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cha cha dance history: Social Dance Arthur Franks, 2021-11-19 Originally published in 1963 and authored by the then Editor of the Dancing Times, this was a pioneer work discussing not only the origins and development of many social dance forms from early times, but also relating these forms to their environment. As well as its role in social history, the book analyses the role of dance as a prime creative power in Renaissance spectacles which depicted and celebrated diplomatic, military and regal occasions. After a wide-ranging introductory chapter on the origins of dancing, the book takes the reader through the centuries, discussing in turn the Basse Danse and the Moresco of the Middle Ages, the Pavane, Galliard and Courante of the 16th Century, the Minuet of the 17th & 18th, the Allemande, the Waltz and the Polka as well as Jazz, the Cha Cha Cha, the Jive and Twist. |
cha cha dance history: Spinning Mambo Into Salsa Juliet E. McMains, 2015 Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and in Spanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial export-New York, Los Angeles, and Miami. The book examines how commercialized salsa dance in the 1990s departed from earlier practices of Latin dance, especially 1950s mambo. Topics covered include generational differences between Palladium Era mambo and modern salsa; mid-century antecedents to modern salsa in Cuba and Puerto Rico; tension between salsa as commercial vs. cultural practice; regional differences in New York, Los Angeles, and Miami; the role of the Web in salsa commerce; and adaptations of social Latin dance for stage performance. Throughout the book, salsa dance history is linked to histories of salsa music, exposing how increased separation of the dance from its musical inspiration has precipitated major shifts in Latin dance practice. As a whole, the book dispels the belief that one version is more authentic than another by showing how competing styles came into existence and contention. Based on over 100 oral history interviews, archival research, ethnographic participant observation, and analysis of Web content and commerce, the book is rich with quotes from practitioners and detailed movement description. |
cha cha dance history: Recreational Dance Ballroom, Cajun and Country-western Jerry Duke, 1996-03-01 |
cha cha dance history: The Complete Idiot's Guide to Ballroom Dancing Jeff Allen, 2002 Describes the history of ballroom dancing; presents photo-illustrated instructions for the waltz, foxtrot, tango, Viennese waltz, rumba, merengue, samba, cha-cha, mambo, East Coast swing, and hustle; discusses such topics as timing, rhythm, practice, and expectations; and includes an eleven-track audio CD. |
cha cha dance history: The Animal Boogie Debbie Harter, Fred Penner, 2011 In the jungle, the animals' toes are twitching, their bodies are wiggling, and their wings are flapping, as they teach children how to do the Animal Boogie. |
cha cha dance history: History of dancing ring and Casino-Salsa Alan Silvano Borges, Alicia J. Sardiñas, 2017-03-23 The experiences we describe in this book are part of our lives; we intend to offer an image of the surging of casino dancing and ring (Rueda) in Cuba. To do so, we have requested the experiences and anecdotes of the dancers who participated from the very prodigious beginning of a dance that is as Cuban as the palms, the sugar cane, the rum and the tobacco... ...We dedicate this book to ah the founders of casino dance and ring, who definitely are the creators of this dancing style, that later has been called Salsa in other countries. We will make it extensive to ah the professors, promoters, directors of casino rings and to the good dancers that are already hundreds of thousands in Cuba and ah over the world. |
cha cha dance history: History of Dance, 2E Kassing, Gayle, 2017-05-17 History of Dance, Second Edition, examines dance from prehistoric times to today. It focuses on the dancers and choreographers, dances, and significant dance works from each time period and offers an instructor guide, test bank, PowerPoint presentation package, and student web resource to reinforce learning. |
cha cha dance history: The Complete Book of Ballroom Dancing Richard Montgomery Stephenson, Joseph Iaccarino, 1980 A guide to general dancing skills accompanies sequential photographs and foot-pattern diagrams illustrating the fundamentals of the fox-trot, waltz, cha-cha, tango, polka, and other popular ballroom dances. |
