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| certain display at a natural history museum: Wonderstruck Brian Selznick, 2015-09-03 Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing. |
| certain display at a natural history museum: The Future of Natural History Museums Eric Dorfman, 2017-10-12 Natural history museums are changing, both because of their own internal development and in response to changes in context. Historically, the aim of collecting from nature was to develop encyclopedic assemblages to satisfy human curiosity and build a basis for taxonomic information. Today, with global biodiversity in rapid decline, there are new reasons to build and maintain collections, while audiences are more diverse, numerous, and technically savvy. Institutions must learn to embrace new technology while retaining the authenticity of their stories and the value placed on their objects. The Future of Natural History Museums begins to develop a cohesive discourse that balances the disparate issues that our institutions will face over the next decades. It disassembles the topic into various key elements and, through commentary and synthesis, explores a cohesive picture of the trajectory of the natural history museum sector. This book contributes to the study of collections, teaching and learning, ethics, and running non-profit businesses and will be of interest to museum and heritage professionals and academics and senior students in Biological Sciences and Museum Studies. |
| certain display at a natural history museum: The Natural History Museum Book of Dinosaurs Tim Gardom, 2006 Unlike an encyclopedia, a data book or even a learned exposition, this book is designed to be read from start to finish as the developing story of a remarkable group of animals. It is an ideal introduction to dinosaurs for dinosaur fans and general readers alike. |
| certain display at a natural history museum: The Birds of America John James Audubon, 1842 This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839). |
| certain display at a natural history museum: Biological Collections National Academies of Sciences, Engineering, and Medicine, Division on Earth and Life Studies, Board on Life Sciences, Committee on Biological Collections: Their Past, Present, and Future Contributions and Options for Sustaining Them, 2021-01-29 Biological collections are a critical part of the nation's science and innovation infrastructure and a fundamental resource for understanding the natural world. Biological collections underpin basic science discoveries as well as deepen our understanding of many challenges such as global change, biodiversity loss, sustainable food production, ecosystem conservation, and improving human health and security. They are important resources for education, both in formal training for the science and technology workforce, and in informal learning through schools, citizen science programs, and adult learning. However, the sustainability of biological collections is under threat. Without enhanced strategic leadership and investments in their infrastructure and growth many biological collections could be lost. Biological Collections: Ensuring Critical Research and Education for the 21st Century recommends approaches for biological collections to develop long-term financial sustainability, advance digitization, recruit and support a diverse workforce, and upgrade and maintain a robust physical infrastructure in order to continue serving science and society. The aim of the report is to stimulate a national discussion regarding the goals and strategies needed to ensure that U.S. biological collections not only thrive but continue to grow throughout the 21st century and beyond. |
| certain display at a natural history museum: Science Museums in Transition Carin Berkowitz, Bernard Lightman, 2017-07-19 The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum's walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history. |
| certain display at a natural history museum: Windows on Nature Stephen Christopher Quinn, American Museum of Natural History, 2006-04 Profiles more than forty habitat dioramas from the American Museum of Natural History, describing each one's contents and creation and presenting full-color photos and archival images. |
| certain display at a natural history museum: The American Museum of Natural History and How It Got That Way Colin Davey, 2019-05-14 Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews. |
| certain display at a natural history museum: Natural Histories American Museum of Natural History, 2014 Highlights 40 masterworks of illustrated scientific art from the Rare Book Collection of the American Museum of Natural History. |
| certain display at a natural history museum: Dry Store Room No. 1 Richard A. Fortey, 2008 'Dry Store Room No. 1' is an intimate biography of the Natural History Museum, celebrating the eccentric personalities who have peopled it and capturing the wonders of scientific endeavour, academic rigour and imagination. 