| david adjaye financial times: Adjaye: Africa: Architecture David Adjaye, 2016-09-27 A complete overview of architecture in fifty-three African cities, seen through the eyes and images of one of the world’s leading young architects Educated in England, David Adjaye’s lifelong dream was to return to Africa as an architect to document the continent’s built environment. Over a decade, he tirelessly documented these dynamic, colorful cities, photographing thousands of buildings, sites, and public spaces, and letting each building speak for itself. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. The fifty-three cities featured in this remarkable study are grouped according to the terrain in which they are set: the Maghreb (north Africa); Desert; Sahel (the semi-arid transitional region between the Sahara and the south); Forest; Savannah and Grassland; and Mountain and Highveld. Each metropolis is illuminated by a concise urban history, maps, and satellite imagery, along with the dozens of photographs Adjaye has taken with an architect’s eye. This compact edition selects the highlights from over 4,000 buildings and places captured for the initial seven-volume work. The result is one of the most original, ambitious, and important architectural publications of our time. |
| david adjaye financial times: Building Culture Julian Rose, 2024-09-03 An insider's look at art museums and how they shape the ways we view art, through the eyes of the architects who design them. Architects and art lovers everywhere will enjoy this remarkable collection of interviews from sixteen of the world's most celebrated, thoughtful, and innovative architects who have designed many of the world’s greatest museums. Spanning generations, geographies, and methods of architectural practice, these architects share the complex and fascinating process of creating spaces for art. Building Culture includes interviews with: Frank Gehry, who reveals how a half-century of dialogue with the visual arts influenced his revolutionary Guggenheim Bilbao. Kulapat Yantrasast, who describes his rethinking of exhibition design and how it expands the presentation of work in venerable institutions like the Metropolitan Museum of Art, where he is currently redesigning the galleries for the arts of Africa, Oceania, and the Americas. Walter Hood, whose long interest in improvisational techniques in music informed his design for outdoor performance spaces in the Oakland Museum. Elizabeth Diller, whose conception of the Shed in New York City's Hudson Yards was influenced by decades of work in conceptual and performance art. Esteemed architects who have designed, renovated, or created galleries for MoMA, the New Museum, and the American Museum of Natural History in New York; the National Gallery and the Tate Modern in London; the Pérez Art Museum Miami; the Centre Pompidou in Paris, the 21st Century Museum of Contemporary Art, Kanazawa in Japan; the Museum of West African Art (currently under construction) in Nigeria; and many others. This lively compendium reveals intensely varied architectural philosophies from a diverse group of established and up-and-coming professionals. Engaging personal recollections of relationships with artists and curators, along with 80 captivating images, provide further insight into the design process and timeless inspiration for architecture students, artists, museum professionals, and anyone fascinated by architectural design, public space, and museum culture. |
| david adjaye financial times: Lifting the Shadow Amy Sodaro, 2024-11-15 Lifting the Shadow: Reshaping Memory, Race, and Slavery in U.S. Museums examines a small but significant wave of new U.S. memorial museums that focus on slavery and its ongoing violent legacies, including the Smithsonian National Museum of African American History and Culture, Montgomery’s Legacy Museum: From Enslavement to Mass Incarceration, and Greenwood Rising, which commemorates the 1921 Tulsa Race Massacre. These museums are challenging historical narratives of slavery and race by placing racial oppression at the center of American history and linking historical slavery to contemporary racial injustice, but they have opened in a period marked by growing racial tension, white nationalism, and political division. Sodaro examines how the violence of U.S. slavery and its lasting legacies is negotiated in these museums, as well as their potential to contribute to the development of a more critical historical memory of race in the U.S. at this particularly volatile sociopolitical moment. |
| david adjaye financial times: Corrections and Collections Joe Day, 2013-08-21 America holds more than two million inmates in its prisons and jails, and hosts more than two million daily visits to museums, figures which represent a ten-fold increase in the last twenty-five years. Corrections and Collections explores and connects these two massive expansions in our built environment. Author Joe Day shows how institutions of discipline and exhibition have replaced malls and office towers as the anchor tenants of U.S. cities. Prisons and museums, though diametrically opposed in terms of public engagement, class representation, and civic pride, are complementary structures, employing related spatial and visual tactics to secure and array problematic citizens or priceless treasures. Our recent demand for museums and prisons has encouraged architects to be innovative with their design, and experimental with their scale and distribution through our cities. Contemporary museums are the petri dishes of advanced architectural speculation; prisons remain the staging grounds for every new technology of constraint and oversight. Now that criminal and creative transgression are America’s defining civic priorities, Corrections and Collections will recalibrate your assumptions about art, architecture, and urban design. |
