| david gordon green interview: Talking Movies Jason Wood, 2006 'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation. |
| david gordon green interview: The Magic Hours John Bleasdale, 2024-12-03 Terrence Malick is the most enigmatic film director currently working. Since the early seventies, his work has won top prizes at film festivals worldwide and brought him wide recognition as the cinematic equivalent of a poet. His life is shrouded in mystery, leaving audiences with rumors, few established facts, and virtual silence from the filmmaker himself following his last published interview in 1979. This has done nothing to dim the luminous quality of his films, from Badlands (1973) and Days of Heaven (1978), to later works such as The Thin Red Line (1998), The Tree of Life (2011), and A Hidden Life (2019). The Magic Hours: The Films and Hidden Life of Terrence Malick is the first true biography of this visionary filmmaker. Through interviews and in-depth research, John Bleasdale reveals the autobiographical grounding of many of Malick's greatest films as well as the development of an experimental form of filmmaking that constantly expands the language of cinema. It is the essential account for anyone wishing to understand Malick and his work. |
| david gordon green interview: Don't the Moon Look Lonesome Stanley Crouch, 2007-12-18 Stanley Crouch's gloriously bold first novel provides an intimate and epic portrait of America that breaks all the rules in crossing the boundaries of race, sex, and class. Blonde Carla from South Dakota is a jazz singer who has been around the block. Almost suddenly, she finds herself fighting to hold on to Maxwell, a black tenor saxophonist from Texas. Their red-hot and sublimely tender five-year union is under siege. Those black people who oppose such relatonships in the interest of romantic entitlement or group solidarity are pressuring Maxwell, and he is wavering. As Carla battles to save the deepest love of her life, her past plays out against the present, vividly bringing forth a startlingly fresh range of characters in scenes that are as accurately drawn as they are unpredictable and innovatively conceived. |
| david gordon green interview: Virgin and Other Stories April Ayers Lawson, 2016-11-01 A confident and mesmerizing fiction debut, from the winner of the Plimpton Prize Set in the South, at the crossroads of a world that is both secular and devoutly Christian, April Ayers Lawson's stories evoke the inner lives of young women and men navigating sexual, emotional, and spiritual awakenings. In The Negative Effects of Homeschooling, Conner, sixteen, accompanies his grieving mother to the funeral of her best friend, Charlene, a woman who was once a man. In The Way You Must Play Always, Gretchen, who looks young even for thirteen, heads into her weekly piano lesson in nervous anticipation of her next illicit meeting with her teacher's brother, Wesley. Thin and sickly, wasting from a brain tumor, Wesley spends his days watching pornography and smoking pot, and yet Gretchen can only interpret his advances as the first budding of love. And in the title story, Jake grapples with the growing chasm between him and his wife, Sheila, who was still a virgin when they wed. At a cocktail party thrown by a wealthy donor to his hospital, he ponders the intertwining imperatives of marriage--sex and love, violation and trust, spirituality and desire--even as he finds himself succumbing to the temptations of his host. Self-assured and sensual, Virgin and Other Stories is the first work of a young writer of unusual mastery. |
| david gordon green interview: The Unfilmable Confederacy of Dunces Stephan Eicke, 2022-12-19 For more than 40 years, dozens of film directors, writers and producers tried and failed to adapt John Kennedy Toole's Pulitzer Prize-winning novel A Confederacy of Dunces. Along the way lawsuits were filed, filming locations destroyed, friendships shattered, reputations trashed, production companies bankrupted. Drawing on exclusive interviews, internal documents and private correspondence, this book tells the remarkable story of the non-making of A Confederacy of Dunces as a breathless and absurdist thriller. Celebrity appearances include John Belushi, Steven Soderbergh, Stephen Fry, Robin Williams, Warren Beatty and Harvey Weinstein, among others. |
| david gordon green interview: Horror That Haunts Us Karrȧ Shimabukuro, Wickham Clayton, 2024-04-15 Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years communicate, embody, and rework our view of the past. Whether we look at our current relationship to the scary movies of decades ago as personal or cultural memory, the way historical and sociopolitical events and frameworks – especially traumas – reframe the way we look at our pasts, or even the way recent horror films and video games look back at our past (and the past of the genre itself) through a filter of experience and history, this collection will show the close relationship between nostalgia and popular horror. These essays also demonstrate a range of unique and diverse points of view from both established and emerging scholars on the subject of horror and the past. Edited by seasoned horror experts Karrá Shimabukuro and Wickham Clayton, Horror That Haunts Us is a book with the aim of examining why we return again and again to certain popular horror films, either as remakes or reboots or as the basis for pastiche and homage. |