cha cha dance history: Rhythms of Race Christina D. Abreu, 2015-05-04 Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers. Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations. |
cha cha dance history: I Got the Christmas Spirit Connie Schofield-Morrison, 2018-09-04 In the same feel-good style of I Got the Rhythm, this exuberant picture book explores the joys of the holiday season, once again illustrated by award-winning artist Frank Morrison. It's the most wonderful time of the year, and a mother and daughter are enjoying the sights and sounds of the holiday season. The little girl hears sleigh bells ringing and carolers singing. She smells chestnuts roasting--CRUNCH! CRUNCH! CRUNCH!--and sees the flashing lights of the department store windows--BLING! BLING! BLING! She spreads the spirit of giving wherever she goes. And when she reaches Santa, she tells him her Christmas wish--for peace and love everywhere, all the days of the year. |
cha cha dance history: Sebi and the Land of Cha Cha Cha Roselyn Sanchez, Eric Winter, 2017 From actors (and real-life married couple) Sanchez (Devious Maids) and Winter (The Mentalist) comes an exciting adventure that celebrates the joy of dancing. Full color. |
cha cha dance history: Cuba and Africa, 1959-1994 Kali Argyriadis, Giulia Bonacci, Adrien Delmas, 2020-11-01 A history of Atlantic solidarity between Cuba and Africa, in struggle for African independence from colonial powers The Cuban people hold a special place in the hearts of the people of Africa. The Cuban internationalists have made a contribution to African independence, freedom, and justice, unparalleled for its principled and selfless character.’ As Nelson Mandela states, Cuba was a key participant in the struggle for the independence of African countries during the Cold War and the definitive ousting of colonialism from the continent. Beyond the military interventions that played a decisive role in shaping African political history, there were many-sided engagements between the island and the continent. Cuba and Africa, 1959-1994 is the story of tens of thousands of individuals who crossed the Atlantic as doctors, scientists, soldiers, students and artists. Each chapter presents a case study – from Algeria to Angola, from Equatorial Guinea to South Africa – and shows how much of the encounter between Cuba and Africa took place in non-militaristic fields: humanitarian and medical, scientific and educational, cultural and artistic. The historical experience and the legacies documented in this book speak to the major ideologies that shaped the colonial and postcolonial world, including internationalism, developmentalism and South–South cooperation. Approaching African–Cuban relations from a multiplicity of angles, this collection will appeal to an equally wide range of readers, from scholars in black Atlantic studies to cultural theorists and general readers with an interest in contemporary African history. |
cha cha dance history: Penguin Cha-Cha Kristi Valiant, 2013-08-27 Follow a determined girl named Julia as she tries to join in the fun of a mischevious group of dancing penguins. Set in The Romping Chomping Park and Zoo, author/illustrator Kristi Valiant creates a vibrant, funny, and spirited picture book that will leave young readers shaking their very own tail feathers. Valiant has crafted a fast-paced and entertaining tale of zoo shenanigans. - Kirkus Reviews ...this one is gauranteed to dance off shelves. - School Library Journal |
cha cha dance history: Let's Dance! Valerie Bolling, 2020-06-16 This rhythmic showcase of dances from all over the world features children of diverse backgrounds and abilities tapping, spinning, and boogying away! Tap, twirl, twist, spin! With musical, rhyming text, author Valerie Bolling shines a spotlight on dances from across the globe, while energetic art from Maine Diaz shows off all the moves and the diverse people who do them. From the cha cha of Cuba to the stepping of Ireland, kids will want to leap, dip, and zip along with the dances on the page! |
cha cha dance history: Rumba Yvonne Daniel, 1995-06-22 Using dance anthropology to illuminate the values and attitudes embodied in rumba, Yvonne Daniel explores the surprising relationship between dance and the profound, complex changes in contemporary Cuba. From the barrio and streets to the theatre and stage, rumba has emerged as an important medium, contributing to national goals, reinforcing Caribbean solidarity, and promoting international prestige. Since the Revolution of 1959, rumba has celebrated national identity and cultural heritage, and embodied an official commitment to new values. Once a lower-class recreational dance, rumba has become a symbol of egalitarian efforts in postrevolutionary Cuba. The professionalization of performers, organization of performance spaces, and proliferation of performance opportunities have prompted new paradigms and altered previous understandings of rumba. |