| david adjaye financial times: Philanthropy Paul Vallely, 2020-09-17 'This is the definitive book on philanthropy – its history, contradictions and future' – John Gray, Emeritus Professor of European Thought, London School of Economics 'Good books lay out the lie of the land. Important books change it. This book is both' – Giles Fraser, priest, journalist and broadcaster The super-rich are silently and secretly shaping our world. In this groundbreaking exploration of historical and contemporary philanthropy, bestselling author Paul Vallely reveals how this far-reaching change came about. Vivid with anecdote and scholarly insight, this magisterial survey – from the ancient Greeks to today's high-tech geeks – provides an original take on the history of philanthropy. It shows how giving has, variously, been a matter of honour, altruism, religious injunction, political control, moral activism, enlightened self-interest, public good, personal fulfilment and plutocratic manipulation. Its narrative moves from the Greek man of honour and Roman patron, via the Jewish prophet and Christian scholastic – through the Elizabethan machiavel, Puritan proto-capitalist, Enlightenment activist and Victorian moralist – to the robber-baron philanthropist, the welfare socialist, the celebrity activist and today's wealthy mega-giver. In the process it discovers that philanthropy lost an essential element as it entered the modern era. The book then embarks on a journey to determine where today's philanthropists come closest to recovering that missing dimension. Philanthropy explores the successes and failures of philanthrocapitalism, examines its claims and contradictions, and asks tough questions of top philanthropists and leading thinkers – among them Richard Branson, Eliza Manningham-Buller, Jonathan Ruffer, David Sainsbury, John Studzinski, Bob Geldof, Naser Haghamed, Lenny Henry, Jonathan Sacks, Rowan Williams, Ngaire Woods, and the presidents of the Rockefeller and Soros foundations, Rajiv Shah and Patrick Gaspard. In extended conversations they explore the relationship between philanthropy and family, faith, society, art, politics, and the creation and distribution of wealth. Highly engaging and meticulously researched, Paul Vallely's authoritative account of philanthropy then and now critiques the excessive utilitarianism of much modern philanthrocapitalism and points to how philanthropy can rediscover its soul. |
| david adjaye financial times: Africa Beyond the Post-Colonial Alfred B. Zack-Williams, 2017-07-05 The poor economic performance of some African countries since independence has been a major concern to both African leaders and policy makers. This volume, which draws together contributions from academics based in Africa and its diaspora, situates the continent within its historic and socio-political background: from the 1960s, the decade of independence, through to its development outlook as the new millennium unfolds. It examines a broad range of contemporary issues -- from development and culture to linguistics and is unique in identifying and examining issues that are common both to Africa and the diaspora. |
| david adjaye financial times: Telephone Conversations Ivor Agyeman-Duah, 2019-09-11 Many world economies and cultures are in the throes of mergers into the dreamt global village. Technology with it’s many euphemisms such as: the “information super highway,” a “period of hyper-change,” “cyber universe,” “digital revolution and renaissance,” etc., are changing the lives of many. Africa, as the author of this book – an experienced and prolific development specialist explains, was only two decades ago classified as a backwater with the presumed characteristic failure of: unstable governance systems, antiquarian agricultural infrastructures, commodity virility for lack of value addition, and low export earnings. Now at the forefront with close to a billion mostly youthful labor and skills markets, its telecommunication networks and economies including start-up digital companies have gone global. From South Africa with the pessimism that greeted post-Apartheid period has come the multinational, Mobile Telecommunication Network (MTN) whose impact on all aspects of development in Africa, the Middle East and Asia is phenomenal. By 2018, MTN controlled a substantial share of the three hundred million market subscriptions in Sub Saharan Africa, the highest growth region in the world. In Ghana, which is the focus of this book, is about how the MTN Group at one time under the chairmanship of Cyril Ramaphosa, later President of South Africa, entered West Africa to lead the market in Ghana. With a largely homegrown skills bank, a new generation is using this technology to grow the country’s economic trajectory in the form of rural agriculture and coastal or blue economies. From cottage industries to mobile financial services and capital markets, the provision of African development via technology influenced solutions and apps to demonstrate how corporate philanthropy is built into venture enterprise. |
| david adjaye financial times: The Black Speculative Arts Movement Reynaldo Anderson, Clinton R. Fluker, 2019-11-13 The Black Speculative Arts Movement: Black Futurity, Art+Design is a 21st century statement on the intersection of the future of African people with art, culture, technology, and politics. This collection enters the global debate on the emerging field of Afrofuturism studies with an international array of scholars and artists contributing to the discussion of Black futurity in the 21st century. The contributors analyze and respond to the invisibility or mischaracterization of Black people in the popular imagination, in science fiction, and in philosophies of history. |
