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| creative writing major classes: The Sweetest Kind of Poison Katie Wismer, 2018-07-03 The Sweetest Kind of Poison is a collection of poetry about toxic relationships and letting go of what no longer serves you. It takes you through the fall, the collapse, the withdrawal, the recovery, and the now, chronicling a journey of abuse, heartache, confidence, self-love, letting go, and growing up. Because sometimes only our darkest experiences can bring out our raw strength and help us find the people we are meant to be. |
| creative writing major classes: Writing Majors Greg Giberson, Jim Nugent, Lori Ostergaard, 2015-02-01 The writing major is among the most exciting scenes in the evolving American university. Writing Majors is a collection of firsthand descriptions of the origins, growth, and transformations of eighteen different programs. The chapters provide useful administrative insight, benchmark information, and even inspiration for new curricular configurations from a range of institutions. A practical sourcebook for those who are building, revising, or administering their own writing majors, this volume also serves as a historical archive of a particular instance of growth and transformation in American higher education. Revealing bureaucratic, practical, and institutional matters as well as academic ideals and ideologies, each profile includes sections providing a detailed program review and rationale, an implementation narrative, and reflection and prospection about the program. Documenting eighteen stories of writing major programs in various stages of formation, preservation, and reform and exposing the contingencies of their local and material constitution, Writing Majors speaks as much to the “how to” of building writing major programs as to the larger “what,” “why,” and “how” of institutional growth and change. |
| creative writing major classes: The Kids of Cattywampus Street Lisa Jahn-Clough, 2021-07-06 “An extraordinary book.” --Lemony Snicket, author of A Series of Unfortunate Events Lovers of Roald Dahl and Louis Sachar's Sideways Stories from Wayside School will be captivated by the adventures of this very special group of friends who live on the same street. In this delightful chapter book filled with black-and-white pictures, you'll meet Jamal, Lindalee, Hans, Matteo, and others--the kids who live on Cattywampus Street, not far from the Waddlebee Toy Store. Each of the eleven chapters in this magical, mysterious, silly, scary, happy, and sometimes sad chapter book tells an utterly unforgettable tale about one of the kids. Whether it's about Jamal and his magic ball, which knows how to find him after its been stolen away; or Charlotta, who shrinks so small that she can fit inside her dollhouse; or Rodney, whose pet rock becomes the envy of all the kids on Cattywampus Street, here are stories sure to charm, captivate, and engage all readers of chapter books, even the most reluctant. |
| creative writing major classes: The Winter Sister Megan Collins, 2019-10-08 A “haunting debut: suspenseful, atmospheric, and completely riveting” (Megan Miranda, New York Times bestselling author of All the Missing Girls) about a young woman who returns home to care for her ailing mother and begins to dig deeper into her sister’s unsolved murder. Sixteen years ago, Sylvie’s sister, Persephone, never came home. Out late with the boyfriend she was forbidden to see, Persephone was missing for three days before her body was found—and years later, her murder is still unsolved. In the present day, Sylvie returns home to care for her estranged mother, Annie, as she undergoes treatment for cancer. Prone to unexplained “Dark Days” even before Persephone’s death, Annie’s once-close bond with Sylvie dissolved in the weeks after their loss, making for an uncomfortable reunion all these years later. Adding to the discomfort, Persephone’s former boyfriend is now a nurse at the cancer center where Annie is being treated. Sylvie has always believed Ben was responsible for the murder—but she carries her own guilt about that night, guilt that traps her in the past while the world goes on around her. As she navigates the complicated relationship with her mother, Sylvie begins to uncover the secrets that fill their house—and what really happened the night Persephone died. The Winter Sister is a “bewitching” (Kirkus Reviews) portrayal of the complex bond between sisters, between mothers and daughters alike, and “will captivate you from suspenseful start to surprising finish” (Kathleen Barber, author of Are You Sleeping). |
