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| darkytown rebellion ap art history: AP Art History John B. Nici, 2020-08-04 Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History includes in-depth content review and online practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s--all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day--it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test-taking skills with 5 full-length practice tests--3 in the book and 2 more online Strengthen your knowledge with in-depth review covering all Units on the AP Art History Exam Reinforce your learning with practice questions at the end of each chapter Interactive Online Practice Continue your practice with 2 full-length practice tests and 400 online flashcards on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with automated scoring to check your learning progress |
| darkytown rebellion ap art history: AP Art History Premium, Sixth Edition: Prep Book with 5 Practice Tests + Comprehensive Review + Online Practice John B. Nici, 2023-07-04 Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History Premium, Sixth Edition includes in‑depth content review and practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 5 full‑length practice tests‑‑3 in the book, including a diagnostic test to target your studying, and 2 more online–plus detailed answer explanations for all questions Strengthen your knowledge with in‑depth review covering all units on the AP Art History exam Reinforce your learning with practice questions at the end of each chapter Learn to think like an art historian by reviewing hundreds of clear figures and key details about how they were made, their significance in history, and how to interpret and compare them to other famous works of art Robust Online Practice Continue your practice with 2 full‑length practice tests on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress |
| darkytown rebellion ap art history: AP Art History: 5 Practice Tests + Comprehensive Review + Online Practice John B. Nici, 2020-08-04 Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP Art History includes in-depth content review and online practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s--all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day--it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test-taking skills with 5 full-length practice tests--3 in the book and 2 more online Strengthen your knowledge with in-depth review covering all Units on the AP Art History Exam Reinforce your learning with practice questions at the end of each chapter Interactive Online Practice Continue your practice with 2 full-length practice tests and 400 online flashcards on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with automated scoring to check your learning progress |
| darkytown rebellion ap art history: The French Collection Faith Ringgold, 1992 |
| darkytown rebellion ap art history: Kara Walker Kara Elizabeth Walker, Walker Art Center, 2007 Text by Philippe Vergne, Sander Gilman, Thomas McEvilley, Robert Storr, Kevin Young, Yasmil Raymond. |
| darkytown rebellion ap art history: AP® Art History Crash Course Book + Online Gayle A. Asch, Matt Curless, 2016-03-22 REA's Crash Course for the AP® Art History Exam - Gets You a Higher Advanced Placement® Score in Less Time 2nd Edition - Completely Revised for the New 2016 Exam Crash Course is perfect for the time-crunched student, the last-minute studier, or anyone who wants a refresher on the subject. Are you crunched for time? Have you started studying for your Advanced Placement® Art History exam yet? How will you memorize everything you need to know before the test? Do you wish there was a fast and easy way to study for the exam AND boost your score? If this sounds like you, don't panic. REA's Crash Course for AP® Art History is just what you need. Our Crash Course gives you: Targeted, Focused Review - Study Only What You Need to Know The Crash Course is based on an in-depth analysis of the new AP® Art History course description outline and actual AP® test questions. It covers only the information tested on the exam, so you can make the most of your valuable study time. Written by an AP® Art History teacher, the targeted review prepares students for the 2016 test by focusing on the new framework concepts and learning objectives tested on the redesigned AP® Art History exam. Easy-to-read review chapters in outline format cover all the artistic traditions students need to know, including Global Prehistory, Ancient Mediterranean, Europe and the Americas, Asia, Africa, and more. The book also features must-know Art History terms all AP® students should know before test day. Expert Test-taking Strategies Our experienced AP® Art History teacher shares detailed question-level strategies and explains the best way to answer the multiple-choice and free-response questions you'll encounter on test day. By following our expert tips and advice, you can boost your overall point score! FREE Practice Exam After studying the material in the Crash Course, go to the online REA Study Center and test what you've learned. Our free practice exam features timed testing, detailed explanations of answers, and automatic scoring analysis. The exam is balanced to include every topic and type of question found on the actual AP® exam, so you know you're studying the smart way. Whether you're cramming for the test at the last minute, looking for extra review, or want to study on your own in preparation for the exams - this is the study guide every AP® Art History student must have. When it's crucial crunch time and your Advanced Placement® exam is just around the corner, you need REA's Crash Course for AP® Art History! |
