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| critique studies in contemporary fiction: Critique, Studies in Modern Fiction , 1959 |
| critique studies in contemporary fiction: Literature Against Criticism Martin Paul Eve, 2016-10-17 This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the ‘campus novel’ of the mid-twentieth century. Martin Paul Eve’s engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it. |
| critique studies in contemporary fiction: Contemporary Novelists and the Aesthetics of Twenty-First Century American Life Alexandra Kingston-Reese, 2020-01-01 Contemporary Novelists and the Aesthetics of Twenty-First Century American Life gives us a new way to view contemporary art novels, asking the key question: How do contemporary writers imagine aesthetic experience? Examining the works of some of the most popular names in contemporary fiction and art criticism, including Zadie Smith, Teju Cole, Siri Hustvedt, Ben Lerner, Rachel Kushner, and others, Alexandra Kingston-Reese finds that contemporary art novels are seeking to reconcile the negative feelings of contemporary life through a concerted critical realignment in understanding artistic sensibility, literary form, and the function of the aesthetic. Kingston-Reese reveals how contemporary writers refract and problematize aesthetic experience, illuminating an uneasiness with failure: firstly, about the failure of aesthetic experiences to solve and save; and secondly, the literary inability to articulate the emotional dissonance caused by aesthetic experiences now. |
| critique studies in contemporary fiction: After Critique Mitchum Huehls, 2016 Taking up four different political themes--human rights, the relation between public and private space, racial justice, and environmentalism--After Critique suggests that the ontological forms emerging in contemporary U.S. fiction articulate a version of politics that might successfully evade neoliberal appropriation. |
| critique studies in contemporary fiction: Remainder Tom McCarthy, 2007-02-13 A man is severely injured in a mysterious accident, receives an outrageous sum in legal compensation, and has no idea what to do with it. Then, one night, an ordinary sight sets off a series of bizarre visions he can’t quite place. How he goes about bringing his visions to life–and what happens afterward–makes for one of the most riveting, complex, and unusual novels in recent memory. Remainder is about the secret world each of us harbors within, and what might happen if we were granted the power to make it real. |
| critique studies in contemporary fiction: The Unconsoled Kazuo Ishiguro, 2012-09-05 From the universally acclaimed author of The Remains of the Day comes a mesmerizing novel of completely unexpected mood and matter--a seamless, fictional universe, both wholly unrecognizable and familiar. When the public, day-to-day reality of a renowned pianist takes on a life of its own, he finds himself traversing landscapes that are by turns eerie, comical, and strangely malleable. |
| critique studies in contemporary fiction: Critique, Studies in Modern Fiction , 1959 |
| critique studies in contemporary fiction: Artful Ali Smith, 2012-11-01 A playful, form-bending novel from the Booker Prize-shortlisted, Women's Prize-winning author of How to be both and the critically acclaimed Seasonal quartet 'Playful and audacious' Independent Narrated by a character who is haunted - literally - by a former lover, Artful slips slyly between fiction and essay, guiding the reader thrillingly through a sequence of ideas on art and literature. With Smith's trademark humour, inventiveness, poignancy and critical insight, this is unique experiment in form, style, life, love, death, immortality and what art can mean. Based on four electrifying lectures given by the author at Oxford University, and exploring the explosive connections between art, story, memory and grief - Artful is a tidal wave of ideas to blast away the cobwebs and change how you see the world. ***** 'Artful is a revelation; a new kind of book altogether . . . makes you glad to be alive' Jackie Kay 'Powerful and moving' London Review of Books 'Blending of criticism and fiction, Artful belongs in a genre of its own . . . Joyful for anyone interested in the art of writing, and living, well' Anita Sethi, New Statesman |
| critique studies in contemporary fiction: Disability, Literature, Genre Ria Cheyne, 2019 This title brings cultural disability studies and genre fiction studies into dialogue for the first time. Analysing representations of disability in contemporary science fiction, romance, fantasy, horror, and crime fiction, it offers new and transformative insights into both the workings of genre and the affective power of disability. |
| critique studies in contemporary fiction: A.S. Byatt and the Heliotropic Imagination Jane Campbell, 2004-05-26 Contemporary writer Byatt uses the term heliotropic in two ways. First, it refers to her exploration and development of her own relation to the sun and to how her women characters experience adventures of the mind and feelings that bring them into the sun's light. Second, it refers to the fact that she suffers from seasonal affective disorder, and |
