Advertisement
| creative writing mfa programs in georgia: The Program Era Mark McGurl, 2011-11-30 In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come. |
| creative writing mfa programs in georgia: The Poets & Writers Guide to MFA Programs , 2015 This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process. |
| creative writing mfa programs in georgia: King of the Animals Josh Russell, 2021-03-03 “The forty-seven components of Josh Russell’s engrossing King of the Animals are always entertaining, never less than mischievous, constantly surprising, and stunningly well expressed. Yes, they are stories, vignettes, parables, moral tales—but none of those descriptions do them full justice. Let’s just say that Russell is the master of short-form fiction in all its limitless variety.”—Jim Crace “With King of the Animals, Josh Russell affirms his status as one of our most shrewdly capable writers. Mortality and transformation, being a child and being a parent, the lifelong process that is growing up—these are but some of the aspects of American life toward which Russell, in stories that vary richly one from the other except in never ending up where you expect them to, aims his telescope. Tenderhearted, funny, and gorgeously written.”—David Leavitt A teenager and his family seek asylum in an Atlanta IKEA after their split-level is burned down because his father made fun of an autocrat’s bad grammar. A man remembers how seeing a snapshot of his sister naked changed his life—and hers too. A talking doll fails her spelling test, and a king made of sugar and flour watches Fox News and smokes dope with the neighbor kid. The Chicago Tribune praised Josh Russell’s fiction for “virtuoso storytelling, evocative prose, and original conception,” and in King of the Animals, he entwines the extraordinary with the commonplace, leaving us to wonder why we ever thought them separate. |
| creative writing mfa programs in georgia: Paul Bowles Virginia Spencer Carr, 2009-01-28 Paul Bowles, best known for his classic 1949 novel, The Sheltering Sky, is one of the most compelling yet elusive figures of twentieth-century American counterculture. In this definitive biography, Virginia Spencer Carr has captured Bowles in his many guises: gifted composer, expatriate novelist, and gay icon, to name only a few. Born in New York in 1910, Bowles' brilliance was evident from early childhood. His first artistic interest was music, which he studied with the composer Aaron Copland. Bowles wrote scores for films and countless plays, including pieces by Tennessee Williams and Orson Welles. Over the course of his life, his intellectual pursuits led him around the world. He cultivated a circle of artistic friends that included Gertrude Stein, W.H. Auden, Gore Vidal, Truman Capote, Allen Ginsburg, William Burroughs, Stephen Spender, and Carson McCullers. Just as fascinating for his flamboyant personality as for his literary success, Bowles' leftist politics and experimentation with drugs make him an ever-controversial character. Carr delves into Bowles' unconventional marriage to Jane Auer and his self-exile in Morocco. Close friends with him before his death in 1999, Carr's first-hand knowledge of Bowles is undeniable. This book encompasses her personal experiences plus ten years of research and interviews with some two hundred of Bowles' acquaintances. Virginia Spencer Carr has written a riveting biography that tells not only the story of Paul Bowles' literary genius, but also of a crucial period of redefinition in American culture. Carr is simultaneously entertaining and precise, delivering a wealth of information on one of the most mythologized figures of mid-century literature. |
| creative writing mfa programs in georgia: Flight Path David Hill, 2017-04-03 A gripping novel for young adults that captures both the daring and the everyday realities of serving in the Air Force during the Second World War. Pete and Paul yelled together. 'Bandit! Nine o'clock! Bandit!' Jack spun to stare. There was the Messerschmitt on their left, streaking straight at them. Eighteen-year-old Jack wanted to escape boring little New Zealand. But he soon finds that flying in a Lancaster bomber to attack Hitler’s forces brings terror as well as excitement. With every dangerous mission, he becomes more afraid that he’ll never get back alive. He wants to help win the war, but will he lose his own life? My Brother’s War: '... there are stories that need to be told over and over again, to introduce a new generation of readers to important ideas and to critical times in their country's history ... Hill's descriptions of trench warfare are unforgettable.' from the Judges' Report of the New Zealand Post Book Awards for Children and Young Adults 2013 |