| darkytown rebellion ap art history: Women of Allah Shirin Neshat, 1997 As an Iranian woman, Shirin Neshat's startling photographs convey a power that is more than merely exotic. Veiled women brandish guns in defiant stances, with Arabic calligraphy drawn upon the background of the photos. Though their non-Western iconography may at first disorient the viewer, these pictures have a boldly stylized look that is utterly compelling. |
| darkytown rebellion ap art history: The Francis Effect Tania Bruguera, 2022-06-21 “The Francis Effect was about proposing something completely absurd, as absurd as borders are. If Immigrant Movement was for the thousands of people who went there, The The Francis Effect was just for one person, the pope. But the more people that participated, the more personal it became.” –Tania Bruguera Stemming from a performance that originated at the Guggenheim Museum, The Francis Effect explores Tania Bruguera’s work as an artist, activist, and Cuban immigrant to the US engaging the tension between art’s pragmatic, activist, and aesthetic possibilities. The performance of The Francis Effect follows the guise of a political campaign, aiming to request that the Pope grant Vatican City citizenship to all immigrants and refugees. As a conversational, collaborative project, the resulting book mirrors Bruguera’s artistic practice with essays and conversations from the the curators and Bruguera. In addition, the book-project is embiggened by socially-engaged commissioned essays from art historian Our Literal Speed, sociologist Saskia Sassen, and historian Nicolas Terpstra. A groundbreaking interdisciplinary discussion of borders, Pangaea, sociology, and religious studies, The Francis effect offers art as a vehicle for social change, placing this work in the context of its creative and critical reception. |
| darkytown rebellion ap art history: Frank O. Gehry Frank O. Gehry, 1998 There is no doubt that Gehry's Guggenheim Museum in Bilbao is one of the most spectacular buildings of recent years. It is both the heart of the city and a tested for the arts, representing both public presence and artistic change. |
| darkytown rebellion ap art history: Buddhism Across Asia Tansen Sen, 2014-04-02 Buddhism across Asia is a must-read for anyone interested in the history and spread of Buddhism in Asia. It comprises a rich collection of articles written by leading experts in their fields. Together, the contributions provide an in-depth analysis of Buddhist history and transmission in Asia over a period of more than 2000 years. Aspects examined include material culture, politics, economy, languages and texts, religious institutions, practices and rituals, conceptualisations, and philosophy, while the geographic scope of the studies extends from India to Southeast Asia and East Asia. Readers' knowledge of Buddhism is constantly challenged by the studies presented, incorporating new materials and interpretations. Rejecting the concept of a reified monolithic and timeless 'Buddhism', this publication reflects the entangled 'dynamic and multi-dimensional' history of Buddhism in Asia over extended periods of 'integration,' 'development of multiple centres,' and 'European expansion,' which shaped the religion's regional and trans-regional identities. -- Max Deeg, Cardiff University Buddhism Across Asia presents new research on Buddhism in comprehensive spatial and temporal terms. From studies on transmission networks to exegesis on doctrinal matters, linguistics, rituals and practices, institutions, Buddhist libraries, and the religion's interactions with political and cultural spheres as well as the society at large, the volume presents an assemblage of essays of breathtaking breadth and depth. The goal is to demonstrate how the transmission of Buddhist ideas serves as a cultural force, a lynchpin that had connected the societies of Asia from past to present. The volume manifests the vitality and maturity of the field of Buddhist studies, and for that we thank the editor and the erudite authors. -- Dorothy C. Wong, University of Virginia |
| darkytown rebellion ap art history: Book from the Ground Bing Xu, 2018-11-06 A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it. |
