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| dark history of mardi gras: Jockomo Shane Lief, John McCusker, 2019-10-25 Jockomo: The Native Roots of Mardi Gras Indians celebrates the transcendent experience of Mardi Gras, encompassing both ancient and current traditions of New Orleans. The Mardi Gras Indians are a renowned and beloved fixture of New Orleans public culture. Yet very little is known about the indigenous roots of their cultural practices. For the first time, this book explores the Native American ceremonial traditions that influenced the development of the Mardi Gras Indian cultural system. Jockomo reveals the complex story of exchanges that have taken place over the past three centuries, generating new ways of singing and speaking, with many languages mixing as people’s lives overlapped. Contemporary photographs by John McCusker and archival images combine to offer a complementary narrative to the text. From the depictions of eighteenth-century Native American musical processions to the first known photo of Mardi Gras Indians, Jockomo is a visual feast, displaying the evolution of cultural traditions throughout the history of New Orleans. By the beginning of the twentieth century, Mardi Gras Indians had become a recognized local tradition. Over the course of the next one hundred years, their unique practices would move from the periphery to the very center of public consciousness as a quintessentially New Orleanian form of music and performance, even while retaining some of the most ancient features of Native American culture and language. Jockomo offers a new way of seeing and hearing the blended legacies of New Orleans. |
| dark history of mardi gras: The Dark Side of the Enlightenment: Wizards, Alchemists, and Spiritual Seekers in the Age of Reason John V. Fleming, 2013-07-22 Why spiritual and supernatural yearnings, even investigations into the occult, flourished in the era of rationalist philosophy. In The Dark Side of the Enlightenment, John V. Fleming shows how the impulses of the European Enlightenment—generally associated with great strides in the liberation of human thought from superstition and traditional religion—were challenged by tenacious religious ideas or channeled into the “darker” pursuits of the esoteric and the occult. His engaging topics include the stubborn survival of the miraculous, the Enlightenment roles of Rosicrucianism and Freemasonry, and the widespread pursuit of magic and alchemy. Though we tend not to associate what was once called alchemy with what we now call chemistry, Fleming shows that the difference is merely one of linguistic modernization. Alchemy was once the chemistry, of Arabic derivation, and its practitioners were among the principal scientists and physicians of their ages. No point is more important for understanding the strange and fascinating figures in this book than the prestige of alchemy among the learned men of the age. Fleming follows some of these complexities and contradictions of the “Age of Lights” into the biographies of two of its extraordinary offspring. The first is the controversial wizard known as Count Cagliostro, the “Egyptian” freemason, unconventional healer, and alchemist known most infamously for his ambiguous association with the Affair of the Diamond Necklace, which history has viewed as among the possible harbingers of the French Revolution and a major contributing factor in the growing unpopularity of Marie Antoinette. Fleming also reviews the career of Julie de Krüdener, the sentimental novelist, Pietist preacher, and political mystic who would later become notorious as a prophet. Impressively researched and wonderfully erudite, this rich narrative history sheds light on some lesser-known mental extravagances and beliefs of the Enlightenment era and brings to life some of the most extraordinary characters ever encountered either in history or fiction. |
| dark history of mardi gras: Delphine Denise and the Mardi Gras Prize Brittany Mazique, 2022-01-01 Delphine Denise likes things BIG. And what's bigger than a Mardi Gras prize? Kids will connect with Delphine's holiday excitement, even when it causes trouble, and learn from the mistakes she makes.—Booklist Every year, Delphine Denise Debreaux and her friends ride their bikes together in the New Orleans Mardi Gras parade. But this year, there's a shiny prize for best float—and Delphine Denise just has to win it. How can her friends remind Delphine Denise what the parade is really all about? This joyful picture book, inspired by the author's own experience celebrating Mardi Gras in New Orleans as a child, explores the sights, sounds, smells, and tastes of the holiday. Full of vibrant and festive illustrations, this story reminds readers that winning isn't everything, and the best way to let the good times roll is in the company of friends. |