| creative writing mfa programs in georgia: Toward an Animist Reading of Postcolonial Trauma Literature Jay Rajiva, 2020-07-15 This book uses the conceptual framework of animism, the belief in the spiritual qualities of nonhuman matter, to analyze representations of trauma in postcolonial fiction from Nigeria and India. Toward an Animist Reading of Postcolonial Trauma Literature initiates a conversation between contemporary trauma literatures of Nigeria and India on animism. As postcolonial nations move farther away from the event of decolonization in real time, the experience of trauma take place within and is generated by an increasingly precarious environment of resource scarcity, over-accelerated industrialization, and ecological crisis. These factors combine to create mixed environments marked by constantly changing interactions between human and nonhuman matter. Examining novels by authors such as Chinua Achebe, Jhumpa Lahiri, Nnedi Okorafor, and Arundhati Roy, the book considers how animist beliefs shape the aesthetic representation of trauma in postcolonial literature, paying special attention to complex metaphor and narrative structure. These literary texts challenge the conventional wisdom that working through trauma involves achieving physical and psychic integrity in a stable environment. Instead, a type of provisional but substantive healing emerges in an animist relationship between human trauma victims and nonhuman matter. In this context, animism becomes a pivotal way to reframe the process of working through trauma. Offering a rich framework for analyzing trauma in postcolonial literature, this book will be of interest to scholars of postcolonial literature, Nigerian literature and South Asian literature. |
| creative writing mfa programs in georgia: Leaving Saturn Major Jackson, 2002-01-01 Leaving Saturn, chosen by Al Young as the winner of the Cave Canem Poetry Prize, is an ambitious and honest collection. Major Jackson, through both formal and free verse poems, renders visible the spirit of resilience, courage, and creativity he witnessed among his family, neighbors, and friends while growing up in Philadelphia. His poems hauntingly reflect urban decay and violence, yet at the same time they rejoice in the sustaining power of music and the potency of community. Jackson also honors artists who have served as models of resistance and maintained their own faith in the belief of the imagination to alter lives. The title poem, a dramatic monologue in the voice of the American jazz composer and bandleader Sun Ra, details such a humane program and serves as an admirable tribute to the tradition of African American art. Throughout, Jackson unflinchingly portrays our most devastated landscapes, yet with a vividness and compassion that expose the depth of his imaginative powers. |
| creative writing mfa programs in georgia: The Well-Fed Writer (Third Edition) Peter Bowerman, 2021-04 Third edition of a detailed how-to guide to starting and growing your own lucrative commercial writing practice-writing for corporations and creative agencies, and for hourly rates of $50-125+. |
| creative writing mfa programs in georgia: A Stranger's Journey David Mura, 2018 Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as James Baldwin, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Garrett Hongo, while making compelling connections to Mura's own life and work as a Japanese American writer. In A Stranger's Journey, Mura poses two central questions. The first involves identity: How is writing an exploration of who one is and one's place in the world? Mura examines how the myriad identities in our changing contemporary canon have led to new challenges regarding both craft and pedagogy. Here, like Toni Morrison's Playing in the Dark or Jeff Chang's Who We Be, A Stranger's Journey breaks new ground in our understanding of the relationship between the issues of race, literature, and culture. The book's second central question involves structure: How does one tell a story? Mura provides clear, insightful narrative tools that any writer may use, taking in techniques from fiction, screenplays, playwriting, and myth. Through this process, Mura candidly explores the newly evolved aesthetic principles of memoir and how questions of identity occupy a central place in contemporary memoir. |
| creative writing mfa programs in georgia: News from where I live Martin Lammon, 1998 Winner of the eighth annual Arkansas Poetry Award, Martin Lammon writes poems that deal fearlessly and directly with their subjects. Tenderness, complexity, compassion, reverence, and condemnation are all within his range. Writing of love, he can speak broadly and universally of the heart, yet in the same poem, he can intricately describe a woman's hand, a fire on a beach, or the hollows around a lover's eye. With equal case, Lammon travels across miles, cultures, and time, writing of kilns and potters in Japan, long-dead Eskimos in Alaska, or Blue Hole Cave in Pennsylvania. Full of grace and candor, these poems pursue the stories that shimmer behind the day's headlines, seeking the spirit at stake in the lives beside [our] own whose secrets are worth loving.