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| creative writing programs chicago: My Mother's Daughter Perdita Felicien, 2022-03-29 NATIONAL BESTSELLER A phenomenal, human story. . . . I could not put this book down. —CLARA HUGHES An instant national bestseller, this raw and affecting memoir is the story of a mother and daughter who beat the odds together. Decades before Perdita Felicien became a World Champion hurdler running the biggest race of her life at the 2004 Olympics, she carried more than a nation's hopes—she carried her mother Catherine's dreams. In 1974, Catherine is determined and tenacious, but she's also pregnant with her second child and just scraping by in St. Lucia. When she meets a wealthy white Canadian family vacationing on the island, she knows it's her chance. They ask her to come to Canada to be their nanny—and she accepts. This was the beginning of Catherine's new life: a life of opportunity, but also suffering. Within a few years, she would find herself pregnant a third time—this time in her new country with no family to support her, and this time, with Perdita. Together, in the years to come, mother and daughter would experience racism, domestic abuse, and even homelessness, but Catherine's will would always pull them through. As Perdita grew and began to discover her preternatural athletic gifts, she was edged onward by her mother's love, grit, and faith. Facing literal and figurative hurdles, she learned to leap and pick herself back up when she stumbled. This book is a daughter's memoir—a book about the power of a parent's love to transform their child's life. |
| creative writing programs chicago: Craft in the Real World Matthew Salesses, 2021-01-19 This national bestseller is a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, When we write fiction, we write the world. |
| creative writing programs chicago: Immediate Fiction Jerry Cleaver, 2004-12-03 Covering the entire process from story building to manuscript preparation and marketing, Jerry Cleaver shows the novice and experienced writer how to start writing and how to get immediate results. Readers will find everything they need to know about managing time, finding an idea, getting the first word down on the page, staying unblocked, shaping ideas into compelling stories, and submitting their work to agents and publishers. Immediate Fiction goes beyond the old Write what you know to Write what you can imagine. Filled with insightful tips on how to manage doubts, fears, blocks, and panic, Immediate Fiction will help writers develop their skills in as little minutes a day, if necessary. Believing that all writing is rewriting, Cleaver says, You can't control what you put on the page. You can only control what you leave on the page. With this book Cleaver shows how to get that control and produce results. |
| creative writing programs chicago: Creating Characters & Plots , |
| creative writing programs chicago: The Elephants Teach David Gershom Myers, 2006 This book traces the development of creative writing as a classroom subject, the teaching of fiction- and verse-writing; and as a national system for the employment of fiction writers and poets to teach the subject. It answers the questions, Why has fiction and verse writing come to be called creative? and When and why was this term first used? |
| creative writing programs chicago: Writing Fiction Gotham Writers' Workshop, 2008 Language, literature and biography. |
| creative writing programs chicago: High-Risers Ben Austen, 2018-02-13 A Booklist Best Book of the Year: “The definitive history of the life and death of America’s most iconic housing project,” Chicago’s Cabrini-Green (David Simon, creator of The Wire). Built in the 1940s atop an infamous Italian slum, Cabrini-Green grew to twenty-three towers and a population of 20,000—all of it packed onto just seventy acres a few blocks from Chicago’s ritzy Gold Coast. Eventually, Cabrini-Green became synonymous with crime, squalor, and the failure of government. For the many who lived there, it was also a much-needed resource—it was home. By 2011, every high-rise had been razed, the island of black poverty engulfed by the white affluence around it, the families dispersed. In this novelistic and eye-opening narrative, Ben Austen tells the story of America’s public housing experiment and the changing fortunes of American cities. It is an account told movingly though the lives of residents who struggled to make a home for their families as powerful forces converged to accelerate the housing complex’s demise. Beautifully written, rich in detail, and full of moving portraits, High-Risers is a sweeping exploration of race, class, popular culture, and politics in modern America that brilliantly considers what went wrong in our nation’s effort to provide affordable housing to the poor—and what we can learn from those mistakes. “Compelling.” —Chicago Tribune “[A] fascinating narrative.” —Booklist (starred review) “A weighty and robust history of a people disappeared from their own community.” —Kirkus Reviews “Austen has masterfully woven together these deeply intimate stories of the residents at Cabrini against the backdrop of critical public policy decisions. Ultimately this book is about how as a country we acknowledge and deal with the very poor.” —Alex Kotlowitz, author of There Are No Children Here Named a Best Book of the Year by Mother Jones Nominated for the Andrew Carnegie Medal of Excellence in Nonfiction; the Goddard Riverside Stephan Russo Book Prize; and the Chicago Review of Books Award |
