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| dashiki menace to society: Focus On: 100 Most Popular American Satirical Films Wikipedia contributors, |
| dashiki menace to society: Black Like You John Strausbaugh, 2007-08-16 A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and gangsta lit; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in whiteface-can be seen all around us today. |
| dashiki menace to society: Tuff Paul Beatty, 2021-07-13 From Paul Beatty, the author of the Man Booker Prize winner The Sellout, comes Tuff, a novel as fast-paced and hard-edged as the Harlem streets it portrays. Age nineteen and weighing in at 320 pounds, Winston “Tuffy” Foshay is an East Harlem denizen who breaks jaws and shoots dogs and dreams of earning millions from his idea for Cap’n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and he married his wife, Yolanda, over the phone from jail. He’s funny and fierce, frustrated and feared. And when Tuff decides to run for City Council, this dazzling novel goes from astoundingly funny to acerbically sublime. By turns profound and irreverent, and populated with a hilarious supporting cast, Paul Beatty's Tuff is satire at its razor-sharp best. “An extravagant, satirical cri de couer...Beatty’s blunt, impious, streetwise eloquence has a kind of transfixing power.” —The New York Times Book Review “Masterfully conceived and highly entertaining...Richly textured and unforgettable.”—The Boston Globe |
| dashiki menace to society: Dressed in Dreams Tanisha C. Ford, 2019-06-25 NOW OPTIONED BY Sony Pictures TV FOR A LIVE-ACTION SERIES ADAPTATION: produced by Freida Pinto and Gabrielle Union A perfect time to look at the ethos of black hair in America — and the perfect person to do it is Tanisha Ford —Changing America Everyone from the shopaholic to the clearance rack queen will see themselves in [Ford's] pages. —Essence Takes you not only into the closet, but the inner sanctum of an ordinary extraordinary Black girl who discovered herself through clothes. —Michaela Angela Davis, Image Activist and Writer [A] delightful style story. —The Philadelphia Inquirer From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too. |
| dashiki menace to society: A Taste of Power Elaine Brown, 2015-05-20 Profound, funny ... wild and moving ... heartbreaking accounts of a lonely black childhood.... Brown sees racial oppression in national and global context; every political word she writes pounds home a lesson about commerce, money, racism, communism, you name it ... A glowing achievement.” —Los Angeles Times Elaine Brown assumed her role as the first and only female leader of the Black Panther Party with these words: “I have all the guns and all the money. I can withstand challenge from without and from within. Am I right, Comrade?” It was August 1974. From a small Oakland-based cell, the Panthers had grown to become a revolutionary national organization, mobilizing black communities and white supporters across the country—but relentlessly targeted by the police and the FBI, and increasingly riven by violence and strife within. How Brown came to a position of power over this paramilitary, male-dominated organization, and what she did with that power, is a riveting, unsparing account of self-discovery. Brown’s story begins with growing up in an impoverished neighborhood in Philadelphia and attending a predominantly white school, where she first sensed what it meant to be black, female, and poor in America. She describes her political awakening during the bohemian years of her adolescence, and her time as a foot soldier for the Panthers, who seemed to hold the promise of redemption. And she tells of her ascent into the upper echelons of Panther leadership: her tumultuous relationship with the charismatic Huey Newton, who would become her lover and her nemesis; her experience with the male power rituals that would sow the seeds of the party's demise; and the scars that she both suffered and inflicted in that era’s paradigm-shifting clashes of sex and power. Stunning, lyrical, and acute, this is the indelible testimony of a black woman’s battle to define herself. |
| dashiki menace to society: Reefer Movie Madness Shirley Halperin, Steve Bloom, 2011-02-04 The ultimate guide for bong-hitting movie buffs, with over 420 entries—plus contributions from Snoop Dogg, Cheech & Chong, Margaret Cho, and more. From the authors of Pot Culture, Reefer Movie Madness is the most extensive guide ever to movies for and about stoners, going well beyond Harold and Kumar and Pineapple Express. In addition to entries on more than 420 films, there are contributions and Q&As from actors, movie directors, musicians, and celebrities, including Jason Mraz, comedian Andy Milonakis, Snoop Dogg, Doug Benson, and Cheech & Chong. Reefer Movie Madness covers it all, from pot-fueled comedies and druggy dramas to sci-fi flicks and 1960s artifacts to documentaries, musicals, and blockbusters—including lots of photos, sidebars, and lists. |
