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| creative writing classes tucson: The Pushcart Prize (2022) XLVI Bill Henderson, 2021-12-07 The 46th annual edition of the most celebrated literary series in America. Over 60 brilliant stories, poems and essays from ?dozens of small presses, ?as selected from 900 presses worldwide by ?more than ?200 distinguished staff contributing editors. Series Honors: The American Academy of Arts and Letters awarded Pushcart its 2020 recognition for “Distinguished Service to the Arts.” The National Book Critics Circle cited Bill Henderson for its Ivan Sandrof “Lifetime Achievement” award in 2006. In 2005 Poets &Writers / Barnes and Noble noted Pushcart for their Writers For Writers prize. And in 1978 Publishers Weekly’s Carey-Thomas Award went to the Pushcart Prize. Reviews of last year’s edition: Booklist - “Resplendent…A perennial must have.” Publishers Weekly - “A trove of fine writing.” Kirkus - ”Strong and wide ranging. Library Journal (starred) - Fascinating ….A must have for all collections. |
| creative writing classes tucson: 100 Poems to Break Your Heart Edward Hirsch, 2021-03-30 “A really beautiful book” of poems that delve into—and help us transcend—suffering, loss, fear, and loneliness, by the author of How to Read a Poem (The Boston Globe). Implicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering—not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others. In 100 Poems to Break Your Heart, Edward Hirsch—prize-winning poet, critic, and author of How to Read a Poem—selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within them. “Darkly illuminating.” —Booklist (starred review) “These 100 poems will indeed break hearts, but they also offer examples of resilience, the lasting impact of words, and a wisdom that a reader can return to and share.” —New York Journal of Books |
| creative writing classes tucson: Dirty Love Andre Dubus, 2013-10-07 A collection of short stories examining the lives of suburbanites seeking solace and gratification in food, sex, work, and love. |
| creative writing classes tucson: Writing Ourselves Whole Jen Cross, 2017-08-22 #1 Amazon Best Seller ─ Creating books that will change your life Healing victims of sexual assault through transformative journaling: One in six women is the victim of sexual assault. Using her own hard-won wisdom, author Jen Cross shows how to heal through journaling and personal writing. Rape victims and victims of other sexual abuse: Writing Ourselves Whole is a collection of essays and creative writing encouragements for sexual trauma survivors who want to risk writing a different story. Each short chapter offers encouragement, experience, and exercises. Sections focus on writing as a transformative practice, embodying our story, how to write trauma without retraumatization, writing joy and desire, and more. How to change your life: When you can find language for the stories that are locked inside, you can change your life. Talk therapy can only go so far for the millions of Americans struggling in the aftermath of sexual abuse and sexual assault, as well as for their partners, families, and caregivers. Survivors of childhood sexual trauma are strong and vulnerable enough to bear witness to each other's truths, to share and learn new languages for our experiences, to throw over the simplistic victim and survivor narratives that permeate mainstream media in favor of narratives that are fragmented, complicated, messy, and ultimately more whole. Sexual assault survivors can heal themselves: Sexual trauma survivor communities (and their allies) have the capacity to hold and hear one another's stories - we do not have to relegate ourselves solely to the individual isolation of the therapist's office. We do not need to be afraid, as a community of fractured, harmed and healing survivors, of reaching out to and supporting one another. Connect with others who have experienced sexual abuse: Books such as Julia Cameron's The Artist's Way, Natalie Goldberg's Writing Down the Bones and Louise DeSalvo's Writing as a Way of Healing beautifully describe the power of writing and offer practices for readers to engage with individually. Yet few creative writing or creative recovery books explicitly address sexual trauma survivor struggles to find language for their experience, nor do they describe the empowerment we might find in discovering language and expression for our delight, desire, and joy as well as our loss and pain. Writing Ourselves Whole specifically addresses the power of connecting with others who share our experience and can support us in finding language for subjects we not only are not supposed to talk about in polite company, but aren't even supposed to articulate to ourselves. Transformative journaling: Writing Ourselves Whole acknowledges the radical and profound impact of a creative