| david adjaye financial times: David Adjaye David Adjaye, 2006 The most exciting and accomplished young architect to emerge on the international scene in many years, David Adjaye uses an artist's clarity of concept to create an engaging architecture that concentrates on materials and issues of place and identity. Born in Tanzania into a diplomatic family, Adjaye enjoyed a wide-ranging formal and cultural education, which has allowed him to respond deftly and instinctively to wildly differing projects, avoiding conventional solutions and seeking to open up new possibilities. The innovation in Adjaye's career is exemplified in his residential works, which show careful experimentation and exquisite nuances. Perhaps his best-known houses are those constructed in a range of settings for people such as artist Chris Ofili and actor Ewan McGregor. Four essential components make up this, Adjaye's first monograph: an introduction by Stuart Hall; a documentation of thirteen of Adjaye's most important projects, over half of which are published here in full for the first time, presented through descriptions, detailed plans and photographs; a series of visual essays that highlight the tactile, luminous and luxurious nature of Adjaye's work; and essays from cultural critics who have been touched by his buildings. |
| david adjaye financial times: African Metropolitan Architecture: THE MAGHREB: Algiers David Adjaye, 2011 David Adjaye is one of the world's most exciting and accomplished architects, and has built many highly acclaimed houses and public buildings in the UK and USA. Over a ten-year period, the Tanzanian born, London-based architect has visited 53 major African cities and photographed thousands of buildings, sites and places that few of us will ever be able to visit. This 7-volume set documents Adjaye's tribute to African metropolitan architecture. The individual volumes present cities according to the terrain in which they are situated: the Maghreb, Desert, The Sahel, Savannah and Grassland, Mountain and Highveld, and Forest. Each city is shown in a concise urban history, fact file, maps and satellite imagery, along with Adjaye's personal travel notes and dozens of photographs of the city's civic, commercial and residential architecture. All six terrain volumes feature an introductory essay by Adjaye, and a separate volume is dedicated to essays by leading academics and commentators on Africa. |
| david adjaye financial times: Black Art: A Cultural History (Third) (World of Art) Richard J. Powell, 2021-10-26 This groundbreaking study explores the visual representations of Black culture across the globe throughout the twentieth century and into the twenty-first. The African diaspora—a direct result of the transatlantic slave trade and Western colonialism—has generated a wide array of artistic achievements, from blues and reggae to the paintings of the pioneering American artist Henry Ossawa Tanner and the music videos of Solange. This study concentrates on how these works, often created during times of major social upheaval and transformation, use Black culture both as a subject and as context. From musings on “the souls of black folk” in late-nineteenth-century art to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped Black presence in modern and contemporary visual culture. Renowned art historian Richard J. Powell presents Black art drawn from across the African diaspora, with examples from the Americas, the Caribbean, and Europe. Black Art features artworks executed in a broad range of media, including film, photography, performance art, conceptual art, advertising, and sculpture. Now updated and expanded, this new edition helps to better understand how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues. |
| david adjaye financial times: Intentional Destruction of Cultural Heritage and the Law Alberta Fabbricotti, 2024-09-09 The world has been shocked by the destruction of world cultural heritage sites over the past two decades, as seen in widely disseminated videos depicting events such as the demolition of the Buddhas of Bamiyan and the ancient Syrian city of Palmyra. These acts are perhaps the clearest and most glaring examples of what is meant by the ‘Intentional Destruction of the Cultural Heritage of Humankind’ (IDCHH). The book explores in detail the remedies against IDCHH available under international law. These remedies are defined as all the lawful responses provided for both by customary law and by the special responsibility regimes created under the many substantive areas of international law. The examination includes UNESCO instruments and UN measures for the maintenance of international peace, mechanisms for the protection of human rights and those for the protection of investments, and international criminal justice outcomes through the decisions of the Permanent Criminal Court. Thus, the book explores avenues for response such as appeals to international courts, peacekeeping operations and referrals to the criminal legislation of States, in addition to reparations. The concept of the Cultural Heritage of Humankind implies that IDCHH harms all States and all peoples and human groupings in the world, not only the State or people on whose territory the cultural property is located. The book identifies the international law avenues for subjects not directly injured by IDCHH to obtain its cessation and reparation. This book is essential reading for students, academics and practitioners exploring international law and the destruction of cultural heritage. |