| dashiki menace to society: Songs in the Key of Z Irwin Chusid, 2000-04-01 Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they're worth listening to, often outmatching all contenders for inventiveness and originality. A CD featuring songs by artists profiled in the book is also available. |
| dashiki menace to society: Cameron Battle and the Hidden Kingdoms Jamar J. Perry, 2022-03-03 Percy Jackson meets Black Panther - this blockbuster middle-grade fantasy adventure is perfect for fans of Amari and the Night Brothers. Cameron Battle grew up reading The Book of Chidani, cherishing stories about the fabled kingdom that cut itself off from the world to save the Igbo people from danger. Passed down over generations, the Book is Cameron's only connection to his parents, who disappeared one fateful night two years ago. Ever since, his grandmother has kept the Book locked away, but it calls to Cameron. When he and his best friends, Zion and Aliyah, decide to open it again, they are magically transported to Chidani. Instead of a land of beauty and wonder, they find a kingdom in extreme danger, as the queen's sister seeks to destroy the barrier between worlds. The people of Chidani have been waiting for the last Descendant to return and save them ... but is Cameron ready to be the hero they need? Inspired by West African and Igbo history and mythology, this adventure-filled fantasy introduces readers to Cameron Battle as he begins his journey to greatness. |
| dashiki menace to society: Toms, Coons, Mulattoes, Mammies, & Bucks Donald Bogle, 2003 This study of black images in American motion pictures, is re-issued for its 30th anniverary in its 4th edition. It includes the entire 20th century through black images in film, from the silent era to the unequalled rise of the new African American cinema and stars of today. From The Birth of a Nation, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, Waiting to Exhale, The Hurricane, and Bamboozled, Donald Bogle reveals the way the image of blacks in American cinema has changed - and also the shocking way in which it has often remained the same. |
| dashiki menace to society: Back to Black Kehinde Andrews, 2018-07-10 ‘Lucid, fluent and compelling’ – Observer ‘We need writers like Andrews ... These are truths we need to be hearing’ – New Statesman Back to Black traces the long and eminent history of Black radical politics. Born out of resistance to slavery and colonialism, its rich past encompasses figures such as Marcus Garvey, Angela Davis, the Black Panthers and the Black Lives Matter activists of today. At its core it argues that racism is inexorably embedded in the fabric of society, and that it can never be overcome unless by enacting change outside of this suffocating system. Yet this Black radicalism has been diluted and moderated over time; wilfully misrepresented and caricatured by others; divested of its legacy, potency, and force. Kehinde Andrews explores the true roots of this tradition and connects the dots to today’s struggles by showing what a renewed politics of Black radicalism might look like in the 21st century. |
| dashiki menace to society: Sounding the Cape Denis Martin, 2013 For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an identity which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and racial categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture. |
| dashiki menace to society: Image Control Talaya Jessie, 2019-05-07 What do you do when wisdom is calling you by your name? What do you do when purpose is yearning to be fulfilled in your spirit? What do you do when your mind can no longer grasp the anonymity of your destiny? Image Control takes you on a journey of discovering your perception. It helps you realize the factors in shaping your identity. The generation I am apart of is filled with so many creatives, but it seems as if we are afraid to pull out our maximum potential by the roots. It is almost as if we are waiting for people to see our value and validate why and what we were put on this earth to do. In a world where who you are and what you do matters the most, it is so easy to get consumed with the opinions of others. What if life was not necessarily about the things you accomplish? What if it was about how you accomplished those things? Was it with integrity or did you have to sacrifice a piece of yourself to be accepted? When you push past the boundaries and extremities of understanding your perception, you will then realize what was blocking your true self. You will begin to understand the why behind your actions. You will begin to understand the why to specific things your heart may desire. We all have