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| david allan coe interview: Flying Saucers Rock 'n' Roll Jake Austen, 2011-08-31 The best of the cult-favorite music magazine Roctobers conversations with overlooked or forgotten artists, from the Outlaw Country singer David Allan Coe to the frustrated interstellar glam act Zolar X. |
| david allan coe interview: "Cashville" - Dilution of Original Country Music Identity Through Increasing Commercialization Stephanie Sch„fer, 2012-04 Where I come from, it?s cornbread and chicken... This line from Alan Jackson?s country hit defines the genre as the music of the American South. All its ambiguity set aside, the South stands proudly for its hospitality, politeness, sense of place and community. Family and religion are traditionally more important down there than in the rest of the country. As Southern culture becomes more and more americanized and the music of the small town Southern man (another Jackson song) is adapted for a mainstream audience, the original rustic identity that defines the true American genre loses its charm. Modern country music has become slick and professionalized and sounds more and more like common pop music to make it more profitable. This study focuses on the authentic country music identity and how it is threatened by increasing commercialization. It defines said identity and the working class culture from which it springs. It traces the history of country music and its different genres from the 19th and early 20th century cowboy music over Western Swing and Honky-Tonk of the 1930s and 1940s, the progressive movements of the 1960s and 1970s up to today?s mainstream Country Pop, and shows how its target audience has changed over time and how the opposition tries to preserve traditional sounds. Authentic Texas Country is set in contrast to the commercial Nashville recording industry and both are compared in their respective developments over the years. In the face of terrorism, which poses a threat to the American National identity, country music with its representative American values has become increasingly popular and enforces a strong collective identity on a national level. However, in doing so, it also dilutes the original identity that was once restricted to life in a small town community rather than the country as a whole. What sets country music as a genre apart is its narrative structure. Every song has a story to tell: Be it about ?The Cold Hard Facts of Life?, a prayer finally answered, or the first kiss on a Saturday night. |
| david allan coe interview: Behind Closed Doors Alanna Nash, 2002-10-22 Interviews with 27 country stars reveal the range of personalities and viewpoints that make up today's country music scene. Journalist Alanna Nash speaks in candid interviews with performers about Nashville's music industry, changes in the country audience over the past thirty years, and their own releationships to their music. Nash's interviews showcase the diversity of the performers (from college-educated professionals to ex-convicts) and their audiences. Interviewees include Tammy Wynette, Merle Haggard, Brenda Lee, Reba McEntire, Loretta Lynn, Dolly Parton, Conway Twitty, Naomi and Wynonna Judd, Bill Monroe, Steve Earle, Emmylou Harris, Hank Williams Jr., Chet Atkins, and Willie Nelson. |
| david allan coe interview: Manifestations of Collective Identity in Country Music - Cultural, Regional, National Stephanie Schäfer, 2011-12-01 Inhaltsangabe:Introduction: All American music reflects the landscape from which it springs and as that landscape changes, chewed up by the developments and industry and environmental disasters, as the air we heave in and out of our lungs is filled with new particles, as the water we drink gets its fluoride levels regulated and mineral content tweaked, it makes perfect sense that American music becomes slicker, more machinated, less like reality. We are all subject to our environs, fashioned and chiseled and sanded into shapes We have highways for arteries and clouds for brains and sticks for bones, The sounds we make are Americana. As one of the first musical expressions of the United States, country music represents the values and ideals on which the nation was founded. Country music can be seen as the epitome of the American Dream. It has its origins in the 19th century, when cowboys were working in the fields and riding through the lonely prairie, an image that has been romanticized by numerous Hollywood movies. This thesis focuses on country music as a genre as well as the identity which it represents and by which audience and performers are linked. Country music can be regarded as the music of Southern working class Americans. Since before the Civil War, the South has always been looked down upon as being primitive, simple-minded, and