| creative writing major classes: Swamplandia! Karen Russell, 2011-02-01 NEW YORK TIMES BESTSELLER • PULITZER PRIZE FINALIST • The bravely imagined, wildly acclaimed debut novel from the author of Vampires in the Lemon Grove—about a thirteen year old girl who sets out on a mission through magical swamps to save her family. Ms. Russell is one in a million.... A suspensfuly, deeply haunted book. —The New York Times Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness. As Ava embarks on her mission to save them all, we are drawn into a lush debut that takes us to the shimmering edge of reality. |
| creative writing major classes: Divergent (Divergent Trilogy, Book 1) Veronica Roth, 2013-11-07 The explosive debut by No. 1 New York Times bestselling author Veronica Roth. DIVERGENT – a major motion picture series. |
| creative writing major classes: The Anti-Racist Writing Workshop Felicia Rose Chavez, 2021-01-05 The Antiracist Writing Workshop is a call to create healthy, sustainable, and empowering artistic communities for a new millennium of writers. Inspired by June Jordan 's 1995 Poetry for the People, here is a blueprint for a 21st-century workshop model that protects and platforms writers of color. Instead of earmarking dusty anthologies, imagine workshop participants Skyping with contemporary writers of difference. Instead of tolerating bigoted criticism, imagine workshop participants moderating their own feedback sessions. Instead of yielding to the red-penned judgement of instructors, imagine workshop participants citing their own text in dialogue. The Antiracist Writing Workshop is essential reading for anyone looking to revolutionize the old workshop model into an enlightened, democratic counterculture. |
| creative writing major classes: Subtext Andre Ruesch, 2017-08-14 Subtext invites and encourages personal and blatantly subjective responses to photographs and analyzes the drivers behind them. During decades of participating in critiques as both student and teacher, André Ruesch has become convinced that it is the personal response to work that connects us in the most visceral and meaningful way. This book aims to encourage and educate viewers how to read and understand photographs on a deeper level, honoring and validating their responses to photographs. This book seeks to vitalize students in the photography classroom. Rather than a dense tome of theory, this is an accessible guide to taking individual ownership of—and enjoying—the visual experience. To be visually literate is comparable to being linguistically literate. Such literacy is necessary to engender a deeper understanding and valuation of culture: both types of literacy create, enrich, define and historically document the expression of one individual to be shared by all. |
| creative writing major classes: Modern Greek Poetry Kimon Friar, 1968 Kimon Friar talks about modern Greek poets and their poetry. |
| creative writing major classes: The Troubled Girls of Dragomir Academy Anne Ursu, 2021-10-12 From the acclaimed author of The Real Boy and The Lost Girl comes a wondrous and provocative fantasy about a kingdom beset by monsters, a mysterious school, and a girl caught in between them. If no one notices Marya Lupu, is likely because of her brother, Luka. And that’s because of what everyone knows: that Luka is destined to become a sorcerer. The Lupus might be from a small village far from the capital city of Illyria, but that doesn’t matter. Every young boy born in in the kingdom holds the potential for the rare ability to wield magic, to protect the country from the terrifying force known only as the Dread. For all the hopes the family has for Luka, no one has any for Marya, who can never seem to do anything right. But even so, no one is prepared for the day that the sorcerers finally arrive to test Luka for magical ability, and Marya makes a terrible mistake. Nor the day after, when the Lupus receive a letter from a place called Dragomir Academy—a mysterious school for wayward young girls. Girls like Marya. Soon she is a hundred miles from home, in a strange and unfamiliar place, surrounded by girls she’s never met. Dragomir Academy promises Marya and her classmates a chance to make something of themselves in service to one of the country’s powerful sorcerers. But as they learn how to fit into a world with no place for them, they begin to discover things about the magic the men of their country wield, as well as the Dread itself—things that threaten the precarious balance upon which Illyria is built. |
| creative writing major classes: 30 Feet Strong Hannah Paige, 2019 |