| dark history of mardi gras: What in Me Is Dark Orlando Reade, 2024-12-10 A highly original hybrid of literary criticism and political history, telling of the enduring, surprising and ever-evolving relevance of Milton’s epic poem through the scandalous life of its creator and the revolutionary lives that were influenced by it. What in Me Is Dark tells the unlikely story of how Milton’s epic poem came to haunt political struggles over the past four centuries, including the many different, unexpected, often contradictory ways in which it has been read, interpreted, and appropriated through time and across the world, and to revolutionary ends. The book focuses on twelve readers—including Malcolm X, Thomas Jefferson, George Eliot, Hannah Arendt, and C.L.R James—whose lives demonstrate extraordinary and disturbing influence on the modern age. Drawing from his own experiences teaching Paradise Lost in New Jersey prisons, English scholar Orlando Reade deftly investigates how the poem was read by people embedded in struggles against tyranny, slavery, colonialism, gender inequality, and capitalist exploitation. It is experimental nonfiction at its finest; rich literary analysis and social, cultural and political history are woven together to make a clarifying case for the undeniable impact of the poem. |
| dark history of mardi gras: Third Sight Into Darkness Lynn Emery, 2018-01-22 When two distraught strangers turn up on psychic LaShaun Rousselle’s doorstep begging for help, she doesn’t need her sixth sense to see trouble coming. A rich tech company owner has disappeared into the swamps hunting pirate’s treasure. Legends about Jean Lafitte’s hidden gold and deadly spirits that guard his stolen riches are just stories. Or are they? Lies on top of lies, evidence of a sinister plot, a a murder complicate the search. Can LaShaun find the treasure hunter in time to save his life and his soul? |
| dark history of mardi gras: The Mardi Gras Murder (A Maryvale Cozy Mystery, Book 4) Jackie Griffey, 2014-12-25 ** Newly Revised ** Like bananas, Sheriff Cas Larkin’s troubles are ripening in bunches. A fully dressed woman is found drowned in the lake. He has a citizen no one can find, but hasn’t been reported as missing and all of her known acquaintances are standing in the way of Cas’s investigation. Then Judge Carpenter’s fiancée lands in jail, accused of a bloody murder way down yonder in New Orleans! Now Cas must pick up the pace and connect the dots... before he goes bananas himself. THE MARYVALE COZY MYSTERY SERIES, in order The Devil in Maryvale The Nelson Scandal Recipe for Trouble The Mardi Gras Murder |
| dark history of mardi gras: Darkest America: Black Minstrelsy from Slavery to Hip-Hop Yuval Taylor, Jake Austen, 2012-08-27 An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years. Yuval Taylor and Jake Austen investigate the complex history of black minstrelsy, adopted in the mid-nineteenth century by African American performers who played the grinning blackface fool to entertain black and white audiences. We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form—and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating. |
| dark history of mardi gras: The 'Baby Dolls' Kim Marie Vaz, 2013-01-18 One of the first women's organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the raddy-walking, shake-dancing, cigar-smoking, money-flinging ladies who strutted their way into a predominantly male establishment. The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans's red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes -- short satin dresses, stockings with garters, and bonnets -- set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic. Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Trem area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations' crucial contribution to Louisiana's cultural history. |
| dark history of mardi gras: Black Female Sexualities Trimiko Melancon, Joanne M. Braxton, 2015-01-26 Western culture has long regarded black female sexuality with a strange mix of fascination and condemnation, associating it with everything from desirability, hypersexuality, and liberation to vulgarity, recklessness, and disease. Yet even as their bodies and sexualities have been the subject of countless public discourses, black women’s voices have been largely marginalized in these discussions. In this groundbreaking collection, feminist scholars from across the academy come together to correct this omission—illuminating black female sexual desires marked by agency and empowerment, as well as pleasure and pain, to reveal the ways black women regulate their sexual lives. The twelve original essays in Black Female Sexualities reveal the diverse ways black women perceive, experience, and represent sexuality. The contributors highlight the range of tactics that black women use to express their sexual desires and identities. Yet they do not shy away from exploring the complex ways in which black women negotiate the more traumatic aspects of sexuality and grapple with the legacy of negative stereotypes. Black Female Sexualities takes not only an interdisciplinary approach—drawing from critical race theory, sociology, and performance studies—but also an intergenerational one, in conversation with the foremothers of black feminist studies. In addition, it explores a diverse archive of representations, covering everything from blues to hip-hop, from Crash to Precious, from Sister Souljah to Edwidge Danticat. Revealing that black female sexuality is anything but a black-and-white issue, this collection demonstrates how to appreciate a whole spectrum of subjectivities, experiences, and desires. |
