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| creative writing four genres in brief: Creative Writing: Four Genres in Brief David Starkey, 2016-12-16 How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama -- over the course of only one semester? In Creative Writing: Four Genres in Brief, David Starkey offers some solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in the basics of writing poetry, fiction, creative nonfiction, and drama; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate. In the third edition, in response to reviewer requests, the literature and writing prompts have been significantly refreshed and expanded, while new treatment of getting published and the growing trend of hybrid creative writing have been added. |
| creative writing four genres in brief: Academic Writing Now: A Brief Guide for Busy Students David Starkey, 2015-06-15 This is a book for real students, people with full and active lives. Academic Writing Now: A Brief Guide for Busy Students covers the basics of the introductory college writing course in a concise, student-friendly format. Each chapter concentrates on a crucial element of composing an academic essay and is capable of being read in a single sitting. The book also includes numerous “timesaver tips,” along with warnings about frequent student errors—all designed to help students make the most of one of their most limited and precious resources: time. |
| creative writing four genres in brief: The Cambridge Introduction to Creative Writing David Morley, 2007-05-10 Publisher description |
| creative writing four genres in brief: Bending Genre Margot Singer, Nicole Walker, 2013-03-14 Ever since the term creative nonfiction first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today’s leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer’s innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. |
| creative writing four genres in brief: Imaginative Writing Janet Burroway, 2011 Janet Burroway's bestselling Imaginative Writng: The Elements of Craft explores the craft of creative writing in four genres: Fiction, Poetry, Drama, and Creative Nonfiction. A trade author as well as a professor of creative writing, Burroway brings her years of teaching and writing to this book. Try-This exercises appear throughout each chapter. Provocative and fun, these exercises help writers develop the specific writing skills discussed within the text. Working toward a draft exercises encourage writers to develop their ideas into complete drafts. In response to reviewer requests, the preface Invitation to the Writer has been expanded into a full chapter. This new chapter introduces writers to important skills such as reading like a writer, journaling, and participating in the writer's workshop. This book offers lots of ideas and encouragement at a great price! |
| creative writing four genres in brief: Genre in a Changing World Charles Bazerman, Adair Bonini, 2009-09-16 Genre studies and genre approaches to literacy instruction continue to develop in many regions and from a widening variety of approaches. Genre has provided a key to understanding the varying literacy cultures of regions, disciplines, professions, and educational settings. GENRE IN A CHANGING WORLD provides a wide-ranging sampler of the remarkable variety of current work. The twenty-four chapters in this volume, reflecting the work of scholars in Europe, Australasia, and North and South America, were selected from the over 400 presentations at SIGET IV (the Fourth International Symposium on Genre Studies) held on the campus of UNISUL in Tubarão, Santa Catarina, Brazil in August 2007—the largest gathering on genre to that date. The chapters also represent a wide variety of approaches, including rhetoric, Systemic Functional Linguistics, media and critical cultural studies, sociology, phenomenology, enunciation theory, the Geneva school of educational sequences, cognitive psychology, relevance theory, sociocultural psychology, activity theory, Gestalt psychology, and schema theory. Sections are devoted to theoretical issues, studies of genres in the professions, studies of genre and media, teaching and learning genre, and writing across the curriculum. The broad selection of material in this volume displays the full range of contemporary genre studies and sets the ground for a next generation of work. |
| creative writing four genres in brief: Serious Daring Lisa Roney, 2015 Top Three Reasons to Adopt This Book * Flexible Structure. This innovative text features a flexible organization that allows for different course structures and various teaching approaches. * Practical Lessons. In addition to a comprehensive introduction to Creative Writing craft, the book provides practical tips and poses questions to prepare students for continuing their writing lives long term. * Fresh Readings. The anthology offers up a fresh mix of classic and newer reading selections that promote step-by-step instruction in the craft and encourage further discussion. |