dreams, misfortunes and pain. But what if we took back our treasure from the hands of others and the pit of our shortcomings? Will there be a possibility to sharpen our God given tools and gain understanding toward the use of those tools? Who would we actually become in the process? Will we continue to walk in facades? What if everyone in the world did the work to look deep within their soul? Would there be substance or lack? What if we took the blinders off? Would we only see the things that hurt us in life or the entirety of every situation we have had to encounter? The process of breaking a faulty eyesight is no easy one, but it leads you to an atmosphere that can no longer be controlled outside of you. The definitive question is will you do the work and be okay with looking a little funny while doing it? |
| dashiki menace to society: The Long, Hot Summer of 1967 M. McLaughlin, 2014-03-20 It seemed at times during the 1960s that America was caught in an unending cycle of violence and disorder. Successive summers from 1964-1968 brought waves of urban unrest, street fighting, looting, and arson to black communities in cities from Florida to Wisconsin, Maryland to California. In some infamous cases like Watts (1965), Newark (1967), and Detroit (1967), the turmoil lasted for days on end and left devastation in its wake: entire city blocks were reduced to burnt-out ruins and scores of people were killed or injured mainly by police officers and National Guardsmen as they battled to regain control. This book takes the pivotal year of 1967 as its focus and sets it in the context of the long, hot summers to provide new insights into the meaning of the riots and their legacy. It offers important new findings based on extensive original archival research, including never-before-seen, formerly embargoed and classified government documents and newly released official audio recordings. |
| dashiki menace to society: Married To A New York Menace 2 Giselle Gates, 2019-11-11 “Hello, N.Y.P., I would like to report a drug dealer! His name is Harlem Wright and he’s the King of Harlem!” With anger, bitterness, and hate pumping through Honesty’s veins, Harlem is now an enemy in the eyes of his wife. Holding on to every word he stated about changing his player ways, Honesty can admit she was a fool for believing the lies he spoonfed her once again. Doing everything in her power to make him feel pain, Honesty won’t stop until her husband's heart is shattered into a million pieces. Even if that means the death of a loved one! No longer a fool or blinded by love, Honesty is ready to love again and give Juelz a true shot at her heart. After comparing him to her husband, will she realize Juelz is her blessing in disguise? Once Harlem realizes Giselle isn’t the green grass on the other side, will he run back home to his wife and kids, who he abandoned for love? Will Honesty embrace him with open arms or will she deny his love for the first time in life? In the finale, love is being put to a test that no one EVER could predict!! |
| dashiki menace to society: The Sexual Power of Marijuana Barbara Lewis, 1970 |
| dashiki menace to society: Words You Should Know How to Spell David Hatcher, Jane Mallison, 2010-07-18 Ceilling. Beleive. Scissers. Do you have trouble spelling everyday words? Is your spell check on overdrive? Well, this easy-to-use dictionary is just what you need! Organized with speed and convenience in mind, it gives you instant access to the correct spellings of more than 12,500 words. Also provided are quick tips and memory tricks, like: Help yourself get the spelling of their right by thinking of the phrase ?their heirlooms.? Most words ending in a ?seed? sound are spelled ?-cede? or ?-ceed,? but one word ends in ?-sede.? You could say the rule for spelling this word supersedes the other rules. No matter what you’re working on, you can be confident that your good writing won’t be marred by bad spelling. This book takes away the guesswork and helps you make a good impression! |
| dashiki menace to society: Black Queer Studies E. Patrick Johnson, Mae G. Henderson, 2005-11-01 While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project. The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies. Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace |
| dashiki menace to society: The Cambridge Companion to American Poetry and Politics since 1900 Daniel Morris, 2023-04-27 This book helps readers make sense of the scope and complexity of the relationships between poetry and politics since 1900. |
| dashiki menace to society: Screens Fade to Black David J. Leonard, 2006-06-30 This book examines how African American directors have depicted racial issues since the mid-90s, revealing the ways in which they both consciously avoid and sometimes utilize racial stereotypes. |