| dark history of mardi gras: Desire Street Jed Horne, 2005-02-03 A searing anatomy of a New Orleans murder trial and a system of justice gone wrong. In a New Orleans supermarket parking lot in the fall of 1984 ,two disparate lives become inextricably bound for the next fourteen years. The first, the life of Delores Dye, a white housewife and grandmother. The second, a young black man with a gun in hand. Moments following their maybe not so chance encounter, Mrs. Dye lay dead on the sunbaked macadam, and the killer had made off with her purse, her groceries, and her car. Four days later, following a tip, authorities arrested a known drug dealer and father of five named Curtis Kyles. Kyles would then be tried for Mrs. Dye's murder an unprecedented five times, though he maintained his innocence throughout each trial. Convicted and sentenced to death in his second trial, he would spend fourteen years on death row. After a fifth jury was unable to reach a verdict, New Orleans Parish District Attorney Harry Connick, Sr., finally conceded defeat and dropped the murder charge. But the case slowly yielded a deeper drama: The crime turned out to have been the side effect of an intricately plotted act of revenge. That police and prosecutors may have been complicit in the vengeance that framed Kyles cuts to the heart of a system of justice for Southern blacks in the era since lynch mobs were shamed into obsolescence. A compellingly written legal drama that has at its heart passionate intrigue and justice gone awry. Desire Street is a 2006 Edgar Award Nominee for Best Fact Crime. |
| dark history of mardi gras: Cajun Mardi Gras: A History of Chasing Chickens and Making Gumbo Dixie Poché , 2023-01-02 Dive into Cajun Mardis Gras, where the party goes down with a wholly different flourish Everyone knows about Louisiana Mardi Gras and its glitz, glam, parades and masquerades. But in Cajun County, the festival turns communities into stage shows of wild revelry. Called Courir de Mardi Gras in the rural parishes, you'll find masked runners and horsemen bedecked in colorful, tattered clothing, cavorting through the countryside on a begging quest for gumbo ingredients. It's an outrageous celebration--derived from the French medieval Festival of Begging--on the eve of Lenten season's fasting. In exchange for neighborly generosity, the revelers sing, dance, act a fool, chase chickens and unite the community with an abundance of mirth that reverberates year-round. Join author Dixie Poche and take part in the wild spectacle and otherworldly whimsy of Courir de Mardis Gras. |
| dark history of mardi gras: Unbought and Unbossed Trimiko Melancon, 2014-11-28 Unbought and Unbossed critically examines the ways black women writers in the 1970s and early 1980s deploy black female characters that transgress racial, gender, and especially sexual boundaries. Trimiko Melancon analyzes literary and cultural texts, including Toni Morrison’s Sula and Gloria Naylor’s The Women of Brewster Place, in the socio-cultural and historical moments of their production. She shows how representations of black women in the American literary and cultural imagination diverge from stereotypes and constructions of “whiteness,” as well as constructions of female identity imposed by black nationalism. Drawing from black feminist and critical race theories, historical discourses on gender and sexuality, and literary criticism, Melancon explores the variety and complexity of black female identity. She illuminates how authors including Ann Allen Shockley, Alice Walker, and Gayl Jones engage issues of desire, intimacy, and independence to shed light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality. |
| dark history of mardi gras: A Reader's Book of Days: True Tales from the Lives and Works of Writers for Every Day of the Year Tom Nissley, 2013-11-04 Book connoisseur Tom Nissley has combed literary history to capture the stories that make writers' lives perennially fascinating: their epiphanies, embarrassments and achievements. Each handsome page in A Reader's Book of Days is devoted to a day of the year, featuring original accounts of events in the lives of great writers, and fictional events that took place within beloved books. |