| critique studies in contemporary fiction: Guilty Aesthetic Pleasures Timothy Aubry, 2018-09-03 In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground. From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction. Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them. |
| critique studies in contemporary fiction: The Limits of Critique Rita Felski, 2015-10-20 Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility--one best captured by Paul Ricoeur's phrase the hermeneutics of suspicion. As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls postcritical reading. Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities. |
| critique studies in contemporary fiction: Free Indirect Timothy Bewes, 2022-07-26 Everywhere today, we are urged to “connect.” Literary critics celebrate a new “honesty” in contemporary fiction or call for a return to “realism.” Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s “Only connect . . .” and Fredric Jameson’s “Always historicize!”—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era—and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls “free indirect,” in which the novel’s refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. |
| critique studies in contemporary fiction: Dead Astronauts Jeff VanderMeer, 2019-12-03 A 2020 LOCUS AWARD FINALIST Jeff VanderMeer's Dead Astronauts presents a City with no name of its own where, in the shadow of the all-powerful Company, lives human and otherwise converge in terrifying and miraculous ways. At stake: the fate of the future, the fate of Earth—all the Earths. A messianic blue fox who slips through warrens of time and space on a mysterious mission. A homeless woman haunted by a demon who finds the key to all things in a strange journal. A giant leviathan of a fish, centuries old, who hides a secret, remembering a past that may not be its own. Three ragtag rebels waging an endless war for the fate of the world against an all-powerful corporation. A raving madman who wanders the desert lost in the past, haunted by his own creation: an invisible monster whose name he has forgotten and whose purpose remains hidden. |
| critique studies in contemporary fiction: Literature and The Contemporary Roger Luckhurst, Peter Marks, 2014-07-22 At the end of the century, much criticism has become devoted to `last things': the end of history, the end of the subject, the end of the novel, the end, even, of the end. Literature and the Contemporary, in contrast, aims to provide through twelve essays evidence of the way in which the literature of the 1990s is constantly engaging in questions of memory and history and the representation of time in the present day. The essays in the book survey theories of temporality from various cultural and philosophical standpoints, and represent critics writing from feminist, postcolonial and `queer' perspectives discussing literature in `our time'. The collection addresses such central issues as the politics of memory, colonial legacies, women's time, racial and sexual identities in the 1990s, and covers a wide range of contemporary authors, works and issues, some of which are treated for the first time. Among the contemporary works discussed are the prize-winning books Graham Swift's Last Orders, Anne Michaels' Fugitive Pieces, and Jane Smiley's A Thousand Acres. While discussing some of the most significant novels of the 1990s, this collection also offers a diverse yet cohesive critique of the millennial leanings of much `postmodernist' criticism, which it argues should be replaced by more variously nuanced engagements with literature and the contemporary. |
| critique studies in contemporary fiction: The Cambridge Companion to Kazuo Ishiguro Andrew Bennett, 2023-03-31 A lively, accessible and authoritative introduction to the work of Kazuo Ishiguro, one of the leading novelists of our time. |
| critique studies in contemporary fiction: Comparative Literature in Canada Susan Ingram, Irene Sywenky, 2019-11-05 This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada’s sociopolitical and cultural context and Canada’s geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings. |
| critique studies in contemporary fiction: Biofictions Josie Gill, 2020-02-20 This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Winner of the 2020 British Society for Literature and Science book prize. In this important interdisciplinary study, Josie Gill explores how the contemporary novel has drawn upon, and intervened in, debates about race in late 20th and 21st century genetic science. Reading works by leading contemporary writers including Zadie Smith, Kazuo Ishiguro, Octavia Butler and Colson Whitehead, Biofictions demonstrates how ideas of race are produced at the intersection of science and fiction, which together create the stories about identity, racism, ancestry and kinship which characterize our understanding of race today. By highlighting the role of narrative in the formation of racial ideas in science, this book calls into question the apparent anti-racism of contemporary genetics, which functions narratively, rather than factually or objectively, within the racialized contexts in which it is embedded. In so doing, Biofictions compels us to rethink the long-asked question of whether race is a biological fact or a fiction, calling instead for a new understanding of the relationship between race, science and fiction. |