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| creative writing mfa programs in georgia: Writing Toward Home Georgia Heard, 1995 Here is a personal and compassionate book for everyone writers, poets, teachers, lovers of life, and especially those seeking to find their writing voices again or for the first time. It is an autobiographical travelogue moving from a volcano in Hawaii to Fort Sill, Oklahoma, and places in between, with writing at its heart. Writing Toward Home offers practical advice on overcoming some of the obstacles writers of all ages face: writer's block, fear of rejection, confronting silencing critics in your head, finding the time to write. Each short chapter speaks to the larger truths about writing and how to truly live the writer's life: how to become more of a risk taker, how to excavate the past as a source, and how to become an acute observer of the world. Writing Toward Home is a book that will remind you-and help you remind your students-that the true source of writing is the creative self. In this fast culture when most people have so little time to do anything but menial tasks, it will jumpstart you, it will awaken to you the journey within, it will make you want to write. |
| creative writing mfa programs in georgia: The Edge of Marriage Hester Kaplan, 2010-03-01 Kaplan, winner of the Flannery O'Connor Award for Short Fiction, writes potent short stories in which she puts seemingly solid marriages to the test, pushing them to their breaking point by force of sorrow and tragedy. Disease and accidents often drive couples to the brink of separation and her characters find themselves in emotional free fall. |
| creative writing mfa programs in georgia: US of AA Joe Miller, 2019-04-02 In the aftermath of Prohibition, America's top scientists joined forces with AA members and put their clout behind a campaign to convince the nation that alcoholism is a disease. They had no proof, but they hoped to find it once research money came pouring in. The campaign spanned decades, and from it grew a multimillion-dollar treatment industry and a new government agency devoted to alcoholism. But scientists' research showed that problem drinking is not a singular disease but a complex phenomenon requiring an array of strategies. There's less scientific evidence for the effectiveness of AA than there is for most other treatments, including self-enforced moderation, therapy and counseling, and targeted medications; AA's own surveys show that it doesn't work for the overwhelming majority of problem drinkers. Five years in the making, Joe Miller's brilliant, in-depth investigative reporting into the history, politics, and science of alcoholism shows exactly how AA became our nation's de facto treatment policy, even as evidence accumulated for more effective remedies—and how, as a result, those who suffer the most often go untreated. US of AA is a character-driven, beautifully written exposÉ, full of secrecy, irony, liquor industry money, the shrillest of scare tactics, and, at its center, a grand deception. In the tradition of Crazy by Pete Earley and David Goldhill's Catastrophic Care, US of AA shines a much-needed spotlight on the addiction treatment industry. It will forever change the way we think about the entire enterprise. |
| creative writing mfa programs in georgia: Malaya Cinelle Barnes, 2019 From Cinelle Barnes, author of the memoir Monsoon Mansion, comes a moving and reflective essay collection about finding freedom in America. Out of a harrowing childhood in the Philippines, Cinelle Barnes emerged triumphant. But as an undocumented teenager living in New York, her journey of self-discovery was just beginning. Because she couldn't get a driver's license or file taxes, Cinelle worked as a cleaning lady and a nanny and took other odd jobs--and learned to look over her shoulder, hoping she wouldn't get caught. When she falls in love and marries a white man from the South, Cinelle finds herself trying to adjust to the thorny underbelly of southern hospitality while dealing with being a new mother, an immigrant affected by PTSD, and a woman with a brown body in a profoundly white world. From her immigration to the United States, to navigating a broken legal system, to balancing assimilation and a sense of self, Cinelle comes to rely on her resilience and her faith in the human spirit to survive and come of age all over again. Lyrical, emotionally driven, and told through stories both lived and overheard, Cinelle's intensely personal, yet universal, exploration of race, class, and identity redefines what it means to be a woman--and an American--in a divided country. |