| creative writing major classes: Why We Don't Wave Hannah Paige, 2017-06 Kaia is a homeless single mother longing for a home and a name as she struggles to raise her young son. Scarlet is a stripper who is uncomfortably aware of the fact that without money you are unable to even be free. Desiree is trapped in an unhappy marriage that she tries to make the most of for her son's sake. Felicity is a teacher who has her time off work taken up with visiting her mother with Alzheimer's and is sent reeling by a shocking revelation. Four very different lives with their own sets of problems, as each woman tries to make a life for themselves while navigating their individual worlds. But when an unlikely set of circumstances arises and seems set to bring them together will they each be able to find their happy endings or will further tragedy tear them all apart? |
| creative writing major classes: The Poets & Writers Guide to MFA Programs , 2015 This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process. |
| creative writing major classes: The Eleventh Trade Alyssa Hollingsworth, 2018-09-18 From debut author Alyssa Hollingsworth comes a story about living with fear, being a friend, and finding a new place to call home. They say you can't get something for nothing, but nothing is all Sami has. When his grandfather’s most-prized possession—a traditional Afghan instrument called a rebab—is stolen, Sami resolves to get it back. He finds it at a music store, but it costs $700, and Sami doesn’t have even one penny. What he does have is a keychain that has caught the eye of his classmate. If he trades the keychain for something more valuable, could he keep trading until he has $700? Sami is about to find out. The Eleventh Trade is both a classic middle school story and a story about being a refugee. Alyssa Hollingsworth tackles a big issue with a light touch. 2020 UKLA Award Winner |
| creative writing major classes: 100 Side Hustles Chris Guillebeau, 2019-06-04 Best-selling author Chris Guillebeau presents a full-color ideabook featuring 100 stories of regular people launching successful side businesses that almost anyone can do. This unique guide features the startup stories of regular people launching side businesses that almost anyone can do: an urban tour guide, an artist inspired by maps, a travel site founder, an ice pop maker, a confetti photographer, a group of friends who sell hammocks to support local economies, and many more. In 100 Side Hustles, best-selling author of The $100 Startup Chris Guillebeau presents a colorful idea book filled with inspiration for your next big idea. Distilled from Guillebeau's popular Side Hustle School podcast, these case studies feature teachers, artists, coders, and even entire families who've found ways to create new sources of income. With insights, takeaways, and photography that reveals the human element behind the hustles, this playbook covers every important step of launching a side hustle, from identifying underserved markets to crafting unique products and services that spring from your passions. Soon you'll find yourself joining the ranks of these innovative entrepreneurs--making money on the side while living your best life. |
| creative writing major classes: The White Book Han Kang, 2019-02-19 FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that . . . exposes the fragility of human life.”—from the Nobel Prize citation SHORTLISTED FOR THE BOOKER PRIZE • A “formally daring, emotionally devastating, and deeply political” (The New York Times Book Review) exploration of personal grief through the prism of the color white, from the internationally bestselling author of The Vegetarian “Stunningly beautiful writing . . . delicate and gorgeous . . . one of the smartest reflections on what it means to remember those we’ve lost.”—NPR While on a writer’s residency, a nameless narrator focuses on the color white to creatively channel her inner pain. Through lyrical, interconnected stories, she grapples with the tragedy that has haunted her family, attempting to make sense of her older sister’s death using the color white. From trying to imagine her mother’s first time producing breast milk to watching the snow fall and meditating on the impermanence of life, she weaves a poignant, heartfelt story of the omnipresence of grief and the ways we perceive the world around us. In captivating, starkly beautiful language, The White Book offers a multilayered exploration of color and its absence, of the tenacity and fragility of the human spirit, and of our attempts to graft new life from the ashes of destruction. |
| creative writing major classes: War, Peace, and Security Jacques Fontanel, Manas Chatterji, 2008-10-13 In the name of international and domestic security, billions of dollars are wasted on unproductive military spending in both developed and developing countries, when millions are starving and living without basic human needs. This book contains articles relating to military spending, military industrial establishments, and peace keeping. |