healing community for trauma survivors, and includes suggestions for those seeking to create a peer writing group in their own communities. Writing Ourselves Whole rises out of the intersection of Natalie Goldberg's groundbreaking Writing Down the Bones, the powerful Trauma and Recovery by Judith Herman, and the hopeful, angry struggle of Inga Muscio's Cunt. What You'll Learn Inside Writing Ourselves Whole: How to reconnect with your creative instinct through freewriting How freewriting can help you reclaim the parts of yourself, and your history, that you were never supposed to be able to name How restorying the old myths about sexual trauma survivors can set you free How a consistent writing practice can help reconnect you with your creative genius How (and why) to make writing part of your regular self-care routine -- and why, if you don't have a self-care routine, it's time to develop one Why writin |
| creative writing classes tucson: The Wonder That Was Ours Alice Hatcher, 2018 Wynston Cleave, a black taxi driver on a small Caribbean island, spent years in prison after being wrongfully convicted of the death of a wealthy white tourist. Finally released, he tries to piece his life together working as a bartender and reading literary classics to the unruly cockroaches infesting his taxi. On the anniversary of his arrest, Wynston picks up two white Americans just kicked off a cruise ship. The next day, the ship reports a deadly viral outbreak. As the tourist economy collapses, the island succumbs to riots and a devastating spiral of violence, and Wynston's fate becomes entwined with that of three strangers: his American passengers and a local named Tremor, the focus of a vicious police manhunt. Narrated by the sharp-witted roaches infesting Wynston's taxi, The Wonder That Was Ours explores deep racial and class divides through the most unlikely eyes imaginable, taking a unique perspective on prejudice, compassion, and the absurdity of the human experience. A poignant, worldly, and unforgettable novel in the spirit of Exit West and Your Heart Is a Muscle the Size of a Fist. |
| creative writing classes tucson: Wolf Note Libby Jacobs, 2006 Fiction. The nine stories in the debut collection, WOLF NOTE, thrust the reader into diverse worlds from San Francisco in the 1940s to the tangled imagination of a delusional adolescent in a contemporary mental ward, introducing characters with compassion, humor, and nuanced psychological insight. The stories capture moments in women's lives as they lose themselves-and find themselves-in love, friendship, music, and madness. An injured ballerina turns to her grandmother's Kodak camera and its 35 millimeter film, which sounds to her like artillery ammunition, when she can no longer dance. In the title story, the narrator ponders the concept that certain weaknesses run in families, and she embraces the cello as her brother had clung his violin. Short story writing is a difficult and demanding craft, and Libby Jacobs clearly has mastered it. Light a fire, curl up, and get set to immerse yourself in the moods and power of WOLF NOTE-Michael Palmer, author of eleven New York Times Bestsellers, including The Society, Fatal, and The Patient. |
| creative writing classes tucson: Oh Boy, You're Having a Girl Brian A Klems, 2013-03-18 Rules for Raising Little Girls As the father of a daughter, I wish I'd read this very funny book sooner, if only to know that it's OK for a grown man to wear a tutu. - Dave Barry Required reading for any parent who doesn't know pants from leggings. - Dan Zevin, author of Dan Gets a Minivan: Life at the Intersection of Dude and Dad It's easy to imagine how you'd raise a boy--all the golf outings, lawnmower lessons, and Little League championships you'd attend--but playing dad to a little princess may take some education. In Oh Boy, You're Having a Girl, Brian, a father of three girls, shares his tactics for surviving this new and glittery world. From baby dolls and bedtime rituals to potty training and dance recitals, he leads you through all the trials and tribulations you'll face as you're raising your daughter. He'll also show you how to navigate your way through tough situations, like making sure that she doesn't start dating until she's fifty. Complete with commandments for restroom trips and properly participating in a tea party, Oh Boy, You're Having a Girl will brace you for all those hours playing house--and psych you up for the awesomeness of raising a daughter who has you lovingly wrapped around her little finger. Somehow, Brian Klems has taken one of the most traumatic situations known to a father--having a daughter--and made it into something so completely hilarious you'll laugh until you've got oxygen deprivation! - W. Bruce Cameron, author of 8 Simple Rules for Dating My Teenage Daughter |
