisiting her mother’s mistakes, Lemon struggles to cope with the idea of herself as a young unmarried mother, as well as the fact that she’s never met her own father. Determined to have at least one big adventure before she has the baby, Lemon sets off on a cross-country road trip, intending not only to meet her father, but to figure out who she wants to be. Lyrical and moving prose, from an original voice whose writing Judy Blume calls “luminous,” deftly depicts the nuanced conflicts of early motherhood and the search for identity. |
| creative writing classes new orleans: Beyond the Workshop Paul Perry, 2012 Within the sixteen chapters you will find a balance of both theory-driven and practice-driven essays, and the journey you take as a reader will lead you from what a workshop is to how it is practised and what it may become--Back cover. |
| creative writing classes new orleans: Tell Me How This Ends Well David Samuel Levinson, 2017-04-04 In 2022, American Jews face an increasingly unsafe and anti-Semitic landscape at home. Against this backdrop, the Jacobson family gathers for Passover in Los Angeles. But their immediate problems are more personal than political, with the three adult children, Mo, Edith and Jacob, in various states of crisis; the result, each claims, of a lifetime of mistreatment by their father, Julian. The siblings have begun to suspect that Julian is hastening their mother Roz's demise, and years of resentment boil over as they debate whether to go through with the real reason for their reunion: an ill-considered plot to end their father's iron rule forever. That is, if they can put their bickering, grudges, festering relationships and distrust of one another aside long enough to act. And God help them if their mother finds out . . . Tell Me How This Ends Well presents a blistering vision of near-future America, turning the exploits of one very funny, very troubled family into a rare and compelling exploration of the state of America itself. |
| creative writing classes new orleans: The Therapist in Mourning Anne Adelman, Kerry Malawista, 2013-06-04 The unexpected loss of a client can be a lonely and isolating experience for therapists. While family and friends can ritually mourn the deceased, the nature of the therapeutic relationship prohibits therapists from engaging in such activities. Practitioners can only share memories of a client in circumscribed ways, while respecting the patient's confidentiality. Therefore, they may find it difficult to discuss the things that made the therapeutic relationship meaningful. Similarly, when a therapist loses someone in their private lives, they are expected to isolate themselves from grief, since allowing one's personal life to enter the working relationship can interfere with a client's self-discovery and healing. For therapists caught between their grief and the empathy they provide for their clients, this collection explores the complexity of bereavement within the practice setting. It also examines the professional and personal ramifications of death and loss for the practicing clinician. Featuring original essays from longstanding practitioners, the collection demonstrates the universal experience of bereavement while outlining a theoretical framework for the position of the bereft therapist. Essays cover the unexpected death of clients and patient suicide, personal loss in a therapist's life, the grief of clients who lose a therapist, disastrous loss within a community, and the grief resulting from professional losses and disruptions. The first of its kind, this volume gives voice to long-suppressed thoughts and emotions, enabling psychologists, psychiatrists, counselors, and other mental health specialists to achieve the connection and healing they bring to their own work. |
| creative writing classes new orleans: Flannery O'Connor R. Neil Scott, 2002 |
| creative writing classes new orleans: The Last Cruze LaToya Ruby Frazier, Karsten Lund, Solveig Øvstebø, 2020 As the General Motors plant in Lordstown, Ohio halted production and faced possible closure, displacing its workers, artist LaToya Ruby Frazier joined with these workers, their families, and their local union leaders to tell the story of the plant in its final days. After more than fifty years of automobile production and a commitment to manufacture the Chevrolet Cruze until 2021, the facility was recently unallocated by GM, as the company shifts its focus toward overseas manufacturing and the production of electric and autonomous vehicles. For many, this meant uprooting their families and giving up the support of a close-knit community. Those who turned down transfers to GM plants in other states lost their income, pensions, and benefits. The Last Cruze, which sets out to amplify the voices of the auto workers in Lordstown, introduces a new chapter to Frazier's work in investigating labor, family, community, and the working class. Exhibited at the Renaissance Society in 2019, this body of work includes over sixty photographs, alongside the written stories of the workers, and was staged within an installation that echoes the structure of the plant's assembly line. This substantial catalogue includes extensive documentation of the work and introduces new essays and dialogues by contributors including Coco Fusco, David Harvey, Werner Lange, Lynn Nottage, Julia Reichert, Benjamin Young, and members of the local chapter of the United Auto Workers. |
| creative writing classes new orleans: Gravesend William Boyle, 2018-09-04 It’s been sixteen years since “Ray Boy” Calabrese’s actions led to the death of a young man. The victim’s brother, Conway D’Innocenzio, is now a 29-year-old Brooklynite wasting away at a local Rite Aid, stuck in the past and drawn into a darker side of himself when he hears that Ray Boy’s has been released. But even with the perfect plan in place, Conway can’t bring himself to take the ultimate revenge.Meanwhile, failed actress Alessandra returns to her native Gravesend after the death of her mother, torn between a desperate need to escape immediately back to LA and the ease with which she sinks back into neighborhood life. Alessandra and Conway are walking eerily similar paths—staring down the rest of their lives, caring for their aging fathers, lost in the youths they squandered—and each must decide what comes next.In the tradition of American noir authors like Dennis Lehane and James Ellroy, William Boyle’s Gravesend brings the titular neighborhood to life in this story of revenge, desperation, and escape. |
| creative writing classes new orleans: Middle-Class African American English Tracey Weldon, 2021-02-04 From its historical development to its current context, this is the first full-length overview of middle-class African American English. |
| creative writing classes new orleans: Saints + Sinners: New Fiction from the Festival 2019 Tracy Cunningham, Paul J. Willis, 2019-04-16 An anthology of short fiction featuring the finalist selections from the 2019 Saints + Sinners Literary Festival. |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
Creative Labs (United States) | Sound Blaster Sound Cards, Super …
Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