| creative writing programs chicago: The Subversive Copy Editor Carol Fisher Saller, 2009-08-01 Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the rights and wrongs of prose styling: This author is giving me a fit. I wish that I could just DEMAND the use of the serial comma at all times. My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face. In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking rules along the way. Saller’s own foibles and misadventures provide ample material: I mess up all the time, she confesses. It’s how I know things. Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says terrorists. See copy editors?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor. |
| creative writing programs chicago: Chris Ware Daniel K. Raeburn, 2004-01-01 A close-up look at the gifted graphic novelist the New York Times Book Review called the most versatile and innovative artist the medium has ever known. The publication of Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth in 2000 inspired a near-avalanche of praise. Now, Daniel Raeburn offers fascinating insights into the connections between Jimmy Corrigan's biography and that of his creator.Yale University Press |
| creative writing programs chicago: Rich Boy Sharon Pomerantz, 2009-11-11 Robert Vishniak is the favored son of Oxford Circle, a working-class Jewish neighborhood in 1970s Philadelphia. Handsome and clever, Robert glides into the cloistered universities of New England, where scions of unimaginable wealth and influence stand shoulder to shoulder with scholarship paupers like himself who wash dishes for book money. The doors that open there lead Robert to the highest circles of Manhattan society during the heart of the Reagan boom where everything Robert has learned about women, through seduction and heartbreak, pays off. For a brief moment, he has it all-but the world in which he finds himself is not the world from which he comes, and a chance encounter with a beautiful girl from the old neighborhood-and the forgotten life she reawakens-threatens to unravel his carefully constructed new identity. |
| creative writing programs chicago: The Readymade Thief Augustus Rose, 2018-08-07 “The most must-read of all must-reads.” —Marie Claire “A kickass debut from start to finish.” —Colson Whitehead, author of The Underground Railroad Lee Cuddy is seventeen years old and on the run. Betrayed by her family after taking the fall for a friend, Lee finds refuge in a cooperative of runaways holed up in an abandoned building they call the Crystal Castle. But the façade of the Castle conceals a far more sinister agenda, one hatched by a society of fanatical men set on decoding a series of powerful secrets hidden in plain sight. And they believe Lee holds the key to it all. Aided by Tomi, a young hacker and artist with whom she has struck a wary alliance, Lee escapes into the unmapped corners of the city—empty aquariums, deserted motels, patrolled museums, and even the homes of vacationing families. But the deeper she goes underground, the more tightly she finds herself bound in the strange web she’s trying to elude. Desperate and out of options, Lee steps from the shadows to face who is after her—and why. A novel of puzzles, conspiracies, secret societies, urban exploration, art history, and a singular, indomitable heroine, The Readymade Thief heralds the arrival of a spellbinding and original new talent in fiction. |
| creative writing programs chicago: Learning How to Learn Barbara Oakley, PhD, Terrence Sejnowski, PhD, Alistair McConville, 2018-08-07 A surprisingly simple way for students to master any subject--based on one of the world's most popular online courses and the bestselling book A Mind for Numbers A Mind for Numbers and its wildly popular online companion course Learning How to Learn have empowered more than two million learners of all ages from around the world to master subjects that they once struggled with. Fans often wish they'd discovered these learning strategies earlier and ask how they can help their kids master these skills as well. Now in this new book for kids and teens, the authors reveal how to make the most of time spent studying. We all have the tools to learn what might not seem to come naturally to us at first--the secret is to understand how the brain works so we can unlock its power. This book explains: Why sometimes letting your mind wander is an important part of the learning process How to avoid rut think in order to think outside the box Why having a poor memory can be a good thing The value of metaphors in developing understanding A simple, yet powerful, way to stop procrastinating Filled with illustrations, application questions, and exercises, this book makes learning easy and fun. |