| david gordon green interview: BarrioPOP cande aguilar, 2017-12-21 barrioPOP is an amalgamation sprung by characters, colors & street phenomena that is my life immersed in popular border town culture; expressed through multimedia such as painting, image transfer, collage, photography, assemblage, digital collage, video & music. - Cande Aguilartext by artist/writer Noe Hinojosa |
| david gordon green interview: Directing for the Screen Anna Weinstein, 2017-02-24 Directing for the Screen is a collection of essays and interviews exploring the business of directing. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; developing and nurturing business relationships; the director’s responsibilities on set and in the field; and more. Directing for the Screen is an ideal companion to filmmaking classes, demystifying the industry and the role of the director with real-world narratives and little-known truths about the business. With insight from working professionals, you’ll be armed with the information you need to pursue your career as a director. Contains essays by and interviews with television directors, feature directors, documentary filmmakers, commercial directors, producers, and professors. Offers expert opinions on how to get started, including landing and succeeding in an internship and getting your first gig. Reveals details about working with actors, overseeing the work of often hundreds of crewmembers, writing last-minute on set, and developing a working relationship with producers and screenwriters. Explores strategies for doing creative work under pressure, finding your directorial voice, financing shorts and independent films, breaking down barriers and overcoming discrimination, shooting in less-than-ideal situations, and recovering from bad reviews or box office results. Illuminates the business of directing in the United States (New York and Los Angeles) as compared to other countries around the globe, including England, Ireland, Spain, Australia, Denmark, Pakistan, Belgium, and Canada. |
| david gordon green interview: Suspiria Alexandra Heller-Nicholas, 2015-12-01 Considers the complex ways that Sergio Argento weaves together light, sound, and cinema history to construct one of the most breathtaking horror movies of all time, a film as fascinating as it is ultimately unfathomable. |
| david gordon green interview: Clown in a Cornfield 2: Frendo Lives Adam Cesare, 2022-08-23 It’s an all-new horror classic about what happens when the truth is the last thing we want to believe, from Bram Stoker Award–winner and master of thrills and chills, horror legend Adam Cesare. After barely making it out of the Kettle Springs cornfields alive, Quinn’s first year away at college should be safe and easy. All she wants is to be normal again. But instead, Quinn finds that her past won’t leave her alone when she becomes the focus of online conspiracy theories that claim the Kettle Springs Massacre never happened. It’s a deranged but relentless fantasy, and there’s nothing Quinn can do to get people to hear the truth—not even on her own campus or in her own dorm room. So when a murderous clown attacks Quinn at a frat party while another goes after her father in Kettle Springs at the same time, Quinn realizes that the facts alone are never going to save her. Her only option is to go back into the cornfields, back where the nightmare began, to set the record straight the only way she knows how. Because when the truth gets lost in the lies, that’s when people start to die. Clown in a Cornfield was 2020’s Bram Stoker Award Winner for Superior Achievement in a Young Adult Novel. Clown in a Cornfield 2: Frendo Lives is perfectly set to attract old and new fans to the series. |
| david gordon green interview: Barry Sonnenfeld, Call Your Mother Barry Sonnenfeld, 2020-03-10 **A New York Times Editor's Choice selection!** This outrageous and hilarious memoir follows a film and television director’s life, from his idiosyncratic upbringing to his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black. Barry Sonnenfeld's philosophy is, Regret the Past. Fear the Present. Dread the Future. Told in his unmistakable voice, Barry Sonnenfeld, Call Your Mother is a laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors. Written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films. Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say, If this guy could end up as a successful film director on big budget films, anyone can. This book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning. |