| creative writing four genres in brief: Teaching Writing Creatively David Starkey, 1998 Teaching Writing Creatively represents a challenge to conventional notions of genre. It seeks to break down the artificial, antiquated barriers between creative and academic writing, making the writing classroom experience a more imaginative one. Teaching Writing Creatively features many of the most respected names in composition-instructors with long, successful histories of providing teachers with functional yet inventive methods of teaching writing. The collection begins with articles that assert that all good writing must be, in some important sense, creative. These contributors offer accounts of the transformation of their composition classrooms; essays that demonstrate that good student writing is only marginally about genre; and a critique of the creative writing workshop as a model for the composition class. Part II offers a variety of ways to approach the teaching of writing as a creative endeavor. It includes articles on helping students better understand their own writing processes and suggestions on alternative composing strategies and their classroom applications. The contributors to the final section offer a variety of new approaches to creative writing that can be successfully applied to expository writing courses as well. Student-centered and process-oriented, Teaching Writing Creatively is a book writing instructors will find immediately useful-particularly composition instructors who feel hemmed in by the conventional expectations of writing courses and creative writing instructors looking to take advantage of the latest innovations in composition studies. |
| creative writing four genres in brief: The College Handbook of Creative Writing Robert DeMaria, 2012-12-05 Hone your creative writing skills with this best-selling, portable little handbook! Ideal for all levels of writing from introductory to advanced, THE COLLEGE HANDBOOK OF CREATIVE WRITING, Fourth Edition, covers all the necessary fundamentals for creative writing in the genres of fiction, poetry, and drama. Exploring theme, setting, characters, plot, point of view, tone, style, description, dialogue, thoughts, time, images, and sounds, the handbook includes contemporary and classic selections that serve as writing models, as well as end-of-chapter exercises and writing suggestions that help you practice fundamental writing skills. A glossary of literary terms and a bibliography complete this concise book. This edition includes updated selections, more examples, revised exercises, and a revised Chapter 14, Writing as a Career. |
| creative writing four genres in brief: Keywords in Creative Writing Wendy Bishop, David Starkey, 2006-01-15 Wendy Bishop and David Starkey have created a remarkable resource volume for creative writing students and other writers just getting started. In two- to ten-page discussions, these authors introduce forty-one central concepts in the fields of creative writing and writing instruction, with discussions that are accessible yet grounded in scholarship and years of experience. Keywords in Creative Writing provides a brief but comprehensive introduction to the field of creative writing through its landmark terms, exploring concerns as abstract as postmodernism and identity politics alongside very practical interests of beginning writers, like contests, agents, and royalties. This approach makes the book ideal for the college classroom as well as the writer’s bookshelf, and unique in the field, combining the pragmatic accessibility of popular writer’s handbooks, with a wider, more scholarly vision of theory and research. |
| creative writing four genres in brief: Crafting Truth Bruce Ballenger, 2011 Crafting Truth introduces the reader to the craft of creative nonfiction by showing them models from the best nonfiction writers and offering plentiful exercises to help them more artfully tell true stories. |
| creative writing four genres in brief: The Fourth Genre Robert L. Root, Michael Steinberg, 2012 This best-selling anthology is a comprehensive and indispensable introduction to the way creative nonfiction is written today. The Fourth Genre offers the most comprehensive, teachable, and current introduction available today to the cutting-edge, evolving genre of creative nonfiction. While acknowledging the literary impulse of nonfiction to be a fourth genre equivalent to poetry, fiction, and drama, this text focuses on subgenres of the nonfiction form, including memoir, nature writing, personal essays, literary journalism, cultural criticism, and travel writing. This anthology was the first to draw on the common ground of the practicing writer and the practical scholar and to make the pedagogical connections between creative writing practice and composition theory, bridging some of the gaps between the teaching of composition, creative writing, and literature in English departments. |