| creative writing major classes: See Now Then Jamaica Kincaid, 2013-02-05 In See Now Then, the brilliant and evocative new novel from Jamaica Kincaid—her first in ten years—a marriage is revealed in all its joys and agonies. This piercing examination of the manifold ways in which the passing of time operates on the human consciousness unfolds gracefully, and Kincaid inhabits each of her characters—a mother, a father, and their two children, living in a small village in New England—as they move, in their own minds, between the present, the past, and the future: for, as she writes, the present will be now then and the past is now then and the future will be a now then. Her characters, constrained by the world, despair in their domestic situations. But their minds wander, trying to make linear sense of what is, in fact, nonlinear. See Now Then is Kincaid's attempt to make clear what is unclear, and to make unclear what we assumed was clear: that is, the beginning, the middle, and the end. Since the publication of her first short-story collection, At the Bottom of the River, which was nominated for a PEN/Faulkner Award for Fiction, Kincaid has demonstrated a unique talent for seeing beyond and through the surface of things. In See Now Then, she envelops the reader in a world that is both familiar and startling—creating her most emotionally and thematically daring work yet. |
| creative writing major classes: High Rise Stories Audrey Petty, 2013-09-15 In the gripping first-person accounts of High Rise Stories, former residents of Chicago’s iconic public housing projects describe life in the now-demolished high-rises. These stories of community, displacement, and poverty in the wake of gentrification give voice to those who have long been ignored, but whose hopes and struggles exist firmly at the heart of our national identity. |
| creative writing major classes: Open City Teju Cole, 2011-02-08 “Cerebral and capacious, Teju Cole’s novel asks what it means to roam freely.”—The New York Times (One of the 25 Most Significant New York City Novels From the Last 100 Years) “Influential . . . makes you think about what kind of city is revealed to us based on where we cannot go.”—Katie Kitamura, bestselling author of Intimacies ONE OF THE TEN BEST BOOKS OF THE YEAR: Time, NPR • WINNER: PEN/Hemingway Award, Rosenthal Foundation Award, New York City Book Award “A timely and compelling argument for tolerance and moral character in times of extreme antagonism.”—The New York Times One of The Atlantic’s Great American Novels of the Past 100 Years Along the streets of Manhattan, a young Nigerian doctor named Julius doing his residency wanders aimlessly. The walks are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup, his present, his past. Though he’s navigating the busy parts of town, the impression of countless faces does nothing to assuage his feelings of isolation. Julius crisscrosses social territory as well, encountering people from different cultures and classes who provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul. Seething with intelligence and written in a clear, rhythmic voice, Open City is a haunting, mature, profound work about our country and our world. FINALIST: National Book Critics Circle Award, Young Lions Fiction Award • A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, The Atlantic, The Economist, Newsweek, The New Republic, New York Daily News, Los Angeles Times, The Boston Globe, The Seattle Times, Minneapolis Star Tribune, GQ, Salon, Slate, New York, The Week, The Kansas City Star, Kirkus Reviews, The Guardian, Toronto Star, The Globe and Mail, The Irish Times |
| creative writing major classes: Writing for Children and Young Adults Marion Crook, 2016-10-15 The dynamic world of reading and writing has changed greatly over the past few years. Writers are pitching their ideas online, exchanging works in progress with critique partners and forming street teams to promote their work. The online community of writers is a fast-paced and often confusing place. In the publishing world today, writers need to direct online traffic to their book and stimulate sales. In addition to the tried and true advice author Marion Crook shared in earlier editions of Writing for Children and Young Adults, in this vibrant new edition, Crook explains some of the nuances and choices about the writing world online that can overwhelm writers. In Writing for Children and Young Adults, Third Edition, Crook introduces new opportunities in a genre called New Adult for 18-25-year-old readers. As well, she revisits the fundamentals of writing: establishing character, creating lively dialogue and developing plot with stories from her own writing career and with updated worksheets and examples. This edition of the book shows the writer how to begin a story, plan plot, develop and hone it for an agent or publisher. It explains how to make the crucial submission for a book that agents want to represent and publishers want to buy. Writing for Children and Young Adults helps you create the book that can help you create the manuscript that sells!-- |