| dark history of mardi gras: A Dark Path Robert E. Dunn, 2018-08-07 Sheriff's detective Katrina “Hurricane” Williams confronts deep-rooted hate and greed in the Missouri Ozarks in this riveting police procedural… What at first appears to be a brush fire in some undeveloped bottom land yields the charred remains of a young African-American man. As sheriff’s Katrina Williams conducts her inspection of the crime scene, she discovers broken headstones and disturbed open graves in a forgotten cemetery. As Katrina attempts to sort out a complex backwoods criminal network involving the Aryan Brotherhood, meth dealers, and the Ozarks Nightriders motorcycle gang, she is confronted by the sudden appearance of a person out of her own past who may be involved. And what seems like a clear-cut case of racially motivated murder is further complicated by rumors of hidden silver and dark family histories. To uncover the ugly truth, Katrina will need to dig up past crimes and shameful secrets that certain people would kill to keep buried . . . |
| dark history of mardi gras: The Black Indian in American Literature K. Byars-Nichols, 2013-11-29 The first book-length study of the figure of the black Indian in American Literature, this project explores themes of nation, culture, and performativity. Moving from the Post-Independence period to the Contemporary era, Byars-Nichols re-centers a marginalized group challenges stereotypes and conventional ways of thinking about race and culture. |
| dark history of mardi gras: All on a Mardi Gras Day Reid MITCHELL, Reid Mitchell, 2009-06-30 In this study, Reid Mitchell takes the reader to Mardi Gras - a yearly ritual that sweeps the multicultural city of New Orleans into a frenzy of parades, pageantry, dance, drunkenness, music, sexual display, and social and political bombast. |
| dark history of mardi gras: Cultures of Darkness Bryan D. Palmer, 2019-02-15 Peasants, religious heretics, witches, pirates, runaway slaves, prostitutes and pornographers, frequenters of taverns and fraternal society lodge rooms, revolutionaries, blues and jazz musicians, beats, and contemporary youth gangs--those who defied authority, choosing to live outside the defining cultural dominions of early insurgent and, later, dominant capitalism are what Bryan D. Palmer calls people of the night. These lives of opposition, or otherness, were seen by the powerful as deviant, rejecting authority, and consequently threatening to the established order. Constructing a rich historical tapestry of example and experience spanning eight centuries, Palmer details lives of exclusion and challenge, as the night travels of the transgressors clash repeatedly with the powerful conventions of their times. Nights of liberation and exhilarating desire--sexual and social--are at the heart of this study. But so too are the dangers of darkness, as marginality is coerced into corners of pressured confinement, or the night is used as a cover for brutalizing terror, as was the case in Nazi Germany or the lynching of African Americans. Making extensive use of the interdisciplinary literature of marginality found in scholarly work in history, sociology, cultural studies, literature, anthropology, and politics, Palmer takes an unflinching look at the rise and transformation of capitalism as it was lived by the dispossessed and those stamped with the mark of otherness. |
| dark history of mardi gras: A Thin Dark Line Tami Hoag, 2003-12-30 Terror stalks the streets of Bayou Breaux, Louisiana. A suspected murderer is free on a technicality, and the cop accused of planting evidence against him is ordered off the case. But Detective Nick Fourcade refuses to walk away. He’s stepped over the line before. This case threatens to push him over the edge. He’s not the only one. Deputy Annie Broussard found the woman’s mutilated body. She still hears the phantom echoes of dying screams. She wants justice. But pursuing the investigation will mean forming an alliance with a man she doesn’t trust and making enemies of the men she works with. It will mean being drawn into the confidence of a killer. For Annie Broussard, finding justice will mean risking everything—including her life. The search for the truth has begun—one that will lead down a twisted trail through the steamy bayous of Louisiana, and deep into the darkest reaches of the human heart. |
| dark history of mardi gras: Dark Designs and Visual Culture Michele Wallace, 2004-12-06 DIVA collection of writings from the ‘90s by the popular Black feminist scholar and journalist on film, art, and politics./div |
| dark history of mardi gras: Santeria Enthroned David H. Brown, 2003-10-15 Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice, Brown shows how negotiation among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina's Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, Brown argues for a theoretical perspective on culture as a field of potential strategies and usable pasts that actors draw upon to craft new forms and identities—a perspective that will be invaluable to all students of the African Diaspora. American Acemy of Religion Award for Excellence in the Study of Religion (Analytical-Descriptive Category) |