| critique studies in contemporary fiction: Mixed Media in Contemporary American Literature Joelle Mann, 2021-06-28 Mixed Media in Contemporary American Literature: Voices Gone Viral investigates the formation and formulation of the contemporary novel through a historical analysis of voice studies and media studies. After situating research through voices of nineteenth- and twentieth-century American literature, this book examines the expressions of a multi-media vocality, examining the interactions among cultural polemics, aesthetic forms, and changing media in the twenty-first century. The novel studies shown here trace the ways in which the viral aesthetics of the contemporary novel move language out of context, recontextualizing human testimony by galvanizing mixed media forms that shape contemporary literature in our age of networks. Through readings of American authors such as Claudia Rankine, David Foster Wallace, Jennifer Egan, Junot Díaz, Michael Chabon, Joseph O’Neill, Michael Cunningham, and Colum McCann, the book considers how voice acts as a site where identities combine, conform, and are questioned relationally. By listening to and tracing the spoken and unspoken voices of the novel, the author identifies a politics of listening and speaking in our mediated, informational society. |
| critique studies in contemporary fiction: Burning Boy Paul Auster, 2021-10-26 A LOS ANGELES TIMES BOOK PRIZE WINNER A BOSTON GLOBE BEST BOOK OF 2021 Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane. With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight. Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death. In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences—the dramatic biography of a brilliant writer as only another literary master could tell it. |
| critique studies in contemporary fiction: a tumblr book Allison McCracken, Alexander Cho, Louisa Stein, Indira N Hoch, 2020-10-26 This book takes an extensive look at the many different types of users and cultures that comprise the popular social media platform Tumblr. Though it does not receive nearly as much attention as other social media such as Twitter or Facebook, Tumblr and its users have been hugely influential in creating and shifting popular culture, especially progressive youth culture, with the New York Times referring to 2014 as the dawning of the “age of Tumblr activism.” Perfect for those unfamiliar with the platform as well as those who grew up on it, this volume contains essays and artwork that span many different topics: fandom; platform structure and design; race, gender and sexuality, including queer and trans identities; aesthetics; disability and mental health; and social media privacy and ethics. An entire generation of young people that is now beginning to influence mass culture and politics came of age on Tumblr, and this volume is an indispensable guide to the many ways this platform works. |
| critique studies in contemporary fiction: Contemporary Fictions of Attention Alice Bennett, 2018-08-09 With the supposed shortening of our attention spans, what future is there for fiction in the age of the internet? Contemporary Fictions of Attention rejects this discourse of distraction-crisis which suggests that the future of reading is in peril, and instead finds that contemporary writers construct 'fictions of attention' that find some value in states or moments of inattention. Through discussion of work by a diverse selection of writers, including Joshua Cohen, Ben Lerner, Tom McCarthy, Ali Smith, Zadie Smith, and David Foster Wallace, this book identifies how fiction prompts readers to become peripherally aware of their own attention. Contemporary Fictions of Attention locates a common interest in attention within 21st-century fiction and connects this interest to a series of debates surrounding ethics, temporality, the everyday, boredom, work, and self-discipline in contemporary culture. |
| critique studies in contemporary fiction: Writing the Modern Family Roberta Garrett, 2021-01-29 Although a large body of work has emerged which addresses neoliberal representations of the family in other cultural forms (such as parenting advice programmes) little has been written specifically on the family and contemporary literature. This book examines the growing body of autobiographical and fictional writing on family and parenting issues in Anglo-American culture from the late 1990s to the present day. The book looks closely at six distinct genres which have arisen during this time frame: the misery memoir, the mum’s lit popular novel, the maternal confessional, ‘dads’ lit, the dysfunctional domestic novel and the family noir. Writing the Modern Family will examine the way these burgeoning areas of British and American writing respond to a neoliberal public discourse in which a ‘parenting deficit’ rather than economic and structural disadvantage, is responsible for increasing inequality in child welfare and achievement. In evaluating these forms and their relationship to neoliberal culture, the book will also consider the complex interrelationship between these genres. |