| darkytown rebellion ap art history: Understanding by Design Grant P. Wiggins, Jay McTighe, 2005 What is understanding and how does it differ from knowledge? How can we determine the big ideas worth understanding? Why is understanding an important teaching goal, and how do we know when students have attained it? How can we create a rigorous and engaging curriculum that focuses on understanding and leads to improved student performance in today's high-stakes, standards-based environment? Authors Grant Wiggins and Jay McTighe answer these and many other questions in this second edition of Understanding by Design. Drawing on feedback from thousands of educators around the world who have used the UbD framework since its introduction in 1998, the authors have greatly revised and expanded their original work to guide educators across the K-16 spectrum in the design of curriculum, assessment, and instruction. With an improved UbD Template at its core, the book explains the rationale of backward design and explores in greater depth the meaning of such key ideas as essential questions and transfer tasks. Readers will learn why the familiar coverage- and activity-based approaches to curriculum design fall short, and how a focus on the six facets of understanding can enrich student learning. With an expanded array of practical strategies, tools, and examples from all subject areas, the book demonstrates how the research-based principles of Understanding by Design apply to district frameworks as well as to individual units of curriculum. Combining provocative ideas, thoughtful analysis, and tested approaches, this new edition of Understanding by Design offers teacher-designers a clear path to the creation of curriculum that ensures better learning and a more stimulating experience for students and teachers alike. |
| darkytown rebellion ap art history: Border Cantos , 2016 [Richard Misrach] saw the border, [Guillermo Galindo] heard it, and by coming together across that line of artistic practice, they've now created these 'border cantos.' Misrach has been using the canto literary structure, borrowed from Dante and Ezra Pound, as a way of organizing his long-term photographic project, Desert cantos (1979 to present). But here the canto also moves off the page and into sound, opening up into Galindo's practice. In Italian, canto means 'song'; in Spanish, 'singing' and 'chant.' In this sense, all cantos are part eye and part ear, able to bee seen and heard at once.--Page 10. |
| darkytown rebellion ap art history: Stan Douglas Stan Douglas, 2002 Essays based on a monumental-sized photograph by preeminent visual artist Stan Douglas. |
| darkytown rebellion ap art history: Return to Wonderland Various, 2020-08-06 A stunning collection of original stories from today's bestselling children's authors, re-imagining Lewis Carroll's Wonderland. |
| darkytown rebellion ap art history: Carrie Mae Weems: Kitchen Table Series , 2022-09-13 In book form, Kitchen Table is more intimate.... Unlike the experience of meandering through a museum, stepping back to appreciate the images and nearing the text panels to skim them, the pace of exploration is now in a person's hands. -Hilary Moss, New York Times This publication is dedicated solely to the early and canonical body of work by American artist Carrie Mae Weems (born 1953). The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman's life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships--with lovers, children, friends--and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness and solitude. As Weems describes it, this work of art depicts the battle around the family ... monogamy ... and between the sexes.G6 Weems herself is the protagonist of the series, though the woman she depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist's words, unrequited love. |
| darkytown rebellion ap art history: Kara Walker: a Black Hole Is Everything a Star Longs to Be Anita Haldemann, 2020-10-27 An enormous clothbound panorama of Kara Walker's works on paper--all reproduced for the first time This gorgeous 600-page volume provides an exciting opportunity to delve into the creative process of Kara Walker, one of the most celebrated artists working in the United States today. Primarily recognized for her monumental installations, Walker also works with ink, graphite and collage to create pieces that demonstrate her continued engagement with her own identity as an artist, an African American, a woman and a mother. More than 700 works on paper created between 1992 and 2020--which are reproduced in print for the first time from the artist's own strictly guarded private archive--are collected in this volume, thus capturing Walker's career with an unprecedented level of intimacy. Since the early 1990s, the foundation of her artistic production has been drawing and working on paper in various ways. Walker's completed large-format pieces are presented among typewritten notes on index cards and dream journal entries; sketches and studies for pieces appear alongside collages. The result is a volume that allows readers to become eyewitnesses to the genesis of Walker's art and the transformative power of the figures and narratives she has created over the course of her career. Now based in New York, Kara Walkerwas born in Stockton, California, in 1969. She received her Master of Fine Arts from the Rhode Island School of Design in 1994; soon afterwards, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces. Walker's work confronts history, race relations and sexuality in a decidedly non-conciliatory manner, urging the public to reconsider established narratives surrounding the experiences of African Americans in particular. |