| david gordon green interview: Silent Bob Speaks Kevin Smith, 2005 Here, at last, is the book his legions of fans have been waiting for. Kevin Smith, the legendary independent film-maker, columnist and cultural commentator, launches himself on an unsuspecting world with a series of hilarious rants on the absurdity of just about everything. Unlike his unforthcoming screen alter-ego Silent Bob, Smith is ready to let rip at maximum volume, whether it be on the madness of Hollywood, 'The Unholy Tale of Greasy Reese Witherspoon', his bloodcurdling hatred of Britney Spears or the highly-sexed comics industry. Along the way we get a shocking insight into the making of Smith's movies, and learn far more than is necessary about his bathroom habits. |
| david gordon green interview: Halloween Mark Bernard, 2019-10-02 This book argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema. John Carpenter’s 1978 horror hit was once considered the be-all, end-all of teen slasher cinema and was regarded as the first, the best, and the most influential American slasher film. Recent revisions in film history, however, have challenged Halloween’s comfortable place in the canon of youth horror cinema. However, this book argues that the film, like no other, draws from the themes, imagery, and obsessions that fueled youth horror cinema since the 1950s—Gothic atmosphere, atomic dread, twisted psychology, and alienated teenage monsters—and ties them together in the deceptively simple story of a masked killer on Halloween night. Along the way, the film delivers a savage critique of social institutions and their failure to protect young people. Halloween also depicts a cadre of compelling and complicated youth characters: teenage babysitters watching over preadolescents as a killer, who is viciously avoiding the responsibilities of young adulthood, stalks them through the shadows. This book explores all these aspects of Halloween, including the franchise it spawned, providing an invaluable insight into this iconic film for students and researchers alike. |
| david gordon green interview: Halloween Kills: The Official Movie Novelization Tim Waggoner, 2021-11-19 The official novelization of the highly anticipated sequel to 2018's Halloween, starring Jamie Lee Curtis. Halloween Kills is an upcoming American slasher film directed by David Gordon Green and written by Green, Danny McBride and Scott Teems. It is a sequel to 2018's Halloween and the twelfth installment in the Halloween franchise. The film stars Jamie Lee Curtis and Nick Castle reprising their roles as Laurie Strode and Michael Myers, with James Jude Courtney also portraying Myers. Judy Greer, Andi Matichak, Kyle Richards, Charles Cyphers and Nancy Stephens reprise their roles from the 2018 and 1978 films, with Anthony Michael Hall also joining. The film is produced by Malek Akkad, Jason Blum, and Bill Block. |
| david gordon green interview: Pedro Almodóvar Pedro Almodóvar, 2004 A collection of interviews that documents the 22-year long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel |
| david gordon green interview: Nobody's Perfect Anthony Lane, 2009-08-19 Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar. |
| david gordon green interview: Last Words Jason Wood, 2014-09-23 Last Words features extensive interviews with Christopher Nolan, Harmony Korine, Charlie Kaufmann, Nicolas Winding Refn, Wim Wenders, Michael Winterbottom, Christian Petzhold, and many others. Each interview is preceded by an overview of the director's work, and the volume's authoritative introductory essay explores the value of these directors and why they are rarely given an appropriate platform to discuss their craft. |
| david gordon green interview: Not Hollywood Sherry B. Ortner, 2013-02-27 The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are telling the truth about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique. |
| david gordon green interview: Love + Fear Shantini Munthree, 2019-02-22 Love + Fear Mastering the Primal Motives of Buyers shares a simple marketing framework that anyone can use, from an entrepreneur with a disruptive idea to the chief marketing officer of a Fortune 500 company. Shantini Munthree, who has built and transformed leading brands throughout the world, cuts to the chase on brand positioning, explaining gaps in buyer behavior that have long frustrated marketers. By drawing on work at Vanguard, Procter & Gamble, SABMiller (now under Anheuser-Busch InBev SA/NV), Sara Lee, and Caterpillar, and by sharing case studies from others, the author: · strips away layers of brand positioning strategy and races you to the heart of a brand; · reveals how to woo new buyers by taking on a macroaffection or macroinfliction—two new concepts; · unpacks and tackles buyer objections and unexplored emotional deal killers; and · shares proven strategies to tap into the deepest human motivations to turn buyers into brand advocates. By the end of this book, you’ll be ready to unveil the real why of your brand, link it to a what that your buyer cares about, and do so in a way that elevates your brand above competitors. |