extremely religious. Having its roots in the South, country music has had to face substantial criticism in terms of unsophistication and over-sentimentalization. Due to a shift in national economic power, the United States have become increasingly Southernized, both culturally and musically. Southern culture and identity have become desirable. This phenomenon allowed country music to shed its dubious reputation and gain popularity across the country. This paper will shine a light on the American South as a cultural region that has more to offer than what meets the eye. Southern working class culture and its core values are going to be described and put in context with country music as a form of cultural expression. Central themes in American country music are family, love, heartbreak, work, friends, religion, and patriotism. Characteristic for the country music genre are its narrative structures, which by telling a story, enhance its ability to form a collective identity as well as a connection between the narrator, the performer, and the audience. However, country musicians are not solely messengers of the [...] |
| david allan coe interview: Waylon Terry Jennings, 2016-04-19 This book is a terrific tribute, from a son to his father.---Willie Nelson I'm so excited about Terry's new book.---Dolly Parton From the Foreword by Ken Mansfield There are many stories about Waylon . . . the family man, the creative genius man, the quiet man, the king-of-the-six-day-roar-man, the uncommon man, the legendary man, the bad-ass man . . . they are all in this book. In a signed copy of his autobiography, Texas-born country Outlaw icon Waylon Jennings penned a personal note to his son Terry: I did my best. Now it's your turn. Two decades later, Terry Jennings finally completes the true story of his father's remarkable, unvarnished life with Waylon: Tales of My Outlaw Dad. Born when Waylon was only nineteen, Terry came of age just as Waylon's career hit the stratosphere with hits like I've Always Been Crazy and Good Hearted Woman, one of his famous Willie Nelson duets. Terry dropped out of high school and joined his dad on tour, and the two became more like brothers than father and son. On the road, they toured with legends like Nelson, Johnny Cash, Kris Kristofferson, and Jessi Colter, Waylon's fourth and final wife. Together father and son led a hard-partying lifestyle centered around music, women, and drugs. Waylon's success--critical acclaim, bestselling albums, sold-out tours, and even TV stardom on The Dukes of Hazzard--was at times eclipsed by his demons, three divorces, crippling debt, and a depression that Terry traces to the premature death of Buddy Holly. (Waylon was supposed to be on Holly and Ritchie Valens's doomed flight.) Through it all, Terry worked on the touring crew, helped manage Waylon's career, and became one of his father's closest confidantes. Debunking myths and sharing incredible never-before-told stories, this book is a son's loving and strikingly honest portrait of his father, the greatest Outlaw country musician to grace this earth and an unlikely but devoted family man. Waylon: Tales of My Outlaw Dad will resonate for generations of fans. |
| david allan coe interview: Outlaw Country Reporter Sam Kindrick, 2024-09-02 Journalist Sam Kindrick was “present at the creation” of Outlaw Country and, perhaps, as intimately involved as the artists themselves. The longtime newspaper reporter and columnist is probably best known as the founder of Action Magazine in 1975, the principal vehicle for his wild and wooly chronicles of the music movement spawned by Willie Nelson, Jerry Jeff Walker, Kris Kristofferson, David Allan Coe, and others. Born into a religious household in Junction, Texas, Kindrick matriculated at (then) Southwest Texas State College in San Marcos and began his journalistic career at the Bay City News, Kerrville Times, and San Angelo Standard-Times before being hired by the San Antonio Express-News in 1960, where he remained until 1975. Forging close ties with Nelson and other progenitors of the “outlaw” sound, Kindrick adopted their “redneck rock” attitude and lifestyle, which may partly explain why he was forced, for a period of time, to operate Action Magazine from the confines of Bexar County Jail. In this no-holds-barred recounting of a colorful and eventful life, Sam Kindrick takes readers inside the world of the artists who were reshaping country-western music. He also shines an unflinching light on the hard-living ways that led to some of his darker moments. Outlaw Country Reporter: Misfits, Madams, and Hangin’ with Willie offers an unvarnished and supremely entertaining account of the early days of a vital moment in American music. |
