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| creative communications writing contest: On Writing Stephen King, 2014-12 |
| creative communications writing contest: Broken Hearts-- Healing Tom Worthen, 2001 Presents poems by children from more than one hundred families changed by divorce, reflecting such themes as abandonment, being caught in the middle, love, hate, and lessons learned. |
| creative communications writing contest: Stories from Quarantine The New York Times, 2022-03-22 Previously published as The decameron project. |
| creative communications writing contest: The Kindred Alechia Dow, 2022-01-04 “Utterly swoony…an endearing reminder that true love can change the world” —J. Elle, New York Times bestselling author of Wings of Ebony To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor… Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings. Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face. Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy. |
| creative communications writing contest: Key Issues in Creative Writing Dianne Donnelly, Graeme Harper, 2012-11-13 Key Issues in Creative Writing explores the teaching, learning and researching of creative writing. It outlines current issues, as defined by experts from the UK, USA and Australia. These expert contributors suggest solutions that will positively impact on the development of the discipline of creative writing in universities and colleges today and in the future. |
| creative communications writing contest: Sleeping with the Dictionary Harryette Mullen, 2002-02-22 Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's Jabberwocky--also creates a kind of automatic poetic discourse. Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being licked all over by the English tongue, and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a pillow dictionary. |
| creative communications writing contest: Teach Reading Creatively Frank B. May, Louise Fulton, Robert B. Cooter, 2005-05 Provides new teachers with proven reading strategies through an integrated imaginative narrative. Teach Reading Creatively (formerly published as Reading and Writing as Communication) models the joy of educating, clarifies the opportunities for inspired teaching, and arms teachers with the knowledge and tools they need to succeed. |
| creative communications writing contest: Creative Writing Studies Graeme Harper, Jeri Kroll, 2008 Here creative writers who are also university teachers monitor their contribution to this popular discipline in essays that indicate how far it has come in the USA, the UK and Australia. |
| creative communications writing contest: Poetic Expressions in Nursing Susan J. Felice-Farese, Susan J. Farese, 1993 |
| creative communications writing contest: Honest Engine Kyle Dargan, 2015-04-01 In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Following a spate of deaths among family and friends, Dargan chooses to present not color-negative elegies but self-portraits that capture what of these departed figures remains within him. Amid this processing of mortality, it becomes clear that he has arrived at a turning point as a writer and a man. As the title suggests, Dargan aspires toward an unflinching honesty. These poems do not purport to possess life s answers or seek to employ language to mask what they do not know. Dargan confesses as a means of reaching out to the nomadic human soul and inviting it to accompany him on a walk toward the unknown. |
| creative communications writing contest: The Anti-Racist Writing Workshop Felicia Rose Chavez, 2021-01-05 The Antiracist Writing Workshop is a call to create healthy, sustainable, and empowering artistic communities for a new millennium of writers. Inspired by June Jordan 's 1995 Poetry for the People, here is a blueprint for a 21st-century workshop model that protects and platforms writers of color. Instead of earmarking dusty anthologies, imagine workshop participants Skyping with contemporary writers of difference. Instead of tolerating bigoted criticism, imagine workshop participants moderating their own feedback sessions. Instead of yielding to the red-penned judgement of instructors, imagine workshop participants citing their own text in dialogue. The Antiracist Writing Workshop is essential reading for anyone looking to revolutionize the old workshop model into an enlightened, democratic counterculture. |
| creative communications writing contest: Midwest Gothic Laura Donnelly, 2020-08-15 Poetry. Winner of the 2019 Richard Snyder Memorial Publication Prize. The poems in MIDWEST GOTHIC make the daily deliciously strange--'the daily / which isn't still at all but a whirring / gone deep.' They make us work our way inside them, but once I entered this book, I didn't want to leave. I wanted to stay in 'the copper-tipped town;' I wanted to stay with the delphinium, 'a choir of indigo, ' and 'cornfields made surreal / in the dark.' These difficult times have tested my faith in many things, including language, and MIDWEST GOTHIC arrived just in time to remind me what poems can do.--Maggie Smith |
