| creative writing workshops for adults: Writing Fiction Gotham Writers' Workshop, 2008 Language, literature and biography. |
| creative writing workshops for adults: The Creative Writer, Level One: Five Finger Exercise (The Creative Writer) Boris Fishman, 2015-07-29 A gentle, imaginative introduction to the skills all creative writers need. Breaking down the elements that go into successful imaginative works, The Creative Writer leads aspiring writers through the skills needed to construct each. The assignments, designed to make students more aware of language and more confident in their own ingenuity, build on each other until beginning creative writers have successfully created their own stories, poems, and essays. • Simple but innovative exercises encourage young writers to strengthen their vocabulary and become aware of the patterns of sentences • Legends and folklore are used to teach point of view, characterization, plotting, and other vital skills • Classic poetry serves as a model for the student’s own original poems • Unlike most “how to write” books, The Creative Writer is designed to be used in a mentor/student relationship, with teaching, guidance, and evaluation tips provided for the mentor or teacher • Can be used as a complement to Writing With Skill or on its own |
| creative writing workshops for adults: Breathing Life Into Your Characters Rachel Ballon, 2009-03-01 Create Convincing Characters That Readers—and Editors—Can't Resist! It's the question that eternally plagues all good writers: How can you describe the thoughts and feelings of characters who have backgrounds or psychological aberrations with which you have no personal experience? How can you describe the feelings of a drug addict if you've never been one? How can you write about being a prisoner if you've never been to jail? You can do all the research you want, but the question still remains: How do you convincingly portray characters if you've never lived in their skin? In Breathing Life Into Your Characters, writing consultant and professional psychotherapist Rachel Ballon, Ph. D., shows you how to get in touch with the thoughts and feelings necessary to truly understand your characters—no matter what their background or life experiences. She'll show you how to: • Develop a psychological profile for every character • Turn archetypes into conflicted characters • Think like a criminal to convincingly write one • Reveal personalities through the use of nonverbal communication In addition, you'll learn how to effectively use Ballon's Method Writing system—taught previously only in her writing workshops—to explore your own feelings, memories, and emotions to create characters of astonishing depth and complexity! |
| creative writing workshops for adults: Trafficked Kim Purcell, 2012-02-16 Hannah has struggled ever since her parents were killed and her beloved uncle vanished. So when she's offered the chance to leave Moldova and become a nanny for a family in Los Angeles, it seems like a dream come true-and at first it is. But after weeks of working sixteen-hour days and not being able to leave the house, she still hasn't been paid. As things go from bad to worse, Hannah realizes that things are not at all what they seem and she finds herself doing things she never imagined herself capable of. But as she begins uncovering the family's crooked history, she may be exposing more than she bargained on-and putting her life in danger. |
| creative writing workshops for adults: The Pull of the Moon Elizabeth Berg, 2010-03-23 “This is not a novel about a woman leaving home but rather about a human being finding her way back.”—Chicago Tribune In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness—and the allure—of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters with strangers, including a handsome man appearing out of the woods and a lonely housewife sitting on her front porch steps. Most of all, Nan writes about the need for the self to stay alive. In this luminous and exquisitely written novel, Elizabeth Berg shows how sometimes you have to leave your life behind in order to find it. the pull of the moon BONUS: This edition contains an excerpt from Elizabeth Berg's Once Upon a Time, There Was You. Praise for The Pull of the Moon “Breathtaking . . . [Berg] writes with wry wit and aching lyricism, painting her characters as vividly as anyone writing today.”—The Charlotte Observer “When was the last time you thought about running away? . . . In The Pull of the Moon, Berg shares her strength, the wonderful widening of her soul so that we, too, can take the journey in the ease of our chair.”—Greensboro News & Record “Berg’s gift as a storyteller lies most powerfully in her ability to find the extraordinary in the ordinary, the remarkable in the everyday.”—The Boston Globe “Reading The Pull of the Moon is like sitting down for a long, satisfying chat with a best girlfriend. . . . [It] pleasantly encourages readers to recover a little life-embracing enthusiasm themselves.”—Orlando Sentinel |