| creative writing four genres in brief: The Bedford Book of Genres: A Guide Amy Braziller, Elizabeth Kleinfeld, 2014-01-17 In a striking full-color visual format, The Bedford Book of Genres collects compelling examples that tell stories, report information, and persuade their audiences and then invites students to unpack how they work in order to experiment with their own compositions—not only through writing, but through photography, sketching, audio recording, and other creative forms. The Guide presents a simple rhetorical framework for reading in any genre and supports students through every step of the composing process, from finding a topic and sources to choosing a genre, presenting your work, and creating an author’s statement about your composing choices. Guided Readings—in print and e-Pages—map out the rhetorical situation and conventions of common public and academic genres, while Guided Process sections follow the decisions that 5 real students made as they worked in multiple genres and media. With 16 topic clusters and a range of readings from short visual arguments to longer, more complex pieces, the Reader gives students a wealth of sources, models, and inspiration for their own compositions. |
| creative writing four genres in brief: If You Want to Write Brenda Ueland, 2013-05-20 Brenda Ueland was a journalist, editor, freelance writer, and teacher of writing. In If You Want to Write: A Book about Art, Independence and Spirit she shares her philosophies on writing and life in general. Ueland firmly believed that anyone can write, that everyone is talented, original, and has something important to say. In this book she explains how find that spark that will make you a great writer. Carl Sandburg called this book the best book ever written about how to write. Join the millions of others who've found inspiration and unlocked their own talent. |
| creative writing four genres in brief: Sin and Syntax Constance Hale, 2013-08-13 A fully revised and updated edition with writing prompts and challenges in every chapter Today’s writers need more spunk than Strunk: whether it's the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone. With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to: *Distinguish between words that are “pearls” and words that are “potatoes” * Avoid “couch potato thinking” and “commitment phobia” when choosing verbs * Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you're doing) Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax—now celebrating 20 years in print—is the guide you need to improve your command of the English language. |
| creative writing four genres in brief: Many Genres, One Craft Michael A. Arnzen, Heidi Ruby Miller, 2011 In Many Genres, One Craft, award-winning author Michael A. Arnzen and Heidi Ruby Miller gather the voices of today's top genre writers and writing instructors alongside their published students. It fosters the writing process in a way that focuses almost exclusively on writing the novel. Using a compilation of instructional articles penned by well-known authors affiliated with Seton Hill University's acclaimed MFA program in Writing Popular Fiction, the book emphasizes how to write genre novels and commercially appealing fiction. The articles are modeled after actual learning modules that have successfully taught students in the program how to reach a wider audience for over a decade. |
| creative writing four genres in brief: Creative Writing: Four Genres in Brief David Starkey, 2012-12-21 How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama — over the course of only one semester? In Creative Writing: Four Genres in Brief, David Starkey offers some solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in the basics of writing poetry, fiction, creative nonfiction, and drama; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate. |
| creative writing four genres in brief: The Psychology of Creative Writing Scott Barry Kaufman, James C. Kaufman, 2009-06-29 The Psychology of Creative Writing takes a scholarly, psychological look at multiple aspects of creative writing, including the creative writer as a person, the text itself, the creative process, the writer's development, the link between creative writing and mental illness, the personality traits of comedy and screen writers, and how to teach creative writing. This book will appeal to psychologists interested in creativity, writers who want to understand more about the magic behind their talents, and educated laypeople who enjoy reading, writing, or both. From scholars to bloggers to artists, The Psychology of Creative Writing has something for everyone. |