| dark history of mardi gras: Swamp Souths Kirstin L. Squint, Eric Gary Anderson, Taylor Hagood, Anthony Wilson, 2020-03-04 Swamp Souths: Literary and Cultural Ecologies expands the geographical scope of scholarship about southern swamps. Although the physical environments that form its central subjects are scattered throughout the southeastern United States—the Atchafalaya, the Okefenokee, the Mississippi River delta, the Everglades, and the Great Dismal Swamp—this evocative collection challenges fixed notions of place and foregrounds the ways in which ecosystems shape cultures and creations on both local and global scales. Across seventeen scholarly essays, along with a critical introduction and afterword, Swamp Souths introduces new frameworks for thinking about swamps in the South and beyond, with an emphasis on subjects including Indigenous studies, ecocriticism, intersectional feminism, and the tropical sublime. The volume analyzes canonical writers such as William Faulkner, Zora Neale Hurston, and Eudora Welty, but it also investigates contemporary literary works by Randall Kenan and Karen Russell, the films Beasts of the Southern Wild and My Louisiana Love, and music ranging from swamp rock and zydeco to Beyoncé’s visual album Lemonade. Navigating a complex assemblage of places and ecosystems, the contributors argue with passion and critical rigor for considering anew the literary and cultural work that swamps do. This dynamic collection of scholarship proves that swampy approaches to southern spaces possess increased relevance in an era of climate change and political crisis. |
| dark history of mardi gras: Can't Stop Won't Stop Jeff Chang, 2007-04-01 Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium. |
| dark history of mardi gras: Santería Enthroned David H. Brown, 2021-10-24 Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. Originally published in 2003 Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice it shows how negotiations among ideologically competing interests have shaped the religion’s symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina’s Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, the book argues for a theoretical perspective on culture as a field of potential strategies and usuable pasts that actors draw upon to craft new forms and identities – a perspective that will be invaluable to all students of the African Diaspora. |
| dark history of mardi gras: Unfathomable City Rebecca Solnit, Rebecca Snedeker, 2013-11-18 Presents twenty-two color maps and accompanying essays providing details on the people, ecology, and culture of the city. |
| dark history of mardi gras: Downtown Mardi Gras Leslie A. Wade, Robin Roberts, Frank de Caro, 2019-08-01 After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras. Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural studies, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture. |
| dark history of mardi gras: After the Mardi Gras R.S. Pierpoint, 2005-10-06 It takes many strands to braid a rope. Each strand stands alone yet it is strongest as part of the whole. After the Mardi Gras, is woven from smaller pieces. Three pieces. Whatcould have been, what never could be and what should have been. Part 1, Nazareth Twice Told, The Drama's ofDivorce, Alchoholism, College and Spirituality. Then we visit a strange exotic city where a bizarre kidnap plan unfolds. Part 2, The Dark is Always the Same, A Sleeper on a Mountain talks to a Dark Spirit then the Clowns have a Picnic. Part 3, Ratchethead, An Ancient Mariner leaves his home in Portugal and sails into the heart of a Pre-Tennessee Indian Maiden named Winter Bear. All have one thing in common, a Sinful Old City that sits on the banks of a Grand Murky River. |
| dark history of mardi gras: Ku-Klux Elaine Frantz Parsons, 2015-11-09 The first comprehensive examination of the nineteenth-century Ku Klux Klan since the 1970s, Ku-Klux pinpoints the group's rise with startling acuity. Historians have traced the origins of the Klan to Pulaski, Tennessee, in 1866, but the details behind the group's emergence have long remained shadowy. By parsing the earliest descriptions of the Klan, Elaine Frantz Parsons reveals that it was only as reports of the Tennessee Klan's mysterious and menacing activities began circulating in northern newspapers that whites enthusiastically formed their own Klan groups throughout the South. The spread of the Klan was thus intimately connected with the politics and mass media of the North. Shedding new light on the ideas that motivated the Klan, Parsons explores Klansmen's appropriation of images and language from northern urban forms such as minstrelsy, burlesque, and business culture. While the Klan sought to retain the prewar racial order, the figure of the Ku-Klux became a joint creation of northern popular cultural entrepreneurs and southern whites seeking, perversely and violently, to modernize the South. Innovative and packed with fresh insight, Parsons' book offers the definitive account of the rise of the Ku Klux Klan during Reconstruction. |