| creative writing major classes: Wild Grass on the Riverbank Hiromi Itō, 2014 These poets will plunge you into dreamlike landscapes of volatile proliferation: shape-shifting mothers, living father-corpses, and pervasively odd vegetation |
| creative writing major classes: Poet in New York Federico García Lorca, 2007 |
| creative writing major classes: Screenwriting Tricks for Authors (and Screenwriters!) Alexandra Sokoloff, 2015-08-07 Are you finally committed to writing that novel or screenplay, but have no idea how to get started? Or are you a published author, but know you need some plotting help to move your books and career up to that next level? In this workbook, award-winning author/screenwriter Alexandra Sokoloff will show you how to jump-start your plot and bring your characters and scenes vibrantly alive on the page by watching your favorite movies and learning from the storytelling tricks of great filmmakers.--Page 4 of cover. |
| creative writing major classes: The Art of Subtext Charles Baxter, 2013-07-16 Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction. Fiction writer and essayist Charles Baxter's The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed. The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing. |
| creative writing major classes: Malaya Cinelle Barnes, 2019 From Cinelle Barnes, author of the memoir Monsoon Mansion, comes a moving and reflective essay collection about finding freedom in America. Out of a harrowing childhood in the Philippines, Cinelle Barnes emerged triumphant. But as an undocumented teenager living in New York, her journey of self-discovery was just beginning. Because she couldn't get a driver's license or file taxes, Cinelle worked as a cleaning lady and a nanny and took other odd jobs--and learned to look over her shoulder, hoping she wouldn't get caught. When she falls in love and marries a white man from the South, Cinelle finds herself trying to adjust to the thorny underbelly of southern hospitality while dealing with being a new mother, an immigrant affected by PTSD, and a woman with a brown body in a profoundly white world. From her immigration to the United States, to navigating a broken legal system, to balancing assimilation and a sense of self, Cinelle comes to rely on her resilience and her faith in the human spirit to survive and come of age all over again. Lyrical, emotionally driven, and told through stories both lived and overheard, Cinelle's intensely personal, yet universal, exploration of race, class, and identity redefines what it means to be a woman--and an American--in a divided country. |
| creative writing major classes: We Will Tell You Otherwise Beth Mayer, 2019-08-20 Fiction. What does Beth Mayer's intimate collection of short stories want to tell us? That the dead have much to teach the living, that madness can point the way to clarity, that the burn of departing never cools, that inside abandonment can be redemption. Mayer's prose rattles like bones, proving that no matter how far you live in the margins, you can't escape the telling.--Desiree Cooper Beth Mayer's stories unflinchingly explore the tough and the tender sides of family life as well as offering us a window into the lives of those we often prefer not to notice when we pass them in our neighborhoods. I was moved by the deep emotional truths in WE WILL TELL YOU OTHERWISE, and the slyly ironic and often sardonic wit of these stories kept me smiling all the way through. What a lovely collection of stories this is!--David Haynes The stories in Beth Mayer's WE WILL TELL YOU OTHERWISE are indelible treasures, full of poignancy and pathos. Mayer is the best kind of writer--one who doles out her wisdom with humor, who mines the intricacies of love, friendship, and family effortlessly.--John Jodzio |
| creative writing major classes: Kingdom Under Glass Jay Kirk, 2011-11-22 In this epic account of an extraordinary life lived during remarkable times, Jay Kirk follows the adventures of legendary explorer and taxidermist Carl Akeley, who revolutionized taxidermy and environmental conservation and created the famed African Hall at New York's Museum of Natural History. Akeley risked death time and again in the jungles of Africa as he stalked animals for his dioramas and hobnobbed with outsized personalities of the era, such as Theodore Roosevelt and P. T. Barnum. Kingdom Under Glass is a rollicking biography...an epic adventure...[and] a beguiling novelistic portrait of a man and an era straining to hear the call of the wild (Publishers Weekly). |