| david allan coe interview: Steve Goodman Clay Eals, 2007-05-15 Steve Goodman wrote “Good mornin’ America, how are ya” into the nation’s consciousness, becoming one of the most respected singer/songwriters of the 1970s and early 80s. With warmth and wit, he charmed better-known peers, top critics, and countless fans. Yet this 5-foot-2 troubadour nearly lost his chance at adult life. Diagnosed with leukemia at age 20, Goodman kept it a secret for 16 years as he sang for a generation that assumed it would live forever. This biography scrutinizes a theme that Goodman knew all too well: when death is imminent, we grasp that life is about connecting with others. Goodman’s childhood, the untold full story of “City of New Orleans,” his launching by the unlikely duo of Kris Kristofferson and Paul Anka, his teaming with “wild and crazy” Steve Martin for more than 200 shows, his landmark recordings and two Grammy awards all get extensive attention in this biography. The book delves into his personal and professional life, drawing on over 850 original interviews with Goodman’s family, childhood and adult friends, and a diversity of celebrities. “From the cradle to the crypt, it’s a mighty short trip,” Goodman wrote in a song shortly before his 1984 death. This biography verifies that the universality of his work — hilarious, political, romantic, or all three rolled into one — resonates deeply in today’s musical firmament. |
| david allan coe interview: Sweet Sorrow David Nicholls, 2020 On the verge of marriage and a fresh start, Charlie Lewis can't stop thinking about the past, and the events of one particular summer. At sixteen he was failing his classes, and looking after his depressed father. If he thought about the future at all, it was with dread. Then Fran Fisher burst into his life. In order to spend time with Fran, Charlie became a different person: he joined the Company. The price of hope, it seems, is Shakespeare, Romeo and Juliet learned and performed in a theater troupe over the course of a summer. Now Charlie can't go the altar without coming to terms with his relationship with Fran, his friends, and his former self. -- adapted from jacket |
| david allan coe interview: Rednecks, Queers, and Country Music Nadine Hubbs, 2014-03-18 In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase I’ll listen to anything but country allows middle-class Americans to declare inclusive omnivore musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture. |
| david allan coe interview: Jacksonville and the Roots of Southern Rock Michael Ray FitzGerald, 2020-09-15 The enduring achievement and legacy of a rock movement Florida Book Awards, Bronze Medal for Florida Nonfiction The Allman Brothers Band and Lynyrd Skynyrd helped usher in a new kind of southern music from Jacksonville, Florida. Together, they and fellow bands like Blackfoot, 38 Special, and Molly Hatchet would reset the course of seventies rock. Yet Jacksonville seemed an unlikely hotbed for a new musical movement. Michael FitzGerald blends eyewitness detail with in-depth history to tell the story of how the River City bred this generation of legendary musicians. As he profiles essential bands alongside forerunners like Gram Parsons and Cowboy, FitzGerald reveals how the powerful local AM radio station worked with newspapers and television stations to nurture talent. Media attention in turn created a public hungry for live performances by area bands. What became the southern rock elite welded relentless determination to a ferocious work ethic, honing their gifts on a testing ground that brooked no weakness and took no prisoners. FitzGerald looks at the music as the diverse soundtrack to a neo-southern lifestyle that reconciled different segments of society in Jacksonville, and across the nation, in the late sixties and early seventies. A vivid journey into a crucible of American music, Jacksonville and the Roots of Southern Rock shines a light on the artists and songs that powered a phenomenon. |
| david allan coe interview: Chasing the Rising Sun Ted Anthony, 2007-07-13 Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song House of the Rising Sun as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as House of the Rising Sun. The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing The Rising Sun Blues. Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded House of the Rising Sun, and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence Tom Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound. |
| david allan coe interview: Wrong's What I Do Best Barbara Ching, 2001-07-19 This is the first study of hard country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists hard. She compares hard country music to high American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers. |
| david allan coe interview: Access , 1999 |