| creative writing mfa programs in georgia: Gay Zoo Day Mike McClelland, 2017-09 Gay Zoo Day: Tales of Seeking and Discovery is an anthology about gay and lesbian travelers seeking more than what life has handed them. Eight tales - three short stories and five novelettes - explore themes of love and alienation, race and gender, classism and privilege, using a variety of genres from the humorous to the horrific. They connect the heart of the seeker to the heart of the lover, the warrior, the avenger, the lonely, the lost, and the lucky.Gay Zoo Day used the map of the word to explore the map of the heart. Settings include a wealthy enclave in South Africa; a gay-themed fundraiser in a London zoo; an embattle embassy in Yemen; a haunted estate in New York's wine country; British colonial Kenya in the early 1900?s; a mission to the International Space Station in the new future; a Prohibition-era dive in Panama; and a luxury apartment ?at the tippity-top? of Hong Kong Island.The characters trace their paths through landscapes of love, death, violence, ambition, and sex. Some seek deliberately, some stumble blindly, but all find more than what they were looking for. |
| creative writing mfa programs in georgia: Writing for the Screen Anna Weinstein, 2017-02-17 Writing for the Screen is a collection of essays and interviews exploring the business of screenwriting. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; pitching; developing and nurturing business relationships; juggling multiple projects; and more. Writing for the Screen is an ideal companion to screenwriting and filmmaking classes, demystifying the industry and the role of the screenwriter with real-world narratives and little-known truths about the business. With insight from working professionals, you’ll be armed with the information you need to pursue your career as a screenwriter. Contains essays by and interviews with screenwriting consultants, television writers, feature writers, writer-directors of independent film, producers, and professors. Offers expert opinions on how to get started, including preparing your elevator pitch, finding mentors, landing an internship, and moving from an internship to the next step in your career. Reveals details about taking meetings, what development executives are looking for in a screenwriter, how and when to approach a producer, and how to pitch. Explores strategies for doing creative work under pressure, finding your voice, choosing what to write, sticking with a project over the long haul, overcoming discrimination, and reinventing yourself as a writer. Illuminates the business of screenwriting in the United States (New York and Los Angeles) as compared to other countries around the globe, including England, Ireland, Peru, France, Australia, and Belgium. |
| creative writing mfa programs in georgia: The Creative Writing MFA Handbook Tom Kealey, 2005-01-01 Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice. |
| creative writing mfa programs in georgia: Introduction to Public Affairs IntroBooks Team, Each and every organization needs to develop a good strategy for public affairs. Public affairs have received such kind of importance in today's world because no organization can survive in isolation. Every institution requires other institutions as well as the public that act as the customer, the decision-maker as well as the employees that can make or break the image of an organization. With the advent of technology, this task has become easier for managers. The information could be disseminated at a very low cost with the use of mass media and socializing websites. Creating a good image for an institution has become relatively much easier, but this comes with the negative fact that the dissolution of the image has also become an easy task. Public affairs have been increasingly given importance in the corporate world as increased competition has resulted in excess marketing and advertising campaigns that are used to create a Goodwill for the company. There are various tools under public affairs that are used by various organizations in order to fulfill their objectives and goals in the long run. |
| creative writing mfa programs in georgia: Outrun the Wind Elizabeth Tammi, 2018-11-27 The Huntresses of Artemis must obey two rules: never disobey the goddess, and never fall in love. But when Kahina encounters the legendary warrior Atalanta on a routine mission, a dangerous line is crossed and both girls learn that their actions have consequences and rules were made to be broken. |
| creative writing mfa programs in georgia: The Insider's Guide to Graduate Degrees in Creative Writing Seth Abramson, 2018-06-14 There are so many different graduate creative writing programs out there! How do I find the right one for me? Bringing together data from both Master's and doctoral creative writing programs and interviews with program applicants, students, and faculty, this is a complete practical guide to choosing a graduate creative writing program and putting together a successful application. The Insider's Guide to Graduate Degrees in Creative Writing answers frequently asked questions on such topics as: · Application prerequisites · Program sizes and durations · Funding · Acceptance rates · Cost of living · Program curricula and demographics · Workshopping techniques · Student-faculty ratios · Residency options · Postgraduate fellowship placement · Postgraduate job placement · Programs' reputations and histories The book also includes comprehensive and up-to-date hard data on the hundreds of terminal-degree graduate creative writing programs available throughout the US, UK, and internationally, making this an essential read for anyone planning to pursue a low- or full-residency graduate creative writing degree. |