| creative writing workshops for adults: The F Team Rawah Arja, 2020-09-01 Age range 14+ Meet Tariq Nader, leader of ‘The Wolf Pack’ at Punchbowl High, who has been commanded by the new principal to join a football competition with his mates in order to rehabilitate the public image of their school. When the team is formed, Tariq learns there’s a major catch – half of the team is made up of white boys from Cronulla, aka enemy territory – and he must compete with their strongest player for captaincy of the team. At school Tariq thinks he has life all figured out until he falls for a new girl called Jamila, who challenges everything he thought he knew. At home, his outspoken ways have brought him into conflict with his family. Now, with complications on all fronts, he has to dig deep to control his anger, and find what it takes to be a leader. In confronting and often hilarious situations, Tariq’s relationships with his extended Lebanese family and his friends are tested like never before, and he comes to learn that his choices can have serious consequences. 'Rawah Arja has written one of the best Australian novels I have ever read…not just because the writing sparkles even as it packs a punch, but because this is the kind of novel that shows us what Australia really is.' — Randa Abdel-Fattah 'A great novel, funny and authentic and full of characters I loved.' — Melina Marchetta, author of Looking for Alibrandi, Saving Francesca and On the Jellicoe Road 'Rawah Arja is an astounding new talent whose work will speak to young people everywhere. The F Team is a fresh, surprising work that is set to become a young adult classic.' — Felicity Castagna, author of No More Boats 'In her debut YA novel, Rawah Arja expertly expresses the difficulty of transitioning from adolescence to adulthood while navigating family, friendship, love and self-worth. Not just full of heart and the importance of community, Arja’s novel is also honest...The F Team is an introspective and thought-provoking coming-of-age read.' — Books+Publishing |
| creative writing workshops for adults: A Psalm for Lost Girls Katie Bayerl, 2017 Determined to protect her sister Tess's memory, Callie da Costa sets out to prove Tess wasn't really a saint and finds herself pulled into a kidnapping investigation-- |
| creative writing workshops for adults: Craft in the Real World Matthew Salesses, 2021-01-19 This national bestseller is a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, When we write fiction, we write the world. |
| creative writing workshops for adults: Pens on Fire , 2007-01-01 |
| creative writing workshops for adults: Writer's Digest University The Editors of Writer's Digest, 2010-10-08 Everything You need to Write and Sell Your Work This is the ultimate crash course in writing and publishing! Inside you'll find comprehensive instruction, up-to-date market listings, a CD featuring recorded live webinars with industry professionals, an all-access pass to WritersMarket.com, and more. Writer's Digest University is the perfect resource for you, no matter your experience level. This one-stop resource contains: • Quick and comprehensive answers to common questions including: How do I write a successful novel? and How do I know if self-publishing is right for me? • Instruction and examples for formatting and submitting fiction, nonfiction, articles, children's writing, scripts, and verse. • Advanced instruction on business-related issues like marketing and publicity, using social media, freelancing for corporations, keeping finances in order, and setting the right price for your work. • A detailed look at what agents want and how to get one that best fits your needs. • Market listings for publishers and agents open to unsolicited work and new writers, contests and awards, and conferences and workshops. • A CD with recordings of 4 popular WD webinars: How Do I Get My Book Published?, How to Land a Literary Agent, How Writers Can Succeed in the Future of Digital Publishing, and Freelance Basics.* • A scratch-off code that gives you a one-year subscription to WritersMarket.com and a 20% discount on the WritersDigestUniversity.com course of your choice.* Get started now with everything you need to build a thriving writing career. Whether you're starting from scratch or have a bit of experience, you'll find the tools you need for success. *PLEASE NOTE: CDs and one-year subscription are NOT included with the ebook version of this title. |
| creative writing workshops for adults: How to Write Science Fiction and Fantasy Orson Scott Card, 1990-07-15 Defines both genres, tells how to write a successful story, and where to find markets to get published. |
| creative writing workshops for adults: The Writer's Practice John Warner, 2019-02-05 “Unique and thorough, Warner’s handbook could turn any determined reader into a regular Malcolm Gladwell.” —Booklist For anyone aiming to improve their skill as a writer, a revolutionary new approach to establishing robust writing practices inside and outside the classroom, from the author of Why They Can’t Write After a decade of teaching writing using the same methods he’d experienced as a student many years before, writer, editor, and educator John Warner realized he could do better. Drawing on his classroom experience and the most persuasive research in contemporary composition studies, he devised an innovative new framework: a step-by-step method that moves the student through a series of writing problems, an organic, bottom-up writing process that exposes and acculturates them to the ways writers work in the world. The time is right for this new and groundbreaking approach. The most popular books on composition take a formalistic view, utilizing “templates” in order to mimic the sorts of rhetorical moves academics make. While this is a valuable element of a writing education, there is room for something that speaks more broadly. The Writer’s Practice invites students and novice writers into an intellectually engaging, active learning process that prepares them for a wider range of academic and real-world writing and allows them to become invested and engaged in their own work. |