| creative communications writing contest: Don't Say We Didn't Warn You Ariel Delgado Dixon, 2023-02-14 Two sisters unite to survive a traumatic upbringing—from absentee parents to a wilderness camp for troubled teens—in this “relentless and spooky” (Joy Williams) debut novel from an essential new voice. “A story that’s so weird, it has to be true. . . . Keeps our attention in a chokehold.”—The New York Times ONE OF THE BEST BOOKS OF THE YEAR: Good Housekeeping “When the Juvenile Transportation Services come for you in the night in a preordained kidnapping, complete with an unmarked van and husky guardsmen you can’t outmatch, you have been sold for a promise.” A young woman thinks she has escaped her past only to discover that she’s been hovering on its edges all along: She and her younger sister bide their time in a dilapidated warehouse in a desolate town north of New York City; their parents settled there with dreams of starting an art commune. But after the girls’ father vanishes, all traces of stability disappear for the family, and the girls retreat into strange worlds of their own mythmaking and isolation. As the sisters both try to survive their increasingly dark and dangerous adolescences, they break apart and reunite repeatedly, orbiting each other like planets. Both endure stints at the Veld Center, a wilderness camp where troubled teenage girls are sent as a last resort, and both emerge more deeply warped by the harsh outdoor survival experiences they must endure and the attempts by staff to break them down psychologically. With a mesmerizing voice and uncanny storytelling style, this is a remarkable debut about two women who must struggle to understand the bonds that link them and how their traumatic history will shape who they choose to become as adults. |
| creative communications writing contest: Writer's Digest University The Editors of Writer's Digest, 2010-10-08 Everything You need to Write and Sell Your Work This is the ultimate crash course in writing and publishing! Inside you'll find comprehensive instruction, up-to-date market listings, a CD featuring recorded live webinars with industry professionals, an all-access pass to WritersMarket.com, and more. Writer's Digest University is the perfect resource for you, no matter your experience level. This one-stop resource contains: • Quick and comprehensive answers to common questions including: How do I write a successful novel? and How do I know if self-publishing is right for me? • Instruction and examples for formatting and submitting fiction, nonfiction, articles, children's writing, scripts, and verse. • Advanced instruction on business-related issues like marketing and publicity, using social media, freelancing for corporations, keeping finances in order, and setting the right price for your work. • A detailed look at what agents want and how to get one that best fits your needs. • Market listings for publishers and agents open to unsolicited work and new writers, contests and awards, and conferences and workshops. • A CD with recordings of 4 popular WD webinars: How Do I Get My Book Published?, How to Land a Literary Agent, How Writers Can Succeed in the Future of Digital Publishing, and Freelance Basics.* • A scratch-off code that gives you a one-year subscription to WritersMarket.com and a 20% discount on the WritersDigestUniversity.com course of your choice.* Get started now with everything you need to build a thriving writing career. Whether you're starting from scratch or have a bit of experience, you'll find the tools you need for success. *PLEASE NOTE: CDs and one-year subscription are NOT included with the ebook version of this title. |
| creative communications writing contest: Creative Communication F. Averett Tanner, Fran Averett Tanner, 1979 |
| creative communications writing contest: Where I'm from Steven Borsman, Brittany Buchanan, Crystal Collett, Keri N. Collins, Danny Dyar, Katie Frensley, Yvonne Godfrey, Ethan Hamblin, Silas House, Megan Rebecckiah Jones, Liz Kilburn, George Ella Lyon, Zoe Minton, Kia L. Missamore, Desirae Negron, Marcus Plumlee, Emily Grace Sarver-Wolf, Lesley Sneed, Cassie Walters, Lucy Weakley, 2011 In the Fall of 2010 I gave an assignment in my Appalachian Literature class at Berea College, telling my students to write their own version of Where I'm From poem based on the writing prompt and poem by George Ella Lyon, one of the preeminent Appalachian poets. I was so impressed by the results of the assignment that I felt the poems needed to be preserved in a bound document. Thus, this little book. These students completely captured the complexities of this region and their poems contain all the joys and sorrows of living in Appalachia. I am proud that they were my students and I am very proud that together we produced this record of contemporary Appalachian Life -- Silas House |
| creative communications writing contest: 2021 Rising Stars Collection , 2021-05 Poetry Compilation |