| creative writing classes tucson: Girls with Rebel Souls Suzanne Young, 2021-03-23 The girls make their final stand in this third and final novel in the thrilling, subversive near-future series from New York Times bestselling author Suzanne Young about a girls-only private school that is far more than it appears to be. There is no one who can save your rebel soul… The girls of Innovations Academy escaped the confines of their unethical school, fought against the system protecting predators who targeted girls for harassment, and they’re not done yet. They’re still not free. Reeling from one revelation after the next, Mena and her friends begin to unwind the truth of their existence and, as a result, their destiny. The men from Innovations Corporation still hunt them, the woman who created them still wants control over them, and worst of all, Mena realizes that through all her pain, all her tears, the world of men has not changed. There is no more time to hope for the best. The girls know they are in a battle for their lives, a war for their very existence. The girls of Innovations Academy have sharpened their sticks to fight back, they have fought for justice with blood from their razor hearts. And now, the girls will choose their true nature…and how they define their rebel souls. |
| creative writing classes tucson: Fire and Ink Frances Payne Adler, Debra Busman, Diana Garc’a, 2009 Fire and Ink is a powerful and impassioned anthology of stories, poems, interviews, and essays that confront some of the most pressing social issues of our day. Designed to inspire and inform, this collection embodies the concepts of Òbreaking silence,Ó Òbearing witness,Ó resistance, and resilience. Beyond students and teachers, the book will appeal to all readers with a commitment to social justice. Fire and Ink brings together, for the first time in one volume, politically engaged writing by poets, fiction writers, and essayists. Including many of our finest writersÑMart’n Espada, Adrienne Rich, June Jordan, Patricia Smith, Gloria Anzaldœa, Sharon Olds, Arundhati Roy, Sonia Sanchez, Carolyn Forche, Chitra Banerjee Divakaruni, Alice Walker, Linda Hogan, Gary Soto, Kim Blaeser, Minnie Bruce Pratt, Li-Young Lee, and Jimmy Santiago Baca, among othersÑthis is an indispensable collection. This groundbreaking anthology marks the emergence of social action writing as a distinct field within creative writing and literature. Featuring never-before-published pieces, as well as reprinted material, Fire and Ink is divided into ten sections focused on significant social issues, including identity, sexuality and gender, the environment, social justice, work, war, and peace. The pieces can often be gripping, such as ÒFrame,Ó in which Adrienne Rich confronts government and police brutality, or Chris AbaniÕs ÒOde to Joy,Ó which documents great courage in the face of mortal danger. Fire and Ink serves as a wonderful reader for a wide range of courses, from composition and rhetoric classes to courses in ethnic studies, gender studies, American studies, and even political science, by facing a past that was often accompanied by injustice and suffering. But beyond that, this collection teaches us that we all have the power to create a more equitable and just future. Ê |
| creative writing classes tucson: Nobody Rich Or Famous Richard Shelton, 2016-10-18 Nobody Rich or Famous is a literary memoir about family and place. Shelton travels to his childhood home in rural Idaho to connect with his past and discover his family history. The manuscript touches upon family dynamics, death and mortality, alcoholism, abusive relationships, and life in the rural and urban West. The book simultaneously exposes the conflicts within Shelton's family while illustrating life in Great Basin during the first half of the 20th century. |
| creative writing classes tucson: Coral Road Garrett Kaoru Hongo, 2011 Garrett Hongo's long-awaited third collection of poems is a beautiful, elegiac gathering of his Japanese-American ancestors in their Hawaiian landscape and a testament to the power of poetry, as it brings their marginalized yet heroic narratives into the realm of art. In Coral Road Hongo explores the history of the impermanent homeland his ancestors found on the island of O'ahu after their immigration from southern Japan, and meditates on the dramatic tales of the islands. In sumptuous narrative poems he takes up strands of family stories and what he calls a long legacy of silence about their experience as contract laborers along the North Shore of the island. In the opening sequence, he brings to life the story of his great-grandparents fleeing from one plantation to another, finding their way by moonlight along coral roads and railroad tracks. As his grandmother, a girl of ten with an infant on her back, traverses twelve-score stands of cane / chittering like small birds, nocturnal harpies in the feral constancies of wind, Hongo asks, Where is the Virgil who might lead me through the shallow underworld of this history? In fact, it is Hongo who guides himself--and us--as, in these devoted acts of recollection, he seeks to dispel the dislocation at the center of his legacy. The love of art--making beauty in however provisional a culture--has clearly been a guiding principle in Hongo's poetry. In this content-rich verse, Hongo hearkens to and delivers the luminous and the anecdotal, bringing forth a complete aesthetic experience from the shards that make up a life. |