| dashiki menace to society: Anti-Semitism F. Schweitzer, M. Perry, 2005-11-03 In this provocative book, Marvin Perry and Frederick M. Schweitzer analyze the lies, misperceptions, and myths about Jews and Judaism that anti-semites have propagated throughout the centuries. Beginning with antiquity, and continuing into the present day, the authors explore the irrational fabrications that have led to numerous acts of violence and hatred against Jews. The book examines ancient and medieval myths central to the history of anti-semitism: Jews as 'Christ-killers', instruments of Satan, and ritual murderers of Christian children. It also explores the scapegoating of Jews in the modern world as conspirators bent on world domination; extortionists who manufactured the Holocaust as a hoax designed to gain reparation payments from Germany; and the leaders of the slave trade that put Africa in chains. No other book has focused its attention exclusively on a thematic discussion of historic and contemporary anti-semitic myths, covering such an expansive scope of time, and allowing for such a painstaking level of exemplification. Anti-semitism is an essential book that will serve as a corrective to bigotry, stereotype, and historical distortion. |
| dashiki menace to society: Buyology Martin Lindstrom, 2010-02-02 NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds. |
| dashiki menace to society: The Ethnic Project Vilna Bashi Treitler, 2013-08-14 A study of the racial-ethnic history of the United States and the perpetuation of racial hierarchy. Race is a known fiction—there is no genetic marker that indicates someone’s race—yet the social stigma of race endures. In the United States, ethnicity is often positioned as a counterweight to race, and we celebrate our various hyphenated-American identities. But Vilna Bashi Treitler argues that we do so at a high cost: ethnic thinking simply perpetuates an underlying racism. In The Ethnic Project, Bashi Treitler considers the ethnic history of the United States from the arrival of the English in North America through to the present day. Tracing the histories of immigrant and indigenous groups—Irish, Chinese, Italians, Jews, Native Americans, Mexicans, Afro-Caribbeans, and African Americans—she shows how each negotiates America’s racial hierarchy, aiming to distance themselves from the bottom and align with the groups already at the top. But in pursuing these “ethnic projects” these groups implicitly accept and perpetuate a racial hierarchy, shoring up rather than dismantling race and racism. Ultimately, The Ethnic Project shows how dangerous ethnic thinking can be in a society that has not let go of racial thinking. Praise for The Ethnic Project “An outstanding work that makes an important contribution to our understanding of the past and present racial history of the United States. The book is very well written (Bashi Treitler’s prose is a delight to read) and meticulously researched . . . . The Ethnic Project should definitely be part of the conversation as we press forward with the task of understanding race in the United States.” —Ashley “Woody” Doane, American Journal of Sociology “Treitler offers a succinct history and diagnosis of racial grouping in the U.S., from the nation’s origin to the contemporary moment . . . . The text has solid promise as an introductory ethnic studies course reading . . . . Highly recommended.” —N. B. Barnd, CHOICE “With her ingenious concept of ‘ethnic projects,’ Vilna Bashi Treitler brings a new optic to the study of race . . . . [and] provides an authoritative answer to those who ask the tired question, ‘We made it, why haven’t they?’” —Stephen Steinberg, author of Race Relations: A Critique “Treitler masterfully weaves race and ethnicity into a single historical narrative that reveals the ugly reality of exploitation and stratification that has always undergirded American society.” —Douglas S. Massey, Princeton University |
| dashiki menace to society: Sleazoid Express Bill Landis, Michelle Clifford, 2002-12-03 A complete collection of the British comedy show following Rowan Atkinson's hapless, rubber-faced clown. The set includes all episodes from the original series and the animated spin-off, as well as the two 'Mr Bean' movies. In 'Bean - The Ultimate Disaster Movie' (1997), Mr Bean (Atkinson) has obtained a job as an attendant at the National Gallery in London. He enjoys the protection of the chairman, but the gallery's governors are keen to be rid of him. When the Grierson Gallery in Los Angeles asks for an expert to give a speech on the recently-purchased painting of Whistler's mother, Bean is quickly despatched. On his arrival in America he begins wreaking havoc in the art world. In 'Mr Bean's Holiday' (2007), Bean has won a church fete raffle's top prize, consisting of a trip to France, where the language barrier predictably causes our hero no end of grief until he meets Emil (Karel Roden), a Russian director on his way to judge at Cannes. |