| david adjaye financial times: Radical Curiosity Seth Goldenberg, 2022-08-23 A bold manifesto arguing that the most complex challenges we face today—as individuals, businesses, and a society—require us to ask deeper questions, not seek easier answers “With this beautifully written book, Seth Goldenberg awakens the gifts we all possess: wonder, optimism, and the fearlessness to reverse destruction.”—Bruce Vaughn, vice president of experiential creative product, Airbnb In a world with an endless hunger for innovation, why is it so hard to create audacious change? According to thought leader Seth Goldenberg, the answer to this question stems from how we, as a society, view questions themselves. In Radical Curiosity, Goldenberg argues that because we value knowing above learning and prioritize doing over thinking, curiosity has become an endangered species. Only by rediscovering the power of questions can we hope to rewrite the commonly held “legacy” narratives that no longer serve us and to remake our organizations, our politics, and our lives. With this empowering book, Goldenberg introduces the practice of Radical Curiosity through the lens of seven narratives that are going through significant transformation: Learning, Cohesion, Time, Youth, Aliveness, Nature, and Value. Along the way, he unpacks principles intended to spark our own questioning, including: • Education is too big to fail, but maybe it should. • Time travel isn’t reserved for DeLoreans. • Let us now praise rural communities. • Survival economics have made imagination a luxury good. Blending philosophy, business strategy, cultural criticism, and fascinating case studies, Radical Curiosity is a new way of solving our most complex problems—one focused not on technology or science but on the power of human inquiry. By asking us to relearn how we learn, reengage in dialogue, revive our youthful sense of wonder, and rethink what we value, it reignites the curiosity needed to imagine and build a better world. |
| david adjaye financial times: PIN-UP Interviews Felix Burrichter, Andrew Ayers, 2013-09-17 The PIN–UP Interviews is a compilation of over 50 of the most fascinating interviews from PIN-UP magazine since its first issue was published in October 2006. Serious, yet accessible, featuring the elegant and modern aesthetic PIN-UP’s readers have come to expect, there is no comparable source available for such a stunning array of contemporary design talent collected in one place. It is indispensable to all lovers of today’s brightest architectural and design ideas. The PIN–UP Interviews is the first book produced by PIN–UP, the award-winning, New York-based, biannual architecture and design magazine. Cheekily dubbing itself the “Magazine for Architectural Entertainment,” PIN–UP features interviews with architects, designers, and artists, and presents their work informally—as a fun assembly of ideas, stories, and conversations, all paired with cutting-edge photography and artwork. Both raw and glossy, this “cult design zine” (The New York Times) is a nimble mix of genres and themes, finding inspiration in the high and the low by casting a refreshingly playful eye on rare architectural gems, amazing interiors, smart design, and that fascinating area where those spheres connect with contemporary art. Included in The PIN-UP Interviews are the architects David Adjaye, Shigeru Ban, Ricardo Bofill, David Chipperfield, Zaha Hadid, Junya Ishigami, Rem Koolhaas, Peter Marino, Richard Meier, and Ettore Sottsass; artists Daniel Arsham, Cyprien Gaillard, Simon Fujiwara, Oscar Tuazon, Francesco Vezzoli, Boris Rebetez, Retna, Robert Wilson, and Andro Wekua; and designers Rafael de Cárdenas, Martino Gamper, Rick Owens, Hedi Slimane, Bethan Laura Wood, and Clémence Seilles. |
| david adjaye financial times: African Modernism Manuel Herz, Ingrid Schröder, Hans Focketyn, Julia Jamrozik, 2022-10-10 A new edition of the most comprehensive survey of modern architecture in Africa to date. When the first edition of African Modernism was published in 2015, it was received with international praise and has been sought after constantly ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book becomes available again in a new edition. In the 1950s and 1960s, most African countries gained independence from their respective colonial power. Architecture became one of the principal means by which the newly formed countries expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d'Ivoire, Kenya, and Zambia. It features one hundred buildings with brief descriptive texts, images, site plans, and selected floor plans and sections. The vast majority of images were newly taken by Iwan Baan and Alexia Webster for the book's first edition. Their photographs document the buildings in their present state. Each country is portrayed in an introductory text and a timeline of historic events. Further essays on postcolonial Africa and specific aspects and topics, also illustrated with images and documents, round out this outstanding volume. |