| creative writing classes tucson: Practical Gods Carl Dennis, 2001-10-01 Winner of the 2001 Pulitzer Prize for Poetry. Practical Gods is the eighth collection by Carl Dennis, a critically acclaimed poet and recent winner of one of the most prestigious poetry awards, the Ruth Lilly Prize. Carl Dennis has won acclaim for wise, original, and often deeply moving poems that ease the reader out of accustomed modes of seeing and perceiving (The New York Times). Many of the poems in this new book involve an attempt to enter into dialogue with pagan and biblical perspectives, to throw light on ordinary experience through metaphor borrowed from religious myth and to translate religious myth into secular terms. While making no claims to put us in touch with some ultimate reality, these clear, precise, sensitive poems help us to pay homage to the everyday household gods that are easy to ignore, the gods that sustain life and make it rewarding. |
| creative writing classes tucson: Barely Missing Everything Matt Mendez, 2020-03-03 “There are moments when a story shakes you...Barely Missing Everything is one of those stories, and Mendez, a gifted storyteller with a distinct voice, is sure to bring a quake to the literary landscape.” —Jason Reynolds, New York Times bestselling author of Long Way Down In the tradition of Jason Reynolds and Matt de la Peña, this heartbreaking, no-holds-barred debut novel told from three points of view explores how difficult it is to make it in life when you—your life, brown lives—don’t matter. Juan has plans. He’s going to get out of El Paso, Texas, on a basketball scholarship and make something of himself—or at least find something better than his mom Fabi’s cruddy apartment, her string of loser boyfriends, and a dead dad. Basketball is going to be his ticket out, his ticket up. He just needs to make it happen. His best friend JD has plans, too. He’s going to be a filmmaker one day, like Quentin Tarantino or Guillermo del Toro (NOT Steven Spielberg). He’s got a camera and he’s got passion—what else could he need? Fabi doesn’t have a plan anymore. When you get pregnant at sixteen and have been stuck bartending to make ends meet for the past seventeen years, you realize plans don’t always pan out, and that there are some things you just can’t plan for… Like Juan’s run-in with the police, like a sprained ankle, and a tanking math grade that will likely ruin his chance at a scholarship. Like JD causing the implosion of his family. Like letters from a man named Mando on death row. Like finding out this man could be the father your mother said was dead. Soon Juan and JD are embarking on a Thelma and Louise—like road trip to visit Mando. Juan will finally meet his dad, JD has a perfect subject for his documentary, and Fabi is desperate to stop them. But, as we already know, there are some things you just can’t plan for… |
| creative writing classes tucson: Chola Salvation Estella Gonzalez, 2021-04-30 In the title story of this collection, Isabela is minding her family’s restaurant, drinking her dad’s beer, when Frida Kahlo and the Virgen de Guadalupe walk in. Even though they’re dressed like cholas, the girl immediately recognizes Frida’s uni-brow and La Virgen’s crown. They want to give her advice about the quinceanera her parents are forcing on her. In fact, their lecture (don’t get pregnant, go to school, be proud of your indigenous roots) helps Isabela to escape her parents’ physical and sexual abuse. But can she really run away from the self-hatred they’ve created? These inter-related stories, mostly set in East Los Angeles, uncover the lives of a conflicted Mexican-American community. In “Sabado Gigante,” Bernardo drinks himself into a stupor every Saturday night. “Aqui no es mi tierra,” he cries, as he tries to ease the sorrow of a life lived far from home. Meanwhile, his son Gustavo struggles with his emerging gay identity and Maritza, the oldest daughter, is expected to cook and clean for her brother, even though they live in East LA, not Guadalajara or Chihuahua. In “Powder Puff,” Mireya spends hours every day applying her make-up, making sure to rub the foundation all the way down her neck so it looks like her natural color. But no matter how much she rubs and rubs, her skin is no lighter. Estella Gonzalez vividly captures her native East LA in these affecting stories about a marginalized people dealing with racism, machismo and poverty. In painful and sometimes humorous scenes, young people try to escape the traditional expectations of their family. Other characters struggle with anger and resentment, often finding innovative ways to exact revenge for slights both real and imagined. Throughout, music—traditional and contemporary—accompanies them in the search for love and acceptance. |