| dark history of mardi gras: Robert Hayden in Verse Derik Smith, 2018-08-22 This book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature. In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates. |
| dark history of mardi gras: The Season: A Social History of the Debutante Kristen Richardson, 2019-11-19 A Smithsonian Best History Book of 2019 “Sparkling.” —Genevieve Valentine, NPR Kristen Richardson traces the social seasons of debutantes on both sides of the Atlantic, sharing their stories in their own words, through diaries, letters, and interviews conducted at contemporary balls. Richardson takes the reader from Georgian England to colonial Philadelphia, from the Antebellum South and Wharton’s New York to the reimagined rituals of African American communities. Originally conceived as a way to wed daughters to suitable men, debutante rituals have adapted and evolved as marriage and women’s lives have changed. An inquiry into the ritual’s enduring cultural significance, The Season also reveals the complex emotional world of the girls at its center, whose every move was scrutinized and judged, and on whose backs family fortunes rested. |
| dark history of mardi gras: African-American Literature Paul Q. Tilden, 2003 Having its origins in the slave narratives and the folktales transmitted orally during that period, the literature of the African American has been rich and varied. Beginning with the first published work of fiction (Clotel; Or, the President's Daughter) in 1853, continuing under the influence of W E B Du Bois during the first part of this century, and reaching a flowering during the Harlem Renaissance, major contributions have been made to American literature. Today African American writers , such as Toni Morrison, Alex Haley, and Maya Angelou are recognised as among the most significant and popular authors in this country. This new book presents an important overview of African-American literature as well as a comprehensive bibliography with easy access provided by title, subject, and author indexes. |
| dark history of mardi gras: Artists, Performers, and Black Masculinity in the Haitian Diaspora Jana Evans Braziel, 2008-06-27 Jana Evans Braziel examines how Haitian diaspora writers, performance artists, and musicians address black masculinity through the Haitian Creole concept of gwo nègs, or big men. She focuses on six artists and their work: writer Dany Laferrière, director Raoul Peck, rap artist Wyclef Jean, artist Jean-Michel Basquiat, drag queen performer and poet Assotto Saint, and queer drag king performer Dréd (a.k.a. Mildréd Gerestant). For Braziel, these individuals confront the gendered, sexualized, and racialized boundaries of America's diaspora communities and openly resist domestic imperialism that targets immigrants, minorities, women, gays, and queers. This is a groundbreaking study at the intersections of gender and sexuality with race, ethnicity, nationality, and diaspora. |
| dark history of mardi gras: Romance Fiction Kristin Ramsdell, 2012-03-02 A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on Chick Lit in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have. |
| dark history of mardi gras: The Art of Jazz Alyn Shipton, 2020-10-20 The Art of Jazz explores how the expressionism and spontaneity of jazz spilled onto its album art, posters, and promotional photography, and even inspired standalone works of fine art. Everyone knows jazz is on the cutting edge of music, but how much do you know about its influence in the visual arts? With album covers that took inspiration from the avant-garde, jazz's primarily African American musicians and their producers sought to challenge and inspire listeners both musically and visually. Arranged chronologically, each chapter covers a key period in jazz history, from the earliest days of the twentieth century to today's postmodern jazz. Chapters begin with substantive introductions and present the evolution of jazz imagery in all its forms, mirroring the shifting nature of the music itself. With two authoritative features per chapter and over 300 images, The Art of Jazz is a significant contribution to the literature of this intrepid art form. |
| dark history of mardi gras: Black Beauties Kimberly Brown Pellum PhD, 2020-02-03 In 1984, Vanessa Williams broke the race barrier to become Miss America, but she was not the first Black woman to wear a pageant crown. Black beauty pageants created a distinctive and celebrated cultural tradition during some of the most dismal times in the country's racial history. With the rise of the civil rights and Black Pride movements, pageantry also represented a component of social activism. Professor Kimberly Pellum explores this glamourous and profound history with contributions by dozens of former contestants who share their personal experiences. |