'This book is a kind of museum of the mind. It is my own collection, a personal archive, designed to explain what goes on behind the polished doors in the Natural History Museum. The lustre of a museum does not depend only on the artefacts or objects it contains - the people who work out of sight are what keeps a museum alive...I want to bring those invisible people into the sunlight.' Behind the public façade of any great museum there lies a secret domain: one of unseen galleries, locked doors, priceless specimens and hidden lives. Through the stories of the numerous eccentric individuals whose long careers have left their mark on the study of evolutionary science, Richard Fortey, former senior paleaontologist at London's Natural History Museum, celebrates the pioneering work of the Museum from its inception to the present day. He delves into the feuds, affairs, scandals and skulduggery that have punctuated its long history, and formed a backdrop to extraordinary scientific endeavour. He explores the staying power and adaptability of the Museum as it responds to changes wrought by advances in technology and molecular biology - 'spare' bones from an extinct giant bird suddenly become cutting-edge science with the new knowledge that DNA can be extracted from them, and ancient fish are tested with the latest equipment that is able to measure rises in pollution. 'Dry Store Room No. 1' is a fascinating and affectionate account of a hidden world of untold treasures, where every fragment tells a story about time past, by a scientist who combines rigorous professional learning with a gift for prose that sparkles with wit and literary sensibility. |
| certain display at a natural history museum: Analysing Museum Display Christopher Whitehead, 2024-09-30 Analysing Museum Display is the first comprehensive book to bring together approaches to studying museum displays. Drawing on global examples, it reviews different theoretical frameworks and methods, charting major contributions to the field and exploring their potentials and limitations. How and why should we study museum display, and what is its nature as a complex form of representation? The book argues that display is at once material, experiential, and political in producing knowledge and that analysis requires rigorous conceptualisation and careful methodologies. It provides a critical guide to existing concepts and methods, exploring how museum display can be understood using semiotic, narrative, cartographic, and spatial analyses, assemblage theory, new materialist and multisensory approaches, and theories of affect, emotion, and historical positioning. Alongside this, Whitehead presents key orientations for research practice relating to objectivity and subjectivity, historical and contextual awareness, and mixing methods. Analysing Museum Display will be essential reading for scholars and students of museology at all levels. The book will also appeal to museum curators and professionals who are involved in the production of displays and wish to develop a more theorised and reflective perspective on their own practice. |
| certain display at a natural history museum: The Epigenetics Revolution Nessa Carey, 2012-03-06 Epigenetics can potentially revolutionize our understanding of the structure and behavior of biological life on Earth. It explains why mapping an organism's genetic code is not enough to determine how it develops or acts and shows how nurture combines with nature to engineer biological diversity. Surveying the twenty-year history of the field while also highlighting its latest findings and innovations, this volume provides a readily understandable introduction to the foundations of epigenetics. Nessa Carey, a leading epigenetics researcher, connects the field's arguments to such diverse phenomena as how ants and queen bees control their colonies; why tortoiseshell cats are always female; why some plants need cold weather before they can flower; and how our bodies age and develop disease. Reaching beyond biology, epigenetics now informs work on drug addiction, the long-term effects of famine, and the physical and psychological consequences of childhood trauma. Carey concludes with a discussion of the future directions for this research and its ability to improve human health and well-being. |
| certain display at a natural history museum: Hope Richard Sabin, Lorraine Cornish, 2019-10-31 Hope is the new icon of the Natural History Museum, a stunning 9,000 pound, 82-foot-long blue whale skeleton. Suspended by steel wires and captured in a majestic swooping posture, her reconstruction is a work of art as well as a feat of engineering. Her story begins in 1891 when she was found beached off the coast of Ireland. A lucrative find for a local fisherman, her skeletal remains were sold to the Museum. The project to restore her took three years to complete, including 10 months of painstaking laboratory work to clean and repair each of her 221 bones. Combining the latest scientific research into the blue whale with behind-the-scenes imagery, this book sheds new light on the largest creature ever to have lived on Earth. |
| certain display at a natural history museum: Stuffed Animals and Pickled Heads Stephen T. Asma, 2003-05-01 The natural history museum is a place where the line between high and low culture effectively vanishes--where our awe of nature, our taste for the bizarre, and our thirst for knowledge all blend happily together. But as Stephen Asma shows in Stuffed Animals and Pickled Heads, there is more going on in these great institutions than just smart fun. Asma takes us on a wide-ranging tour of natural history museums in New York and Chicago, London and Paris, interviewing curators, scientists, and exhibit designers, and providing a wealth of fascinating observations. We learn how the first museums were little more than high-toned side shows, with such garish exhibits as the pickled head of Peter the Great's lover. In contrast, today's museums are hot-beds of serious science, funding major research in such fields as anthropology and archaeology. Rich in detail, lucid explanation, telling anecdotes, and fascinating characters.... Asma has rendered a fascinating and credible account of how natural history museums are conceived and presented. It's the kind of book that will not only engage a wide and diverse readership, but it should, best of all, send them flocking to see how we look at nature and ourselves in those fabulous legacies of the curiosity cabinet.--The Boston Herald. |