| creative writing workshops for adults: The Anti-Racist Writing Workshop Felicia Rose Chavez, 2021-01-05 The Antiracist Writing Workshop is a call to create healthy, sustainable, and empowering artistic communities for a new millennium of writers. Inspired by June Jordan 's 1995 Poetry for the People, here is a blueprint for a 21st-century workshop model that protects and platforms writers of color. Instead of earmarking dusty anthologies, imagine workshop participants Skyping with contemporary writers of difference. Instead of tolerating bigoted criticism, imagine workshop participants moderating their own feedback sessions. Instead of yielding to the red-penned judgement of instructors, imagine workshop participants citing their own text in dialogue. The Antiracist Writing Workshop is essential reading for anyone looking to revolutionize the old workshop model into an enlightened, democratic counterculture. |
| creative writing workshops for adults: Bleaker House Nell Stevens, 2017-03-14 When she was twenty-seven, Nell Stevens—a lifelong aspiring novelist—won an all-expenses-paid fellowship to go anywhere in the world to write. Would she choose a glittering metropolis, a romantic village, an exotic paradise? Not exactly. Nell picked Bleaker Island, a snowy, windswept pile of rock in the Falklands. Other than sheep, penguins, paranoia, and the weather, there aren’t many distractions, but as Nell soon discovers, total isolation and 1,085 calories a day are far from ideal conditions for literary production. With deft humor, this memoir traces her island days and slowly reveals the life and people she has left behind in pursuit of her writing. It seems that there is nowhere she can run—an island or the pages of her notebook—to escape the big questions of love, art, and, ambition. |
| creative writing workshops for adults: Every Little Thing Mary Lou Sanelli, 2021-09-30 A fine-tuned, beautiful book that looks with a sharp eye and a generous spirit at one's sense of place as it was in the five years leading up to 2021. And as it is. Now. So much more than a collection of essays, this is a writer's soul laid bare. Filled with universal experience, every page reveals Sanelli's profound understanding of the strength and resilience of the human spirit. In Every Little Thing: Small Breakthroughs, Big Mistakes, Endless Lessons, Sanelli proves that a narrative essay can be wise and vulnerable and nail what matters most in our lives, all in the same breath. No one tells-truth with more heart, humor, and accountability. With a voice that speaks of life as it is everyday lived-with joy, calm, worry, and alarm-Sanelli manages to write lyrically in warm, accessible language. One can learn so much from a writer who, wherever she goes she takes her readers along with her, her experiences becoming theirs, as well. These writings will make you miss the Northwest even if you've never been there. Gliding on sentences smooth as stone with the brightness of the author's enthusiasm, this book will delight, challenge, reassure, and steer any reader toward a higher capacity to expand life's smallest moments into our grandest triumphs. |
| creative writing workshops for adults: Elements of Fiction Writing - Characters & Viewpoint Orson Scott Card, 1999-03-15 Vivid and memorable characters aren't born: they have to be made. &break;&break;This book is a set of tools: literary crowbars, chisels, mallets, pliers and tongs. Use them to pry, chip, yank and sift good characters out of the place where they live in your memory, your imagination and your soul. &break;&break;Award-winning author Orson Scott Card explains in depth the techniques of inventing, developing and presenting characters, plus handling viewpoint in novels and short stories. With specific examples, he spells out your narrative options–the choices you'll make in creating fictional people so real that readers will feel they know them like members of their own families. &break;&break;You'll learn how to: &break; draw the characters from a variety of sources, including a story's basic idea, real life–even a character's social circumstances&break; make characters show who they are by the things they do and say, and by their individual style&break; develop characters readers will love–or love to hate&break; distinguish among major characters, minor characters and walk-ons, and develop each one appropriately&break; choose the most effective viewpoint to reveal the characters and move the storytelling&break; decide how deeply you should explore your characters' thoughts, emotions and attitudes |