| creative writing major classes: My Body is a Book of Rules Elissa Washuta, 2014 In My Body Is a Book of Rules, Elissa Washuta corrals the synaptic gymnastics of her teeming bipolar brain, interweaving pop culture with neurobiology and memories of sexual trauma to tell the story of her fight to calm her aching mind and slip beyond the tormenting cycles of memory. |
| creative writing major classes: NW Zadie Smith, 2013-08-27 A 2012 National Book Critics Circle Award Finalist • One of The New York Times Book Review's 10 Best Books of 2012 • One of TIME's Top 10 Fiction Books of 2012 • One of The Wall Street Journal's Best 10 Fiction Books of 2012 • A New York Times and Washington Post Notable Book of 2012 “[NW] is that rare thing, a book that is radical and passionate and real.” —Anne Enright, The New York Times Book Review “A triumph . . . As Smith threads together her characters' inner and outer worlds, every sentence sings.” —The Guardian “A powerful portrait of class and identity in multicultural London.” —Entertainment Weekly Set in northwest London, Zadie Smith’s brilliant tragicomic novel follows four locals—Leah, Natalie, Felix, and Nathan—as they try to make adult lives outside of Caldwell, the council estate of their childhood. In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself. |
| creative writing major classes: The Complete Idiot's Guide to Creative Writing, 2nd edition Laurie Rozakis, 2004-06-01 A creative writing class in a book -REVISED. Major revisions take this popular Complete Idiot's Guide to a new level, offering readers a better way to unlock their creativity from the first page. Exercises help them explore their talents and experiment with different genres and forms of writing, including short stories, narrative fiction, memoirs, magazine articles, poetry, drama, blogging, and freewriting. |
| creative writing major classes: What We Are Becoming Greg Giberson, Thomas A. Moriarty, 2010 Greg Giberson and Tom Moriarty have collected a rich volume that offers a state-of-the-field look at the question of the undergraduate writing major, a vital issue for compositionists as the discipline continues to evolve. What We Are Becoming provides an indispensable resource for departments and WPAs who are building undergraduate majors. Contributors to the volume address a range of vital questions for undergraduate programs, including such issues as the competition for majors within departments, the job market for undergraduates, varying focuses and curricula of such majors, and the formation of them in departments separate from English. Other chapters discuss the importance of flexibility, consider arguments for a rhetorical or civic discourse core for the writing major, address the relationship between rhetoric and composition majors, and review the role of multiliteracies in the major. The field of composition has not come to a consensus on the shape, content, or focus of the undergradutate major. But as individual programs develop and refine their curricula, one thing has become clear: we must think about them in ways that go beyond our particular circumstances, theorize them in ways that secure their place on our campuses and in our discipline for years to come. What We Are Becoming is an effort to do just that. |
| creative writing major classes: Establishing Creative Writing Studies as an Academic Discipline Dianne Donnelly, 2011-11-15 This book advances creative writing studies as a developing field of inquiry, scholarship, and research. It discusses the practice of creative writing studies, the establishment of a body of professional knowledge, and the goals and future direction of the discipline within the academy. |
| creative writing major classes: Creative Writing in the Community Terry Ann Thaxton, 2013-11-07 Creative Writing in the Community is the firstbook to focus on the practical side of creative writing. Connecting classroomexperiences to community-based projects, it prepares creative writing studentsfor teaching in schools, homeless centres, youth clubs and care homes. Each chapteris packed with easy-to-use resources including: specific lesson plans; case studies of students working with community groups; lists of suitable writing examples; how to... sections; examples and theoretical applications of creative writing pedagogy and techniques; reflection questions; writings by workshop participants. Enhanced by contributions from directors,students and teachers at successful public programs, Creative Writing in the Community is more than an essential guidefor students on creative writing courses and leaders of community-basedlearning programs; it is practical demonstration of the value of art insociety. |