cha cha dance history: Cuba and Its Music Ned Sublette, 2007-02 This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more. |
cha cha dance history: Ballroom Icons Brigitt Mayer-Karakis, U. H. Mayer, 2009 |
cha cha dance history: Queens of Havana Alicia Castro, Ingrid Kummels, Manfred Schäfer, 2007-12-01 “This evocative memoir is a joyous, rhythmic history” of the 11-sister dance band that broke musical and cultural barriers in 1930s Cuba and beyond (Publishers Weekly). In the 1930s, Havana was the place to be for tourists, ex-pats, celebrities, and excitement-seekers. Nights were filled with drinking, dancing, romance, and the roar of infectious music spilling from cafés into the streets. It was a time and place immortalized by Hemingway, and a macho mecca where only men took the stage. That is until Alicia Castro, a thirteen-year-old greengrocer’s daughter, picked up a saxophone and led her sisters into the limelight. With infectious melodies and saucy lyrics, the Sisters Castro—professionally known as Anacaona—became a dance-band of irresistible force. In her jubilant memoir, Queens of Havana, Alicia Castro tells of her incredible rise beyond her native city, to international stardom—swinging alongside legends from Dizzy Gillespie and Celia Cruz to Duke Ellington and Cab Calloway. In an age that insisted women be seen and not heard, Alicia Castro and her unstoppable sisters grabbed the world by the ears and got it dancing to their beat. At eighty-seven-years old, Alicia’s stories are intoxicating and gloriously punctuated with more than 100 vintage photos, posters, and other memorabilia in a book that “reverberates with exotic echoes of a fabulous long-ago era” (Publishers Weekly). |
cha cha dance history: Glamour Addiction Juliet McMains, 2006-11-17 Behind the scenes of DanceSport. |
cha cha dance history: The Cambridge History of Australian Literature Peter Pierce, 2009-09-17 Draws on scholarship from leading figures in the field and spans Australian literary history from colonial origins, indigenous and migrant literatures, as well as representations of Asia and the Pacific and the role of literary culture in modern Australian society. |
cha cha dance history: Cuban Fire Isabelle Leymarie, 2003 In Cuban Fire, the prize-winning author Isabelle Leymarie tells the thrilling story of popular music of Cuban origin and its major artists from the 1920s to today. Afro-Cuban music derives its richness from the fusion of many cultures. On the island of tobacco, rum and coffee, nicknamed 'The Green Caiman' because of its long and curvy shape, the wedding of sacred and secular African musical genres with Spanish and French melodies gave rise to numerous genres that have gained international fame- son, rhumba, guaracha, conga, mambo, cha-cha-cha, pachanga, and nueva timba. The history of Cuban music also unfolds in the United States, where large Cuban, Puerto Rican, Dominican and other Hispanic communities have established themselves over the years. It was in New York, indeed, that the boogaloo, salsa and Latin jazz, created by such musicians as Machito, Mario Bauz , Dizzy Gillespie and Chano Pozo, emerged out of the contact with the Puerto Ricans and African-Americans of that city. This major reference book also deals with the incandescent rhythms of Puerto Rico and -- to a lesser degree -- Santo Domingo, integrated today into salsa and Latin jazz. |
cha cha dance history: Ballroom Billy Goldenberg, Jerome Kass, Marilyn Bergman, Alan Bergman, 1981 Ballroom is the story of aging widow Bea Asher, who begins life anew at the Stardust Ballroom, an old-school dance palace in the Bronx. At the ballroom, Bea meets a middle-aged mailman named Al, and the two soon fall in love. Unfortunately, Al is trapped in an unhappy marriage, and he refuses to leave his wife. Bea's children and friends advise her against starting up a romance with a married man, but Bea - having found a new life and purpose - decides that “fifty percent” of someone you love is better than “all of anybody else.”--Publisher. |