| creative writing programs chicago: Art in Chicago Maggie Taft, Robert Cozzolino, 2018-10-10 For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it. |
| creative writing programs chicago: The Beauty of Your Face Sahar Mustafah, 2021-04-06 One of the New York Times's 100 Notable Books of 2020 Longlisted for the Center for Fiction First Novel Prize, The Beauty of Your Face is “a story of outsiders coming together in surprising and uplifting ways” (New York Times Book Review, Editors’ Choice). The Beauty of Your Face tells a uniquely American story in powerful, evocative prose. Afaf Rahman, the daughter of Palestinian immigrants, is the principal of a Muslim school in the Chicago suburbs. One morning, a shooter—radicalized by the online alt-right—attacks the school. As Afaf listens to his terrifying progress, we are swept back through her memories, and into a profound and “moving” (Bustle) exploration of one woman’s life in a nation at odds with its ideals. |
| creative writing programs chicago: Bernard Berenson Rachel Cohen, 2013-10-28 Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait of Berenson, the first biography devoted to him in a quarter century, draws on new archival materials that bring out the significance of his secret business dealings and the central importance of several women in his life and work: his sister Senda Berenson; his wife Mary Berenson; his patron Isabella Stewart Gardner; his lover Belle da Costa Greene; his dear friend Edith Wharton, and the companion of his last forty years, Nicky Mariano. Rachel Cohen explores Berenson's inner world and extraordinary visual capacity while also illuminating the historical forces-new capital, the developing art market, persistent anti-Semitism, and the two world wars-that profoundly affected his life-- |
| creative writing programs chicago: Austen Years Rachel Cohen, 2020-07-21 One of The Globe and Mail's Best Books of 2020 A thoroughly authentic, smart and consoling account of one writer’s commitment to another. --The New York Times Book Review (editors' choice) An absolutely fascinating book: I will never read Austen the same way again. —Helen Macdonald, author of H is for Hawk An astonishingly nuanced reading of Jane Austen that yields a rare understanding of how to live About seven years ago, not too long before our daughter was born, and a year before my father died, Jane Austen became my only author. In the turbulent period around the birth of her first child and the death of her father, Rachel Cohen turned to Jane Austen to make sense of her new reality. For Cohen, simultaneously grief-stricken and buoyed by the birth of her daughter, reading Austen became her refuge and her ballast. She was able to reckon with difficult questions about mourning, memorializing, living in a household, paying attention to the world, reading, writing, and imagining through Austen’s novels. Austen Years is a deeply felt and sensitive examination of a writer’s relationship to reading, and to her own family, winding together memoir, criticism, and biographical and historical material about Austen herself. And like the sequence of Austen’s novels, the scope of Austen Years widens successively, with each chapter following one of Austen's novels. We begin with Cohen in Cambridge, Massachusetts, where she raises her small children and contemplates her father’s last letter, a moment paired with the grief of Sense and Sensibility and the social bonds of Pride and Prejudice. Later, moving with her family to Chicago, Cohen grapples with her growing children, teaching, and her father’s legacy, all refracted through the denser, more complex Mansfield Park and Emma. With unusual depth and fresh insight into Austen’s life and literature, and guided by Austen’s mournful and hopeful final novel, Persuasion, Rachel Cohen’s Austen Years is a rare memoir of mourning and transcendence, a love letter to a literary master, and a powerful consideration of the odd process that merges our interior experiences with the world at large. |
| creative writing programs chicago: Dragonfish Vu Tran, 2016-02-25 Vu Tran has written a thrilling and cinematic work of sophisticated suspense and haunting lyricism set in motion by characters who can neither trust each other nor themselves. Dragonfish is a remarkable debut, a noir page-turner. Robert's ex-wife has disappeared and her new husband is blackmailing Robert into finding her for him. His search leads him to learn more about his ex-wife than he ever did in their marriage. As Robert starts illuminating the dark corners of her life, the legacy of her sins threatens to immolate them all. |