| creative writing classes tucson: Days of Wonder Grace Schulman, 2001 |
| creative writing classes tucson: Cookiesaurus Rex Amy Fellner Dominy, 2018-09-04 As soon as Cookiesaurus Rex comes out of the oven, he declares that he is King of All Cookies. He should be frosted before all of the standard-shaped cookies, in a nice bright green. But the other cookies are getting sprinkles, or shiny stars, or even gumdrops . . . WAIT ONE STINKIN' STOMPIN' MINUTE! Cookiesaurus wants a do-over. Problem is, he might not end up with the kind of do he wants. Readers will love the funny back-and-forth between this cheeky cookie and the hand that frosts him. See who gets his licks in at the end! |
| creative writing classes tucson: Put Your Spirit to Work Deborah Knox, 2012-04 Put Your Spirit to Work: Making a Living Being Yourself will help you gain clarity about the kind of work you want to do. By undertaking this journey, you'll develop the confidence and enthusiasm you need to take practical steps toward significant life changes. The information, resources, and tools in this book will help you successfully navigate your career-and-life-work journey in the new world of work. As a result of completing this process you'll be able to: Understand who you are and what you want in your life work Navigate an ever-changing job market with confidence Move steadily toward a career goal or passion Create a career path that enables you to sustain a balanced lifestyle If you're looking for meaningful work, this book is for you. Start now, and make a living being yourself. |
| creative writing classes tucson: The Grief Manuscript Frankie Rollins, 2020-05-15 This flash fiction novella, The Grief Manuscript, illustrates the dream-like, annihilating, and repetitive gestures of a dying marriage. The story recasts the emotional range of grief using metaphorical images and remarkable characters in brief, poetic scenes. The recently separated narrator inhabits a series of temporary houses as she faces the devastating and radical identity changes that come with divorce. Grief activates the narrator's demon, who appears in the form of a small monster, the Burden Animal, who torments her with her previous humiliations and belief that she is a burden to those who love her. Magical realism offers images of personal torment, where the narrator's head falls off, spiders crawl up her throat, her tongue escapes, and the fields of her psyche burn. It isn't until the narrator accepts the full expanse of her grief that she can see a way to move forward to what is next. |
| creative writing classes tucson: Priscilla and the Hollyhocks Anne Broyles, 2008-02-01 A young African American girl is sold away from her mother as a slave, and then later is sold to a Cherokee Indian, but eventually she is bought by a white man who not only sets her free, but adopts her into his family of fifteen children. Based on a true story; includes instructions for making a hollyhock doll. |
| creative writing classes tucson: Ghost Parachute Brett Pribble, Genevieve Anna Tyrrell, Marelize Roets, 2021-05-08 This is a collection of 105 flash fiction stories published in Ghost Parachute magazine. Ghost Parachute seeks to publish writing that is unapologetically bold. We wish to lose ourselves in fresh and vibrant imagery. We want to read what we've always known but were too afraid to say. We want to read a story unlike any other story we've read before. It's easy to view the world in black and white, so Ghost Parachute paints a streak of gray. Great stories don't ride the popular, easy narrative, and great characters are often impossible to love yet we love them anyway. We aim to unleash the spider behind the rose and dance in the surreal. |