| creative writing mfa programs in georgia: The Great Fires Jack Gilbert, 2013-09-11 JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of silence, exile, and cunning could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The far, stubborn, disastrous course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments. |
| creative writing mfa programs in georgia: MFA Vs NYC Chad Harbach, 2014-02-25 Writers write—but what do they do for money? In a widely read essay entitled MFA vs NYC, bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters. |
| creative writing mfa programs in georgia: The Eleventh Trade Alyssa Hollingsworth, 2018-09-18 From debut author Alyssa Hollingsworth comes a story about living with fear, being a friend, and finding a new place to call home. They say you can't get something for nothing, but nothing is all Sami has. When his grandfather’s most-prized possession—a traditional Afghan instrument called a rebab—is stolen, Sami resolves to get it back. He finds it at a music store, but it costs $700, and Sami doesn’t have even one penny. What he does have is a keychain that has caught the eye of his classmate. If he trades the keychain for something more valuable, could he keep trading until he has $700? Sami is about to find out. The Eleventh Trade is both a classic middle school story and a story about being a refugee. Alyssa Hollingsworth tackles a big issue with a light touch. 2020 UKLA Award Winner |
| creative writing mfa programs in georgia: The Antidote for Everything Kimmery Martin, 2021-07-13 In this whip-smart and timely novel from acclaimed author Kimmery Martin, two doctors travel a surprising path when they must choose between treating their patients and keeping their jobs. Georgia Brown’s profession as a urologist requires her to interact with plenty of naked men, but her romantic prospects have fizzled. The most important person in her life is her friend Jonah Tsukada, a funny, empathetic family medicine doctor who works at the same hospital in Charleston, South Carolina and who has become as close as family to her. Just after Georgia leaves the country for a medical conference, Jonah shares startling news. The hospital is instructing doctors to stop providing medical care for transgender patients. Jonah, a gay man, is the first to be fired when he refuses to abandon his patients. Stunned by the predicament of her closest friend, Georgia’s natural instinct is to fight alongside him. But when her attempts to address the situation result in incalculable harm, both Georgia and Jonah find themselves facing the loss of much more than their careers. |
| creative writing mfa programs in georgia: Monsoon Mansion Cinelle Barnes, 2018 Told with a lyrical, almost-dreamlike voice as intoxicating as the moonflowers and orchids that inhabit this world, Monsoon Mansion is a harrowing yet triumphant coming-of-age memoir exploring the dark, troubled waters of a family's rise and fall from grace in the Philippines. It would take a young warrior to survive it. Cinelle Barnes was barely three years old when her family moved into Mansion Royale, a stately ten-bedroom home in the Philippines. Filled with her mother's opulent social aspirations and the gloriously excessive evidence of her father's self-made success, it was a girl's storybook playland. But when a monsoon hits, her father leaves, and her mother's terrible lover takes the reins, Cinelle's fantastical childhood turns toward tyranny she could never have imagined. Formerly a home worthy of magazines and lavish parties, Mansion Royale becomes a dangerous shell of the splendid palace it had once been. In this remarkable ode to survival, Cinelle creates something magical out of her truth--underscored by her complicated relationship with her mother. Through a tangle of tragedy and betrayal emerges a revelatory journey of perseverance and strength, of grit and beauty, and of coming to terms with the price of family--and what it takes to grow up. |
| creative writing mfa programs in georgia: Leadbelly Tyehimba Jess, 2005 National Poetry Series winner makes compelling poetry from the tumultuous life of blues singer Leadbelly. |
| creative writing mfa programs in georgia: My Chinese-America Allen Gee, 2015-04-01 Eloquently written essays about aspects of Asian American life comprise this collection that looks at how Asian-Americans view themselves in light of America's insensitivities, stereotypes, and expectations. My Chinese-America speaks on masculinity, identity, and topics ranging from Jeremy Lin and immigration to profiling and Asian silences. This essays have an intimacy that transcends cultural boundaries, and casts light on a vital part of American culture that surrounds and influences all of us. |