| critique studies in contemporary fiction: Ian McEwan Sebastian Groes, 2013-09-12 With a new chapter on Solar, this is an up-to-date guide to critical writing on Ian McEwan, including an interview with the author. |
| critique studies in contemporary fiction: A.S. Byatt Mariadele Boccardi, 2013-02-15 This comprehensive new study offers a detailed analysis of all of Byatt's fiction and also discusses her critical output. Mariadele Boccardi examines Byatt's work in the light of postmodern concerns with language, narrative and self-referentiality. |
| critique studies in contemporary fiction: Contemporary Fiction and Science from Amis to McEwan Rachel Holland, 2019-04-26 This book identifies, in contemporary fiction, a new type of novel at the interface of science and the humanities, working from the premise that a shift has taken place in the relations between the two cultures in the last two or three decades. As popular science comes to assume an ever greater cultural significance, contemporary authors are engaging in new ways with ideas that it disseminates. A new literary phenomenon is emerging, in which the focus on language-based theories of the self and the world that has been predominant in the latter half of the previous century is making way for a renewed commitment to the material facts, both of human existence and the universe beyond subjectivity. The book analyses the work of Martin Amis, William Boyd, David Lodge, Richard Powers, Michel Houellebecq, Jonathan Franzen, Margaret Atwood, and Ian McEwan, revealing the ways in which these ‘third culture novels’ negotiate the relationship between literature and science. |
| critique studies in contemporary fiction: Multimodal Poetics in Contemporary Fiction Thomas Mantzaris, |
| critique studies in contemporary fiction: Key to the Door Alan Sillitoe, 2016-04-19 An existential saga of working-class life in a British factory town and military service in the torrid jungles of the Far East from award-winning, bestselling author Alan Sillitoe Key to the Door turns away from the boisterous pursuits of Arthur Seaton made infamous in Saturday Night and Sunday Morning, and focuses instead on the quieter rebellions of his older brother, Brian. Brian’s childhood and adolescence in the grimy streets of Nottingham are shaped by the Depression-era struggles of his family, the life and culture of the factory town, and the love and bullying of his iron-willed grandfather and erratic father. When Brian reaches adulthood, he frequents the local pubs, works hard at a cardboard factory, and runs into a sticky situation with a woman named Pauline that obliges him to marry her. Soon though, he is conscripted for the postwar occupation of Malaya, and his true colors begin to show. Brian declares that he only wears his uniform to collect his paycheck; he shows contempt for the soldiers who obey the rules; he pursues a relationship with an exotic Chinese dancer; and he sends poetry into the jungle in Morse code. At once a vivid family portrait and a study of “the desolate, companionless void of protest” prevalent in postwar England, Key to the Door establishes the Seaton Novels as a broad and sweeping saga of twentieth-century British life, set against the backdrop of Nottingham. This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate. |
| critique studies in contemporary fiction: The Market Logics of Contemporary Fiction Paul Crosthwaite, 2019-07-18 Contemporary British and American fiction is defined by financial markets' power over the global publishing industry and the global economy. |
| critique studies in contemporary fiction: Reaganism, Thatcherism and the Social Novel C. Hutchinson, 2008-10-31 The social novel is the traditional haunt of the liberal conscience. What does the triumph of the New Right mean for this type of fiction in Britain and the US? Should the liberal left seek consensus or assertion? This book examines these issues, and assesses the state of both nations, as well as that of the contemporary novel. |
| critique studies in contemporary fiction: David Foster Wallace in Context Clare Hayes-Brady, 2022-12-01 David Foster Wallace is regarded as one of the most important American writers of the twentieth and twenty-first centuries. This book introduces readers to the literary, philosophical and political contexts of Wallace's work. An accessible and useable resource, this volume conceptualizes his work within long-standing critical traditions and with a new awareness of his importance for American literary studies. It shows the range of issues and contexts that inform the work and reading of David Foster Wallace, connecting his writing to diverse ideas, periods and themes. Essays cover topics on gender, sex, violence, race, philosophy, poetry and geography, among many others, guiding new and long-standing readers in understanding the work and influence of this important writer. |