| creative writing four genres in brief: This Can't Be Happening at Macdonald Hall! Gordon Korman, 2014-11-25 In the #1 New York Times–bestselling author’s first book, the troublemaking team of Bruno and Boots wages war—and school will never be the same. The basis for the movie now streaming on TubiTV Bruno and Boots are always in trouble. So the Headmaster, aka “The Fish” decides it would be best to separate them. Bruno must now room with ghoulish Elmer Dimsdale, plus his plants, goldfish, and ants. And Boots is stuck with nerdy, preppy, paranoid George Wexford-Smyth III. Of course, this means war. Because Bruno and Boots are determined to get their old room back, no matter what it takes. Praise for the Bruno & Boots series “Korman has a unique talent for creating genuinely funny, roll-on-the-floor, laugh-out-loud books. All of his many books are bestsellers, a testament to his popularity with kids.” —Quill & Quire “A hilarious series.” —Booklist “Korman’s vibrant dialogue and breakneck action are the highlights of this merry romp . . . Laughs are as plentiful as [Bruno and Boots’s] misadventures.” —Publishers Weekly |
| creative writing four genres in brief: Why I Write George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| creative writing four genres in brief: The Los Angeles Diaries James Brown, 2011-03-10 Plagued by the suicides of both his siblings, and heir to alcohol and drug abuse, divorce, and economic ruin, James Brown lived a life clouded by addiction, broken promises, and despair. In The Los Angeles Diaries, he reveals his struggle for survival, mining his past to present the inspiring story of his redemption. Beautifully written and limned with dark humor, these twelve deeply confessional, interconnected chapters address personal failure, heartbreak, the trials of writing for Hollywood, and the life–shattering events that finally convinced Brown that he must change or die. In Snapshot, Brown is five years old and recalls the night his mother sets fire to an apartment building down the street. In Daisy, Brown purchases a Vietnamese potbellied pig for his wife to atone for his sins, only to find the pig's bulk growing in direct proportion to the tensions in his marriage. Harrowing and brutally honest, The Los Angeles Diaries is the chronicle of a man on a collision course with life, who ultimately finds the strength and courage to conquer his demons and believe once more. |
| creative writing four genres in brief: Becoming a Writer Dorothea Brande, 2024-07-28 Unlock your writing potential with Dorothea Brande's classic guide, Becoming a Writer. This book provides aspiring writers with essential tools and techniques to develop their craft and cultivate a disciplined writing habit. Brande's practical advice and inspirational insights will empower you to overcome creative blocks and bring your literary dreams to life. Start your journey towards becoming a confident and successful writer today. |
| creative writing four genres in brief: Living Blue in the Red States David Starkey, 2007-09 In the wake of George W. Bush's reelection, a provocative study looks at the goals, values, and attitudes of politically progressive writers living in so-called conservative red states, featuring contributions by Jonis Agee, Stephen Corey, Robin Hemley, Lee Martin, David Morrell, and David Romtvedt, who offer an insightful look at American politics and issues. Original. |
| creative writing four genres in brief: The Way of Kings Brandon Sanderson, 2014-03-04 A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series |
| creative writing four genres in brief: The Beginnings of Writing Charles A. Temple, Ruth Nathan, Codruta Temple, 2012-09-17 In The Beginnings of Writing, the authors give the clearest, most comprehensive source on young children's development of writing, illustrating every concept with student artifacts.From scribbles and invented spelling to composition, this book also presents the most careful attention to children's development available, illuminating what they are trying to do as they write. Teachers who want to understand each child's present challenges and successes as (s)he develops competence in writing--and then offer appropriate instruction and support at each point in the child's learning--can turn to this highly popular, well-respected book for practical, clear guidance. In it readers get a detailed story of children's development of writing, from scribbles to letters; from imaginative inventions to conventional spelling; and from enthusiastic and boisterous utterances on paper to effectively structured compositions. The guide covers best practices for teaching handwriting, spelling, and composition and gives readers a rich understanding of our English writing system, from its amazing past to its complicated present, providing teachers with a wealth of instructive and fascinating answers to the question, But why do we do it this way? The Beginnings of Writing broke new ground when the First Edition appeared over 30 years ago and it remains the clearest and most comprehensive explanation of children's development of writing. It tells the story of the English writing system, along with our composition from the ancient Roman schools rhetoric to the genres of writing recognized today. An introductory chapter is followed by sections on early graphics, invented spelling, and composition. New information is included in each section. |