| creative writing workshops for adults: Willa’s Grove Laura Munson, 2020-03-03 You are invited to the rest of your life. Three women, from coast to coast and in between, open their mailboxes to the same intriguing invitation. Although leading entirely different lives, each has found herself at a similar, jarring crossroads. Right when these women thought they’d be comfortably settling into middle age, their carefully curated futures have turned out to be dead ends. The sender of the invitation is Willa Silvester, who is reeling from the untimely death of her beloved husband and the reality that she must say goodbye to the small mountain town they founded together. Yet as Willa mourns her losses, an impossible question keeps staring her in the face: So now what? Struggling to find the answer alone, fiercely independent Willa eventually calls a childhood friend who happens to be in her own world of hurt—and that’s where the idea sparks. They decide to host a weeklong interlude from life, and invite two other friends facing their own quandaries. Soon the four women converge at Willa’s Montana homestead, a place where they can learn from nature and one another as they contemplate their second acts together in the rugged wilderness of big sky country. |
| creative writing workshops for adults: Good with Words Patrick Barry, 2019-05-31 If your success at work or in school depends on your ability to communicate persuasively in writing, you'll want to get Good with Words. Based on a course that law students at the University of Michigan and the University of Chicago have called outstanding, A-M-A-Z-I-N-G, and the best course I have ever taken, the book brings together a collection of concepts, exercises, and examples that have also helped improve the advocacy skills of people pursuing careers in many other fields--from marketing, to management, to medicine. There is nobody better than Patrick Barry when it comes to breaking down how to write and edit. His techniques don't just make you sound better. They make you think better. I'm jealous of the people who get to take his classes. --Professor Lisa Bernstein, University of Chicago Law School and Oxford University Center for Corporate Regulation Whenever I use Patrick Barry's materials in my class, the student reaction is the same: 'We want more of them.' --Professor Dave Babbe, UCLA School of Law Working one-on-one with Patrick Barry should be mandatory for all lawyers, regardless of seniority. This book is the next best thing. --Purvi Patel, Partner at Morrison Foerster LLP I am proud to say that, when it comes to writing, I speak Patrick Barry. What I mean is that I use, pretty much every day, the writing vocabulary and techniques he offers in this great book. So read it. Share it. And then, if you can, teach it. There are a lot of good causes in the world that could use a new generation of great advocates. --Professor Bridgette Carr, Assistant Dean of Strategic Initiatives and Director of the Human Trafficking Clinic at the University of Michigan Law School Patrick Barry is my secret weapon. I use his techniques every time I write, and I also teach them to all my students. --Professor Shai Dothan, Copenhagen Faculty of Law I know the materials in this book were originally created for lawyers and law students. But I actually find them really helpful for doctors as well, given that a lot of what I do every day depends on effective communication. There is a tremendous upside to becoming 'Good with Words. --Dr. Ramzi Abboud, Washington University School of Medicine in St. Louis. |
| creative writing workshops for adults: Pioneer Girl Bich Minh Nguyen, 2014-02-06 From an award-winning author, a novel about a Vietnamese American family’s ties to The Little House on the Prairie Jobless with a PhD, Lee Lien returns home to her Chicago suburb from grad school, only to find herself contending with issues she’s evaded since college. But when her brother disappears, he leaves behind an object from their mother’s Vietnam past that stirs up a forgotten childhood dream: a gold-leaf brooch, abandoned by an American reporter in Saigon back in 1965, that might be an heirloom belonging to Laura Ingalls Wilder. As Lee explores the tenuous facts of this connection, she unearths more than expected—a trail of clues and enticements that lead her from the dusty stacks of library archives to hilarious prairie life reenactments and ultimately to San Francisco, where her findings will transform strangers’ lives as well as her own. A dazzling literary mystery about the true origins of a time-tested classic, Pioneer Girl is also the deeply moving tale of a second-generation Vietnamese daughter, the parents she struggles to honor, the missing brother she is expected to bring home—even as her discoveries yield dramatic insights that will free her to live her own life to its full potential. |
| creative writing workshops for adults: Glory Days Melissa Fraterrigo, 2017-09-01 The novel Glory Days combines gritty realism with magical elements as Melissa Fraterrigo masterfully interweaves a slate of arresting characters from a small, former farming town in Nebraska who must grapple with loss, life, and death. |