| david adjaye financial times: Collaborations in Architecture and Engineering Clare Olsen, Sinead Mac Namara, 2021-12-30 This new edition of Collaborations in Architecture and Engineering explores how to effectively develop creative collaborations among architects and engineers. The authors, an architect and an engineer, share insights gained from their experiences and research on fostering productive communication, engaging in interdisciplinary discussions, and establishing common design goals. Together, they share the tools, methods, and best practices deployed by prominent innovative architects and engineers to provide readers with the key elements for success in interdisciplinary design collaborations. The book offers engaging stories about prominent architect and engineer collaborations––such as those between SANAA and Sasaki and Partners, Adjaye Associates and Silman, Grafton Architects and AKT II, Studio Gang and Arup, Foster + Partners and Buro Happold, Steven Holl Architects and Guy Nordenson and Associates, and among the engineers and architects at SOM. In the second edition, the newly added case studies showcase extraordinary buildings across the globe at a range of scales and typologies, tracing the facets of high-quality collaborations. Through the examples of these remarkable synergies, readers gain insights into innovative design processes that address complex challenges in the built environment. The second edition of Collaborations in Architecture and Engineering is a terrific sourcebook for students, educators, and professionals interested in integrative design practice among the disciplines. |
| david adjaye financial times: Building Meaning Tamara Metz, 2021-12-30 Building Meaning: An Architecture Studio Primer on Design, Theory, and History is an essential introduction to the complex relationship between form making, historical analysis, and conceptual explorations. This book focuses on the relationship and interdependence between design, theory, and history for an innovative and holistic studio approach. Rather than suggest a singular narrative, this book draws from a diverse range of thinkers and designers to highlight the many interpretations of key architectural concepts, and provides readers with the context essential for developing their own approaches to any design problem. Building Meaning is organized to reflect the typical studio process, with stand-alone chapters that provide flexibility for use at any stage of design. The ideal book for beginning and intermediate architecture students, it gives specific methods to apply in the studio to make the most of the design process, as well as focused exercises to creatively explore each concept presented. Illustrated with more than 250 color images, it enables readers to engage and understand critically the genesis of architectural ideas and their role in our social and cultural experience. |
| david adjaye financial times: Making a Museum in the 21st Century Melissa Chiu, 2014 Making a museum in the 21st Century is an essential overview of pressing issues faced by museums around the world in a new era of audience engagement. This book contains essays from luminaries in the field along with selected transcriptions from the 2013 inaugural Asia Society Arts & Museum Summit. The perspectives of prominent museum leaders, directors, and curators are presented alongside those of top architects and artists as they tackle questions about the form and function of a museum in the 21st century.--Back cover. |
| david adjaye financial times: The Power of Global Teams E. Marx, 2013-11-08 This highly practical book explains how executive teams in global companies can work together to successfully drive change, enable fast growth or restructure the business. It demonstrates a clear correlation between team development and business results and even deals with special issues for teams in the not-for-profit sector and emerging markets. |
| david adjaye financial times: Crown Hall Dean’s Dialogues 2012-2017 Agata Siemionow, 2022-03-07 Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology, College of Architecture. Voices ranging from Phyllis Lambert to David Adjaye to Rafael Vinoly expound and express their thoughts freely, digging deeply into essential themes that drive their work, study and process. This title provides intimate insight directly from leading architectural and design practitioners, who in the process of being interviewed, further the academic discourse conducted at IIT College of Architecture. Features interviews with leading architects and luminaries including Kazuyo Sejima, William Baker, Wiel Arets, Junya Ishigami, Stefano Boeri, Peter Eisenman, Rafael Viñoly, Ben van Berkel, Pezo von Ellrichshausen, Phyllis Lambert, Riken Yamamoto, Herman Hertzberger, Armand Mevis, David Adjaye, Erwin Olaf, Dominique Perrault, Stan Allen, and Bernard Khoury. Published by Actar Publishers & IITAC |
| david adjaye financial times: Aluminium Michael Stacey, 2023-11-15 Are you making the most of aluminium? Aluminium is one of the most flexible and durable materials to design with. With exceptional strength, durability and affordability, it provides us with more than simply the ability to select products. When understood properly, aluminium becomes something to design with. In a world where over half humankind now lives in cities there is a need to design zero carbon, attractive and durable architecture. This can only be achieved if we are more resourceful, if we achieve more with less by understanding materials well, using finite element analysis and computer aided design. Aluminium can be part of that route to affordable and durable architecture. Recycling aluminium takes only 5% of the energy required to produce primary aluminium and it can be recycled almost infinitely without any loss of properties. Combining an inspirational overview of the use of aluminium in architecture and infrastructure with a technical level of detail, this book shows how useful and versatile aluminium is – and how architects can actually design with it. This book provides access to state of the art research into the best practice in application of aluminium to architecture: from curtain walling and cladding roofing to structural considerations. It demonstrates the material’s design flexibility and how it works well with other materials. Each process will be accompanied by exemplar case studies that demonstrate the potential and application. Woven into the structure of the book are the primary benefits of aluminium: its flexiblilty, its durability, its sustainable properties and its cost-effectiveness. Whether you’re a first year student or a seasoned designer or engineer, this book provides an accessible and deep dive into the uses and benefits of aluminium. |