| dashiki menace to society: Rockin' in Time David P. Szatmary, 1991 A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal. |
| dashiki menace to society: The Other Blacklist Mary Washington, 2014-04-22 Revealing the formative influence of 1950s leftist radicalism on African American literature and culture. |
| dashiki menace to society: Pygmy Chuck Palahniuk, 2009-09-30 “Begins here first account of operative me, agent number 67 on arrival midwestern American airport greater _____ area. Flight _____. Date _____. Priority mission top success to complete. Code name: Operation Havoc.” Thus speaks Pygmy, one of a handful of young adults from a totalitarian state sent to the United States, disguised as exchange students, to live with typical American families and blend in, all the while planning an unspecified act of massive terrorism. Palahniuk depicts Midwestern life through the eyes of this thoroughly indoctrinated little killer, who hates Americans with a passion, in this cunning double-edged satire of a xenophobia that might, in fact, be completely justified. |
| dashiki menace to society: Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville, Andrew Norris, 2005 A comparative account of the musical and cultural acts of Zappa and his cohort, collaborator and antagonist Captain Beefheart. Written in the iconoclastic spirit of Zappa's art, this book traces the mixed media experiments of California freakdom through the dada blues of Beefheart, mapping out the pleasures of imaginative excess. |
| dashiki menace to society: Poetry Unbound Mike Chasar, 2020-04-28 It’s become commonplace in contemporary culture for critics to proclaim the death of poetry. Poetry, they say, is no longer relevant to the modern world, mortally wounded by the emergence of new media technologies. In Poetry Unbound, Mike Chasar rebuts claims that poetry has become a marginal art form, exploring how it has played a vibrant and culturally significant role by adapting to and shaping new media technologies in complex, unexpected, and powerful ways. Beginning with the magic lantern and continuing through the dominance of the internet, Chasar follows poetry’s travels off the page into new media formats, including silent film, sound film, and television. Mass and nonprint media have not stolen poetry’s audience, he contends, but have instead given people even more ways to experience poetry. Examining the use of canonical as well as religious and popular verse forms in a variety of genres, Chasar also traces how poetry has helped negotiate and legitimize the cultural status of emergent media. Ranging from Citizen Kane to Leave It to Beaver to best-selling Instapoet Rupi Kaur, this book reveals poetry’s ability to find new audiences and meanings in media forms with which it has often been thought to be incompatible. Illuminating poetry’s surprising multimedia history, Poetry Unbound offers a new paradigm for understanding poetry’s still evolving place in American culture. |
| dashiki menace to society: Buck M.K. Asante, 2014-05-13 “A story of surviving and thriving with passion, compassion, wit, and style.”—Maya Angelou “In America, we have a tradition of black writers whose autobiographies and memoirs come to define an era. . . . Buck may be this generation’s story.”—NPR A coming-of-age story about navigating the wilds of urban America and the shrapnel of a self-destructing family, Buck shares the story of a generation through one original and riveting voice. MK Asante was born in Zimbabwe to American parents: his mother a dancer, his father a revered professor. But as a teenager, MK was alone on the streets of North Philadelphia, swept up in a world of drugs, sex, and violence. MK’s memoir is an unforgettable tale of how one precocious, confused kid educated himself through gangs, rap, mystic cults, ghetto philosophy, and, eventually, books. It is an inspiring tribute to the power of literature to heal and redeem us. |
| dashiki menace to society: Philosophy of African American Studies Stephen Ferguson, 2015-09-16 In this ground-breaking book, Stephen C. Ferguson addresses a seminal question that is too-often ignored: What should be the philosophical basis for African American studies? The volume explores philosophical issues and problems in their relationship to Black studies. Ferguson shows that philosophy is not a sterile intellectual pursuit, but a critical tool to gathering knowledge about the Black experience. Cultural idealism in various forms has become enormously influential as a framework for Black studies. Ferguson takes on the task of demonstrating how a Marxist philosophical perspective offers a productive and fruitful way of overcoming the limitations of idealism. Focusing on the hugely popular Afrocentric school of thought, this book’s engaging discussion shows that the foundational arguments of cultural idealism are based on a series of analytical and historical misapprehensions. In turn, Ferguson argues for the centrality of the Black working class—both men and women—to Black Studies. |