| david gordon green interview: New Rural Cinema Tim Lindemann, 2024-02-19 n the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable. Even before this current exacerbation, representations of rural landscape in American cinema have sought to spatially visualize the country’s social inequalities and focus on the victims of poverty and marginalization. The films discussed in this monograph, Ballast (2008), Winter’s Bone (2010), Beasts of the Southern Wild (2012), and Leave No Trace (2018), address deep rural poverty in a complex manner and facilitate an interactive, social understanding of landscape. New Rural Cinema suggest a novel way of looking at landscape in cinema that responds to and guides its readers through this recent development in American Independent film. It views the chosen films as expressions of a growing awareness of the dire inequality caused by neoliberal capitalism in the United States and the role landscape plays both in its mechanisms of social exclusion as well as in its collective contestation. |
| david gordon green interview: The Endgame Michael R. Gordon, Bernard E. Trainor, 2013-03-12 A Wall Street Journal Best Nonfiction Book of 2012 In this follow-up to their national bestseller Cobra II, Michael Gordon and General Bernard E. Trainor deftly piece together the story of the most widely reported but least understood war in American history. This stunning account of the political and military struggle between American, Iraqi, and Iranian forces brings together vivid reporting of diplomatic intrigue and gripping accounts of the blow-by-blow fighting that lasted nearly a decade. Informed by brilliant research, classified documents, and extensive interviews with key figures—including everyone from the intelligence community to Sunni and Shi’ite leaders and former insurgents to senior Iraqi military officers—The Endgame presents a riveting chronicle of the occupation of Iraq to the withdrawal of American troops that is sure to remain the essential account of the war for years to come. |
| david gordon green interview: The Last Miles George Cole, 2007-07-17 The story of the final recordings of one of the greatest jazz musicians of the twentieth century |
| david gordon green interview: Little John Crow Ziggy Marley, Orly Marley, 2021-11-02 After being abandoned by his animal friends, Little John Crow must come to terms with what it means to be part of a community when you are a vulture. Little John Crow is full of energy and color. —People Magazine A new children’s book by [Ziggy Marley] and his wife, Orly, aims to educate youth on the threats the birds face and the vital ecological role they play. —Audubon Magazine Little John Crow is a young vulture growing up in Bull Bay on the edge of the Blue Mountains in Jamaica, where he lives with his loving parents Sharil and Rusil Crow. He spends his days playing with his friends, a motley group that includes a snake, George; Missy, the French pigeon; Chiqueen, a chicken hawk; Hummy, the hummingbird; and the Three Little Birds. One morning while the group of friends is relaxing by a cool river, they start chatting about life, their parents' jobs, and what they want to be when they grow up. As the conversation continues, Little John Crow realizes he has no idea what his parents do for work. Little John Crow and his friends set out to solve this mystery, but what they discover shocks them—Little John Crow and his vulture parents are scary scavengers! Most of his friends are disgusted when they learn this, and before Little John Crow can even adjust to this news, a terrible tragedy strikes. Feeling lonely and isolated from his friends, the young vulture flees Bull Bay. After traveling for days, a tired and hungry Little John Crow is fortunate to be found by a group of vultures. With their support and encouragement, the young vulture learns to embrace his future, and after months away, he returns to Bull Bay just in the nick of time to save his home from ruin. Filled with humor and memorable characters, Little John Crow reminds us of the importance of accepting our differences and remembering that life offers a place and purpose for all of us. |
| david gordon green interview: The Anachronistic Turn Stephanie Russo, 2023-12-01 The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties. Drawing together a wide range of texts across all forms of historical fiction - novels, dramas, musicals, films and television - this book re-frames anachronism not as an error, but as a deliberate strategy that emphasises the fictionalising tendencies of all forms of historical writing. The book achieves this by exploring three core themes: the developing trends in the twenty-first century for creators of historical fiction to include deliberate anachronisms, such as contemporary references, music, and language; the ways in which the deliberate use of anachronism in historical fiction can allow us to rethink the relationship between past and present, and; the way that contemporary historical fiction uses anachronism to better understand modern issues and anxieties. This book will appeal to students and scholars of historical fiction, contemporary historical film and television studies, and historical theatre studies. |