| certain display at a natural history museum: The Natural History of Selborne Gilbert White, 1832 |
| certain display at a natural history museum: The Nature of Diamonds George E. Harlow, American Museum of Natural History, 1998 The paragon of physical perfection and a sparkling example of Earth's forces at work, the diamond has fascinated all realms of society, from Russian tsars and Hollywood stars to scientists and brides-to-be. The Nature of Diamonds is an authoritative and richly illustrated look at nature's most coveted gem. Leading geologists, gemologists, physicists, and cultural observers cover every facet of the stone, from its formation in the depths of the Earth and its explosive ascent to the surface, to its economic, regal, social, and technological roles. The book takes the reader to cutting-edge research on the frontiers of diamond exploration and exploitation, from Arctic wastes to laboratories that create industrial diamonds for cutting tools that slice through rock. Charting the history of mining from its origins in India and Brazil, the book follows the diamond rush in South Africa to today's high-tech enterprises. It provides a glimpse into the economics of the diamond trade, and an overview of diamond cutting, from the rough uncut stones in early Indian and Roman jewelry to the multifaceted stones we see today. The cultural history of the diamond as both a revered and a social symbol is explored, from its early history as the exclusive property of royalty to today's brilliant-laden jewelry as an emblem of wealth and status. The engaging text is complemented by more than 200 lavish illustrations which span fine art, earth science, and cultural studies and capture the brilliance and beauty of this extraordinary gem. |
| certain display at a natural history museum: Curators Lance Grande, 2017-03-21 Natural history museums have evolved from being little more than musty repositories of stuffed animals and pinned bugs, to being crucial generators of new scientific knowledge. They have also become vibrant educational centers, full of engaging exhibits that share those discoveries with students and an enthusiastic general public. Grande offers a portrait of curators and their research, conveying the intellectual excitement and the educational and social value of curation. He uses the personal story of his own career-- most of it spent at Chicago's Field Museum-- to explore the value of research and collections, the importance of public engagement, changing ecological and ethical considerations, and the impact of rapidly improving technology. |
| certain display at a natural history museum: Natural History Carlos Fonseca, 2020-07-14 From Carlos Fonseca comes a dazzling, kaleidoscopic epic of art, politics, and hidden realities Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator’s fascination with the secrets of the animal kingdom—with camouflage and subterfuge—and she proposes that they collaborate on an exhibition, the nature of which remains largely obscure, even as they enter into a strange relationship marked by evasion and elision. Seven years later, after the designer’s death, the curator recovers the archive of their never-completed project. During a long night of insomnia, he finds within the archive a series of clues about the true history of the designer’s family, a mind-bending puzzle that winds from Haifa, Israel, to bohemian 1970s New York to the Latin American jungles. As he follows this trail, the curator discovers a cast of characters whose own fixations interrogate the unstable frontiers between art, science, politics, and religion. An aging photographer, living nearly alone in an abandoned mining town where subterranean fires rage without end, creates miniature replicas of ruined cities. A former model turned conceptual artist becomes the star defendant in a trial over the very soul and purpose of art. A young indigenous boy receives a vision of the end of the world. Reality is a curtain, the curator realizes, and to draw it back is to reveal the theater of the obsessed. Natural History is a portrait of a world trapped between faith and irony, tragedy and farce. An urgent and impressively ambitious novel in the tradition of Italo Calvino and Ricardo Piglia, it confirms Carlos Fonseca as one of the most daring writers of his generation. |
| certain display at a natural history museum: Natural History Museum Alive Amabel Adcock, 2014-01 This title explores the incredible array of extinct creatures chosen by David Attenborough in his film 'Natural History Museum Alive 3D'. Each chapter investigates the stories and myths surrounding the discovery of these priceless specimens and reveals the surprising true stories behind their journey to the museum's display cabinets. |
| certain display at a natural history museum: Everything's Coming Up Profits Steve Young, Sport Murphy, 2013 The little-known world of industrial shows is reconstructed through the record collection of author Steve Young, who has spent twenty years finding the extremely rare souvenir albums as well as tracking down and interviewing the writers and performers. |
| certain display at a natural history museum: Essex Naturalist , 1904 |