| creative communications writing contest: A Sea of Troubles Elizabeth James, B.H. James, 2021-04-19 Sea of Troubles has been designed for classroom teachers struggling to address the overwhelming issues facing our world today. By embracing the Common Core’s emphasis on the inclusion of more nonfiction, informational texts, the authors have demonstrated how to incorporate meaningful informational texts into their favorite units of literature. Sea of Troubles shows teachers how literature and informational texts can work together, to enhance each other, and, by extension, enhance student’s abilities to critically think and respond to the sea of troubles that pervades society. |
| creative communications writing contest: Engaging Teachers, Students, and Families in K-6 Writing Instruction Danielle L. DeFauw, 2020-06-03 This text draws on interviews, assignments, field notes, and observations from a flipped writing methodology course conducted with preservice elementary teachers in the US. In doing so, the text powerfully illustrates the benefits of using flipped methodologies in K-6 instruction to engage students, teachers, and families in authentic writing practices. Engaging Teachers, Students, and Families in K-6 Writing Instruction demonstrates the use of flipped writing methodologies to engage preservice teachers in literacy instruction, increase their confidence as writers, and bolster their understanding and application of pedagogical content knowledge. In turn, this underpins teachers’ ability to teach writing as an authentic, purpose-driven, audience-focused process. In particular, chapters explore effective teaching strategies including writing clinics, writing contests, and family literacy sessions which encourage writing development within a community of students, teachers, families, and authors. This text will be an engaging and informative guide for educational researchers, teacher educators, and preservice and inservice teachers looking to develop effective flipped writing pedagogies to support educators, students, and families. |
| creative communications writing contest: Alicia Alonso Dances On Rose Viña, 2021-10-01 STARRED REVIEW! The inspirational life of ballerina Alicia Alonso is shared with young readers in this lovingly illustrated beginning biography. The illustrations excellently depict Alicia's dedication as well as the difficulties with her eyesight and will inspire readers to chase their dreams amid challenges and struggles.—School Library Journal starred review Alicia Alonso wouldn't let her vision impairment keep her from dancing. As a young girl in Cuba, Alicia Alonso practiced ballet in tennis shoes. Within a few years, she was in New York City, with a promising ballet career. But her eyesight began to fail. When Alicia needed surgeries to save her vision, dancing was impossible, but she wouldn't give up her dream. She found the strength and determination to return to the stage and become a prima ballerina. This is the true story of a woman who overcame her challenges, mastered her art, and inspired others to dance and dream. |
| creative communications writing contest: How Poetry Can Change Your Heart Andrea Gibson, Megan Falley, 2019-04-16 How can a poem transform a life? Could poetry change the world? In this accessible volume, spoken-word stars Andrea Gibson and Megan Falley roll out the welcome mat and prove that poetry is for everyone. Whether lapsed poetry lovers, aspiring poets, or total novices, readers will learn to uncover verse in unexpected places, find their way through a poem when they don't quite get it, and discover just how transformative poetry can be. This is a gorgeous and inspiring gift for any fan of the written word. |
| creative communications writing contest: Creative Writing in the Digital Age Michael Dean Clark, 2015-01-29 Creative Writing in the Digital Age explores the vast array of opportunities that technology provides the Creative Writing teacher, ranging from effective online workshop models to methods that blur the boundaries of genre. From social media tools such as Twitter and Facebook to more advanced software like Inform 7, the book investigates the benefits and potential challenges these technologies present instructors in the classroom. Written with the everyday instructor in mind, the book includes practical classroom lessons that can be easily adapted to creative writing courses regardless of the instructor's technical expertise. |
| creative communications writing contest: Unheard Voices Malorie Blackman, 2011-03-31 In March 1807, the British Parliament passed an Act making the trading and transportation of slaves illegal. It was many years before slavery, as it was known then, was abolished, and slavery still continues today in different ways, but it was a big step forward towards the empancipation of a people. Malorie Blackman has drawn together some of the finest of today's writers and poets to contribute to this important anthology. Their short stories and poems sit alongside first-hand accounts of slavery from freed slaves, making a fascinating and absorbing collection that remembers and commemorates one of the most brutal and long-lasting inflictions of misery that human beings have inflicted upon other human beings. |