| creative writing classes tucson: In All Good Faith Liza Nash Taylor, 2021-08-10 A riveting new historical fiction novel, In All Good Faith continues the story of May Marshall, the captivating protagonist introduced in Taylor’s acclaimed 2020 debut, Etiquette for Runaways. In the summer of 1932, Americans are coming to realize that the financial crash of 1929 was only the beginning of hard times. May Marshall has returned from Paris to settle at her family home in rural Keswick, Virginia. She struggles to keep her family farm and market afloat through the economic downturn. May finds herself juggling her marriage with a tempting opportunity to revamp the family business to adapt to changing times. In a cold-water West End Boston tenement the fractured Sykes family scrapes by on an itinerant mechanic’s wages and home sewing. Having recently lost her mother, sixteen-year-old Dorrit Sykes questions the religious doctrine she was raised in. Dorrit is reclusive, held back by the anxiety attacks that have plagued her since childhood. Attempting to understand what limits her, she seeks inspiration in Nancy Drew mysteries and finds solace at the Boston Public Library, writing fairy stories for children. The library holds answers to both Dorrit’s exploration of faith and her quest to understand and manage her anxiety. When Dorrit accompanies her father to Washington, DC, in the summer of 1932 to camp out and march with twenty thousand veterans intending to petition President Hoover for early payment of war bonuses, she begins an odyssey that will both traumatize and strengthen her. Along the way she redefines her faith, learning both self-sufficiency and how to accept help. Dorrit’s and May’s lives intersect, and their fates will intertwine in ways that neither could have imagined or expected. Set against a backdrop of true historical events, In All Good Faith tells a story of two women’s unlikely success during the Great Depression. |
| creative writing classes tucson: Write Moves: A Creative Writing Guide and Anthology Nancy Pagh, 2016-08-04 Write Moves is an invitation for the student to understand and experience creative writing in the larger frame of humanities education. The practical instruction offered comes in the form of “moves” or tactics for the apprentice writer to try. But the title also speaks to a core value of this project: that creative writing exists to move us. The book focuses on concise, human-voiced instruction in poetry, the short story, and the short creative nonfiction essay. Emphasis on short forms allows the beginning student to appreciate lessons in craft without being overwhelmed by lengthy model texts; diverse examples of these genres are offered in the anthology. |
| creative writing classes tucson: Moon Tucson Tim Hull, 2014-09-16 Freelancer and Tucson resident Tim Hull shares his advice on the best Tucson has to offer-from the Tucson Mountains and Rincon Valley to Adobe architecture and desert dude ranches. Hull provides unique trip ideas for a variety of travelers, including Sonoran Desert Adventures and The Three-Day Best of the Old Pueblo. With expert advice on where to sleep, sightsee, and savor the best Southwestern cooking, Moon Tucson gives travelers the tools they need to create a more personal and memorable experience. |
| creative writing classes tucson: Method Writing Jack Grapes, 2017-07 Method Writing is a powerful approach to finding your deep voice and activating the creative process. Based on a series of concepts and exercises Grapes has used in his writing workshops over the last 30-plus years, Method Writing does more than describe techniques: it takes you step-by-step through a process that will empower your writing and make it unique. |
| creative writing classes tucson: Troubling the Line TC Tolbert, Trace Peterson, Tim Trace Peterson, 2013 The first-ever collection of poetry by trans and genderqueer writers |
| creative writing classes tucson: Envelope Poems Emily Dickinson, 2017-04-19 Another gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes). This fixed-layout ebook is an exact replica of the print edition, and requires a color screen to properly display the high-resolution images it contains. For this reason, Envelope Poems is not available on devices with e-ink screens, such as Kindle Paperwhite. We apologize for any inconvenience. |
| creative writing classes tucson: The Poets & Writers Guide to Literary Agents , 2018 A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field and additional resources with insider tips. This practical guide will give you everything you need to understand what agents do, what you can expect from them, and how to find the best agent for you and your work: -Where agents search for new talent -Tips on how to secure an agent -What agents look for in the first few pages of a submission -How to follow up with an agent after you’ve submitted your work -The agent’s role in today’s publishing industry -How to know when the time has come to dissolve a relationship with an agent |