| david allan coe interview: Music, Lyrics, and Life Mike Errico, 2021-11-15 Music, Lyrics, and Life is the songwriting class you always wish you'd taken, taught by the professor you always wish you'd had. It's a deep dive into the heart of questions asked by songwriters of all levels, from how to begin journaling to when you know that a song is finished. With humor and empathy, acclaimed singer-songwriter Mike Errico unravels both the mystery of songwriting and the logistics of life as a songwriter. For years, this set of tools, prompts, and ideas has inspired students on campuses including Yale, Wesleyan, Berklee, Oberlin, and NYU's Clive Davis Institute of Recorded Music. Alongside his own lessons, Errico interviews the writers, producers, and A&R executives behind today's biggest hits and investigates the larger questions of creativity through lively conversations with a wide range of innovative thinkers: astrophysicist Janna Levin explains the importance of repetition, both in choruses and in the exploration of the universe; renowned painter John Currin praises the constraints of form, whether it's within a right-angled canvas or a three-minute pop song; bestselling author George Saunders unpacks the hidden benefit of writing, and revising, authentically; and much more. The result is that Music, Lyrics, and Life ends up revealing as much about the art of songwriting as it does about who we are, and where we may be going. This is a book for songwriters, future content creators, music lovers, and anyone who wants to understand how popular art forms are able to touch us so deeply. Mike Errico has honed these lessons over years of writing, performing, teaching, and mentoring, and no matter where you are on your songwriting journey, Music, Lyrics, and Life will help you build a creative world that's both intrinsic to who you are, and undeniable to whoever is listening. |
| david allan coe interview: Asanas, Mudras and Bandhas - Awakening Ecstatic Kundalini (eBook) Yogani, 2006-09-15 Asanas, Mudras and Bandhas - Awakening Ecstatic Kundalini provides a practical approach for incorporating yoga postures and specialized inner physical maneuvers into a compact daily routine of practices that includes spinal breathing pranayama and deep meditation. Kundalini awakening is covered with clarity, including a discussion of symptoms and specific methods for self-pacing and regulating the inner energies to provide for progressive and safe unfoldment of abiding inner silence, ecstatic bliss and outpouring divine love - the essential characteristics of rising enlightenment. Yogani is the author of two landmark books on the world's most effective spiritual practices: Advanced Yoga Practices - Easy Lessons for Ecstatic Living, a comprehensive user-friendly textbook, and The Secrets of Wilder, a powerful spiritual novel. The AYP Enlightenment Series makes these profound practices available for the first time in a series of concise instruction books. Asanas, Mudras and Bandhas is the fourth book in the series. The third in the series is Tantra - Discovering the Power of Pre-Orgasmic Sex. The second is Spinal Breathing Pranayama - Journey to Inner Space. The first is Deep Meditation - Pathway to Personal Freedom. |
| david allan coe interview: Looking Beyond the Highway Claudette Stager, Martha Carver, 2006 Looking beyond the Highway is an examination of road history and roadside attractions specific to the South. Focused in part on numerous aspects of thematerial culture landscape of the Dixie Highway, the essays consider the politics of roadbuilding, roadside entertainment, the buildings and businesses one might encounter along the road, and regional adaptations to the needs and desires of northern tourists. Following the Dixie Highway from southern Illinois to Florida with sidetrips down other southern roads, the essays cover a wide variety of subjects, many of which will resonate with anyone who has ever lived in or vacationed in the South: Harrison Mayes's “Get Right With God” signs; the park-and-pray craze of outdoor drive-in church services; the rise and demise of brick highways; the fierce political battle over the route of the Dixie Highway; beach music and the evolution of motel architecture in Myrtle Beach; Florida's early tourist towers; and the commercial development of Tennessee caves as tourist attractions. Covering a landscape that includes Tennessee, Georgia, North Carolina, Florida, Mississippi, Indiana, Virginia, Arkansas, Ohio, Kentucky, Alabama, and Illinois, the anthology shows that there was and still is a distinctive southern culture and how roads have influenced that culture. As lively as they are diverse, thearticles provide a solid background for understanding roadside ephemera that have disappeared or are quickly disappearing. Ranging from the serious to the light-hearted and including descriptions of American road and roadside icons to kitsch, the book will appeal to anyone with an interest in road history and roadside architecture. |