| david gordon green interview: The Shock of the Same Tom Grimwood, 2021-06-01 Since the birth of modernity, Western thought has been at war with clichés. The association of philosophical and cultural integrity with originality, and the corresponding need for invention and novelty, has been a distinct concern of a whole spectrum of ideas and movements, from Nietzsche’s polemics against the ‘herd’, the ‘shock of the new’ of the artistic avant-garde, the Frankfurt School’s critique of mass culture, to Orwell’s defence of political dialogue from ‘dying metaphors’. This book is the first examination of the cliché as a philosophical concept. Challenging the idea that clichés are lazy or spurious opposites to genuine thinking, it instead locates them as a dynamic and contestable boundary between ‘thought’ and ‘non-thought’. The book unpacks the constituent phenomena of clichés – repetition, circulation, the readymade, same-ness – through readings of ‘anti-philosophical’ thinkers such as Nietzsche, Kierkegaard, Paulhan, de Certeau, Derrida, Sloterdijk, Badiou and Groys. In doing so, the book critically articulates the techniques and technologies through which the boundary between ‘thought’ and ‘non-thought’ is formed in modern Western philosophy. Rejecting the idea that clichés should be dismissed out of hand on normative frameworks of ‘good’ and ‘bad’ thinking, or ‘new’ and ‘old’ ideas, it instead interrogates the material, cultural and archival ground on which these frameworks are built. |
| david gordon green interview: Kevin Smith's Secret Stash Kevin Smith, 2021-09-14 “Being Kevin Smith is my favorite thing in the world. . . . I don’t have a job. I don’t even have a career anymore. I’m just me for a living.” Making the leap from convenience store worker to international film icon, Kevin Smith has spent over twenty-five years at the forefront of pop culture. In this hilariously candid treasure trove of artifacts and anecdotes, Kevin tells the full story of his incredible life for the first time, from his early days in Highlands, New Jersey, through to the breakout success of low-budget indie smash Clerks in 1994, and the series of hit films that allowed him to build his own cinematic “View Askewniverse.” • THE STORY OF KEVIN SMITH, TOLD BY KEVIN HIMSELF: Both funny and confessional, Kevin Smith’s Secret Stash sees the director hold forth on all aspects of his career, including his live shows and podcasts, plus his comics and television work, such as the hit AMC show Comic Book Men. • NEVER-BEFORE-SEEN TREASURES: This deluxe volume is illustrated with a wealth of rare and never-before-seen items from Kevin’s personal archives, including script pages, personal letters, and concept art from beloved movies including Mallrats, Chasing Amy, Jay and Silent Bob Strike Back, Red State, Tusk, Jay and Silent Bob Reboot, and more. It also features a range of special pullout features exclusive to the book, including Kevin’s application to film school and comic art from Chasing Amy. • SPECIAL CONTRIBUTORS: In addition to a foreword from Kevin’s longtime collaborator and friend Jason Mewes, the book includes contributions from J. J. Abrams, Ben Affleck, Marc Bernardin, Ming Chen, Shannon Elizabeth, Walt Flanagan, Ralph Garman, Mark Hamill, Bryan Johnson, David Klein, Justin Long, Scott Mosier, Brian O’Halloran, Seth Rogen, Jennifer Schwalbach-Smith, and Harley Quinn Smith. • OWN THE ULTIMATE KEVIN SMITH TRIBUTE: Definitive, revelatory, and packed with exclusive surprises, Kevin Smith’s Secret Stash is the book fans have been waiting for and a must-have for pop culture aficionados everywhere. |
| david gordon green interview: American Cinema and the Southern Imaginary Deborah Barker, Kathryn McKee, 2011-01-01 Placing the New Southern Studies in conversation with film studies, this book is simply the best edited collection available on film and the U.S. South.---Grace Hale. University of Virginia -- |
| david gordon green interview: The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies Erik Brynjolfsson, Andrew McAfee, 2014-01-20 The big stories -- The skills of the new machines : technology races ahead -- Moore's law and the second half of the chessboard -- The digitization of just about everything -- Innovation : declining or recombining? -- Artificial and human intelligence in the second machine age -- Computing bounty -- Beyond GDP -- The spread -- The biggest winners : stars and superstars -- Implications of the bounty and the spread -- Learning to race with machines : recommendations for individuals -- Policy recommendations -- Long-term recommendations -- Technology and the future (which is very different from technology is the future). |
| david gordon green interview: Ridley Scott Ridley Scott, 2005 Collected interviews with the British filmmaker of classics such as Blade Runner, Alien, and Gladiator |
| david gordon green interview: Projections 15 Peter Cowie, Pascal Edelmann, 2007 From the great names of amateur cinema to independent producers, multi-language actors and the new avant-garde |