| critique studies in contemporary fiction: Encyclopedia of the American Novel Abby H. P. Werlock, 2015-04-22 Praise for the print edition: ... no other reference work on American fiction brings together such an array of authors and texts as this. |
| critique studies in contemporary fiction: Summertime J. M. Coetzee, 2009 This brilliant new work of fiction from the Nobel Prize-winning author of Disgrace and Diary of a Bad Year allows Coetzee to imagine his own life, revealing painful moral struggles and attempts to come to grips with what it means to care for another human being. |
| critique studies in contemporary fiction: Minimalism and Affect in American Literature, 1970-2020 Oliver Haslam, 2024-09-05 Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity. Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and threatening cultural currents into the fragile construct that is ordinary life. Building upon theories of affect and the everyday, Minimalism and Affect in American Literature, 1970-2020 analyses minimalist aesthetics within the works of canonical minimalists alongside writers more frequently associated with other movements. Through readings of Ernest Hemingway, Joan Didion, Raymond Carver, Paul Auster and Don DeLillo, among others, and cultural phenomena ranging from sedation to telephony, this book exposes the persistence and political importance of minimalism within American literature from the 20th century into the 21st. |
| critique studies in contemporary fiction: Don DeLillo Katherine Da Cunha Lewin, Kiron Ward, 2018-10-04 Don DeLillo is widely regarded as one of the most significant, and prescient, writers of our time. Since the 1960s, DeLillo's fiction has been at the cutting edge of thought on American identity, globalization, technology, environmental destruction, and terrorism, always with a distinctively macabre and humorous eye. Don DeLillo: Contemporary Critical Perspectives brings together leading scholars of the contemporary American novel to guide readers through DeLillo's oeuvre, from his early short stories through to 2016's Zero K, including his theatrical work. As well as critically exploring DeLillo's engagement with key contemporary themes, the book also includes a new interview with the author, annotated guides to further reading, and a chronology of his life and work. |
| critique studies in contemporary fiction: Contemporary Fiction Jago Morrison, 2003 A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time. |
| critique studies in contemporary fiction: CliffsNotes on Heller's Catch-22 Charles A Peek, 2007-08-20 The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. CliffsNotes on Catch-22 takes you into this unforgettable novel that is full of satire, exaggeration, grotesque and comic caricatures, and telling allusions. Heller’s main characters are two Jewish boys from Brooklyn at the end of World War II – one from an orthodox family, one from a secular background. The growing friendship between the boys reflects the tensions within American society. With this study guide, you’ll be able to follow the unique structure of the novel and supplement your reading with insights into the life and background of author Joseph Heller. Other features that help you study include Life and background of the author Character analyses of major players A character map that graphically illustrates the relationships among the characters Critical essays Review questions Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides. |
| critique studies in contemporary fiction: Hope and Kinship in Contemporary Fiction Gero Bauer, 2024-01-11 Explores the emphasis that contemporary novels, films and television series place on the present, arguing that hope emerges from the potentiality of the here and now, rather than the future, and as intimately entangled with negotiations of structures of belonging. Taking its cue from an understanding of hope as connoting an organizing temporality, one which is often presumed to be projecting into a future, Hope and Kinship in Contemporary Fiction challenges this understanding, arguing that hope emerges in practices of relationality in the present, disentangling hope from a necessary correlation with futurity. Through close readings of contemporary works, including The Road, The Walking Dead, Cloud Atlas, Sense8, The People in the Trees and A Little Life, Gero Bauer investigates how these texts explore structures of kinship as creative and affective practices of belonging and care that claim spaces beyond the heterosexual, reproductive nuclear family. In this context, fictional figurations of the child – often considered the bearer of the future – are of particular interest. Through these interventions into definitions of and reflections on fictional manifestations of hope and kinship, Bauer's analyses intersect with queer theory, new materialism and postcritical approaches to literature and cultural studies, moving towards counterintuitively hopeful readings of the present moment. |