cha cha dance history: Elvis: My Best Man George Klein, Chuck Crisafulli, 2011-01-04 The touching story of thirty years of friendship between George Klein and the King that “offers an insider’s view of Presley the man as opposed to Presley the singer, actor, and icon” (Associated Press). “You capture the essence of Elvis not only in dialogue, but also in giving the reader a sense of his personality, humor, and his spirit of play.”—Priscilla Presley When George Klein was an eighth grader at Humes High, he couldn’t have known how important the new kid with the guitar—the boy named Elvis—would later become in his life. But from the first time GK (as he was nicknamed by Elvis) heard this kid sing, he knew that Elvis Presley was someone extraordinary. During Elvis’s rise to fame and throughout the wild swirl of his remarkable life, Klein was a steady presence and one of Elvis’s closest and most loyal friends until his untimely death in 1977. In Elvis: My Best Man, a heartfelt, entertaining, and long-awaited contribution to our understanding of Elvis Presley and the early days of rock ’n’ roll, George Klein writes with great affection for the friend he knew about who the King of Rock ’n’ Roll really was and how he acted when the stage lights were off. This fascinating chronicle of boundary-breaking and music-making through one of the most intriguing and dynamic stretches of American history overflows with insights and anecdotes from someone who was in the middle of it all. From the good times at Graceland to hanging out with Hollywood stars to butting heads with Elvis’s iron-handed manager, Colonel Tom Parker, to making sure that Elvis’s legacy is fittingly honored, GK was a true friend of the King and a trailblazer in the music industry in his own right. |
cha cha dance history: Music and Revolution Robin D. Moore, 2006 Annotation A history of Cuban music during the Castro regime (1950s to the present. |
cha cha dance history: Cuban Music from A to Z Helio Orovio, 2004-03-12 DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div |
cha cha dance history: The Meaning Of Tango Christine Denniston, 2014-12-08 From the backstreets of Buenos Aires to Parisian high society, this is the extraordinary story of the dance that captivated the world - a tale of politics and passion, immigration and romance. The Tango was the cornerstone of Argentine culture, and has lasted for more than a hundred years, popular today in America, Japan and Europe. 'The Meaning of Tango' traces the roots of this captivating dance, from it's birth in the poverty stricken Buenos Aires, the craze of the early 20th century, right up until it's revival today, thanks to shows such as Strictly Come Dancing. This book offers history, knowledge, teachings and in-sights which makes it valuable for beginners, yet its in-depth analysis makes it essential for experienced dancers. It is an elegant and cohesive critique of the fascinating tale of the Tango, which not only documents its culture and politics, but is also technically useful. |
cha cha dance history: Technique of Latin Dancing Walter Laird, 1983 |
cha cha dance history: Dancing in the Streets Barbara Ehrenreich, 2007-12-26 From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and savage, Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a danced religion. Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent carnivalization of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead.—Terry Eagleton, The Nation |
cha cha dance history: Teaching Dance as Art in Education Brenda Pugh McCutchen, 2006 Brenda McCutchen provides an integrated approach to dance education, using four cornerstones: dancing and performing, creating and composing, historical and cultural inquiry and analysing and critiquing. She also illustrates the main developmental aspects of dance. |
cha cha dance history: Afro Latin Rhythm Romance Dance Gary Sowell, 2014-11-18 I am a native of Colorado My father Booker T. Sowell was the first Black family to own property in Jefferson County. Our family was the first Blacks to attend and graduate from a Jefferson County School. I wrote and published the history for the school district as well as for the city of Lakewood, Colorado. I am the author of Moral obligation as well as Just One Moment In Time. I have traveled to many places around the world that has inspired and changed me in many different ways. |