| creative writing classes tucson: Greetings from Tucson Cherie L. Genua, A coming-of-age story with true love at its core, Greetings from Tucson tells the story of four sisters' lives through the lens of handwritten letters. These long lost letters, found decades after they were penned, once formed a lifeline that held them together when their worlds were otherwise falling apart. In June of 1945, tragedy struck, and Cookie, Frankie, Dottie, and Connie were torn from everything they knew-their parents, their home, and, most importantly, each other. Forced to live thousands of miles apart, they feared their bond would be broken. The sisters began writing letters to each other to celebrate their milestones and mourn every heartbreak. Through those letters, they found a way to strengthen their sisterhood when the odds were so stacked against them. The letters were like prisms, reflecting their lives from childhood into adulthood, as they fell in love or fulfilled their lifelong dreams. That is, until one sister's secret from the past changed everything. Would she break the fragile bond they worked so hard to nurture after their fateful split so many years ago? |
| creative writing classes tucson: This Boy's Life Tobias Wolff, 2007-12-01 The PEN/Faulkner Award–winning author recounts coming of age in 1950s Washington State with his mother and abusive stepfather in this classic memoir. This unforgettable memoir, by one of our most gifted writers, introduces us to the young Toby Wolff, by turns tough and vulnerable, crafty and bumbling, and ultimately winning. Separated by divorce from his father and brother, Toby and his mother are constantly on the move. As he fights for identity and self-respect against the unrelenting hostility of a new stepfather, his experiences are at once poignant and comical, and Wolff masterfully re-creates the frustrations, cruelties, and joys of adolescence. His various schemes—running away to Alaska, forging checks, and stealing cars—lead eventually to an act of outrageous self-invention that releases him into a new world of possibility. Praise for This Boy’s Life “Wolff writes in language that is lyrical without embellishment, defines his characters with exact strokes and perfectly pitched voices, [and] creates suspense around ordinary events, locating the deep mystery within them.” —Los Angeles Times Book Review “[This] extraordinary memoir is so beautifully written that we not only root for the kid Wolff remembers, but we also are moved by the universality of his experience.” —San Francisco Chronicle “A work of genuine literary art . . . as grim and eerie as Great Expectations, as surreal and cruel as The Painted Bird, as comic and transcendent as Huckleberry Finn.” —The Philadelphia Inquirer “Wolff’s genius is in his fine storytelling. This Boy’s Life reads and entertains as easily as a novel. Wolff’s writing and timing are superb, as are his depictions of those of us who endured the 50s.” —The Oregonian |
| creative writing classes tucson: The Creative Writing MFA Handbook Tom Kealey, 2005-01-01 Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice. |
| creative writing classes tucson: Veil of Roses Laura Fitzgerald, 2007 Raised amidst the confines of Iranian society, young Tamila Soroush escapes the oppression of Iran for the freedom of America, enjoying her everyday acts of rebellion against her background and capturing her new life through the lens of her camera, all the while searching for a husband who can prevent her return home. Original. |
| creative writing classes tucson: Invitation to a Bonfire Adrienne Celt, 2018-06-05 Selected by Harper's Bazaar, Elle, Parade, Oprah.com, and MSN.com as one of the best books to read this summer! The seductive story of a dangerous love triangle, inspired by the infamous Nabokov marriage, with a spellbinding psychological thriller at its core. In the 1920s, Zoya Andropova, a young refugee from the Soviet Union, finds herself in the alien landscape of an elite all-girls New Jersey boarding school. Having lost her family, her home, and her sense of purpose, Zoya struggles to belong, a task made more difficult by the malice her peers heap on scholarship students and her new country's paranoia about Russian spies. When she meets the visiting writer and fellow Russian émigré Leo Orlov--whose books Zoya has privately obsessed over for years--her luck seems to have taken a turn for the better. But she soon discovers that Leo is not the solution to her loneliness: he's committed to his art and bound by the sinister orchestrations of his brilliant wife, Vera. As the reader unravels the mystery of Zoya, Lev, and Vera's fate, Zoya is faced with mounting pressure to figure out who she is and what kind of life she wants to build. Grappling with class distinctions, national allegiance, and ethical fidelity--not to mention the powerful magnetism of sex--Invitation to a Bonfire investigates how one's identity is formed, irrevocably, through a series of momentary decisions, including how to survive, who to love, and whether to pay the complicated price of happiness. |