| dashiki menace to society: Black Masculinity and the Cinema of Policing Jared Sexton, 2017-11-07 This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture. |
| dashiki menace to society: John Henry Days Colson Whitehead, 2009-06-03 From the bestselling, two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a novel that is funny and wise and sumptuously written (Jonathan Franzen, The New York Times Book Review). Colson Whitehead’s triumphant novel is on one level a multifaceted retelling of the story of John Henry, the black steel-driver who died outracing a machine designed to replace him. On another level it’s the story of a disaffected, middle-aged black journalist on a mission to set a record for junketeering who attends the annual John Henry Days festival. It is also a high-velocity thrill ride through the tunnel where American legend gives way to American pop culture, replete with p. r. flacks, stamp collectors, blues men , and turn-of-the-century song pluggers. John Henry Days is an acrobatic, intellectually dazzling, and laugh-out-loud funny book that will be read and talked about for years to come. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon! |
| dashiki menace to society: Peppered Minds Om Somani, 2020-02-18 Peppered Minds is about the journey of a young geologist, Neeraj, beginning his professional life. His imaginative mind conjures up a thesis presented on a brainstorming session for the welfare of his countrymen and the nation. The book provides an interesting insight to explain blatant problems that contribute to the lack of innovation, misconduct and all kinds of frenzy we see around today. The writing of the book is a lighthearted account of the protagonist, Neeraj, brought up in a conservative middle-class god-fearing family, who travels from Jaipur to Hyderabad to start his professional life as a geologist. The story depicts his bitter and heartening experiences, be it meeting an astrologer, making a railway reservation, going on a rail journey from Jaipur, joining up at his new office in Hyderabad or eventually completing a successful geological expedition in the wild. Neeraj’s tryst with the various characters along his brief journey brings to light the mind set, personal traits, beliefs and culture of a vast cross section of the ordinary public that span age groups ranging from the child to the octogenarian. The book depicts several interplays of events that envelope the geologists in the office as well as in the field. One of the momentous events that overwhelms Neeraj is his meeting with the Moon and learning of the unbelievable history of human existence on earth. There are also hilarious episodes, including the one which describes the use of kerosene as the basic material for nuclear research. |
| dashiki menace to society: Gender in the Civil Rights Movement Peter J. Ling, Sharon Monteith, 2014-03-05 In a new anthology of essays, an international group of scholars examines the powerful interaction between gender and race within the Civil Rights Movement and its legacy. |
| dashiki menace to society: National Imaginaries, American Identities Larry J. Reynolds, Gordon Hutner, 2000-11-26 From the American Revolution to the present, the United States has enjoyed a rich and persuasive visual culture. These images have constructed, sustained, and disseminated social values and identities, but this unwieldy, sometimes untidy form of cultural expression has received less systematic attention than other modes of depicting American life. Recently, scholars in the humanities have developed a new critical approach to reading images and the cultural work they perform. This practice, American cultural iconography, is generating sophisticated analyses of how images organize our public life. The contributions to this volume exhibit the extraordinary scope and interpretive power of this interdisciplinary study while illuminating the dark corners of the nation's psyche. Drawing on such varied texts and visual media as daguerreotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to teach us who we are and who we are not. They examine mimesis in elegant portraits of black Freemasons, industrial-age representations of national parks, and postwar photographs of atomic destruction. They consider how visual culture has described and disclosed the politics of racialized sexuality, whether subconsciously affirming it in the shadows of film noir or deliberately contesting it through the interethnic incest of John Sayles's Lone Star. Students of literature, film, and history will find that these essays extend the frontier of American studies. The contributors are Maurice Wallace, Dennis Berthold, Alan Trachtenberg, Shirley Samuels, Jenny Franchot, Cecelia Tichi, Eric Lott, Bryan C. Taylor, and José E. Limón. |