| david allan coe interview: Country Music USA Bill C. Malone, Tracey Laird, 2018-06-04 “Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged. |
| david allan coe interview: Outlaw Michael Streissguth, 2013-06-04 A “compulsively readable” history of how Waylon Jennings, Willie Nelson, and Kris Kristofferson redefined country music (Publishers Weekly, starred review). Outlaw delves into the country music scene of the late ’60s and early ’70s, when three rebels—Waylon Jennings, Willie Nelson, and Kris Kristofferson found themselves in Music City writing songs and vying for record deals. Channeling the unrest of the times, all three Country Music Hall of Famers resisted the music business’s unwritten rules and emerged as leaders of the outlaw movement that ultimately changed the recording industry. This account offers a broad portrait of the outlaw movement in Nashville that includes a diverse secondary cast of characters, such as Johnny Cash, Rodney Crowell, Kinky Friedman, and Billy Joe Shaver, among others. With archival photographs throughout, Outlaw is a comprehensive examination of a fascinating shift in country music, and the three unbelievably talented musicians who forged the way. “[An] engaging cultural history . . . a fascinating chronicle.” —The Washington Post “Riveting.” —The Wall Street Journal |
| david allan coe interview: Chronicles of Oklahoma James Shannon Buchanan, 2013 |
| david allan coe interview: Without Getting Killed Or Caught Tamara Saviano, 2022-04-30 Winner, 2016 the Belmont Book Award, Sponsored by the International Country Music Conference For more than forty years, Guy Clark wrote and recorded unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world's most talented and influential singer-songwriters. In Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One's for Him: A Tribute to Guy Clark. Part memoir, part biography, Saviano's skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting emotions that make up the life of this modern-day poet and troubadour. Detailed, enlightening account. She maneuvers the story elegantly from biography to memoir.--The Wall Street Journal Any well-written biography will lay out accomplishments and milestones accurately, but only the exceptional ones transport you deep inside their subject's world, so that when you put the book down it takes you a minute to re-adjust.--Mojo |
| david allan coe interview: Sing Your Heart Out, Country Boy Dorothy Horstman, 1996 This is the definitive country music book. Here are the lyrics to virtually every country song that matters, from Your Cheatin' Heart to Stand By Your Man to Friends In Low Places, with comments on each song by the artist who wrote it, or a friend or heir. The list of contributors reads like all-star night in Nashville. Loretta Lynn tells how Coal Miner's Daughter came out of here own experience, while Mary Chapin Carpenter reveals that the inspiration for He Thinks He'll Keep Her came from watching a Geritol commercial. Audrey Williams talks about her husband, Hank. Maybelle Carter remembers A. P. Carter. Kris Kristofferson, Gene Autry, Alan Jackson, Roy Acuff, Merle Haggard, Roger Miller, Dolly Parton, and countless others speak for themselves. This book is divided into fifteen categories, including Songs of Home, Lost and Unrequited Love, Traveling, Prison, and Cowboy songs. Each section begins with a short essay by Dorothy Horstman, country music scholar and song-writer. Also included is a complete bibliography and a discography which leads you to classic recordings of all the songs in the book.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| david allan coe interview: The Nine Tracy Townsend, 2017-11-14 In the dark streets of Corma exists a book that writes itself, a book that some would kill for... Black market courier Rowena Downshire is just trying to pay her mother’s freedom from debtor's prison when an urgent and unexpected delivery leads her face to face with a creature out of nightmares. Rowena escapes with her life, but the strange book she was ordered to deliver is stolen. The Alchemist knows things few men have lived to tell about, and when Rowena shows up on his doorstep, frightened and empty-handed, he knows better than to turn her away. What he discovers leads him to ask for help from the last man he wants to see—the former mercenary, Anselm Meteron. Across town, Reverend Phillip Chalmers awakes in a cell, bloodied and bruised, facing a creature twice his size. Translating the stolen book may be his only hope for survival; however, he soon realizes the book may be a fabled text written by the Creator Himself, tracking the nine human subjects of His Grand Experiment. In the wrong hands, it could mean the end of humanity. Rowena and her companions become the target of conspirators who seek to use the book for their own ends. But how can this unlikely team be sure who the enemy is when they can barely trust each other? And what will happen when the book reveals a secret no human was meant to know? |