| creative writing workshops for adults: Now Write! Science Fiction, Fantasy and Horror Laurie Lamson, 2014-02-20 Featuring speculative fiction-writing exercises from Harlan Ellison, Piers Anthony, Ramsey Campbell, Jack Ketchum, screenwriters of The Twilight Zone and Star Trek: The Next Generation, and many more. The fifth volume in the acclaimed Now Write! writing-guide series offers a full toolbox of advice and exercises for speculative fiction writers hoping to craft an engaging alternate reality, flesh out an enthralling fantasy quest, or dream up a bloodcurdling plot twist, including: -Harlan Ellison, on crafting the perfect story title -Jack Ketchum, on how economy of language helps create a truly frightening tale -Piers Antony, on making fantastical characters feel genuine and relatable This collection of storytelling secrets from top genre writers-including winners of Nebula, Hugo, Edgar, and Bram Stoker awards-is essential for any writer looking to take a leap beyond the ordinary-- |
| creative writing workshops for adults: Colorization Wil Haygood, 2021-10-19 A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America. |
| creative writing workshops for adults: Short Girls Bich Minh Nguyen, 2009-07-23 Winner of an American Book Award Named one of the Best Books of the Year by Library Journal A novel about two Vietnamese-American sisters, longtime rivals, growing closer as they grapplewith their upbringing, their present circumstances and their shortcomings (Kirkus Reviews) Called A writer to watch, a tremendous talent by the Chicago Tribune, Bich Minh Nguyen makes her fiction debut with the deeply moving and entertaining story of two Vietnamese sisters. Aside from their petite stature, Van and Linny Luong couldn't be more different. Diligent, unassuming Van works as an immigration lawyer in the Michigan suburbs where she resides with her handsome, Chinese-American lawyer husband. Beautiful, fashionable Linny lives in Chicago and has drifted into an affair with a married man. When Van's picture-perfect marriage collapses and Linny finds herself grappling to escape her dead-end life, the long-estranged sisters are unable to confide in one another- until their eccentric inventor father calls them back home to the Vietnamese American community they fled long ago. |
| creative writing workshops for adults: Refuse to Be Done: How to Write and Rewrite a Novel in Three Drafts Matt Bell, 2022-03-08 They say writing is rewriting. So why does the second part get such short shrift? Refuse To Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger. From lauded writer and teacher Matt Bell, Refuse to Be Done is encouraging and intensely practical, focusing always on specific rewriting tasks, techniques, and activities for every stage of the process. You won’t find bromides here about the “the writing Muse.” Instead, Bell breaks down the writing process in three sections. In the first, Bell shares a bounty of tactics, all meant to push you through the initial conception and get words on the page. The second focuses on reworking the narrative through outlining, modeling, and rewriting. The third and final section offers a layered approach to polishing through a checklist of operations, breaking the daunting project of final revisions into many small, achievable tasks. Whether you are a first time novelist or a veteran writer, you will find an abundance of strategies here to help motivate you and shake up your revision process, allowing you to approach your work, day after day and month after month, with fresh eyes and sharp new tools. |
| creative writing workshops for adults: This Is What America Looks Like Caroline Bock, Jona Colson, 2021-02-04 An anthology of new fiction and poetry from the DC-MVA region |
| creative writing workshops for adults: In the Pink Nicholas Barnett, 2021-10-15 It's 1991, and Nick, 32, is living in Washington, D.C., just scraping by. One evening, Nick runs into Rachael, a beautiful and successful former business associate. Sparks fly and the two begin a whirlwind romance. Rachael introduces Nick to the unusual circle of friends over which she presides: A-list gay men at the forefront of the burgeoning circuit party scene. Beguiled by the heady life style and the ultra-worldly Rachael, straight-guy-Nick becomes immersed in the most exotically gay scene on earth. Nick fears that he's playing hopelessly out of his league, but the prospect of reverting back to the grey normalcy of his previous life terrifies him. Nick decides that since he can't be gay, he'll become the next best thing: the gayest straight man in America. He and Rachael become a major subculture. Minor celebrities the straight couple who party just as hearty with the boys. As the excesses of the circuit catch up to them, Nick feels trapped beneath the glittery facade of his life. In order to save himself, Nick is going to have to find his way out of his decade-long relationship with Rachael, which has blown Nick's world wide open and apart. |
| creative writing workshops for adults: The Practical Writer with Readings Edward P. Bailey, Philip A. Powell, 2002 The Practical Writer with Readings provides both developmental and first-year composition students with a step-by-step approach to writing, from the one-paragraph essay to the five-paragraph essay to the research paper. |