| dashiki menace to society: In Township Tonight! David Bellin Coplan, 2008 David B. Coplan's pioneering social history of black South Africa's urban music, dance, and theatre established itself as a classic soon after its publication in 1985. Now completely revised, expanded, and updated, this new edition takes account of developments over the last thirty years while reflecting on the massive changes in South African politics and society since the end of the apartheid era. In vivid detail, Coplan comprehensively explores more than three centuries of the diverse history of South Africa's black popular culture, taking readers from indigenous musical traditions into the world of slave orchestras, pennywhistlers, clergyman-composers, the gumboot dances of mineworkers, and touring minstrelsy and vaudeville acts. |
| dashiki menace to society: 開放の出来事 塩野和夫, 1971 |
| dashiki menace to society: This is America? R. Monhollon, 2002-08-17 Communities across America were thrown into upheaval during the 1960s, when thousands of young people began to publicly question the status quo, particularly in terms of race, youth, and gender. As grassroots social movements sprung up on college campuses (and often spread to surrounding towns) where participants debated race, the role of government, Vietnam, feminism, the Cold War, and other issues of the day, Americans that supported the status quo joined forces to oppose the activists and lend their own voices to the debate on the meaning of citizenship and patriotism. Monhollon uncovers the voices of ordinary people on all sides of the political spectrum in the university town of Lawrence, Kansas, and reveals how Americans from a range of ideological and political perspectives responded to and tried to resolve political and social conflict in the 1960s. |
| dashiki menace to society: Complete Stories Rudy Rucker, 2018-07-06 Collected together in one ebook: every single one of Rudy Rucker's science-fiction stories, a trove of gnarl and wonder, dating over more than forty years. This, the updated 2021 edition of Complete Stories, includes stories from 1976 through 2021 Along with Rucker's solo stories, we have collaborations with Bruce Sterling, Marc Laidlaw, Paul Di Filippo, John Shirley, Terry Bisson, and Eileen Gunn. |
| dashiki menace to society: Saving Agnes Rachel Cusk, 2015-02-17 The acclaimed winner of the Whitbread First Novel Award, by the author of The Country Life Chronically confused, terminally middle class, hopelessly romantic, Agnes Day lives with her two best friends in the London suburbs and works at an obscure trade magazine. Life and love seem to go on without her. But she gives a convincing performance that everything is alright--that is, until she learns that her roommates and her boyfriend are keeping secrets from her, and that her boss is quitting and leaving her in charge. In great despair, she decides to make it her business to set things straight. Rachel Cusk explores the business of growing up and moving on with a deftly comic, surprisingly moving touch, confirming her reputation as one of England's smartest and most entertaining young writers. |
Dashiki - Wikipedia
It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullover garment, with an ornate V-shaped collar, and tailored …
The History of Dashiki and it’s Relevance To Black Culture
Dashiki is a Yoruba name meaning shirt or inner garment. It is made of cotton and is a unisex traditional attire for the Yoruba people and often comes in colorful designs. The garment has …
Dashiki - Simple English Wikipedia, the free encyclopedia
The Yoruba word "dashiki" itself is derived from the Hausa term "dan ciki," which means shirt. Dashikis were worn by both men and women. This garment keeps the wearer cool in the hot …
The Dashiki: The History of a Radical Garment - OkayAfrica
May 28, 2017 · The word “dashiki" comes from the Yoruba word danshiki, used to refer to the loose-fitting pullover which originated in West Africa as a functional work tunic for men, …
Dashiki origin, history, and cultural significance - Tuko.co.ke
Jun 14, 2019 · The term ‘dashiki’ is borrowed from Yoruba who borrowed it from the Hausa, and it means ‘inner garment’ or ‘shirt.’ The initial origin emanates from West Africa where its …
What Is A Dashiki | Origin, History, Styling - africanthings.org
Nov 2, 2024 · Dashiki also pronounced ‘Danshiki’ is a loose-fitting, shirt that covers the top half of the body. It is usually made from colorful, African-inspired fabrics or cotton prints.