| certain display at a natural history museum: The Anatomy of a Museum Steven Miller, 2017-10-02 Written by a museum professional and based on a course taught for many years, The Anatomy of a Museum is an engaging and accessible volume that provides a unique insider’s guide to what museums are and how they operate. An insider’s view of the rarefied world of the museum that provides a refreshing and unique account of the reality of the workings of museum life The material has been successfully tested in a course that the author has taught for 14 years Miller has extensive experience at all levels of museum work, from painting walls for exhibitions to museum directorship Clearly and engagingly written, the book covers all the component parts and various disciplines of museum operations, and opinions and perspectives are drawn from a deep knowledge of the field Includes useful pedagogical material, including questions, discussion topics, and a range of anecdotes |
| certain display at a natural history museum: The Guide to Nature , 1922 |
| certain display at a natural history museum: Rethinking Evolution in the Museum Monique Scott, 2007-11-19 Rethinking Evolution in the Museum explores the ways diverse natural history museum audiences imagine their evolutionary heritage. In particular, the book considers how the meanings constructed by audiences of museum exhibitions are a product of dynamic interplay between museum iconography and powerful images museum visitors bring with them to the museum. In doing so, the book illustrates how the preconceived images held by museum audiences about anthropology, Africa, and the museum itself strongly impact the human origins exhibition experience. Although museological theory has come increasingly to recognize that museum audiences ‘make meaning’ in exhibitions, or make their own complex interpretations of museum exhibitions, few scholars have explicitly asked how. Rethinking Evolution in the Museum, however, provides a rare window into visitor perceptions at four world-class museums—the Natural History Museum and Horniman Museum in London, the National Museums of Kenya in Nairobi and the American Museum of Natural History in New York. Through rigorous and novel mixed methods (quantitative and qualitative) covering nearly 500 museum visitors, this innovative study shows that audiences of human origins exhibitions interpret evolution exhibitions through a profoundly complex convergence of personal, political, intellectual, emotional and cultural interpretive strategies. This book also reveals that natural history museum visitors often respond to museum exhibitions similarly because they use common cultural tools picked up from globalized popular media circulating outside of the museum. One tool of particular interest is the notion that human evolution has proceeded linearly from a bestial African prehistory to a civilized European present. Despite critical growths in anthropological science and museum displays, the outdated Victorian progress motif lingers persistently in popular media and the popular imagination. Rethinking Evolution in the Museum sheds light on our relationship with natural history museums and will be crucial to those people interested in understanding the connection between the visitor, the museum and media culture outside of the museum context. |
| certain display at a natural history museum: Raw Histories Elizabeth Edwards, 2021-01-07 Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives. Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dynamic and fluid historical dialogue, which is active not only in the creation of the photograph but in its subsequent social biography in archive and museum spaces, past and present. In this context, the book challenges any uniform view of anthropological photography and its resulting archives. Drawing on a variety of examples, largely from the Pacific, the book demonstrates how close readings of photographs reveal not only western agendas, but also many layers of differing historical and cross-cultural experiences. That is, photographs can 'spring leaks' to show an alternative viewpoint. These themes are developed further by examining the dynamics of photographs and issues around them as used by contemporary artists and curators and presented to an increasingly varied public. This book convincingly demonstrates photographs' potential to articulate histories other than those of their immediate appearances, a potential that can no longer be neglected by scholars and institutions. |
| certain display at a natural history museum: Report of the Department of Science and Art of the Committee of Council on Education Great Britain Department of Science and Art, 1861 |
| certain display at a natural history museum: Reinventing the Museum Gail Anderson, 2004-03-09 This reader brings together 35 seminal articles that reflect the museum world's ongoing conversation with itself and the public about what it means to be a museum—one that is relevant and responsive to its constituents and always examining and reexamining its operations, policies, collections, and programs. In conjunction with the editor's introductory material and recommended additional readings these articles will help students grasp the essentials of the dialogue and guide them on where to turn for further details and developments. |
| certain display at a natural history museum: A Companion to Museum Studies Sharon Macdonald, 2010-08-09 A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society. Collects first-rate original essays by leading figures from a range of disciplines and theoretical stances, including anthropology, art history, history, literature, sociology, cultural studies, and museum studies Examines the complexity of the museum from cultural, political, curatorial, historical and representational perspectives Covers traditional subjects, such as space, display, buildings, objects and collecting, and more contemporary challenges such as visiting, commerce, community and experimental exhibition forms |