| david allan coe interview: Detroit '67 Dominique Morisseau, 2013-02-26 It's 1967 in Detroit. Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over more much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the '67 riots. Detroit '67 is presented in association with Classical Theatre of Harlem and the National Black Theatre. Detroit '67 was awarded the 2014 Edward M. Kennedy Prize for Drama Inspired by American History |
| david allan coe interview: The Matriarch Adrian Tame, 2019-06-17 The matriarch of Australia’s most violent and notorious criminal family, and allegedly the inspiration for the award-winning film Animal Kingdom, tells her side of the story. Kathy Pettingill is a name that’s both respected and feared, not only by Australia’s criminal underworld, but by many in the Victorian police force. As the matriarch at the head of the most notorious and violent family of habitual offenders in Australian criminal history, her life has revolved around murder, drugs, prison, prostitution and bent coppers – and the intrigue and horror that surround such crimes. Her eldest son, Dennis Allen, was a mass murderer and a $70,000-a-week drug dealer who dismembered a Hell’s Angel with a chainsaw. Two younger sons were acquitted of the Walsh Street murders, the cold-blooded assassination of two police officers that changed the face of crime in Melbourne forever. One of the two, Victor, was gunned down himself in the street 14 years later, becoming the third son Kathy has buried. In this revised and updated authorised edition of Adrian Tame’s bestselling The Matriarch, Kathy Pettingill reveals the chilling truth behind many of the myths and legends that surround her family, including her experiences in the blood-spattered charnel house at the centre of Dennis Allen’s empire of drugs and violence. But this is no plea for pity. Forthright and deeply disturbing, like its subject, The Matriarch pulls no punches. Updated and revised for a new generation, this true crime classic is as terrifying and powerful as when it was first published. |
| david allan coe interview: Outlaws Still at Large! Neil A. Hamilton, Shooter Jennings, 2013 The first-ever book to cover the history of the renegade Outlaw country music movement from its beginnings in the 1970s to its resurgence today, Outlaws Still At Large draws from the author's interviews with current artists to reveal a rich, vibrant music scene beneath the mainstream Nashville gloss, while it shows the trials and adventures of life on the road. Hamilton traveled more than 20,000 miles with the Outlaws to get his story, and in the end, the music changed his life. One of the Outlaws, Shooter Jennings, who is the son of 1970s Outlaws Waylon Jennings and Jessi Colter, says about Hamilton and this book: Besides his insanely neurotic attention to detail, or his relentless obsession with perfection, Neil is someone who cares very deeply for music and art. He cares so deeply that he's willing to spend as much time as he finds necessary to do this right, to do it true, and do justice to the thing he loves and protects with such grace and dignity. He is, like us, a warrior. Hamilton begins with a historical background to the rise of country music and the Outlaw movement, before offering five chapter profiles on prominent Outlaws from the 1970s: Waylon, Willie Nelson, Billy Joe Shaver, Johnny Paycheck, and David Allan Coe. He then shows how the 1970s Outlaw movement faded, how Nashville pop regained its crown, and how the current Outlaw movement has emerged. From there he presents chapter profiles on 15 current artists, including Shooter, Blackberry Smoke, Elizabeth Cook, Dallas Moore, Jackson Taylor, Jason Boland, Lydia Loveless, Whitey Morgan, Wayne Mills, Joey Allcorn, and Hellbound Glory. The book concludes with a look at the promoters behind the Outlaw scene and the emergence of Outlaw music on SiriusXM radio. Hamilton found that there's really no one Outlaw musical form. Some of the artists are most heavily influenced by Hank Williams, others by Elvis Presley, or by the 1970s Outlaws, or by Southern rock, or even punk rock. Yet, beneath this diversity and creativity, there remains a central attachment to country's roots and to the belief that music should be created primarily for the heart and not the wallet-even if it means many a hungry night in a low-pay honky tonk. If readers bathed in music history get a feeling that Hamilton formatted the book in word similar to the way that Willie Nelson formatted his path breaking album Red Headed Stanger in music, they will be right on the mark. That structure is meant to convey the continuing link between country roots past and present and the continuing belief that country music based on sincerity still has something to say in a society awash with shallow forms and fleeting moments. |