Dashiki: An African Fashion Through History - Fashion Gone …
Mar 18, 2021 · “Dashiki” comes from the word “danshiki”, which in the Yoruba language refers to a short sleeveless tunic for men, but is borrowed from “dan ciki” in the Hausa language, which …
The Dashiki: From Yoruba Roots to a Symbol of Black Pride
Sep 12, 2024 · The dashiki is a vibrant, loose-fitting shirt that traces its origins back to the traditional Yoruba male working shirt. Over time, it has evolved from a practical garment into a …
dashiki | Fashion History Timeline
Aug 4, 2022 · “A dashiki is a loose-fitting, pullover shirt usually sewn from colorful, African-inspired cotton prints or from solid color fabrics, often with patch pockets and embroidery at the …
What Does Dashiki Symbolize? Unveiling The Hidden Meanings …
Jul 23, 2023 · Discover the meaning behind the vibrant and culturally-rich African attire called the dashiki. Explore what it symbolizes and its significance in African culture and beyond.
Dashiki - Wikipedia
It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullover garment, with an ornate V-shaped collar, and tailored …
The History of Dashiki and it’s Relevance To Black Culture
Dashiki is a Yoruba name meaning shirt or inner garment. It is made of cotton and is a unisex traditional attire for the Yoruba people and often comes in colorful designs. The garment has …
Dashiki - Simple English Wikipedia, the free encyclopedia
The Yoruba word "dashiki" itself is derived from the Hausa term "dan ciki," which means shirt. Dashikis were worn by both men and women. This garment keeps the wearer cool in the hot …
The Dashiki: The History of a Radical Garment - OkayAfrica
May 28, 2017 · The word “dashiki" comes from the Yoruba word danshiki, used to refer to the loose-fitting pullover which originated in West Africa as a functional work tunic for men, …
Dashiki origin, history, and cultural significance - Tuko.co.ke
Jun 14, 2019 · The term ‘dashiki’ is borrowed from Yoruba who borrowed it from the Hausa, and it means ‘inner garment’ or ‘shirt.’ The initial origin emanates from West Africa where its …
What Is A Dashiki | Origin, History, Styling - africanthings.org
Nov 2, 2024 · Dashiki also pronounced ‘Danshiki’ is a loose-fitting, shirt that covers the top half of the body. It is usually made from colorful, African-inspired fabrics or cotton prints.
Dashiki: An African Fashion Through History - Fashion Gone …
Mar 18, 2021 · “Dashiki” comes from the word “danshiki”, which in the Yoruba language refers to a short sleeveless tunic for men, but is borrowed from “dan ciki” in the Hausa language, which is …
The Dashiki: From Yoruba Roots to a Symbol of Black Pride
Sep 12, 2024 · The dashiki is a vibrant, loose-fitting shirt that traces its origins back to the traditional Yoruba male working shirt. Over time, it has evolved from a practical garment into a …
dashiki | Fashion History Timeline
Aug 4, 2022 · “A dashiki is a loose-fitting, pullover shirt usually sewn from colorful, African-inspired cotton prints or from solid color fabrics, often with patch pockets and embroidery at the …
What Does Dashiki Symbolize? Unveiling The Hidden Meanings …
Jul 23, 2023 · Discover the meaning behind the vibrant and culturally-rich African attire called the dashiki. Explore what it symbolizes and its significance in African culture and beyond.