| dark history of mardi gras: The Tell-Tale Art Christine A. Jackson, 2011-11-16 Greed and guilt, near-indecipherable codes, murder plots born of madness--these motifs drive the best modern mysteries, but they are rooted in the early nineteenth century and the carefully constructed fiction of Edgar Allan Poe. Poe's methods of storytelling and suspense remain relevant, reappearing in detective novels and on screens large and small. This work examines a wide selection of today's mystery and thriller novels, films, television programs, and video games to explore Poe's ongoing influence on popular entertainment. Authors such as Michael Connelly, Stieg Larsson and Dennis Lehane, television shows like The Closer and Dexter, and movies from Laura and Vertigo to Shutter Island and The Girl with the Dragon Tattoo all receive attention. The popularity of Poe's narratives in these contemporary guises is testimony to his visionary genius. Instructors considering this book for use in a course may request an examination copy here. |
| dark history of mardi gras: Moon New Orleans Laura Martone, 2016-01-26 This full-color handbook includes vibrant photos and easy-to-use maps to help with trip planning. New Orleans native Laura Martone offers an insider's take on the Big Easy, from shopping on Magazine Street to listening to old-time jazz in Faubourg Marigny. Martone also includes a handful of fun trip itinerary ideas, including A Romantic Weekend, Mardi Gras, and Haunted New Orleans. With tips on taking carriage rides through the French Quarter, visiting the Art District's museums, and bicycling in City Park, Moon New Orleans gives travelers the tools they need to create a more personal and memorable experience. |
| dark history of mardi gras: Black Talk, Blue Thoughts, and Walking the Color Line Erin Aubry Kaplan, 2011 This lively and thoughtful book explores what it means to be black in an allegedly postracial America |
| dark history of mardi gras: How Long Will Israel Survive? Gregg Carlstrom, 2017 The greatest threat to Israel may come from within, not without, as Carlstrom explains in his deft account of a nation's identity crisis.. |
| dark history of mardi gras: Walking to New Orleans Robert R. N. Ross, Deanne E. B. Ross, 2008-09-22 Two and a half years after the devastation of Hurricanes Katrina and Rita, New Orleans and south Louisiana continue to struggle in an unsettled gumbo of environmental, social, and rebuilding chaos. Citizens await the fruition of four successive recovery and reconstruction planning processes and the realization of essential infrastructure repairs. Repopulation in Orleans Parish has slowed considerably; the parish remains at best two-thirds of its former size; thousands of former residents who wish to return face barriers of many kinds. Heroic efforts at rebuilding have occurred through the efforts of individual neighborhood associations and voluntary associations who have attempted to address serious losses in affordable housing and health care services. Walking to New Orleans traces how a dominant but paradoxical model of the relation between the human and natural worlds in Western culture has informed many environmental and engineering dilemmas and has contributed to the history of social inequities and injustice that anteceded the disasters of the hurricanes and subsequent flooding. It proposes a model for collaborative recovery that links principles of ethics and engineering, in which citizens become active, ongoing participants in the process of the reconstruction and redesign of their unique locus of habitation. Equally important, it gives voice to the citizens and associations who are desperately working to rebuild their homes and lives both in urban New Orleans and in the villages of coastal Louisiana. |
| dark history of mardi gras: Where the Dark and the Light Folks Meet Randall Sandke, 2023-06-14 Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has s |
Dark (TV series) - Wikipedia
Dark is a German science fiction thriller television series created by Baran bo Odar and Jantje Friese. [5][6][7] It ran for three seasons from 2017 to 2020. The story follows dysfunctional …
Dark (TV Series 2017–2020) - IMDb
Dark: Created by Baran bo Odar, Jantje Friese. With Louis Hofmann, Karoline Eichhorn, Lisa Vicari, Maja Schöne. A family saga with a supernatural twist, set in a German town where the …
Watch Dark | Netflix Official Site
Starring: Louis Hofmann, Oliver Masucci, Jördis Triebel. Creators: Baran bo Odar, Jantje Friese. 1. Secrets. In 2019, a local boy's disappearance stokes fear in the residents of Winden, a …
Dark timeline explained - Chronological order of the entire series
1 day ago · Time travel fiction doesn't usually make things easy for the audience, but Dark makes complexity a higher art form.