| david adjaye financial times: Concurrent Urbanities Miodrag Mitrasinovic, 2015-10-14 Design has been employed as an agent of social and political change, and a catalyst for spatial and urban transformations in cities across the world. Concurrent Urbanities argues for the centrality of designing in the conceptualization and production of inclusive and participatory urban space, by bringing together civic and urban activists, urbanists, designers and architects committed to exploring designing as a socio-spatial praxis concerned with the reorganization of urban socio-economic systems and relations of power. The blend of first-hand experiences and reflections of the urban practitioners featured reframes design practice beyond the design of physical objects and public amenities, to the design of social protocols, processes, and infrastructures for radically reframing practices of socio-spatial inclusion ‘on the ground.’ Through illustrated examples, this book features the work of Stalker and Stealth who employ design to negotiate new social contracts; Teddy Cruz's design of urban political and economic processes; models of urban pedagogy by the Center for Urban Pedagogy; Cohabitation Strategies’ work on designing urban social cooperatives; and others. Concurrent Urbanities presents a compendium of the emerging models of design-driven urban practice that offers important new insights to professional urban practitioners as well as to students of urbanism, architecture, urban design, and urban and spatial planning. |
| david adjaye financial times: Museums in Motion Juilee Decker, 2024-08-06 This book explores the histories and functions of museums while also looking at the current standing of museums and their ongoing efforts toward relevance, resiliency, and future-proofing. Section I examines the beginnings of museums with chapters dedicated to art and design museums; natural history and anthropological museums; science museums; museums focused history and the past; and gardens, zoos, and children’s museums. Emphasis is on museums in the United States, with some historical framing beyond the U.S. Section II explores the primary functions of museums, including conservation, exhibition, interpretation, engagement, and service. Section III examines museums from within by exploring critical issues and contemporary movements facing museums and our society: transparency and openness, labor and equity, belonging and coalition-building, risk-taking and risk aversion, and sustainability and empathy. Advocating for change rather than “death to museums,” Museums in Motion demonstrates the very premise that museums have been in motion all along, as they have shifted from their rather simple form of a treasury, storehouse, and tomb to something much more complex by deeply considering where museums have come from, where they are today, and where they are going. Entirely new to this edition, Section III (Museum Aspirations) features five new chapters, each centered around topics, rather than a museum type or museum function. Each topic is meant to be a micro-narrative and springboard for a conversation about museums today and their sustainability in the future. The chapters examine museums from the inside (museum workers and their voices, especially, as well as power held by people and institutions) and DEIA without using those individual words as chapter headings. On their own, or in conjunction with the chapters in the previous sections of this book, these chapters serve as vignettes that can help readers to understand where, how, and why we need to apply critical lenses to institutions and articulate how doing so helps us to understand this historical moment and, ultimately how we can realize resiliency and sustainability for museums and those who make their existence possible. |
| david adjaye financial times: Merchants of Style Natasha Degen, 2023-05-17 Looking at Andy Warhol’s legacy as maker and muse, this book offers a critical examination of the coalescence of commerce and style. Merchants of Style explores the accelerating convergence of art and fashion, looking at the interplay of artists and designers, and the role of institutions—both public and commercial—that have brought about this marriage of aesthetic industries. The book argues that one figure more than any other anticipated this moment: Andy Warhol. Beginning with an overview of art and fashion’s deeply entwined histories, and then picking up where Warhol left off, Merchants of Style tells the story of art’s emboldened forays into commerce and fashion’s growing embrace of art. As the two industries draw closer together than ever before, this book addresses urgent questions about what this union means and what the future holds. |
| david adjaye financial times: David Adjaye Art Institute of Chicago, 2015-01-01 David Adjaye, a major international figure in architecture and design, transforms complex ideas into approachable, innovative structures. The book contains an introduction by Okwui Enwezor and Zèoe Ryan; an essay by Adjaye himself; analyses of his master plans, transnational architecture, monuments and memorials, and the National Museum of African American History and Culture in Washington, D.C.; and portfolios of his work, grouped by theme-- |