| certain display at a natural history museum: Fragments of the World: Uses of Museum Collections Suzanne Keene, 2006-08-11 During the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future? Fragments of the World examines these questions, first reviewing the history of collecting and of collections, then discussing the ways in which the collections themselves are being used today. Case studies of leading examples from around the world illustrate the discussion. Bringing together the thinking about museum collections with case studies of the ways in which different types of collection are used, the book provides a roadmap for museums to make better use of this wonderful resource. |
| certain display at a natural history museum: The Science of Natural Disasters (Set) Various, 2019-08-15 Give your readers the chance to examine the workings of the most well-known and powerful natural disasters on Earth. Each book dives into the science behind an event: how and where natural disasters happen, under what conditions, and how people can protect themselves and prepare for natural disasters. Readers also learn about new technologies focusing on mitigating damage from disasters and better predicting them in the future. Each riveting volume features awe-inspiring photographs, unique sidebars, and fact boxes that engage readers and provide vivid examples of science in action. Features include: Specific but age-appropriate scientific explorations and explanations of natural disasters. Facts detailing historical or statistical information related to the natural disaster. Includes NGSS standards for K to 3, with particular focus on preparing for and predicting natural disasters. |
| certain display at a natural history museum: The Museum of Natural History, Etc Sir John RICHARDSON, 1868 |
| certain display at a natural history museum: Photography, Natural History and the Nineteenth-Century Museum Kathleen Davidson, 2017-12-02 The Victorian era heralded an age of transformation in which momentous changes in the field of natural history coincided with the rise of new visual technologies. Concurrently, different parts of the British Empire began to more actively claim their right to being acknowledged as indispensable contributors to knowledge and the progress of empire. This book addresses the complex relationship between natural history and photography from the 1850s to the 1880s in Britain and its colonies: Australia, New Zealand and, to a lesser extent, India. Coinciding with the rise of the modern museum, photography’s arrival was timely, and it rapidly became an essential technology for recording and publicising rare objects and valuable collections. Also during this period, the medium assumed a more significant role in the professional practices and reputations of naturalists than has been previously recognized, and it figured increasingly within the expanding specialized networks that were central to the production and dissemination of new knowledge. In an interrogation that ranges from the first forays into museum photography and early attempts to document collecting expeditions to the importance of traditional and photographic portraiture for the recognition of scientific discoveries, this book not only recasts the parameters of what we actually identify as natural history photography in the Victorian era but also how we understand the very structure of empire in relation to this genre at that time. |
| certain display at a natural history museum: Museum Origins Hugh H Genoways, Mary Anne Andrei, 2016-09-16 With the development of institutions displaying natural science, history, and art in the late 19th century came the debates over the role of these museum in society. This anthology collects 50 of the most important writings on museum philosophy dating from this formative period, written by the many of the American and European founders of the field. Genoways and Andrei contextualize these pieces with a series of introductions showing how the museum field developed within the social environment of the era. For those interested in museum history and philosophy or cultural history, this is an essential resource. |
| certain display at a natural history museum: The Changing Museum Clive Gray, 2022-11-30 Using the example of New Walk Museum, Leicester, and its collections, the complexity, multi-causality, and reasons for change in museums are examined and explained. The 170 years history of New Walk provides an original basis and innovative approach to be adopted towards explaining museum change. The book makes use of original interview and archive material to examine how and why social, economic, political, and professional developments affected the work that was undertaken in New Walk. The time-span covered is much longer than is normal for a book on museum history and is longer than for almost all the national museums in the UK, with this allowing for a nuanced understanding of the causes and consequences of museum change over time. The problems and possibilities of undertaking museum history research are also discussed. Detailed examination of the ways in which a variety of societal developments fed into museum change is a key feature of the book. The book is aimed at all those with an interest in understanding how and why change affects museum practice and will be of interest to museum professionals, academics, and students in museum studies, history, politics, and sociology as well to the general museum visitor who would like to discover more about the institutions that they visit. |
| certain display at a natural history museum: Science , 1884 Vols. for 1911-13 contain the Proceedings of the Helminothological Society of Washington, ISSN 0018-0120, 1st-15th meeting. |