| creative writing four genres in brief: Starkey's Book of States David Starkey, 2007-05 From North Dakota, where emptiness / takes up a lot / of space, to Alabama, where a mother offers nothing / Less than plenty, David Starkey's poems mark him as nothing less than a fool / For life. His book gives us a fireworks display of creativity as varied and strange as the states it conjures. We scoot along here in a word-RV bound for just about everywhere, from North Carolina, which possesses, so Starkey claims, an atomic peanut (while Texas doesn't, but provides blowing sage) to D. C., memorable for kids in the backseat who won't shut up, to Connecticut centered on publish or perish at Yale. The wonders here depend on constant shifts of focus: sometimes the poems inhabit personae-Thoreau, Sojourner Truth, Elvis (not in Tennessee but in Wisconsin)-sometimes they speak for the poet as memoir; always they surprise and thrill with their oddity of attack, their tart-voiced fearlessness, their range of subject as vast as the great country they so fully evoke. -Barry Spacks, Santa Barbara Poet Laureate The book is illustrated by Rafael Perea de la Cabada |
| creative writing four genres in brief: Writing That Works: Communicating Effectively on the Job with 2020 APA Update Gerald J. Alred, Walter E. Oliu, Charles T. Brusaw, 2020-04-01 More than ever, Writing That Works is the right choice for the most up-to-date coverage of business writing. Real-world model documents are grounded in their rhetorical contexts to guide students in navigating the increasingly complex world of business writing. Now in full-color, the thirteenth edition continues to reflect the central role of technology in the office and the classroom, showcasing the most current types of business documents online and in print, providing succinct guidelines on selecting the appropriate medium for your document, communication, or presentation, and featuring new advice on creating a personal brand as part of a successful job search. Also available as an e-book and in loose-leaf, Writing that Works offers robust but accessible coverage at an affordable price. |
| creative writing four genres in brief: The Office of Historical Corrections Danielle Evans, 2020-11-10 WINNER OF THE 2021 JOYCE CAROL OATES PRIZE NAMED A BEST BOOK OF 2020 BY O MAGAZINE, THE NEW YORKER, THE WASHINGTON POST, REAL SIMPLE, THE GUARDIAN, AND MORE FINALIST FOR: THE STORY PRIZE, THE L.A. TIMES BOOK PRIZE, THE ASPEN WORDS LITERARY PRIZE, THE CHAUTAUQUA PRIZE “Sublime short stories of race, grief, and belonging . . . an extraordinary new collection . . .” —The New Yorker “Evans’s new stories present rich plots reflecting on race relations, grief, and love . . .” —The New York Times Book Review, Editor’s Choice “Danielle Evans demonstrates, once again, that she is the finest short story writer working today.” —Roxane Gay, The New York Times–bestselling author of Difficult Women and Bad Feminist The award-winning author of Before You Suffocate Your Own Fool Self brings her signature voice and insight to the subjects of race, grief, apology, and American history. Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight. In “Boys Go to Jupiter,” a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In “Richard of York Gave Battle in Vain,” a photojournalist is forced to confront her own losses while attending an old friend’s unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk. |
| creative writing four genres in brief: Exploring Movie Construction and Production John Reich, 2017-07-10 Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student. |
| creative writing four genres in brief: Corrupt Penelope Douglas, 2023-11-07 Dreams might be a heart’s desire, but nightmares are its obsession in the first novel of a dark romance series from New York Times bestselling author Penelope Douglas. Erika Fane’s boyfriend's older brother is handsome, strong, and completely terrifying. The star of his college's basketball team gone pro, he's more concerned with the dirt on his shoe than he is with her. But she saw him. She heard him. The things that he did, and the deeds that he hid... For years, Erika bit her nails, unable to look away. Now, she’s in college, but she hasn’t stopped watching him. He’s bad and the things she’s seen aren’t content to stay in her head anymore. Because he's finally noticed her. But Michael Crist knows the hold he has on Rika, how much she fears him. She looks down when he enters the room and stills when he’s close. He knows she thinks only of him. When Michael’s brother leaves for the military, leaving Rika alone and unprotected, he knows the opportunity is too good to be true. Three years ago she put Michael’s friends in prison, and now they’re free. Every last one of her nightmares is about to come true. |