| david allan coe interview: Family Tradition Susan Masino, 2011-04-01 Covering three generations of Hank Williams, Family Tradition is both unique and vast in scope. Beginning in the present day with Hank III – who gave the author unprecedented access – and time-traveling across the years, this examines just what kind of rebel mojo inspired this crazed family of country music, from Hank Sr. – often regarded as one of the most influential of American musicians – to Hank Jr., to this year's model, Hank III, who has somehow found a way to reconcile his legacy's deep-rooted twang and high-lonesome sound with particularly searing strains of punk and heavy metal, launching an all-out war with traditional Nashville in the process. Listen to Susan Masino live at Book Expo America on the BEA Podcast. |
| david allan coe interview: Off Main Street: Barnstormers, Prophets & Gatemouth's Gator Michael Perry, 2009-10-13 Whether he's fighting fires, passing a kidney stone, hammering down I-80 in an 18-wheeler, or meditating on the relationship between cowboys and God, Michael Perry draws on his rural roots and footloose past to write from a perspective that merges the local with the global. Ranging across subjects as diverse as lot lizards, Klan wizards, and small-town funerals, Perry's writing in this wise and witty collection of essays balances earthiness with poetry, kinetics with contemplation, and is regularly salted with his unique brand of humor. |
| david allan coe interview: Handbook of Texas Music Laurie E. Jasinski, 2012-02-22 The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z! |
| david allan coe interview: Reinventing Metal Neil Daniels, 2000-01-01 Pantera is widely regarded as one of the most influential and revered American metal bands of the past 20 years. Although its output was relatively short – from 1983 to 2000 it released only nine studio albums – its impact on the metal scene since the band split up in 2003 is still felt to this day. Guitarist Dimebag Darrell was tragically killed in 2004 but his legacy remains undiminished. Pantera had an enormous influence on nu-metal, groove metal, metalcore, and grindcore and continues to be publicized and written about. Its 1990 breakthrough album Cowboys from Hell is still regarded as one of the greatest metal albums in history, as is Pantera's sixth opus, Vulgar Display of Power. Previously, the band had been associated with the glam metal scene, but as 1987 saw the release of many important thrash albums by such bands as Slayer and Metallica, Pantera recruited underground metal fan Phil Anselmo and changed its image and sound to something more aggressive, becoming a thrash-groove metal crossover band. With a wide array of research and many first-hand interviews with those who knew the group well, Reinventing Metal is an unauthorized, first-ever biography that focuses on the entire band – from its Texas high school start to the global mega-success that anchored Pantera as one of the most important metal names ever. |
| david allan coe interview: Billboard , 2003-05-10 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| david allan coe interview: The Improbable Rise of Redneck Rock Jan Reid, 2004-03-01 Jan Reid revitalizes his classic look at the Austin music scene in substantially reworked chapters that include musicians and musical currents from all over Texas that have significantly contributed to the delightful convergence of popular cultures in Austin. |
| david allan coe interview: Wicked Bitch amy white, 2009-05-06 Amy White's Wicked Bitch is a white-knuckle, runaway ride on a motorcycle on fire; a white trashmanifesto that hits like a crowbar to the brainpan and goes down with all the subtlety of a straightshot of whiskey. Dripping with pickup truck sex and sung to the tune of red, white and blue rock'n' roll with a southern twang, Wicked Bitch is an American love story told in a smoky roadhouse;the true story of a biker woman who will not rest until she spits in the devil's eye.Dave NicholsEditor Easyriders & V-Twin MagazinePaisano Publications, LLCWicked Bitch screams through the backdrop of the real south just the way the moonshiners and the booze runners did in their hot rod Fords a generation ago--hammer down and to hell with anything that gets in their way!Bill Hayes, author of The Original Wild Ones and American Biker |