| critique studies in contemporary fiction: Cognitive Grammar in Contemporary Fiction Chloe Harrison, 2017-05-24 This book proposes an extension of Cognitive Grammar (Langacker 1987, 1991, 2008) towards a cognitive discourse grammar, through the unique environment that literary stylistic application offers. Drawing upon contemporary research in cognitive stylistics (Text World Theory, deixis and mind-modelling, amongst others), the volume scales up central Cognitive Grammar concepts (such as construal, grounding, the reference point model and action chains) in order to explore the attenuation of experience – and how it is simulated – in literary reading. In particular, it considers a range of contemporary texts by Neil Gaiman, Jennifer Egan, Jonathan Safran Foer, Ian McEwan and Paul Auster. This application builds upon previous work that adopts Cognitive Grammar for literary analysis and provides the first extended account of Cognitive Grammar in contemporary fiction. |
| critique studies in contemporary fiction: Historical Dictionary of Postmodernist Literature and Theater Fran Mason, 2016-12-12 The main aim of the book has been to include writers, movements, forms of writing and textual strategies, critical ideas, and texts that are significant in relation to postmodernist literature. In addition, important scholars, journals, and cultural processes have been included where these are felt to be relevant to an understanding of postmodernist writing. This second edition of Historical Dictionary of Postmodernist Literature and Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. This book is an excellent access point for students, researchers, and anyone wanting to know more about the postmodernist literature and theater. |
CRITIQUE Definition & Meaning - Merriam-Webster
The meaning of CRITIQUE is an act of criticizing; especially : a critical estimate or discussion. How to use critique in …
CRITIQUE | English meaning - Cambridge Dictionary
CRITIQUE definition: 1. a report of something such as a political situation or system, or a person's work or …
Critique Definition & Meaning | Britannica Dictionary
CRITIQUE meaning: a careful judgment in which you give your opinion about the good and bad parts of …
CRITIQUE definition and meaning | Collins English Dict…
A critique is a written examination and judgment of a situation or of a person's work or ideas. [ formal ] She had …
Critique - Wikipedia
Critique is a method of disciplined, systematic study of a written or oral discourse. Although critique is …
CRITIQUE Definition & Meaning - Merriam-Webster
The meaning of CRITIQUE is an act of criticizing; especially : a critical estimate or discussion. How to use critique in a sentence. Did you know?
CRITIQUE | English meaning - Cambridge Dictionary
CRITIQUE definition: 1. a report of something such as a political situation or system, or a person's work or ideas, that…. Learn more.
Critique Definition & Meaning | Britannica Dictionary
CRITIQUE meaning: a careful judgment in which you give your opinion about the good and bad parts of something (such as a piece of writing or a work of art)
CRITIQUE definition and meaning | Collins English Dictionary
A critique is a written examination and judgment of a situation or of a person's work or ideas. [ formal ] She had brought a book, a feminist critique of Victorian lady novelists.
Critique - Wikipedia
Critique is a method of disciplined, systematic study of a written or oral discourse. Although critique is frequently understood as fault finding and negative judgment, [1] it can also involve …
critique noun - Definition, pictures, pronunciation and usage …
Definition of critique noun from the Oxford Advanced Learner's Dictionary. a piece of written criticism of a set of ideas, a work of art, etc. She wrote a feminist critique of Freud's theories. …
critique, n. meanings, etymology and more - Oxford English …
What does the noun critique mean? There are four meanings listed in OED's entry for the noun critique. See ‘Meaning & use’ for definitions, usage, and quotation evidence. critique has …
What does critique mean? - Definitions.net
Critique is a method of disciplined, systematic analysis of a written or oral discourse. Critique is commonly understood as fault finding and negative judgement, but it can also involve merit …
Critique - definition of critique by The Free Dictionary
Define critique. critique synonyms, critique pronunciation, critique translation, English dictionary definition of critique. a critical essay or analysis; an instance of formal criticism: The critique …
Critique - Definition, Meaning & Synonyms - Vocabulary.com
As a verb, critique means to review or examine something critically. As a noun, a critique is that review or examination, like an art essay or a book report.