| creative communications writing contest: More Songwriters on Songwriting Paul Zollo, 2016-11-08 The long-awaited sequel to Songwriters on Songwriting, often called the songwriter's bible, More Songwriters on Songwriting goes to the heart of the creative process with in-depth interviews with many of the world's greatest songwriters. Covering every genre of popular music from folk, rock 'n' roll, Broadway, jazz, pop, and modern rock, this is a remarkable journey through some sixty years of popular songwriting: from Leiber & Stoller's genius rock 'n' roll collaborations and Richard Sherman's Disney songs to Kenny Gamble's Philly Sound; Norman Whitfield's Motown classics; Loretta Lynn's country standards; expansive folk music from Peter, Paul, and Mary; folk-rock from Stephen Stills; confessional gems from James Taylor; poetic excursions form Patti Smith; Beatles magic from Ringo Starr; expansive brilliance from Paul Simon; complex melodic greatness from Brian Wilson; the most untrustworthy narrator alive in Randy Newman; the dark rock theater of both Alice Cooper and Rob Zombie; the sophisticated breadth of Elvis Costello; the legendary jazz of Herbie Hancock; the soulful swagger of of Chrissie Hynde; the funny-poignant beauty of John Prine; the ancient wisdom fused with hip-hop and reggae of Matisyahu; and much more. In all of it is the collective wisdom of those who have written songs for decades, songs that have impacted our culture forever. |
| creative communications writing contest: Contest Matthew Reilly, 2007-11-10 The thrilling international bestseller from Australia's favourite novelist, author of the Scarecrow series and Jack West Jr series with new novel Mr Einstein's Secretary out now. Reilly hurls readers into an adrenaline-drenched thrill ride ... impossible to put down. Orlando Sentinel Reilly ... can inspire awe. Speed demons, take note. Publishers Weekly The New York State Library. A silent sanctuary of knowledge; a 100-year-old labyrinth of towering bookcases, narrow aisles and spiralling staircases. For Doctor Stephen Swain and his eight-year-old daughter, Holly, it is the site of a nightmare. For one night, the State Library is to be the venue for a contest. A contest in which Stephen Swain is to compete - whether he likes it or not. The rules are simple: seven contestants will enter, only one will leave. With his daughter in his arms, Swain is plunged into a terrifying fight for survival. He can choose to run, to hide or to fight - but if he wants to live, he has to win. Because in a contest like this, unless you leave as the victor, you do not leave at all. Fans of Clive Cussler, Tom Clancy and Michael Crichton will love Matthew Reilly. |
| creative communications writing contest: Get Lit Rising Diane Luby Lane, the Get Lit Players, 2016-10-18 Get to know the Get Lit Players--a group of teens who use poetry to take on the world--with this common-core aligned book that sheds light on teen issues through their own poetry and slam poetry performances. The Get Lit Players include teens who are homeless, autistic, have parents in jail, battle with weightand body issues, depression, and more. But they use the power of poetry to pursue lives of promise and to reach out to friends, families, and communities ... Each chapter offers questions, writing prompts, and how-tos for readers to set their own inner poet free. Ending with a section for parents and educators featuring the curriculum that ... shows how to get teens excited about poetry and how to create poetry groups and slams in their own communities--Provided by publisher. |
| creative communications writing contest: Trinity Sight Jennifer Givhan, 2019-10-01 Winner of the 2020 Southwest Book Award “Our people are survivors,” Calliope’s great-grandmother once told her of their Puebloan roots—could Bisabuela’s ancient myths be true? Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared—or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors, confronting violent inhabitants, in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. The impossible suddenly real, Calliope will be forced to reconcile the geological record with the heritage she once denied if she wants to survive and deliver her unborn babies into this uncertain new world. Rooted in indigenous oral-history traditions and contemporary apocalypse fiction, Trinity Sight asks readers to consider science versus faith and personal identity versus ancestral connection. Lyrically written and utterly original, Trinity Sight brings readers to the precipice of the end-of-times and the hope for redemption. |