| david allan coe interview: Beatles Undercover Kristofer K. Engelhardt, 1998 A history of The Beatles' musical contribution to other artists' recordings. |
| david allan coe interview: From Grand Funk to Grace Kristofer Engelhardt, 2001 The quintessential '70s arena rock band is uncovered in this authorized biography of Grand Funk Railroad. |
| david allan coe interview: Queer Country Shana Goldin-Perschbacher, 2022-03-22 A Variety Best Music Book of 2022 A No Depression Most Memorable Music Book of 2022 A Library Journal Best Arts and Humanities Book of 2022 A Pitchfork Best Music Book of 2022 A Boot Best Music Book of 2022 A Ticketmaster Best Music Book of 2022 A Happy Magazine Best Music Book of 2022 Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X. Many of these musicians place gender and sexuality front and center even as it complicates their careers. But their ongoing efforts have widened the circle of country/Americana by cultivating new audiences eager to connect with the artists’ expansive music and personal identities. Detailed and one-of-a-kind, Queer Country reinterprets country and Americana music through the lives and work of artists forced to the margins of the genre's history. |
| david allan coe interview: My Kind of Country Michael Buffalo Smith, 2016-06-06 Southern music historian Michael Buffalo Smith presents a series of interviews with some of country music's biggest stars, assembled from his archive of over 15 years of conversations. From Cowboy Jack Clement to Bobby Bare, Jerry Reed to Shooter Jennings, the volume is filled to the rim with country music history, stories and photographs. |
| david allan coe interview: Restless William Boyd, 2012-12-01 It is 1939. Eva Delectorskaya is a beautiful 28-year-old Russian émigrée living in Paris. As war breaks out she is recruited for the British Secret Service by Lucas Romer, a mysterious Englishman, and under his tutelage she learns to become the perfect spy, to mask her emotions and trust no one, including those she loves most. Since the war, Eva has carefully rebuilt her life as a typically English wife and mother. But once a spy, always a spy. Now she must complete one final assignment, and this time Eva can't do it alone: she needs her daughter's help. |
| david allan coe interview: Religion in American History Amanda Porterfield, John Corrigan, 2010-04-26 This student-friendly introduction combines both thematic and chronological approaches in exploring the pivotal role religion played in American history - and of its impact across a range of issues, from identity formation and politics, to race, gender, and class. A comprehensive introduction to American religious history that successfully combines thematic and chronological approaches, aiding both teaching and learning Brings together a stellar cast of experts to trace the development of theology, the political order, practice, and race, ethnicity, gender and class throughout America's history Accessibly structured in to four key eras: Exploration and Encounter (1492-1676); The Atlantic World (1676-1802); American Empire (1803-1898); and Global Reach (1898-present). Investigates the role of religion in forming people's identities, emotional experiences, social conflict, politics, and patriotism |
| david allan coe interview: Kirkus Reviews , 1988 Adult books are categorized by genre (i.e., fiction, mystery, science fiction, nonfiction). Along with bibliographic information, the expected date of publication and the names of literary agents for individual titles are provided. Starred reviews serve several functions: In the adult section, they mark potential bestsellers, major promotions, book club selections, and just very good books; in the children's section, they denote books of very high quality. The unsigned reviews manage to be discerning and sometimes quite critical. |
| david allan coe interview: Ain't Got No Cigarettes Lyle E. Style, 2005 Ain’t Got No Cigarettes is Roger Miller’s extraordinary life as told in taped interviews by those that knew him best: more than sixty well-known musicians and entertainers including Waylon Jennings, Kris Kristofferson, Merle Haggard and Willie Nelson. A man who influenced some of the entertainment industry’s biggest stars, Roger Miller was respected and loved by his peers. However, with the genius came a dark side. In the 1960s and 1970s he was known for walking off stage halfway through a show, getting into fights and going days without sleep. He struggled with depression and had a serious addiction to drugs which cost him two marriages. Miller died at the age of 56 in 1992. |
DAVID Functional Annotation Bioinformatics Microarray An…
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DAVID Functional Annotation Bioinformatics Microarray Analysis
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