| creative writing mfa programs in georgia: Southbound Anjali Enjeti, 2021-04-15 A move at age ten from a Detroit suburb to Chattanooga in 1984 thrusts Anjali Enjeti into what feels like a new world replete with Confederate flags, Bible verses, and whiteness. It is here that she learns how to get her bearings as a mixed-race brown girl in the Deep South and begins to understand how identity can inspire, inform, and shape a commitment to activism. Her own evolution is a bumpy one, and along the way Enjeti, racially targeted as a child, must wrestle with her own complicity in white supremacy and bigotry as an adult. The twenty essays of her debut collection, Southbound, tackle white feminism at a national feminist organization, the early years of the AIDS epidemic in the South, voter suppression, gun violence and the gun sense movement, the whitewashing of southern literature, the 1982 racialized killing of Vincent Chin, social media’s role in political accountability, evangelical Christianity’s marriage to extremism, and the rise of nationalism worldwide. In our current era of great political strife, this timely collection by Enjeti, a journalist and organizer, paves the way for a path forward, one where identity drives coalition-building and social change. |
| creative writing mfa programs in georgia: Unsun Andrew Zawacki, 2019-09-24 In his fifth poetry volume, American poet Andrew Zawacki expands his inquiry into the possibilities and dangers of a ‘global pastoral,’ exploring geographies alternately enhanced and flattened out by digital networks, international transit, the uneven and invisible movements of capital, and the unrelenting feedback loops of data surveillance, weather disaster, war. Wheeling interference patterns of systems of meaning, from radio signals and runway signage to foreign phrases and babytalk, interact with the ‘langscape’ of English, while punctuation is retrofitted as coding. In creating a politically committed lyric form that opens all the dimensions of language – sonic and semantic, syntactic and graphic – Unsun sustains an oblique conversation with Paul Celan’s Fadensonnen, Chris Marker’s Sans soleil, and Michael Palmer’s Sun. Loosely structured by the settings of analog photography, the book features a suite of the author’s black-and-white, large format images alongside an adaptation of Tang Dynasty poet Wang Wei and a series of fractured sonnets for – and from – his young daughter. |
| creative writing mfa programs in georgia: Poems for Political Disaster Timothy Donnelly, B. K. Fischer, Stefania Heim, Matt Lord, 2019-04-23 In time of crisis, we summon up our strength, wrote poet Muriel Rukeyser. This collection gathers poems—from the eve of the twenty-first century to the month following Trump's election—to mark a moment of political rupture, summoning the collective strength found in the languages of resistance and memory, subversion and declamation, struggle and hope. Poetry is a counterforce. We offer these poems to readers as Rukeyser did—not walls, but human things, human faces. |
| creative writing mfa programs in georgia: The Man Grave Christopher Salerno, 2021-10-12 Winner of the 2020 Lexi Rudnitsky Editor’s Choice Award, poems that consider and attempt to allay toxic masculinity The Man Grave portrays the corrosiveness, violence, and loneliness of all-too-familiar strains of American masculinity. In perceptive and moving poems, Christopher Salerno explores patriarchy, boyhood, lust, misogyny and homophobia, infertility, and family in an effort to diagnose—and remedy—inherited patterns of manliness. “Have I / made it any further than my father / in his laughter, before his slaughter?” Salerno writes. His new collection is a moving and generous answer. |
| creative writing mfa programs in georgia: Your First Page Peter Selgin, 2017-11-27 |
| creative writing mfa programs in georgia: Love Letters to Michigan Christine M. Lasek, 2016 Fiction. These patient, heartfelt stories of Midwestern life are shadowed by loss, by straightened economic circumstances (they're also, not coincidentally, stories of tenuous middle class life), by loneliness. And yet they also glow with an affecting and very human stoicism; their quiet desperation matched by a quiet decency amounting to hope. These characters endure, as their stories deserve to. |
| creative writing mfa programs in georgia: White Lung Kimberly O'Connor, 2021-10-15 |
| creative writing mfa programs in georgia: The Next American Essay John D'Agata, 2003-02 A collection of nonfiction essays on such topics as culture, myth, history, romance, and sex includes contributions by such authors as Guy Davenport, Annie Dillard, Jamaica Kincaid, and Susan Sontag. In this singular collection, John D'Agata takes a literary tour of lyric essays written by the masters of the craft. Beginning with 1975 and John McPhee's ingenious piece, the Search for Marvin Gardens, D'Agata selects an example of creative nonfiction for each subsequent year. These essays are unrestrained, elusive, explosive, mysterious, a personal lingual playground. They encompass and illuminate culture, myth, history, romance, and sex. Each essay is a world of its own, a world so distinctive it resists definition. |