| darkytown rebellion ap art history: Autoconstrucción Abraham Cruzvillegas, 2008 AutoconstrucciÃ[3]n accompanies Cruzvillegas' exhibition at CCA Glasgow, the result of a six month joint residency at CCA and Cove Park by the Mexican artist. In the exhibition, the artist charts the evolution of his family's house and finds, in its making, the roots of his current sculptural practice. Cruzvillegas was brought up in an area of Mexico City called Ajusco. Driven by necessity the community was built through collaboration which bred a system of social and political solidarity. It was a culture of hybridity and the model of construction became intertwined with the model for living. For Abraham Cruzvillegas that context provided a metaphor for the self-conscious process of creating an identity and methodology for the construction of his artistic practice. In AutoconstrucciÃ[3]n he draws together a diverse series of elements including an exhibition, a series of musical performances, a ride across a city and a book, and through all of this work, it is the concept of sharing that is a key element, framed by a makeshift DIY aesthetic. English and Spanish text. |
| darkytown rebellion ap art history: Art in Transit Keith Haring, 1984 |
| darkytown rebellion ap art history: Marlene Dumas, models : Salzburger Kunstverein, 12. Oktober - 28. November 1995 ; Portikus, Frankfurt am Main, 9. Dezember 1995 - 28. Januar 1996 ; Neue Gesellschaft für Bildende Kunst, Berlin, 16. März - 21. April 1996 Marlene Dumas, Silvia Eiblmayr, 1995 |
| darkytown rebellion ap art history: Frank Gehry, Architect Frank O. Gehry, J. Fiona Ragheb, Jean-Louis Cohen, 2003-07 Edited by J. Fiona Ragheb. Essays by Beatriz Colomina, William Mitchell, Jean-Louis Cohen and Mildred Friedman. |
| darkytown rebellion ap art history: Barron's AP Art History John B. Nici, 2015-08-15 This completely updated and revised review guide will help Advanced Placement students learn everything they need to know about the redesign of the Art History course. Emphasis has been placed on ensuring student success in view of the redesigned curriculum, the newly structured exam, and the innovative scoring criteria. Comprehensive preparation for the AP Art History test includes: A diagnostic test and two full-length model tests with all questions answered and explained Art history review describes major artists and art movements Additional chapters on art outside of the European tradition Multiple-choice questions and practice essays follow every chapter With Barron’s AP Art History, students will get all the information they need to score a 5 on the Advanced Placement test. |
| darkytown rebellion ap art history: Race in America Matthew Desmond, Mustafa Emirbayer, 2019-11 Every chapter of Race in America examines how racism intersects with other forms of social division-those based on gender, class, sexuality, ability, religion, and nationhood-as well as how whiteness surrounds us in unnamed ways that produce and reproduce a multitude of privileges for white people. In the revised second edition, students will find relevant examples drawn from the headlines and from their own experiences. Each chapter is updated to include references to recent social movements and popular culture, making the book a more helpful tool for navigating society's critical conversations about race, racism, ethnicity, and white privilege. And throughout the book, students will find updated scholarship and data figures, reflecting the most cutting-edge sociological research-- |
| darkytown rebellion ap art history: Kara Walker Kara Elizabeth Walker, 2007 Inspired by Hurricane Katrina and its aftermath, an African-American artist explores the politics of race, slavery, and gender through a series of images from the South, with examples of her work juxtaposed with historical art works. |
| darkytown rebellion ap art history: The Ecstasy of St. Kara Kara Walker, 2016 Saviors don't arrive without martyrdom at their heels. This is what I've learned lately. - Kara Walker |
| darkytown rebellion ap art history: William Kentridge William Kentridge, Maria-Christina Villaseñor, 2006 William Kentridge: Black Box/Chambre Noire~ISBN 0-89207-339-X U.S. $45.00 / Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color. ~Item / January / Art |
| darkytown rebellion ap art history: Richard Misrach and Guillermo Galindo: Border Cantos (Signed Edition) , 2016-04-26 This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the 2,000-mile border between the US and Mexico since 2004, with increased focus since 2009--the latest installation in his ongoing series Desert Cantos, a multifaceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol drag tires, spent shotgun shells, ladders and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book includes several suites of photographs drawn from a number of distinct series or Cantos, some made with a large-format camera as well as an iPhone. The book contains a compilation of two dozen sculpture-instruments, graphic scores, instrument designs and links to videos of performances by Galindo. |
| darkytown rebellion ap art history: Contemporary Native American Architecture Carol Herselle Krinsky, 1996 The Student's Book contains three authentic Cambridge Starters papers. These colourful test papers contain engaging activities and attractive illustrations to motivate young learners at this level. They also provide an excellent opportunity for children, parents and teachers alike to familiarise themselves with the format of the test. A Starters Audio CD (which contains the listening sections of the tests) and a Starters Answer Booklet are also available separately. |