| creative writing workshops for adults: The Playwright's House Dariel Suarez, 2021 Happily married, backed by a powerful mentor, and with career prospects that would take him abroad, Serguey has more than any young Cuban lawyer could ask for. But when his estranged brother Victor appears with news that their father--famed theater director Felipe Blanco--has been detained for what he suspects are political reasons, Serguey's privileged life is suddenly shaken. A return to his childhood home in Havana's decaying suburbs--a place filled with art, politics, and the remnants of a dissolving family--reconnects Serguey with his troubled past. He learns of an elusive dramaturge's link to Felipe, a man who could be key to his father's release. With the help of a social media activist and his wife's ties with the Catholic Church, Serguey sets out to unlock the mystery of Felipe's arrest and, in the process, is forced to confront the reasons for the hostility between him and Victor: two violent childhood episodes that scarred them in unforgettable ways. On the verge of imprisonment, Serguey realizes he must make a decision regarding not just his father, but his family and his own future, a decision which, under the harsh shadow of a communist state, he cannot afford to regret. |
| creative writing workshops for adults: Mrs Gaskell and Me NELL. STEVENS, 2019-06-27 From the author of the beloved Bleaker House, Mrs Gaskell and Me is the story of two very modern women and their two love affairs, separated by a hundred and fifty years. |
| creative writing workshops for adults: Black Writers Matter Whitney French, 2021-11-06 Black Writers? African, Bluesy, Classical, Disrespectful, Erudite, Fiery, Groovy, Haunting, Inspiring, Jazzy, Knowing, Liberating, Militant, Nervy, Optimistic, Pugnacious, Quixotic, Rambunctious, Seductive, Truculent, Urgent, Vivacious, Wicked, X-ray sharp, Yearning, Zesty. And so, they matter! --George Elliott Clarke An anthology of African-Canadian writing, Black Writers Matter offers a cross-section of established writers and newcomers to the literary world who tackle contemporary and pressing issues with beautiful, sometimes raw, prose. As editor Whitney French says in her introduction, Black Writers Matter injects new meaning into the word diversity [and] harbours a sacredness and an everydayness that offers Black people dignity. An invitation to read, share, and tell stories of Black narratives that are close to the bone, this collection feels particular to the Black Canadian experience. |
| creative writing workshops for adults: Deboning a Dragon Julie Hartley, 2019 Julie Hartley's debut poetry collection captures the lived experience of a life in motion, moving in rhythmic language from a childhood in England through restless travels around the globe. Hartley is a poet who can say, You'll never know if there are others / picking your route through this dark. Whether meandering through Greece, Peru, Canada or China, or navigating the experience of motherhood and cultural differences, Deboning a Dragon attests to the probability that shared experience is a bridge to span otherness. Hartley is a passionate observer whose poems explore the transformational power of movement--and staying still.-- |
| creative writing workshops for adults: The Dockporter Jim Bolone, Dave McVeigh, 2021-03-30 The Dockporter. He's got a bike, a basket ... and a whole lotta baggage. It's the summer of 1989. Jack McGuinn is a dockporter, transporting tourists' luggage, piled high in the basket of his bike on Mackinac Island, Michigan, a tiny summer resort where cars are outlawed and pedal-power rules. He's got the season wired tight: a family cottage on the bluff, a dream job, and a loyal crew of hell-raising, tip-hustling buddies. When his old friend-turned bitter rival challenges him to ride a record-setting load, he takes the bet and soon realizes he's not just carrying suitcases, he's carrying the future of the island, which is about to be paved over for profit. With the help of his pals on the dock and the love of a romantic, free-spirited Irish cellist named Erin, Jack digs deep to discover skills he didn't know he had. The Dockporter is an offbeat, nostalgic coming-of age-story that appeals anyone who ever had a summer job. If Rushmore director Wes Anderson remade Caddyshack but it emerged as a hybrid of Footloose and Meatballs (and was a book) it would be The Dockporter. Genre-smashing, hilariously fresh, yet refreshingly familiar, it's a novel about friends, family, love, luggage, and the summers we never forget. We feel the same way you do. The world's gotten a bit serious lately. So kick back, pour yourself something cold, and take a summer vacation, even if it's just in your mind. Because let's face it: we all need an island. |
| creative writing workshops for adults: The Memoir Writing Workbook Irene Graham, 2009 |
| creative writing workshops for adults: Writing the Other Nisi Shawl, Cynthia Ward, 2005 Many writers avoid creating characters of different ethnic backgrounds than their own out of fear that they might get it wrong. To address this fear, Nisi Shawl and Cynthia Ward collaborated to develop a workshop that addresses these problems with the aim of both increasing writers skill and sensitivity in portraying difference in their fiction as well as allaying their anxieties about getting it wrong. Writing the Other: A Practical Approach is the manual that grew out of their workshop. It discusses basic aspects of characterization and offers elementary techniques, practical exercises, and examples for helping writers create richer and more accurate characters with differences. |