| creative communications writing contest: Blueprint for a Book Jennie Nash, 2021-09 How to write a novel in the most efficient way by tackling the hardest part before you start to write, from top book coach Jennie Nash This process makes me want to write, and it makes what I'm writing better. I read it before every draft. It's that good. -KJ Dell'Antonia, New York Times bestselling author of The Chicken Sisters Whether you're writing your first novel or your tenth, there is a temptation to pin it to the page before it disappears. It's such a brilliant idea and you can see the whole thing shimmering in your mind, just out of reach. Maybe you do some work on character development and plotting, but you're a racehorse at the gate, ready to run, ready to write. This book is an argument to stop and define the foundational elements of your story before you keep writing - which means understanding your motivation as a writer, considering your reader's expectations, and making sure your story has a solid structure that will hold up inside and out from beginning to end. This clarity is what gives a novel its power and a writer their confidence. Jennie Nash is the creator of the Book Coach Certification program at Author Accelerator and has taught hundreds of book coaches and thousands of novelists how to use the Blueprint for a Book system-and the Inside Outline at the heart of it - to help them produce their best work in the most efficient way. Jennie Nash turned me into a plotter and changed the way I think about approaching any new project. I'm an Inside Outside outline fan for life! -Alison Hammer, author of You and Me and Us and Little Pieces of Me If you are about to start writing or revising your novel - hold up! You need this book before putting fingers to keyboard. It's a step-by-step design-your-novel manual that encapsulates the most important aspect of great story-telling: how to reach deep into your writerly heart and into the heart of the story you want to bring to life. - Janet Fox, author of The Artifact Hunters I will sing the praises of the Inside Outline forever. It's f*ing genius. -Carla Naumburg, author of How to Stop Losing Your Sh*t With Your Kids The Inside Outline is making writing easier. I can focus more on the writing rather than discovering what the scene is about when I'm creating it. Why isn't every writer using it? Instead, people are plonking down good money to be told ten key steps in writing dialogue or setting a scene. I'm so grateful I'm no longer one of them. - Kate Kimball, first time novelist |
| creative communications writing contest: Quiet Susan Cain, 2013-01-29 #1 NEW YORK TIMES BESTSELLER • Experience the book that started the Quiet Movement and revolutionized how the world sees introverts—and how introverts see themselves—by offering validation, inclusion, and inspiration “Superbly researched, deeply insightful, and a fascinating read, Quiet is an indispensable resource for anyone who wants to understand the gifts of the introverted half of the population.”—Gretchen Rubin, author of The Happiness Project NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • O: The Oprah Magazine • Christian Science Monitor • Inc. • Library Journal • Kirkus Reviews At least one-third of the people we know are introverts. They are the ones who prefer listening to speaking; who innovate and create but dislike self-promotion; who favor working on their own over working in teams. It is to introverts—Rosa Parks, Chopin, Dr. Seuss, Steve Wozniak—that we owe many of the great contributions to society. In Quiet, Susan Cain argues that we dramatically undervalue introverts and shows how much we lose in doing so. She charts the rise of the Extrovert Ideal throughout the twentieth century and explores how deeply it has come to permeate our culture. She also introduces us to successful introverts—from a witty, high-octane public speaker who recharges in solitude after his talks, to a record-breaking salesman who quietly taps into the power of questions. Passionately argued, impeccably researched, and filled with indelible stories of real people, Quiet has the power to permanently change how we see introverts and, equally important, how they see themselves. Now with Extra Libris material, including a reader’s guide and bonus content |
| creative communications writing contest: Anatomy and Physiology J. Gordon Betts, Peter DeSaix, Jody E. Johnson, Oksana Korol, Dean H. Kruse, Brandon Poe, James A. Wise, Mark Womble, Kelly A. Young, 2013-04-25 |
| creative communications writing contest: A Guide to Creative Writing SJ Banham, 2024-08-30 Does the idea of creative writing excite you, but you've no idea how to begin? Do you want to write a story, a local interest book, or even complete a book of poetry? Maybe you would love to create a legacy piece to hand down to future generations, or capture the essence of your relative’s lives but don't know where to start or what to include? Between suggestions, tips, anecdotes, and exercises, you will glean a mountain of information that will set you on your way no matter if you are new to creative writing or have a book or three under your belt. With a friendly, accessible tone, A Guide to Creative Writing gives you the tools you need to write for the love of it or to take it further. |