| darkytown rebellion ap art history: Kara Walker Kara Elizabeth Walker, 2015-11-13 Go to Hell or Atlanta, Whichever Comes First is a special printed project created by the celebrated American artist Kara Walker in collaboration with Ari Marcopoulos.The project, which comprises a twenty-four-page booklet with an accordion cover, was produced to accompany Walker's first exhibition at Victoria Miro, London, in autumn 2015.The project documents a trip by the artist and Marcopoulos to Stone Mountain in Georgia. The main tourist attraction there is a large stone mountain into which has been carved a monument to three Confederate generals.Consecrated in the 1970s, the monument, and hence the mountain itself, is thus a contentious symbol of white supremacy and the struggle for race equality in the South and beyond.Featuring a newly commissioned text from James Hannaham and a conversation between Walker and Marcopoulos, the project presents photographic documentation along with a selection of the powerful drawings and paintings produced by Walker during and following her trip. |
| darkytown rebellion ap art history: Utopia Margo Neale, 2008 Activities and annual accounts of the Council's national responsibilities. |
| darkytown rebellion ap art history: A River of Stories , 2011 A collection of stories and poems with the central theme of water, from each of the 54 countries of the Commonwealth. Suggested level: primary, intermediate. |
| darkytown rebellion ap art history: Modern Negro Art James Amos Porter, 1992 A benchmark in African American art history, originally published in 1943, later reissued in 1969. The present edition adds a new introduction by David C. Driskell that places the book and Porter's work in context. With four color and 79 bandw illustrations on glossy stock. Annotation copyright by Book News, Inc., Portland, OR |
| darkytown rebellion ap art history: Slow Looking Shari Tishman, 2017-10-12 Slow Looking provides a robust argument for the importance of slow looking in learning environments both general and specialized, formal and informal, and its connection to major concepts in teaching, learning, and knowledge. A museum-originated practice increasingly seen as holding wide educational benefits, slow looking contends that patient, immersive attention to content can produce active cognitive opportunities for meaning-making and critical thinking that may not be possible though high-speed means of information delivery. Addressing the multi-disciplinary applications of this purposeful behavioral practice, this book draws examples from the visual arts, literature, science, and everyday life, using original, real-world scenarios to illustrate the complexities and rewards of slow looking. |
| darkytown rebellion ap art history: Design Elements, Typography Fundamentals Kristin Cullen, 2012-06 Explore the fundamentals of typography with this practical new guide. An instructional reader rather than historical survey, Design Elements: Typography Fundamentals uses well-founded, guiding principles to teach the language of type and how to use it capably. Designers are left with a solid ground on which to design with type. Limitless potential for meaningful and creative communication exists—this is the field guide for the journey! |
| darkytown rebellion ap art history: Mining the Museum Fred Wilson, Lisa G. Corrin, 1994 |
| darkytown rebellion ap art history: Utopia Emily Kame Kngwarreye, 1999 This is the catalogue for the Robert Holmes a Court collection that focuses on the remote Aboriginal community of Utopia and the development of indigenous art in that area now recognised as one of the most important contemporary creative art centres in Australia. |
| darkytown rebellion ap art history: Wrapped floors and stairways and covered windows : Museum Würth, Künzelsau, Germany , 1995 |
| darkytown rebellion ap art history: Reinventing the Museum Gail Anderson, 2012 Reinventing the Museum presents iconic essays from the 20th century and the latest thinking of the 21st century on ideology, public engagement, and new frameworks. Its 44 seminal articles and selected bibliography guide students through nearly a century of museum thought and theory. |
| darkytown rebellion ap art history: Nam June Paik John G. Hanhardt, Ken Hakuta, 2012 Offers an unprecedented look at the accomplishments, vision and creative method of an extraordinary international artist. |
| darkytown rebellion ap art history: Sondra Perry Sondra Perry, 2018-05 Artist Sondra Perry (b. 1986, USA) foregrounds the tools of digital production in her videos and performances to reflect critically on new technologies of representation and to remobilise their potential. Her work revolves around black American history and ways in which technology shapes identities, often with her own personal history as a point of departure. The exhibition at the Serpentine Sackler Gallery will be Perry’s first solo presentation of her work in Europe and continues the Serpentine’s engagement with her practice, which began with her moving image intervention for the 2016 Park Nights series. The exhibition will include a site-specific installation incorporating existing works. |
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