| creative writing programs chicago: Underworld Lit Srikanth Reddy, 2020-08-04 Simultaneously funny and frightful, Srikanth Reddy's Underworld Lit is a multiverse quest through various cultures' realms of the dead. Couched in a literature professor's daily mishaps with family life and his sudden reckoning with mortality, this adventurous serial prose poem moves from the college classroom to the oncologist's office to the mythic underworlds of Mayan civilization, the ancient Egyptian place of judgment and rebirth, the infernal court of Qing dynasty China, and beyond—testing readers along with the way with diabolically demanding quizzes. It unsettles our sense of home as it ferries us back and forth across cultures, languages, epochs, and the shifting border between the living and the dead. |
| creative writing programs chicago: Good with Words Patrick Barry, 2019-05-31 If your success at work or in school depends on your ability to communicate persuasively in writing, you'll want to get Good with Words. Based on a course that law students at the University of Michigan and the University of Chicago have called outstanding, A-M-A-Z-I-N-G, and the best course I have ever taken, the book brings together a collection of concepts, exercises, and examples that have also helped improve the advocacy skills of people pursuing careers in many other fields--from marketing, to management, to medicine. There is nobody better than Patrick Barry when it comes to breaking down how to write and edit. His techniques don't just make you sound better. They make you think better. I'm jealous of the people who get to take his classes. --Professor Lisa Bernstein, University of Chicago Law School and Oxford University Center for Corporate Regulation Whenever I use Patrick Barry's materials in my class, the student reaction is the same: 'We want more of them.' --Professor Dave Babbe, UCLA School of Law Working one-on-one with Patrick Barry should be mandatory for all lawyers, regardless of seniority. This book is the next best thing. --Purvi Patel, Partner at Morrison Foerster LLP I am proud to say that, when it comes to writing, I speak Patrick Barry. What I mean is that I use, pretty much every day, the writing vocabulary and techniques he offers in this great book. So read it. Share it. And then, if you can, teach it. There are a lot of good causes in the world that could use a new generation of great advocates. --Professor Bridgette Carr, Assistant Dean of Strategic Initiatives and Director of the Human Trafficking Clinic at the University of Michigan Law School Patrick Barry is my secret weapon. I use his techniques every time I write, and I also teach them to all my students. --Professor Shai Dothan, Copenhagen Faculty of Law I know the materials in this book were originally created for lawyers and law students. But I actually find them really helpful for doctors as well, given that a lot of what I do every day depends on effective communication. There is a tremendous upside to becoming 'Good with Words. --Dr. Ramzi Abboud, Washington University School of Medicine in St. Louis. |
| creative writing programs chicago: The Wrong Way to Save Your Life Megan Stielstra, 2017-08-01 Powerful, personal observations on fear and courage—that touch on art, faith, academia, the internet, and more—from “a masterful essayist” (Roxane Gay, New York Times–bestselling author of Hunger). In this poignant and thoughtful collection of literary essays, Megan Stielstra tells stories to ward off fears both personal and universal as she grapples toward a better way to live. In “The Wrong Way to Save Your Life,” she answers the question of what has value in our lives—a question no longer rhetorical when the apartment above her family’s goes up in flames. “Here is My Heart” sheds light on Megan’s close relationship with her father, whose continued insistence on climbing mountains despite a series of heart attacks leads the author to dissect deer hearts in a poetic attempt to interrogate her own feelings about mortality. Whether she’s imagining the implications of open-carry laws on college campuses, recounting the story of going underwater on the mortgage of her first home, or revealing the unexpected pains and joys of marriage and motherhood, Stielstra’s work informs, impels, enlightens, and embraces us all. The result is something beautiful—this story, her courage, and, potentially, our own. “Sensitive and funny . . . She has a flair for nostalgia and for cultural criticism that is never pretentious.” —Publishers Weekly “When Megan Stielstra writes you can actually feel her beautiful heart pumping blood through every sentence.” —Samantha Irby, New York Times–bestselling author of We Are Never Meeting in Real Life “A life-enriching collection of essays.” —Kirkus Reviews (starred review) “Reading this book is like listening to stories from a wise, compassionate, and irrepressibly funny friend.” —Esme Weijun Wang, award-winning author of The Border of Paradise |
| creative writing programs chicago: My Lesbian Husband Barrie Jean Borich, 1999-08 A memoir of the author's life and love she shares with her long-term partner, Linnea. |