| david adjaye financial times: The Architects' Journal , 2004 |
| david adjaye financial times: The Routledge Companion to African Diaspora Art History Eddie Chambers, 2024-10-31 This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent, alongside the complexities of Africa-born artists who have migrated to other parts of the world. The group of international contributors emphasizes and accentuates the interplay between, for example, Caribbean art and African Diaspora art, or Latin American art and African Diaspora art, or Black British art and African Diaspora art. The book will be of interest to scholars and students working in art history, the various branches of African studies, African American studies, African Diaspora studies, Caribbean studies, and Latin American studies. |
| david adjaye financial times: Diversity and Design Beth Tauke, Korydon Smith, Charles Davis, 2015-08-27 Diversity and Design explores how design - whether of products, buildings, landscapes, cities, media, or systems - affects diverse members of society. Fifteen case studies in television, marketing, product design, architecture, film, video games, and more, illustrate the profound, though often hidden, consequences design decisions and processes have on the total human experience. The book not only investigates how gender, race, class, age, disability, and other factors influence the ways designers think, but also emphasizes the importance of understanding increasingly diverse cultures and, thus, averting design that leads to discrimination, isolation, and segregation. With over 140 full-color illustrations, chapter summaries, discussion questions and exercises, Diversity and Design is a valuable tool to help you understand the importance of designing for all. |
| david adjaye financial times: How Architecture Works Witold Rybczynski, 2013-10-08 An essential toolkit for understanding architecture as both art form and the setting for our everyday lives We spend most of our days and nights in buildings, living and working and sometimes playing. Buildings often overawe us with their beauty. Architecture is both setting for our everyday lives and public art form—but it remains mysterious to most of us. In How Architecture Works, Witold Rybczynski, one of our best, most stylish critics and winner of the Vincent Scully Prize for his architectural writing, answers our most fundamental questions about how good—and not-so-good—buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, he takes us behind the scenes, revealing how architects as different as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs. He teaches us how to read plans, how buildings respond to their settings, and how the smallest detail—of a stair balustrade, for instance—can convey an architect's vision. Ranging widely from a war memorial in London to an opera house in St. Petersburg, from the National Museum of African American History and Culture in Washington, D.C., to a famous architect's private retreat in downtown Princeton, How Architecture Works, explains the central elements that make up good building design. It is an enlightening humanist's toolkit for thinking about the built environment and seeing it afresh. Architecture, if it is any good, speaks to all of us, Rybczynski writes. This revelatory book is his grand tour of architecture today. |
| david adjaye financial times: Remaking London Ben Campkin, 2013-08-13 Between the slum clearances of the early twentieth century and debates about the post-Olympic city, the drive to 'regenerate' London has intensified. Yet today, with a focus on increasing land values, regeneration schemes purporting to foster diverse and creative new neighbourhoods typically displace precisely the qualities, activities and communities they claim to support. In Remaking London Ben Campkin provides a lucid and stimulating historical account of urban regeneration, exploring how decline and renewal have been imagined and realised at different scales. Focussing on present-day regeneration areas that have been key to the capital's modern identity, Campkin explores how these places have been stigmatised through identification with material degradation, and spatial and social disorder. Drawing on diverse sources - including journalism, photography, cinema, theatre, architectural design, advertising and television - he illuminates how ideas of decline drive urban change. Richly illustrated and engagingly written, Remaking London is both a compelling account of contested sites from the capital's recent history and a powerful critique of the contradictions of contemporary regeneration. |
| david adjaye financial times: Begin with the Past Mabel O. Wilson, 2016-09-27 Rising on the National Mall next to the Washington Monument, the National Museum of African American History and Culture is a tiered bronze beacon inviting everyone to learn about the richness and diversity of the African American experience and how it helped shape this nation. Begin with the Past: Building the National Museum of African American History and Culture is the story of how this unparalleled museum found its place in the nation’s collective memory and on its public commons. Begin with the Past presents the long history of efforts to build a permanent place to collect, study, and present African American history and culture. In 2003 the museum was officially established at long last, yet the work of the museum was only just beginning. The book traces the appointment of the director, the selection of the site, and the process of conceiving, designing, and constructing a public monument to the achievements and contributions of African Americans. The careful selection of architects, designers, and engineers culminated in a museum that embodies African American sensibilities about space, form, and material and incorporates rich cultural symbols into the design of the building and its surrounding landscape. The National Museum of African American History and Culture is a place for all Americans to understand our past and embrace our future, and this book is a testament to the inspiration and determination that went into creating this unique place. |