cha cha dance history: Tito Puente Jim Payne, 2006 (Book). Biography of the legendary Tito Puente and a brief history of Afro-Cuban/salsa music that he popularized throughout the world. A 2-hour DVD includes Tito discussing his incredible 50-year career as a band leader and the influence of other musicians from Cachao to Celia Cruz to Santana had on him. It also features Tito soloing on his legendary gold timbales. The book includes a discography and 50 archival photos. |
cha cha dance history: World Music Survey: The Music from Latin America and the United States of America Jose Rosa, 2018-03-05 The History of Music From Cuba, The Caribbean, South America and the United States A deeper study of music history from: Cuba, Puerto Rico, South America and the United States. Also covering topics such as: The Cuban Timba, The History of Rock and Roll. If you really want to learn more about the history of North America and South America Music, This Book is a MUST HAVE. |
cha cha dance history: Dancing the Boom Cha Cha Boogie Narelle Oliver, 2005 As the three little murmels play in a leaky old arkel, a wild whirligig destroys their homeland and sets the arkel drifting towards an alien shore. While the shipwrecked murmels sleep, they are thrown into prison. They awake to hear the ruler of the land, the Boss Snig, telling them that as soon as their boat has been fixed, they must leave. There is little hope for homeless murmels until they are befriended by a young snig. Soon the four friends begin to share each other's lives and customs: their food, their games and their dancing. |
cha cha dance history: She is Cuba Melissa Blanco Borelli, 2016 'She is Cuba' traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges: bodies watching, looking, touching and dancing with one another. |
cha cha dance history: Library of Congress Subject Headings Library of Congress, 2003 |
cha cha dance history: Spinning Mambo into Salsa Juliet McMains, 2015-05-01 Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and in Spanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial export-New York, Los Angeles, and Miami. The book examines how commercialized salsa dance in the 1990s departed from earlier practices of Latin dance, especially 1950s mambo. Topics covered include generational differences between Palladium Era mambo and modern salsa; mid-century antecedents to modern salsa in Cuba and Puerto Rico; tension between salsa as commercial vs. cultural practice; regional differences in New York, Los Angeles, and Miami; the role of the Web in salsa commerce; and adaptations of social Latin dance for stage performance. Throughout the book, salsa dance history is linked to histories of salsa music, exposing how increased separation of the dance from its musical inspiration has precipitated major shifts in Latin dance practice. As a whole, the book dispels the belief that one version is more authentic than another by showing how competing styles came into existence and contention. Based on over 100 oral history interviews, archival research, ethnographic participant observation, and analysis of Web content and commerce, the book is rich with quotes from practitioners and detailed movement description. |
cha cha dance history: The History of Latin Music Stuart A. Kallen, 2013-06-14 This book covers the history of the music of Latin America. Individual chapters focus on the sounds of the Caribbean, Brazil, South America, and Mexico. Author Stuart A. Kallen includes informative sidebars and numerous quotations from authoritative sources. Students will enjoy this volume for leisure reading and it's an excellent research tool for reports. |
cha cha dance history: Library of Congress Subject Headings Library of Congress. Cataloging Policy and Support Office, 2009 |
cha cha dance history: An Incomplete and Inaccurate History of Sport Kenny Mayne, 2009-02-03 Presents an irreverent study of the history of sports that combines real-life facts, offbeat trivia, fantastical exaggerations, and humorous personal anecdotes and reflections that cover everything from football and bocce to badminton, skateboarding, and tetherball. |
cha cha dance history: Papa, Please Get the Moon for Me Eric Carle, 2015-08-04 In a book with foldout pages, Monica's father fulfills her request for the moon by taking it down after it is small enough to carry, but it continues to change in size. |
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Choose the checking account that works best for you. See our Chase Total Checking ® offer for new customers. Make purchases with your debit card, and bank from almost anywhere by …
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