| creative writing programs chicago: Changing Subjects Srikanth Reddy, 2012-06-13 Theoretical accounts of modern American poetry often regard literary texts as the expression of a subjectivity irremediably fractured by the dividing practices of power. In Changing Subjects, Srikanth Reddy seeks to redress our critical bias toward a fatalistic poetics of rupture and fragmentation by foregrounding a fluent tradition of writers from Walt Whitman to John Ashbery who explore digression, rather than disjunction, as a rhetorical strategy for the making of modern poetry. Mapping the ramifying topography of literary digression, Changing Subjects offers a wide-ranging anatomy of the excursus within twentieth-century American poetics. Moving from aesthetics to the archive to narratology to figures of identity, Reddy considers various spheres in which American writers revisit and revise our models of purposeful discourse by cultivating a poetics of digression in modern literature. In new readings of authors such as Wallace Stevens, Marianne Moore, Frank O'Hara, and Lyn Hejinian, this study proposes that changing the subject offers a digressive method for negotiating the vexing complexities of art, knowledge, history, and subjectivity under the curious conditions of modernity. The book concludes with a survey of Elliptical strategies employed by a new generation of poets, writing in the wake of John Ashbery's aleatory craft, who seek to extend the digressive project of American poetry into the twenty-first century. |
| creative writing programs chicago: Facts for Visitors Srikanth Reddy, 2004-04-19 Counter Speaking in the wake of empire, of terrestrial love, and of the collapse of traditional literary forms, the protagonist of this collection of poetry reconstructs a world from the language of encyclopedias, instruction manuals, and the literary legacies of Wallace Stevens, W. G. Sebald, and Joseph Conrad. Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other formless modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing. |
| creative writing programs chicago: Willa’s Grove Laura Munson, 2020-03-03 You are invited to the rest of your life. Three women, from coast to coast and in between, open their mailboxes to the same intriguing invitation. Although leading entirely different lives, each has found herself at a similar, jarring crossroads. Right when these women thought they’d be comfortably settling into middle age, their carefully curated futures have turned out to be dead ends. The sender of the invitation is Willa Silvester, who is reeling from the untimely death of her beloved husband and the reality that she must say goodbye to the small mountain town they founded together. Yet as Willa mourns her losses, an impossible question keeps staring her in the face: So now what? Struggling to find the answer alone, fiercely independent Willa eventually calls a childhood friend who happens to be in her own world of hurt—and that’s where the idea sparks. They decide to host a weeklong interlude from life, and invite two other friends facing their own quandaries. Soon the four women converge at Willa’s Montana homestead, a place where they can learn from nature and one another as they contemplate their second acts together in the rugged wilderness of big sky country. |
| creative writing programs chicago: Voyager Srikanth Reddy, 2011-02-07 Srikanth Reddy’s second book of poetry probes this world’s cosmological relation to the plurality of all possible worlds. Drawing its name from the spacecraft currently departing our solar system on an embassy to the beyond, Voyager unfolds as three books within a book and culminates in a chilling Dantean allegory of leadership and its failure in the cause of humanity. At the heart of this volume lies the historical figure of Kurt Waldheim—Secretary-General of the U.N. from 1972-81 and former intelligence officer in Hitler’s Wehrmacht—who once served as a spokesman for humanity while remaining silent about his role in the collective atrocities of our era. Resurrecting this complex figure, Reddy’s universal voyager explores the garden of forking paths hidden within every totalizing dream of identity. |
| creative writing programs chicago: Listen to the Echoes Ray Bradbury, Sam Weller, 2012-06-12 A definitive collection of interviews with one of America's most famous writers, covering his life, faith, friends, politics, and visions of the future. Ray Bradbury, the poetic and visionary author of such classics as Fahrenheit 451, The Martian Chronicles and The Illustrated Man, is one of the most influential writers of the 20th century. From Mikhail Gorbachev to Alfred Hitchcock to David Bowie, Bradbury’s sway on contemporary culture is towering. Acclaimed biographer and Bradbury scholar Sam Weller has spent more than a decade interviewing the author; the fascinating conversations that emerge cast a high-definition portrait of a creative genius and a futurist who longs for yesterday. Listen to the Echoes: The Ray Bradbury Interviews is the definitive collection of interviews with an American icon. |