| david adjaye financial times: The New York Times Magazine , 2007 |
| david adjaye financial times: As Seen Zoë Ryan, 2017-01-01 Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design. |
| david adjaye financial times: A Companion to Modern African Art Gitti Salami, Monica Blackmun Visona, 2013-12-24 Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art |
| david adjaye financial times: Assume Nothing Tanya Selvaratnam, 2021-02-23 “Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women’s rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately.”—Yasmeen Hassan, Global Executive Director, Equality Now “This courageous and terrifying book charts the author’s descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how—even as an educated, sophisticated, liberal feminist—she was enthralled by her lover’s fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption.”—Andrew Solomon, National Book Award-winning author of Far from the Tree and The Noonday Demon Award-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America. When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions—Selvaratnam in entertainment and the art world; Schneiderman in law and politics. Behind closed doors, however, Tanya’s life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya—who was born in Sri Lanka and grew up in Southern California—his “brown slave.” He isolated and manipulated her, even threatening to kill her if she tried to leave. Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York. Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya’s relationship devolved into abuse, how she found the strength to leave—risking her career, reputation, and life—and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence. |
| david adjaye financial times: The New York Times Index , 2009 |
| david adjaye financial times: Spaces of Aid Lisa Smirl, 2015-03-12 Aid workers commonly bemoan that the experience of working in the field sits uneasily with the goals they’ve signed up to: visiting project sites in air-conditioned Land Cruisers while the intended beneficiaries walk barefoot through the heat, or checking emails from within gated compounds while surrounding communities have no running water. Spaces of Aid provides the first book-length analysis of what has colloquially been referred to as Aid Land. It explores in depth two high-profile case studies, the Aceh tsunami and Hurricane Katrina, in order to uncover a fascinating history of the objects and spaces that have become an endemic yet unexamined part of the delivery of humanitarian assistance. |
| david adjaye financial times: Personal Name Index to "The New York Times Index," 1975-2003 Supplement: A-Bo Byron A. Falk, 2006 |
| david adjaye financial times: The Official Index to the Financial Times , 2003 |
| david adjaye financial times: The New Arab Urban Harvey Molotch, Davide Ponzini, 2019-02-05 Cities of the Arabian Peninsula reveal contradictions of contemporary urbanization The fast-growing cities of the Persian Gulf are, whatever else they may be, indisputably sensational. The world’s tallest building is in Dubai; the 2022 World Cup in soccer will be played in fantastic Qatar facilities; Saudi Arabia is building five new cities from scratch; the Louvre, the Guggenheim and the Sorbonne, as well as many American and European universities, all have handsome outposts and campuses in the region. Such initiatives bespeak strategies to diversify economies and pursue grand ambitions across the Earth. Shining special light on Dubai, Abu Dhabi, and Doha—where the dynamics of extreme urbanization are so strongly evident—the authors of The New Arab Urban trace what happens when money is plentiful, regulation weak, and labor conditions severe. Just how do authorities in such settings reconcile goals of oft-claimed civic betterment with hyper-segregation and radical inequality? How do they align cosmopolitan sensibilities with authoritarian rule? How do these elite custodians arrange tactical alliances to protect particular forms of social stratification and political control? What sense can be made of their massive investment for environmental breakthrough in the midst of world-class ecological mayhem? To address such questions, this book’s contributors place the new Arab urban in wider contexts of trade, technology, and design. Drawn from across disciplines and diverse home countries, they investigate how these cities import projects, plans and structures from the outside, but also how, increasingly, Gulf-originated initiatives disseminate to cities far afield. Brought together by noted scholars, sociologist Harvey Molotch and urban analyst Davide Ponzini, this timely volume adds to our understanding of the modern Arab metropolis—as well as of cities more generally. Gulf cities display development patterns that, however unanticipated in the standard paradigms of urban scholarship, now impact the world. |
DAVID Functional Annotation Bioinformatics Microarray Analysis
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DAVID Functional Annotation Bioinformatics Microarray Analysis
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