Dark | Rotten Tomatoes
When two children go missing in a small German town, its sinful past is exposed along with the double lives and fractured relationships that exist among...
DARK | The Official Guide | NETFLIX
Discover how everything is the same, but different.
Dark | Dark Wiki | Fandom
Dark is a German science fiction thriller family drama series created by Baran bo Odar and Jantje Friese. Set in the fictional small town of Winden, it revolves around four interconnected …
Dark - watch tv show streaming online - JustWatch
3 days ago · Find out how and where to watch "Dark" online on Netflix, Prime Video, and Disney+ today – including 4K and free options.
Dark Season 1 - watch full episodes streaming online
3 days ago · Currently you are able to watch "Dark - Season 1" streaming on Netflix, Netflix Standard with Ads. There aren't any free streaming options for Dark right now. If you want …
Series "Dark" Explained: Characters, Timelines, Ending, Meaning
Jan 5, 2023 · “Dark” is a German science fiction series that premiered on Netflix in 2017. The show quickly gained a following for its complex and intricate plot, which involves time travel, …
Dark (TV series) - Wikipedia
Dark is a German science fiction thriller television series created by Baran bo Odar and Jantje Friese. [5][6][7] It ran for three seasons from 2017 to 2020. The story follows dysfunctional …
Dark (TV Series 2017–2020) - IMDb
Dark: Created by Baran bo Odar, Jantje Friese. With Louis Hofmann, Karoline Eichhorn, Lisa Vicari, Maja Schöne. A family saga with a supernatural twist, set in a German town where the …
Watch Dark | Netflix Official Site
Starring: Louis Hofmann, Oliver Masucci, Jördis Triebel. Creators: Baran bo Odar, Jantje Friese. 1. Secrets. In 2019, a local boy's disappearance stokes fear in the residents of Winden, a small …
Dark timeline explained - Chronological order of the entire series
1 day ago · Time travel fiction doesn't usually make things easy for the audience, but Dark makes complexity a higher art form.
Dark | Rotten Tomatoes
When two children go missing in a small German town, its sinful past is exposed along with the double lives and fractured relationships that exist among...
DARK | The Official Guide | NETFLIX
Discover how everything is the same, but different.
Dark | Dark Wiki | Fandom
Dark is a German science fiction thriller family drama series created by Baran bo Odar and Jantje Friese. Set in the fictional small town of Winden, it revolves around four interconnected families …
Dark - watch tv show streaming online - JustWatch
3 days ago · Find out how and where to watch "Dark" online on Netflix, Prime Video, and Disney+ today – including 4K and free options.
Dark Season 1 - watch full episodes streaming online
3 days ago · Currently you are able to watch "Dark - Season 1" streaming on Netflix, Netflix Standard with Ads. There aren't any free streaming options for Dark right now. If you want …
Series "Dark" Explained: Characters, Timelines, Ending, Meaning
Jan 5, 2023 · “Dark” is a German science fiction series that premiered on Netflix in 2017. The show quickly gained a following for its complex and intricate plot, which involves time travel, …