| creative writing programs chicago: Rx Garin Cycholl, 2022-02 First, do no harm... A patient comes to you with vague but troubling symptoms. He seems to know a little too much about the odd sickness you've seen in other patients lately. You start to wonder what he's been up to in his chicken coop. Is he growing the next plague? Should you call the FBI? The only problem is that you're not really a doctor. Taking on his dead father's identity, a man becomes intent on practicing medicine in an out of the way town. He watches the nation bubble into a new kind of civil war around him. A con man amidst rumors, homemade bombs, and a developing sense that he has been made, Rx wrestles with a distinct American identity-slippery and always in flight. Between a violent here and an anxious there, a wider, remapped America emerges. |
| creative writing programs chicago: Don't Come Back Lina Maria Ferreira Cabeza-Vanegas, 2017 In this collection of linked lyrical and narrative essays, experimental translations, and reinterpreted myths, Lina Maria Ferreira Cabeza-Vanegas launches into an exploration of home and identity, family history and belonging, continually examining what it means to feel familiarity but never really feel at home. Don't Come Back intermixes translations of Spanish adages and adaptations of major Colombian myths with personal essays about growing up amidst violence, magic, and an unyielding Andean sun. Home is place and time and people and language and history, and none of these are ever set in stone. Attempting to reconcile the irreconcilable and translate the untranslatable--to move smoothly and cohesively between culture, language, and place--Ferreira Cabeza-Vanegas is torn between spaces, between the aunt who begs her to return to Colombia and the mother who tells her, There's nothing here for you, Lina. Don't come back. Don't Come Back is an exploration of home and identity that constantly asks, If you really could go back, would you? |
| creative writing programs chicago: The Irrationalist Suzanne Buffam, 2010-04-03 The Irrationalist is the acclaimed follow-up to the award-winning poetry collection, Past Imperfect, from one of Canada's best poets. At once whimsical and heartbreaking, these eccentric lyrics investigate the shifting grounds of knowledge while refusing to take any authority -- be it Epictetus, Therese de Lisieux, Nicolaus Copernicus, Ma Yuan, or the fugitive spectre of self, to name only a few of the volume's dramatis personae -- too seriously. Here one inhabits a world on the eve of extinction, in which astronomers predict a 'Big Rip' in the cosmos resulting in a cold, dark, never-ending end, and yet the darkness is continually illuminated by a pyrotechnics of curiosity, candor, and wit. |
| creative writing programs chicago: Failure to Thrive Meghan Lamb, 2021-11-09 Meghan Lamb's debut novel is a marvel. It's an indelible portrait of a nearly forgotten place, full of stunted lives and desperate hopes, decaying homes and fading memories, ghostly presences brought vividly to life. It's a timely exploration of the failures that seep into our lives like slow leaks and the systems that intensify them. It's a haunted landscape made luminous by Lamb's exquisite prose. -Jeff Jackson, author of Destroy All Monsters Failure to Thrive captures slow collapse like nothing else I've read. It is packed with heartbreakingly acute observation, and yet it is uncrowded and spacious, with a gauzy, hallucinatory quality. Both expansive and economical, it does more with the form of the novel than most books will ever attempt. It's a gem glittering in the dark. -Lindsay Lerman, author of I'm From Nowhere Meghan Lamb is such an exquisite, comprehensively intelligent, dreamy writer. Failure to Thrive exudes utmost pleasure and a defying ache from every dot of its ink, like the sun. -Dennis Cooper, author of The Marbled Swarm |
| creative writing programs chicago: Subjects We Left Out Naomi Washer, 2021-03 Fiction. In Naomi Washer's novel SUBJECTS WE LEFT OUT, a young American writer begins translating the work of a French poet whose book bears striking parallels to her own life. Diffident despite her talent and thoughtfulness, she struggles to understand and speak to the people closest to her, especially Alex: an exchange student from Florence whom she feels intimately connected to despite his elusive, almost aloof disposition. As she travels through Paris and rural northeast France to meet with the poet and pursue an idea for her own book, she reckons with the distance between herself and Alex and begins to speak of the life she wants for herself. A meditation on what is often said and unsaid between people--in silence, translation, interpretation, and miscommunication--and an account of an artist coming into her own, SUBJECTS WE LEFT OUT is a novel that sees the reader as correspondent, inviting us to hear and be heard, see and be seen, and summon the courage to speak clearly. |
| creative writing programs chicago: Of This Our Country: Acclaimed Nigerian writers on the home, identity and culture they know The Borough Press, 2021-09-30 To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images. |