| david gordon green interview: Phenomenology of Film Shawn Loht, 2017-08-25 Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thought. He further discusses important concepts from Heidegger’s philosophy--Dasein, existentiality, world, art and poetry, and the nature of philosophy. The first four chapters take up these issues from a theoretical perspective. The remaining chapters provide robust application of the theoretical material to the films of three contemporary filmmakers: Terrence Malick, Michael Haneke, and David Gordon Green. As the first single-author monograph that takes up Heidegger’s relevance to film, Phenomenology of Film will be of particular interest to philosophers of film and specialists of film and media studies working in the intersection of phenomenology and film or phenomenological approaches to issues in popular culture. |
| david gordon green interview: At the Edge of Existence Brandon West, 2021-11-19 Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre of liminal horror. As the first book on this subject, this volume surveys a variety of liminal horror films. It discusses the different variations within liminal horror's sub-genres and considers why horror films are obsessed with the natures of, and borders between, fiction and reality. After first laying out the basic traits of the horror genre in the context of liminality, this book then dives into film more specifically and how the medium is uniquely situated to explore the movement between the fictional and the real. Through lenses such as dreaming, memory, and perception, the following chapters explore the role liminal horror plays in the the human psyche's subconscious/unconscious, and the various functions of the human mind in perceiving, or misperceiving, reality. |
| david gordon green interview: Halloween Nicholas Rogers, 2003 A wide-ranging, illustrated look at the history of Halloween illuminates the holiday from ancient Celtic ritual to billion-dollar industry. 32 halftones & line illustrations. |
| david gordon green interview: Debt Free For Life David Bach, 2011-01-28 The #1 bestselling author presents his most important book since The Automatic Millionaire and gives Canadians the knowledge, the tools, and the mindset to get out of debt — forever. Whether you are working off student loans or trying to meet the minimum balance on your credit card bill, you are probably worried every time you open your mailbox. With salaries frozen and layoffs looming, how will you ever be able to pay down that debt, let alone retire in peace? Here, David Bach offers a new philosophy made for our times, a paradigm-shifting approach to finance that teaches you how to pay down your debt and adopt a whole new way of living. If you have debt, you can be rich but still not free. When you pay down your debt, you reach Freedom Day, that glorious moment when you need a lot less money just to live. On that day, you are truly free. You can have a smaller nest egg and still retire, perhaps even earlier than you expected. With his trademark motivational energy and take-action step by step advice, Bach helps you revolutionize your finances. In these lean times, it's still possible to live your financial dreams. Let David Bach show you how. |
| david gordon green interview: More Than Love Natasha Gregson Wagner, 2020-05-05 The heartbreaking, never-before-told story of Hollywood icon Natalie Wood’s glamorous life, sudden death, and lasting legacy, written by her daughter, Natasha Gregson Wagner. More Than Love is a memoir of loss, grief, and coming-of-age by a daughter of Hollywood royalty. Natasha Gregson Wagner’s mother, Natalie Wood, was a child actress who became a legendary movie star, the dark-haired beauty of Splendor in the Grass, Rebel Without a Cause, and West Side Story. She and Natasha’s stepfather, the actor Robert Wagner, were a Hollywood it-couple twice over, first in the 1950s, and then again when they remarried in the 70s. But Natalie’s sudden death by drowning off Catalina Island at the age of forty-three devastated her family, made her stepfather a person of interest, and turned a vibrant wife, mother, and actress into a tragic figure. The events of that weekend have long been a mystery, and despite the rumors, scandalous media coverage, and accusations of wrongdoing, there has never been an account of how the tragedy was experienced by her daughter. For the first time Natasha addresses the questions surrounding that night to clear her beloved stepfather’s name. More Than Love begins on the morning after her mother’s death in November 1981 when eleven-year-old Natasha hears the news on the radio that her mother’s body has been found off the coast of Catalina after her parents had spent the weekend on the family boat, The Splendour. From this profound and shattering loss, Natasha shares her memories of her earliest bonds with her mother; her warm, loving, and slightly chaotic childhood as the daughter of two stars; the lost and confused years of her adolescence; and her halting attempts to move forward as a young woman. Beautifully told, More Than Love is an emotionally powerful tale of a daughter coming to terms with her grief, as well as a riveting portrait of a famous mother and a vanished Hollywood. |