| creative writing four genres in brief: Hello, Writer. David Starkey, 2021-09-23 Hello, Writer: An Academic Writing Guide, developed for the first-year composition course with corequisite support, combines familiar academic writing and reading topics with a fresh and flexible approach that works in multiple teaching and learning contexts and with a range of college writers. Support for common first-year writing assignments—such as analyzing a text, arguing a position, and presenting research—sits side by side with support for first-year writers. Drawing heavily on principles of learning science and psychology and facilitating engagement through practice and reflection, this purposes-driven rhetoric offers a foundation for today’s high-challenge, high-support corequisite learning models. Reading strategies, noncognitive learning, and plenty of scaffolding pair easily with David Starkey’s easy-going conversational style. It’s an upbeat composition text that takes college success very seriously. Hello, Writer looks squarely at first-year students and says: You can do it. You belong here. You are a writer. What’s more, Achieve with Hello, Writer offers guided practice and facilitates writing, revision, reflection, and peer review—all in a powerful online platform designed to build skills, spark engagement, and boost confidence. |
| creative writing four genres in brief: How to Read Like a Writer Mike Bunn, When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do? |
| creative writing four genres in brief: Write Moves: A Creative Writing Guide and Anthology Nancy Pagh, 2016-08-04 Write Moves is an invitation for the student to understand and experience creative writing in the larger frame of humanities education. The practical instruction offered comes in the form of “moves” or tactics for the apprentice writer to try. But the title also speaks to a core value of this project: that creative writing exists to move us. The book focuses on concise, human-voiced instruction in poetry, the short story, and the short creative nonfiction essay. Emphasis on short forms allows the beginning student to appreciate lessons in craft without being overwhelmed by lengthy model texts; diverse examples of these genres are offered in the anthology. |
| creative writing four genres in brief: One Dark Window Rachel Gillig, 2022-09-27 THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him. |
| creative writing four genres in brief: Write Tight William Brohaugh, 2007-09-01 These days, most creative-writing courses teach self-indulgence. Write Tight counsels discipline. It is worth more than a university education. Its advice is gold.—Dean Koontz, New York Times bestselling author Unlock the true potential of your writing! The go-to writing reference book for learning how to write in a concise, persuasive way. Whether you're a professional author, a student, a business communicator, or anyone seeking to elevate their writing skills, this book is your ultimate guide to crafting concise, impactful, and persuasive prose. In this comprehensive writing manual, William Brohaugh, former editor of Writer's Digest, shares invaluable techniques to sharpen your writing, enabling you to communicate with crystal-clear precision and harness the full power of your words. Through easy-to-follow lessons and practical exercises, you'll learn to eradicate wordiness, eliminate redundancies, and distill complex ideas into compelling, straightforward sentences. Precision is Key: Unleash the strength of succinct language to make your point with unwavering clarity, keeping readers engaged and informed. Power-Packed Prose: Transform your writing into a force to be reckoned with, as you master the art of impactful expression that leaves a lasting impression. Effective Editing: Learn step-by-step techniques for revising and polishing your work, ensuring every word serves a purpose and contributes to your overall message. Concise Communication: Craft persuasive emails, reports, essays, and stories that captivate your audience and drive your intended message home. With Write Tight, you'll elevate your writing skills to new heights, captivating readers and leaving them inspired by your powerful prose. |