| creative writing mfa programs in georgia: Love and the Eye Laura Newbern, 2010 In Love and the Eye there is no world. only images of a world holding so fast to us we are more nature than human, more landscape than flesh. There is a delicate elegance in the shifting gaze of these poems. One leans into their beauty because of all the ways they do not settle down. because of all the ways they insist on seeing---Claudia Rankine Here is a voice that will stay with you long after the book is closed and safely on your shelf. A haunting, once-upon-a-time voice. as if a wide-eyed child lost in the woods forever and a day emerged. finally, to speak: A lark flew through the word so/l loved it. With the lightest of touches. Newbern has given us a touching and magical book---Alice Friman Nothing is out of reach for this very fine poet---not childhood or love, not the old, the mad, the body, not Gandhi's ashes or caves in greece. To grieve is my occupation. she tells us as she opens so much more...speaking of a thing a told so deeply into my ear it would begin/to bloom there.---Marianne Boruch Love and the Eye is playful and grave, wry and intimate. self-deprecating and passionate. It is precise and yet has the sideways movement of dreams. Newbern speaks in a voice completely her own, showing us everything from an angle we hadn't seen with surprising and revelatory clarity. A book to be welcomed and cherished.---Reginald Gibbons Newbern gives us a transformative vision in which beauty is evident everywhere: mosquitoes as a thousand/black lace stars/hugging the white walls: sadness that hangs.../like a sumptuous grape. Shining sadness limns these poems---quiet grief like the dark edge of a cloud or field: ever-present and capable of making one who loves love harder.---Natasha Trethewey |
| creative writing mfa programs in georgia: The Laughing Place Pam Durban, 1993 John and Louise Vess have conducted their lives seamlessly and honorably in the South Carolina home that has been in their family for generations. Upon John's sudden death, their daughter Annie-also a recent widow-returns to comfort Louise. But Annie finds all has changed: a gigantic artificial lake has flooded the woods she remembers, her sensible mother spouts born-again homilies, and her father's reputation is threatened by a long-hidden scandal. |
| creative writing mfa programs in georgia: Better Never Than Late CHIKA. UNIGWE, 2019-09-03 |
| creative writing mfa programs in georgia: Graduate Programs in the Humanities, Arts & Social Sciences 2014 (Grad 2) Peterson's, 2013-11-22 Peterson's Graduate Programs in the Humanities, Arts & Social Sciences 2014 contains comprehensive profiles of more than 11,000 graduate programs in disciplines such as, applied arts & design, area & cultural studies, art & art history, conflict resolution & mediation/peace studies, criminology & forensics, language & literature, psychology & counseling, religious studies, sociology, anthropology, archaeology and more. Up-to-date data, collected through Peterson's Annual Survey of Graduate and Professional Institutions, provides valuable information on degree offerings, professional accreditation, jointly offered degrees, part-time and evening/weekend programs, postbaccalaureate distance degrees, faculty, students, requirements, expenses, financial support, faculty research, and unit head and application contact information. There are helpful links to in-depth descriptions about a specific graduate program or department, faculty members and their research, and more. There are also valuable articles on financial assistance, the graduate admissions process, advice for international and minority students, and facts about accreditation, with a current list of accrediting agencies. |
| creative writing mfa programs in georgia: Creative Writing in the Community Terry Ann Thaxton, 2013-11-07 Creative Writing in the Community is the firstbook to focus on the practical side of creative writing. Connecting classroomexperiences to community-based projects, it prepares creative writing studentsfor teaching in schools, homeless centres, youth clubs and care homes. Each chapteris packed with easy-to-use resources including: specific lesson plans; case studies of students working with community groups; lists of suitable writing examples; how to... sections; examples and theoretical applications of creative writing pedagogy and techniques; reflection questions; writings by workshop participants. Enhanced by contributions from directors,students and teachers at successful public programs, Creative Writing in the Community is more than an essential guidefor students on creative writing courses and leaders of community-basedlearning programs; it is practical demonstration of the value of art insociety. |
Creative Labs (United States) | Sound Blaster Sound Cards, Super …
Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
Creative Labs (United States) | Sound Blaster Sound Cards, Super …
Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