| creative writing workshops for adults: Creative Writing Sue Thomas, 1995 By Sue Thomas www.suethomas.net In the early 1990s there were very few creative writing degrees in the UK but lots of creative writing workshops in the community. Many writers, including me, taught creative writing in libraries, prisons, hospitals, schools, even living rooms. The students were hugely varied, from enthusiastic poets to prospective autobiographers and hopeful screenwriters and everything in between. I’m no longer involved in that way but such groups are still very popular, and they often provide a valuable income for self-employed writers. The idea for ‘Creative Writing: A Handbook for Workshop Leaders’ came from a collaboration between East Midlands Arts and the University of Nottingham’s Department of Adult Education, both now defunct. Its aim was to support creative writing teachers by collecting the wisdom of those East Midlands writers who were already involved in the practice. Many writers who teach writing have no formal training in teaching or facilitation and can find very few resources to help them when they’re starting out, or support them as they develop their skills. The book is divided into the following sections: Teaching Adults Teaching Writing Workshop Exercises Problems and Issues Resources and Information Of course some of the material is now wildly out of date and there are virtually no web-based resources but a lot of it will still be useful. I especially like the inspiring vignettes by writers Catherine Byron, Kevin Fegan, Martin Glynn, Jacek Laskowski and Kathy Page. |
| creative writing workshops for adults: Creative Writing Workshop Miguel D'Addario, 2018-04-14 The dream of writing a book for prosperity is one of the so-called purposes in life. They all write it down together with “plant a tree” and “have a child” and most will marry, breed offspring and participate in a reforestation campaign but... what about the book? We walk through a bookstore or visit an exhibition of books from around the world and we are surprised that someone is able to write stories, collect biographies of illustrious men... And even in movies, “diaries” seem to be the ideal of any young person captured on screen. Could it be that it is impossible to write this book in order to leave a mark of our passage in this world? Let me tell you yes. Yes it is possible. |
| creative writing workshops for adults: The Portable Creative Writing Workshop Pat Boran, 2013-09-01 How do writers write? What do they do when they're stuck for ideas? Or how do they take those still vague ideas to the next level, maybe even all the way to publication? Whether you belong to a writing group running low on steam, or are struggling on your own and looking for some helpful direction, this book - now in its fifth reprinting and updated for this new edition - offers all the practical assistance you'll ever need. Covering everything from ideas for generating raw material to form and technique in poetry and prose, prize-winning poet and writer Pat Boran (who has conducted hundreds of writing workshops over the years) takes a hands-on approach to the creative writing process, concluding with a new section for those considering their own first steps towards publication. Accessible, enjoyable and stimulating, The Portable Creative Writing Workshop is an ideal starting point (and travel companion) for anyone setting out on the writer's journey. ABOUT THE AUTHOR Poet, fiction writer and publisher Pat Boran has been conducting writing workshops for many years. In that time he has published more than a dozen collections of poetry and prose and has edited more than a hundred books by other poets and writers. He is a former editor of Poetry Ireland Review, has presented poetry and arts programmes on radio and television, and is a member of Aosdana, the Irish affiliation of writers and artists. His most recent publications are The Next Life (poems, 2013) and the prose memoir The Invisible Prison (2009 |
| creative writing workshops for adults: Creative Writing Workshop Baltazar Boeuf, 2021-04-25 Do you want to be a fiction writer and need guidance and advice to follow? Have you taken classes and read many manuals and still feel lost? With little theory and step-by-step exercises, this brief manual will guide you in the construction of your narrative process. By the end of the workshop, and by completing the proposed exercises, you will have the basis of your novel or short story: characters, narrative universes, plots and structure. Aimed at beginners, young and adult literature lovers, it includes additional exercises to awaken the imagination to create new stories. Try it out! |