| david gordon green interview: Stronger Jeff Bauman, Bret Witter, 2014-04-08 The New York Times bestselling memoir of the 27-year-old Boston Marathon bombing survivor and the basis of the major motion picture starring Jake Gyllenhaal. When Jeff Bauman woke up on Tuesday, April 16th, 2013 in the Boston Medical Center, groggy from a series of lifesaving surgeries and missing his legs, the first thing he did was try to speak. When he realized he couldn't, he asked for a pad and paper and wrote down seven words: Saw the guy. Looked right at me, setting off one of the biggest manhunts in the country's history. Just thirty hours before, Jeff had been at the finish line of the 2013 Boston Marathon cheering on his girlfriend, Erin, when the first bomb went off at his feet. As he was rushed to the hospital, he realized he was severely injured and that he might die, but he didn't know that a photograph of him in a wheelchair was circulating throughout the world, making him the human face of the Boston Marathon bombing victims, or that what he'd seen would give the Boston police their most important breakthrough. In Stronger, Jeff describes the chaos and terror of the bombing itself and the ongoing FBI investigation in which he was a key witness. He takes us inside his grueling rehabilitation, and discusses his attempt to reconcile the world's admiration with his own guilt and frustration. . Brave, compassionate, and emotionally compelling, Jeff Bauman's story is not just his, but ours as well. |
| david gordon green interview: The Revival of Labor Liberalism Andrew Battista, 2023-12-11 The Revival of Labor Liberalism is a careful analysis of the twentieth-century decline of the labor-liberal coalition and the important efforts to revive their political fortunes. Andrew Battista chronicles the efforts of several new political organizations that arose in the 1970s and 1980s with the goal of reuniting unions and liberals. Drawing from extensive documentary research and in-depth interviews with union leaders and political activists, Battista shows that the new organizations such as the Progressive Alliance, Citizen Labor Energy Coalition, and National Labor Committee made limited but real progress in reconstructing and strengthening the labor-liberal coalition. Although the labor-liberal alliance remained far weaker than the rival business-conservative alliance, Battista illuminates that it held a crucial role in labor and political history after 1968. Focuses on a fraught but evolving partnership, Battista provides a broad analysis of factional divisions among both unions and liberals and considers the future of unionism and the labor-liberal coalition in America. |
| david gordon green interview: Crush Your Career Dee Ann Turner, 2021-03-02 We all know someone who is dissatisfied with their career but feels trapped in their current trajectory. What's not always clear is how they got there or, more importantly, how we can avoid the same fate as we develop our own careers. In a competitive job market, we need concrete, field-tested advice to help us ace the interview, land the job, and launch a career we love. Enter Dee Ann Turner. After more than three decades leading teams and coaching staff members at Chick-fil-A, she knows what it takes to build a fulfilling career. In this practical, hands-on book she reveals the secrets of - finding a job - preparing for an interview - conquering the first 90 days - managing work relationships - overcoming mistakes - adding value to your team - and so much more Anyone entering the job market or hoping to make a transition in their career--along with the parents, teachers, college counselors, or career counselors who coach them--will find invaluable, hard-won advice on how to create a work life you love. |
| david gordon green interview: Reset David Murray, 2017-03-16 How did I get here? These are the words of many Christian men on the brink of burnout or in the midst of breakdown. They are exhausted, depressed, anxious, stressed, and joyless. Their time is spent doing many good things, but their pace is unsustainable—lacking the rest, readjustment, and recalibration everyone needs on a regular basis. But there is good news: God has graciously provided a way for men to reset their lives at a more sustainable pace. Drawing on his own experiences—and time spent with other men who have also experienced burnout—pastor David Murray offers weary men hope for the future, helping them identify the warning signs of burnout and offering practical strategies for developing patterns that help them live a grace-paced life and reach the finish line with their joy intact. |
| david gordon green interview: The Creative Writer's Survival Guide John McNally, 2010-04-15 I write this blurb in distress because for years I've been stealing John McNally's sharp insights into writing and publishing and passing them off as my own. Now this generous so-and-so is sharing his vast experience as a writer and editor with everyone. Worse yet, this book, despite its instructional value, is irresistibly, un-put-downably readable.---Timothy Schaffert, author, Devils in the Sugar Shop -- |
DAVID Functional Annotation Bioinformatics Microarray Analysis
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DAVID Functional Annotation Bioinformatics Microarray Analysis
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