| creative communications writing contest: AZURE Sakina B. Fakhri, 2022-03-23 Annual print anthology of online quarterly AZURE: A Journal of Literary Thought. Includes fiction, non-fiction, poetry, stage plays, novel excerpts, and experimental pieces. |
| creative communications writing contest: The Short Stories of H.G. Wells H. G. Wells, 1908 |
| creative communications writing contest: The Surprising Power of Liberating Structures Henri Lipmanowicz, Keith McCandless, 2014-10-28 Smart leaders know that they would greatly increase productivity and innovation if only they could get everyone fully engaged. So do professors, facilitators and all changemakers. The challenge is how. Liberating Structures are novel, practical and no-nonsense methods to help you accomplish this goal with groups of any size. Prepare to be surprised by how simple and easy they are for anyone to use. This book shows you how with detailed descriptions for putting them into practice plus tips on how to get started and traps to avoid. It takes the design and facilitation methods experts use and puts them within reach of anyone in any organization or initiative, from the frontline to the C-suite. Part One: The Hidden Structure of Engagement will ground you with the conceptual framework and vocabulary of Liberating Structures. It contrasts Liberating Structures with conventional methods and shows the benefits of using them to transform the way people collaborate, learn, and discover solutions together. Part Two: Getting Started and Beyond offers guidelines for experimenting in a wide range of applications from small group interactions to system-wide initiatives: meetings, projects, problem solving, change initiatives, product launches, strategy development, etc. Part Three: Stories from the Field illustrates the endless possibilities Liberating Structures offer with stories from users around the world, in all types of organizations -- from healthcare to academic to military to global business enterprises, from judicial and legislative environments to R&D. Part Four: The Field Guide for Including, Engaging, and Unleashing Everyone describes how to use each of the 33 Liberating Structures with step-by-step explanations of what to do and what to expect. Discover today what Liberating Structures can do for you, without expensive investments, complicated training, or difficult restructuring. Liberate everyone's contributions -- all it takes is the determination to experiment. |
| creative communications writing contest: Inheriting Our Names Cristina Vargas-McPherson, 2021-04-03 Memoir of a family in Sevilla during the Spanish Civil War and through Franco's dictatorship. |
| creative communications writing contest: Business Communication for Success Scott McLean, 2010 |
| creative communications writing contest: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1975 |
| creative communications writing contest: College Success Amy Baldwin, 2020-03 |
| creative communications writing contest: Creative Writing Graeme Harper, Jeri Kroll, 2020-08-28 This stimulating edited collection focuses on the practice of revision across all creative writing genres, providing a guide to the modes and methods of drafting, revising and editing. Offering an overview of how creative writing is generated and improved, the chapters address questions of how creative writers revise, why editing is such a crucial part of the creative process and how understanding the theories underpinning revision can enhance writers' projects. Innovative and thought-provoking, this book is ideal for undergraduate and postgraduate students of creative writing, along with all creative writers looking to hone and polish their craft. |
| creative communications writing contest: The Structure of Story Ross Hartmann, 2020-11-14 What do all great stories have in common? What techniques do great writers use? How do you take your writing to the next level?There are no storytelling rules-but there are patterns. The Structure of Story details the specific writing tools that will help you recognize and apply the patterns of great stories.You will learn how to shift your focus from storytelling rules to storytelling tools. By applying these tools, you'll be able to keep the reader on the edge of their seat while delivering an emotional, meaningful story.In The Structure of Story, you'll learn the four dramatic tools that keep the reader engaged, the two things every story must accomplish, how to write multi-dimensional characters that drive plot, how a story's theme can be conveyed through a character arc, how to create an organic plot driven by cause and effect, the critical things that your opening must accomplish, what goes in the middle of a story, how to write an emotional climax, how subtext works and when to use it, how to create a twist ending, tools for showing rather than telling, how to pace your story properly, how to write an ending that's both satisfying and inevitable, and how to avoid a repetitive plot.No matter where you are in your writing career, The Structure of Story will give you new techniques to take your writing to the next level. |
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