| certain display at a natural history museum: English Mechanic and Mirror of Science and Art , 1910 |
| certain display at a natural history museum: The Museum of Other People Adam Kuper, 2024-04-16 A MOST ANTICIPATED BOOK • From one of the world’s most distinguished anthropologists, an important and timely work of cultural history that looks at the origins and much debated future of anthropology museums “A provocative look at questions of ethnography, ownership and restitution . . . the argument [Kuper] makes in The Museum of Other People is important precisely because just about no one else is making it. He asks the questions that others are too shy to pose. . . . Required reading.” –Financial Times (UK) In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard’s Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World’s Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889. Despite the widespread popularity and cultural importance of these institutions, there also lies a murky legacy of imperialism, colonialism, and scientific racism in their creation. Kuper tackles difficult questions of repatriation and justice, and how best to ensure that the future of these museums is an ethical, appreciative one that promotes learning and cultural exchange. A stunning, unique, accessible work based on a lifetime of research, The Museum of Other People reckons with the painfully fraught history of museums of natural history, and how curators, anthropologists, and museumgoers alike can move forward alongside these time-honored institutions. |
| certain display at a natural history museum: Natural History Kathryn Hennessy, 2010 A landmark in reference publishing and overseen and authenticated by the Smithsonian Institution's National Museum of Natural History, Natural History presents an unrivaled visual survey of Earth's natural history. Giving a clear overview of the classification of our natural world-over 6,000 species-Natural History looks at every kingdom of life, from bacteria, minerals, and rocks to fossils to plants and animals. Featuring a remarkable array of specially commissioned photographs, Natural History looks at thousands of specimens and species displayed in visual galleries that take the reader on an incredible journey from the most fundamental building blocks of the world's landscapes, through the simplest of life forms, to plants, fungi, and animals. |
| certain display at a natural history museum: Designing for the Museum Visitor Experience Tiina Roppola, 2013-03-05 Exhibition environments are enticingly complex spaces: as facilitators of experience; as free-choice learning contexts; as theaters of drama; as encyclopedic warehouses of cultural and natural heritage; as two-, three- and four-dimensional storytellers; as sites for self-actualizing leisure activity. But how much do we really know about the moment-by-moment transactions that comprise the intricate experiences of visitors? To strengthen the disciplinary knowledge base supporting exhibition design, we must understand more about what ‘goes on’ as people engage with the multifaceted communication environments that are contemporary exhibition spaces. The in-depth, visitor-centered research underlying this book offers nuanced understandings of the interface between visitors and exhibition environments. Analysis of visitors’ meaning-making accounts shows that the visitor experience is contingent upon four processes: framing, resonating, channeling, and broadening. These processes are distinct, yet mutually influencing. Together they offer an evidence-based conceptual framework for understanding visitors in exhibition spaces. Museum educators, designers, interpreters, curators, researchers, and evaluators will find this framework of value in both daily practice and future planning. Designing for the Museum Visitor Experience provides museum professionals and academics with a fresh vocabulary for understanding what goes on as visitors wander around exhibitions. |
| certain display at a natural history museum: Nature's Mirror Mary Anne Andrei, 2020-11-20 It may be surprising to us now, but the taxidermists who filled the museums, zoos, and aquaria of the twentieth century were also among the first to become aware of the devastating effects of careless human interaction with the natural world. Witnessing firsthand the decimation caused by hide hunters, commercial feather collectors, whalers, big game hunters, and poachers, these museum taxidermists recognized the existential threat to critically endangered species and the urgent need to protect them. The compelling exhibits they created—as well as the scientific field work, popular writing, and lobbying they undertook—established a vital leadership role in the early conservation movement for American museums that persists to this day. Through their individual research expeditions and collective efforts to arouse demand for environmental protections, this remarkable cohort—including William T. Hornaday, Carl E. Akeley, and several lesser-known colleagues—created our popular understanding of the animal world and its fragile habitats. For generations of museum visitors, they turned the glass of an exhibition case into a window on nature—and a mirror in which to reflect on our responsibility for its conservation. |
CERTAIN Definition & Meaning - Merriam-Webster
sure, certain, positive, cocksure mean having no doubt or uncertainty. sure usually stresses the subjective or intuitive feeling of assurance. certain may apply to a basing of a conclusion or …
CERTAIN | English meaning - Cambridge Dictionary
CERTAIN definition: 1. having no doubt or knowing exactly that something is true, or known to be true, correct, exact…. Learn more.