| creative writing four genres in brief: Creative Writing: An Introduction to Poetry and Fiction David Starkey, 2013-09-19 Creative Writing: An Introduction to Poetry and Fiction is a brief guide that offers plenty of options for the two-genre creative writing course. Adapted from David Starkey’s successful Creative Writing: Four Genres in Brief, it starts with lively and highly-praised instruction on the basics of reading and writing poetry and fiction. Then it presents a wide and versatile selection of model contemporary poems and stories for students to admire and emulate. Throughout, it offers a range of checklists to help students shape their poems and stories, as well as inventive assignments to fire students’ imaginations and get them creating on their own. |
| creative writing four genres in brief: Diary as Literature: Through the Lens of Multiculturalism in America Angela R. Hooks, 2020-02-20 Meandering plots, dead ends, and repetition, diaries do not conform to literary expectations, yet they still manage to engage the reader, arouse empathy and elicit emotional responses that many may be more inclined to associate with works of fiction. Blurring the lines between literary genres, diary writing can be considered a quasi-literary genre that offers a unique insight into the lives of those we may have otherwise never discovered. This edited volume examines how diarists, poets, writers, musicians, and celebrities use their diary to reflect on multiculturalism and intercultural relations. Within this book, multiculturalism is defined as the sociocultural experiences of underrepresented groups who fall outside the mainstream of race, ethnicity, religion, gender, sexual orientation, disability, and language. Multiculturalism reflects different cultures and racial groups with equal rights and opportunities, equal attention and representation without assimilation. In America, the multicultural society includes various cultural and ethnic groups that do not necessarily have engaging interaction with each other whereas, importantly, intercultural is a community of cultures who learn from each other, and have respect and understand different cultures. Presented as a collection of academic essays and creative writing, The Diary as Literature Through the Lens of Multiculturalism in America analyses diary writing in its many forms from oral diaries and memoirs to letters and travel writing. Divided into three sections: Diaries of the American Civil War, Diaries of Trips and Letters of Diaspora, and Diaries of Family, Prison Lyrics, and a Memoir, the contributors bring a range of expertise to this quasi-literary genre including comparative and transatlantic literature, composition and rhetoric, history and women and gender studies. |
| creative writing four genres in brief: About Writing Robin Jeffrey, 2016 |
| creative writing four genres in brief: What Just Happened David Starkey, 2021-08-03 In What Just Happened: 210 Haiku Against the Trump Presidency (a Satire), David Starkey memorializes each week of Donald Trump's four years in office with a single haiku. While the poems sizzle with dismay and disbelief, they are often tempered by dark comedy as Starkey catalogues Trump's outrages in lines you won't soon forget. Here's a book of high-speed history for you, friends. It's easy to forget the Trump years, probably because we want to. But if we are to remember the past so as not to repeat it, David Starkey makes it easy and even pleasant to do so by wrapping each of the president's gaffes in that most durable of poetical forms, the haiku. Literature is news that stays news, says Pound, and Starkey proves his point with poems that are funny, maddening, and razor-sharp. David Kirby |
| creative writing four genres in brief: The Making of a Story Alice LaPlante, 2009-12-22 A Los Angeles Times bestseller: wonderfully lucid and illuminating, Alice LaPlante’s guide to writing fiction “recalls Francine Prose’s bestseller, Reading Like a Writer” (Library Journal). The Making of a Story is a fresh and inspiring guide to the basics of creative writing—both fiction and creative nonfiction. Its hands-on, completely accessible approach walks writers through each stage of the creative process, from the initial triggering idea to the revision of the final manuscript. It is unique in combing the three main aspects of creative writing instruction: process (finding inspiration, getting ideas on the page), craft (specific techniques like characterization), and anthology (learning by reading masters of the form). Succinct, clear definitions of basic terms of fiction are accompanied by examples, including excerpts from masterpieces of short fiction and essays as well as contemporary novels. A special highlight is Alice LaPlante's systematic debunking of many of the so-called rules of creative writing. This book is perfect for writers working alone as well as for creative writing classes, both introductory and advanced. |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
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Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on …
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative animals. 2. Productive; …