| creative writing programs chicago: The Trials of Adeline Turner Angela Terry, 2021-09-07 Fans of Sophie Kinsella and Emily Griffin will love this new offering from Angela Terry, author of Charming Falls Apart. Corporate attorney Adeline Turner thought she had life all figured out--work hard, play by the rules, and keep your head down. When Addie bumps into her former high school crush, their encounter unleashes a chain of events that turns her quiet life upside down. Unadventurous, nose-to-the-grindstone Adeline suddenly finds herself moving across the country, falling into messy romantic situations, and becoming the target of an office-politics plot that threatens her career. Without the support system she had in Chicago, Addie must rely solely on herself and learn that things aren't always what they seem. She soon realizes that to have the future she wants she must confront the past--including the mother who abandoned her. Rave reviews for Charming Falls Apart, the author's first book: From the very first page, I was hooked on this tale of heartbreak, self-discovery, and one woman's charming determination to turn lemons into lemonade. Fans of Emily Giffin and Lauren Weisberger will love this engaging and entertaining debut!―Meg Donohue, USA Today best-selling author of You, Me, and the Sea Charming Falls Apart is the perfect comfort read. A smart and heartfelt ode to the healing power of friendship and the strength in reinvention. Fans of Sophie Kinsella will root for Allison James as she rebuilds her life on her own terms.―Allie Larkin, internationally best-selling author of Swimming for Sunlight A breezy read perfect for a summer day. So many young women rush to make a plan for how they think their lives should go without stopping to think about what will make them happy. We can all cheer for a heroine who loses it all and comes to realize she never wanted it anyway.―Maria Murnane, best-selling author of the Waverly Bryson series |
| creative writing programs chicago: Skins of Columbus Edgar Garcia, 2019-05-14 What happens when a dreamer explores perverse and imperfect origins? An anthropoetic meditation on colonial racial violence in Central America. |
| creative writing programs chicago: 10 Actual, Official LSAT Preptests Law School Admission Council, 2017-10-04 For pure practice at an unbelievable price, you can't beat the 10 Actual series. Each book includes: 10 previously administered LSATs, an answer key for each test, a writing sample for each test, score-conversion tables, and sample Comparative Reading questions and explanations. |
| creative writing programs chicago: Preface to a Twenty Volume Suicide Note... LeRoi Jones, 1969 |
| creative writing programs chicago: Creative Curriculum Teaching Strategies, Gryphon House, Delmar Thomson Learning, 1988-01-01 The Creative Curriculum comes alive! This videotape-winner of the 1989 Silver Apple Award at the National Educational Film and Video Festival-demonstrates how teachers set the stage for learning by creating a dynamic well-organized environment. It shows children involved in seven of the interest areas in the The Creative Curriculum and explains how they learn in each area. Everyone conducts in-service training workshops for staff and parents or who teaches early childhood education courses will find the video an indispensable tool for explainin appropriate practice. |
| creative writing programs chicago: Craft Consciousness and Artistic Practice in Creative Writing Ben Ristow, 2022-02-10 Craft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term craft consciousness identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word. For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists. |
| creative writing programs chicago: The Insider's Guide to Graduate Degrees in Creative Writing Seth Abramson, 2018-06-14 There are so many different graduate creative writing programs out there! How do I find the right one for me? Bringing together data from both Master's and doctoral creative writing programs and interviews with program applicants, students, and faculty, this is a complete practical guide to choosing a graduate creative writing program and putting together a successful application. The Insider's Guide to Graduate Degrees in Creative Writing answers frequently asked questions on such topics as: · Application prerequisites · Program sizes and durations · Funding · Acceptance rates · Cost of living · Program curricula and demographics · Workshopping techniques · Student-faculty ratios · Residency options · Postgraduate fellowship placement · Postgraduate job placement · Programs' reputations and histories The book also includes comprehensive and up-to-date hard data on the hundreds of terminal-degree graduate creative writing programs available throughout the US, UK, and internationally, making this an essential read for anyone planning to pursue a low- or full-residency graduate creative writing degree. |
| creative writing programs chicago: The Poets & Writers Guide to MFA Programs , 2015 This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process. |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
Creative Labs (United States) | Sound Blaster Sound Cards, Super …
Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