CERTAIN Definition & Meaning | Dictionary.com
Certain definition: free from doubt or reservation; confident; sure.. See examples of CERTAIN used in a sentence.
CERTAIN definition and meaning | Collins English Dictionary
If you say that something is certain, you firmly believe that it is true, or have definite knowledge about it.
Certain - definition of certain by The Free Dictionary
certain - established beyond doubt or question; definitely known; "what is certain is that every effect must have a cause"; "it is certain that they were on the bus"; "his fate is certain"; "the …
981 Synonyms & Antonyms for CERTAIN | Thesaurus.com
Find 981 different ways to say CERTAIN, along with antonyms, related words, and example sentences at Thesaurus.com.
certain - WordReference.com Dictionary of English
Idioms for certain, without a doubt; surely: I know for certain that I have seen that face before. pron. certain ones: Certain of the members declined the invitation.
Certain - Definition, Meaning & Synonyms | Vocabulary.com
When you're certain, you're sure about something. When you raise your hand to give the answer, you feel certain that you are correct. Certain can mean "definite" or "sure to happen," like …
What does certain mean? - Definitions.net
Having been determined but unspecified. The quality of some particular subject or object which is known by the speaker to have been specifically singled out among similar entities of its class. I …
certain adjective - Definition, pictures, pronunciation and usage …
certain [not usually before noun] sure that you are right or that something is true: Are you absolutely certain about this? sure or certain? Like sure, certain is often used in negative …
CERTAIN Definition & Meaning - Merriam-Webster
sure, certain, positive, cocksure mean having no doubt or uncertainty. sure usually stresses the subjective or intuitive feeling of assurance. certain may apply to a basing of a conclusion or …
CERTAIN | English meaning - Cambridge Dictionary
CERTAIN definition: 1. having no doubt or knowing exactly that something is true, or known to be true, correct, exact…. Learn more.
CERTAIN Definition & Meaning | Dictionary.com
Certain definition: free from doubt or reservation; confident; sure.. See examples of CERTAIN used in a sentence.
CERTAIN definition and meaning | Collins English Dictionary
If you say that something is certain, you firmly believe that it is true, or have definite knowledge about it.
Certain - definition of certain by The Free Dictionary
certain - established beyond doubt or question; definitely known; "what is certain is that every effect must have a cause"; "it is certain that they were on the bus"; "his fate is certain"; "the …
981 Synonyms & Antonyms for CERTAIN | Thesaurus.com
Find 981 different ways to say CERTAIN, along with antonyms, related words, and example sentences at Thesaurus.com.
certain - WordReference.com Dictionary of English
Idioms for certain, without a doubt; surely: I know for certain that I have seen that face before. pron. certain ones: Certain of the members declined the invitation.
Certain - Definition, Meaning & Synonyms | Vocabulary.com
When you're certain, you're sure about something. When you raise your hand to give the answer, you feel certain that you are correct. Certain can mean "definite" or "sure to happen," like …
What does certain mean? - Definitions.net
Having been determined but unspecified. The quality of some particular subject or object which is known by the speaker to have been specifically singled out among similar entities of its class. I …
certain adjective - Definition, pictures, pronunciation and usage …
certain [not usually before noun] sure that you are right or that something is true: Are you absolutely certain about this? sure or certain? Like sure, certain is often used in negative …