| creative writing classes tucson: Library Partnerships with Writers and Poets Carol Smallwood, Vera Gubnitskaia, 2017-02-19 Libraries and writers have always had a close working relationship. Rapid advances in technology have not changed the nontechnical basis of that cooperation: author talks, book signings and readings are as popular as ever, as are workshops and festivals. This collection of 29 new essays from nearly 50 contributors from across the United States presents a variety of projects, programs and services to help librarians establish relationships with the literary world, promote literature to the public and foster creativity in their communities. |
| creative writing classes tucson: Arts in Corrections Grady Hillman, 2022-10-25 In Arts in Corrections, the author—a poet, translator and teacher—takes readers on a chronological journey through an annotated selection of 24 of his own publications from 1981 to 2014 which recount his experiences teaching, consulting and documenting US arts programs in prisons, jails and juvenile facilities. Anyone interested in corrections and arts-in-corrections will be drawn in by the poetic sensibility Hillman brings to his writing. Readers will gain a historical and personal perspective not only into correctional arts programming in the US over the last 40 years, but also the institutional transformations in policy, culture, populations, economics, and the criminological mission expansion into other institutional settings like K-12 education. Original essays, articles, monographs and poems are interspersed with recent annotations to deliver not only a top-down view of the correctional system but also the author’s personal journey of discouragement and hope from work conducted in approximately 200 adult and juvenile facilities in 30 states and six countries. This comprehensive book is essential reading for a broad cross-section of international readers interested in and involved in the arts-in-corrections field. With two million individuals behind bars in the US at any given time, the profile of arts programs in prisons and jails is rising and interest in criminal-justice matters more generally is increasing. This includes not only arts-in-corrections professionals, policy makers, students, researchers, advocates and academics, but professionals in multiple other fields as well as the general public. |
| creative writing classes tucson: The Breakaways Cathy G. Johnson, 2019-03-05 Quiet, sensitive Faith starts middle school already worrying about how she will fit in. To her surprise, Amanda, a popular eighth grader, convinces her to join the school soccer team, the Bloodhounds. Having never played soccer in her life, Faith ends up on the C team, a ragtag group that’s way better at drama than at teamwork. Although they are awful at soccer, Faith and her teammates soon form a bond both on and off the soccer field that challenges their notions of loyalty, identity, friendship, and unity. The Breakaways from Cathy G. Johnson is a raw, and beautifully honest graphic novel that looks into the lives of a diverse and defiantly independent group of kids learning to make room for themselves in the world. |
| creative writing classes tucson: Echo Detained Joshua Daniel Cochran, 2007 |
| creative writing classes tucson: The Uninvited Cat Winters, 2015-08-11 Set during the fear and panic of the Great Influenza Pandemic of 1918-1919, The Uninvited is part gothic ghost-story, part psychological thriller, perfect for those who loved The Thirteenth Tale by Diane Setterfield or The Vanishing by Wendy Webb. Twenty-five year old Ivy Rowan rises from her bed after being struck by the flu, only to discover the world has been torn apart in just a few short days. But Ivy’s life-long gift—or curse—remains. For she sees the uninvited ones—ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother’s chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy’s older brother Billy in the Great War. Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her ‘uninvited guests’ begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold. The Uninvited is an atmospheric, haunting, and utterly compelling novel. |
| creative writing classes tucson: Second Watch J. A. Jance, 2013-09-10 With Second Watch, New York Times bestselling author J. A. Jance delivers another thought-provoking novel of suspense starring Seattle investigator J. P. Beaumont. Second Watch shows Beaumont taking some time off to get knee replacement surgery, but instead of taking his mind off work, the operation plunges him into one of the most perplexing mysteries he's ever faced. His past collides with his present in this complex and thrilling story that explores loss and heartbreak, duty and honor, and, most importantly, the staggering cost of war and the debts we owe those who served in the Vietnam War, and those in uniform today. |
| creative writing classes tucson: Tree Talks , 1972 |
| creative writing classes tucson: Poets & Writers , 2008 |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
Creative Labs (United States) | Sound Blaster Sound Cards, Super …
Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