| creative writing major classes: Creative Writing Innovations Michael Dean Clark, Trent Hergenrader, Joseph Rein, 2017-02-23 When teachers experiment, students benefit. When students gain confidence to pursue their own literary experiments, creative writing can become a life-changing experience. With chapters written by experienced teachers and classroom innovators, Creative Writing Innovations builds on these principles to uncover the true potential of the creative writing classroom. Rooted in classroom experience, this book takes teaching beyond the traditional workshop model to explore topics such as multi-media genres, collaborative writing and field-based work, as well as issues of identity. Taken together, this is an essential guide for teachers of creative writing at all levels from the authors and editors of Creative Writing in the Digital Age. |
| creative writing major classes: Key Issues in Creative Writing Dianne Donnelly, Graeme Harper, 2012-11-14 Key Issues in Creative Writing explores a range of important issues that inform the practice and understanding of creative writing. The collection considers creative writing learning and teaching as well as creative writing research. Contributors target debates that arise because of the nature of creative writing. These experts – from the UK, USA and Australia – specifically examine creative writing as a subject in universities and colleges and discuss both the creative knowledge and the critical understanding informing the subject and its future. Finally, this volume suggests ways in which addressing current issues will produce significant disciplinary knowledge that will contribute to the success of creative writing in current and future academic environments. |
| creative writing major classes: Writing Creative Writing Rishma Dunlop, Daniel Scott Tysdal, Priscila Uppal, 2018-05-05 Essential and engaging essays about the joys and challenges of creative writing and teaching creative writing by a host of Canada’s leading writers. Writing Creative Writing is filled with thoughtful and entertaining essays on the joys and challenges of creative writing, the complexities of the creative writing classroom, the place of writing programs in the twenty-first century, and exciting strategies and exercises for writing and teaching different genres. Written by a host of Canada’s leading writers, including Christian Bök, Catherine Bush, Suzette Mayr, Yvette Nolan, Judith Thompson, and thom vernon, this book is the first of its kind and destined to be a milestone for every creative writing student, teacher, aspirant, and professional. |
| creative writing major classes: Follow Your Interests to Find the Right College Janet Mathers, Paul Marthers, 2016 |
| creative writing major classes: Catalogue Number. Course Catalog Anonymous, 2024-05-31 |
| creative writing major classes: International Perspectives on Creative Writing in Second Language Education Bee Chamcharatsri, Atsushi Iida, 2022-02-10 This volume explores the instructional use of creative writing in secondary and post-secondary contexts to enhance students’ language proficiency and expression in English as a second or foreign language (ESL/EFL). Offering a diverse range of perspectives from scholars and practitioners involved in English language teaching (ELT) globally, International Perspectives on Creative Writing in Second Language Education tackles foundational questions around why fiction and creative writing have been traditionally omitted from ESL and EFL curricula. By drawing on empirical research and first-hand experience, contributors showcase a range of creative genres including autobiography, scriptwriting, poetry, and e-Portfolios, and provide new insight into the benefits of second language creative writing for learners’ language proficiency, emotional expression, and identity development. The volume makes a unique contribution to the field of second language writing by highlighting the breadth of second language users throughout the world, and foregrounding links between identity, learning, and ESL/EFL writing. This insightful volume will be of particular interest to postgraduate students, researchers, and academics in the fields of ESL/EFL learning, composition studies, and second language acquisition (SLA). Those with a focus on the use of creative writing in classrooms more broadly, will also find the book of interest. |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
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creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
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having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