| creative writing workshops for adults: Craft Class Christopher Kempf, 2022-03-15 The hidden history of the creative writing workshop and the socioeconomic consequences of the craft labor metaphor. In a letter dated September 1, 1912, drama professor George Pierce Baker recommended the term workshop for an experimental course in playwriting he had been planning with former students at Harvard and Radcliffe. This was the first time that term, now ubiquitous, was used in the context of creative writing pedagogy. Today, the MFA (master of fine arts) industry is a booming one, with more than 200 programs and thousands of residencies and conferences for aspiring writers nationwide. Almost all of these offerings operate on the workshop model. In Craft Class, Christopher Kempf argues that the primary institutional form of creative writing studies, the workshop, has remained invisible before our scholarly eyes. While Baker and others marshaled craft toward economic critique, craft pedagogies consolidated the authority of elite educational institutions as the MFA industry grew. Transcoding professional-managerial soft skills—linguistic facility, social and emotional discernment, symbolic fluency—in the language of manual labor, the workshop nostalgically invokes practices that the university itself has rendered obsolete. The workshop poem or short story thus shares discursive space with the craft IPA or hand-loomed Pottery Barn rug—a space in which one economic practice rewrites itself in the language of another, just as right-wing corporatism continuously rewrites itself in the language of populism. Delineating an arc that extends from Boston's fin de siècle Society of Arts and Crafts through 1930s proletarian workshops to the pedagogies of Black Mountain College and the postwar MFA, Craft Class reveals how present-day creative writing restructures transhistorical questions of labor, education, and aesthetic and economic production. With the rise of the workshop in American culture, Kempf shows, manual and mental labor have been welded together like steel plates. What fissures does that weld seal shut? And on whose behalf does the poet punch in? |
| creative writing workshops for adults: Beyond the Writers' Workshop Carol Bly, 2001-04-17 An innovative new approach to teaching and writing creative nonfiction from veteran teacher and critically acclaimed author Carol Bly. Teachers and writers everywhere are facing the limits imposed by the prevailing models of teaching: community or MFA “workshops” or, at the high-school level, “peer review.” In Beyond the Writers' Workshop Carol Bly presents an alternative. She believes that workshopping’s tendency to engage in wry scorn and pay exaggerated attention to technical details, causes apprentice writers, consciously or unconsciously, to modify their most passionate work. Inspired by a philosophy of individuality and moral rigor, Bly combines ideas and techniques from social work, psychotherapy, and neuroscience with the traditional teaching of fresh metaphor, salient dialogue, lively pace, and analysis of other literary work in her pioneering new approach. She also includes exercises and examples in an extensive practical appendix. |
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CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
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Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
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creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
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CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
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Shop online at creative.com for wireless speakers and computer soundbars, Bluetooth headphones, Sound Blaster sound cards, gaming headsets. Free shipping on orders over $35.
CREATIVE Definition & Meaning - Merriam-Webster
The meaning of CREATIVE is marked by the ability or power to create : given to creating. How to use creative in a sentence.
CREATIVE | definition in the Cambridge English Dictionary
CREATIVE meaning: 1. producing or using original and unusual ideas: 2. describing or explaining things in unusual…. Learn more.
CREATIVE definition and meaning | Collins English Dictionary
A creative person has the ability to invent and develop original ideas, especially in the arts.
Creative - definition of creative by The Free Dictionary
Define creative. creative synonyms, creative pronunciation, creative translation, English dictionary definition of creative. adj. 1. Having the ability or power to create: Human beings are creative …
Creativity | Definition, Types, Skills, & Facts | Britannica
May 27, 2025 · Creativity, the ability to make or otherwise bring into existence something new, whether a new solution to a problem, a new method or device, or a new artistic object or form. …
creative | meaning of creative in Longman Dictionary of …
creative meaning, definition, what is creative: involving the use of imagination to prod...: Learn more.
Creative Definition & Meaning - YourDictionary
He was not a great original thinker; he lacked the creative faculty and the creative impulse. Polycarp had no creative genius. The creative thought of the middle ages is clerical thought.
How to Be More Creative: 13 Proven Methods – Mendi.io
4 days ago · So, if this is your goal, we have the answer! In this article, we'll share 13 proven tips on how to be more creative (with real-life examples to inspire you!). Key Takeaways. Creativity …
CREATIVE Definition & Meaning | Dictionary.com
having the power to bring something new into being, as a creature, or to evolve something original from one’s own thought or imagination, as a work of art or invention: In the mythologies of the …
