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| dead space language translator: Fruit of the Drunken Tree Ingrid Rojas Contreras, 2018-07-31 NATIONAL BESTSELLER • Seven-year-old Chula lives a carefree life in her gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside her walls, where the godlike drug lord Pablo Escobar reigns, capturing the attention of the nation. “Simultaneously propulsive and poetic, reminiscent of Isabel Allende...Listen to this new author’s voice—she has something powerful to say.” —Entertainment Weekly When her mother hires Petrona, a live-in-maid from the city’s guerrilla-occupied neighborhood, Chula makes it her mission to understand Petrona’s mysterious ways. Petrona is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls’ families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy. Inspired by the author's own life, Fruit of the Drunken Tree is a powerful testament to the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation. |
| dead space language translator: Experimental Translation Lily Robert-Foley, 2024-02-27 The history and future of an alternative, oppositional translation practice. The threat of machine translation has given way to an alternative, experimental practice of translation that reflects upon and hijacks traditional paradigms. In much the same way that photography initiated a break in artistic practices with the threat of an absolute fidelity to the real, machine translation has paradoxically liberated human translators to err, to diverge, to tamper with the original, blurring creation and imitation with cyborg collage and appropriation. Seven chapters reimagine seven classic “procedures” of translation theory and pedagogy: borrowing, calque, literal translation, transposition, modulation, equivalence, and adaptation, updating them for the material political and poetic concerns of the contemporary era. Each chapter combines reflections from translation studies and experimental literature with practical guides, sets of experimental translation “procedures” to try at home or abroad, in the classroom, the laboratory, the garden, the dance hall, the city, the kitchen, the library, the shopping center, the supermarket, the train, the bus, the airplane, the post office, on the radio, on your phone, on your computer, and on the internet. |
| dead space language translator: Translation Jan Steyn, 2022-09-22 The various dimensions of translation studies, too often studied independently, are here brought into conversation: Translation practice, including the various crafts employed by its practitioners; the specialized contexts in which translation occurs or against which translation can be considered; and the ethico-political consequences of translations or the manner of their making. Including exciting new work from leading translation theorists, practicing literary translators, and prominent thinkers from adjoining disciplines such as psychoanalysis and neuroscience, the essays gathered here demonstrate many rich areas of overlap, with translation pedagogy, the fundamental nature of translation, the translator's creativity, retranslation, canon formation, and the geopolitical stakes of literary translation among them. |
| dead space language translator: Communications Standard Dictionary Martin Weik, 2012-12-06 Now in its Third Edition, the Communications Standard Dictionary maintains its position as the most comprehensive dictionary covering communications technologies available. A one-of-a-kind reference, this dictionary remains unmatched in the breadth and scope of its coverage nd its pprimary reference for communications, computer, data processing, and control systems professionals. |
| dead space language translator: Time, Space, Matter in Translation Pamela Beattie, Simona Bertacco, Tatjana Soldat-Jaffe, 2022-09-28 Time, Space, Matter in Translation considers time, space, and materiality as legitimate habitats of translation. By offering a linked series of interdisciplinary case studies that show translation in action beyond languages and texts, this book provides a capacious and innovative understanding of what translation is, what it does, how, and where. The volume uses translation as a means through which to interrogate processes of knowledge transfer and creation, interpretation and reading, communication and relationship building—but it does so in ways that refuse to privilege one discipline over another, denying any one of them an entitled perspective. The result is a book that is grounded in the disciplines of the authors and simultaneously groundbreaking in how its contributors incorporate translation studies into their work. This is key reading for students in comparative literature—and in the humanities at large—and for scholars interested in seeing how expanding intellectual conversations can develop beyond traditional questions and methods. |
| dead space language translator: Trigun Deluxe Edition Yasuhiro Nightow, 2024-09-10 Trigun is a worldwide manga and anime sensation! Trigun Deluxe Edition collects Trigun Volume 1 and 2 in a beautiful hardcover featuring nearly 700 pages of Yasuhiro’s Nightow’s signature creation, collected for the first time in its original oversized format! On the forbidding desert planet of Gunsmoke, a sixty billion double-dollar bounty hangs over the head of Vash the Stampede, a pistol-packing pacifist with a weapon capable of punching holes in a planet. Every trigger-happy psycho in creation is aiming to claim Vash dead or alive—preferably dead!—and although Vash believes in nonviolence, he won’t go down without a fight. And when Vash fights, destruction is sure to follow! This Deluxe Edition features: The original 7 X 10 page format. Faux leather cover with foil stamping and burnishing. A bookmark ribbon. Collects Trigun Volume 1 and 2. |
| dead space language translator: Poetry & Translation Peter Robinson, 2010-01-01 `The conviction, pleasures and gratitude of committed reading are evident in his affirmation of the poetic contract between readers and writers.' Andrea Brady, Poetry Review -- |
| dead space language translator: Chaucer Translator Paul Beekman Taylor, 1998 Examines Chaucer's re-contextualizing of story and the ways in which he re-tailors old texts into new apparel. After a polemical introduction, five chapters reveal Chaucer confronting the implications of Nominalism and Realism to translation in his Canterbury Tales. The next four chapters consider borrowings from old texts which are put to modern use in Chaucer's stories. A final chapter sums up Chaucer's style of translation with a look at two translations from Petrarch. Annotation copyrighted by Book News, Inc., Portland, OR |
| dead space language translator: Translation and Language Peter Fawcett, 2014-06-03 Translation Studies and linguistics have been going through a love-hate relationship since the 1950s. This book assesses both sides of the relationship, tracing the very real contributions that linguists have made to translation studies and at the same time recognizing the limitations of many of their approaches. With good humour and evenhandedness, Fawcett describes detailed taxonomies of translation strategies and deals with traditional problems such as equivalence. Yet he also explains and assesses the more recent contributions of text linguistics, sociolinguistics, pragmatics and psycholinguistics. This work is exceptional in that it presents theories originally produced in Russian, German, French and Spanish as well as English. Its broad coverage and accessible treatment provide essential background reading for students of translation at all levels. |
| dead space language translator: Scientific and Technical Aerospace Reports , 1984 |
| dead space language translator: Found in Translation Nataly Kelly, Jost Zetzsche, 2012-10-02 Translation. It’s everywhere we look, but seldom seen—until now. Found in Translation reveals the surprising and complex ways that translation shapes the world. Covering everything from holy books to hurricane warnings and poetry to peace treaties, Nataly Kelly and Jost Zetzsche offer language lovers and pop culture fans alike an insider’s view of the ways in which translation spreads culture, fuels the global economy, prevents wars, and stops the outbreak of disease. Examples include how translation plays a key role at Google, Facebook, NASA, the United Nations, the Olympics, and more. |
| dead space language translator: Deep Space Dogfights Rogue Planet Press, 2015-06-02 We have incoming... From Gavin Chappell, editor-in-chief of imprint Rogue Planet Press and editor E.S. Wynn comes the ultimate space opera anthology, full of stories of rebellion, ambition and supersonic, hyperbolic aerial dogfights that will leave you shaken and stirred by both G-force and unashamed conflict. |
| dead space language translator: The Translators Visibility Heather Cleary, 2020-12-10 At the intersection of translation studies and Latin American literary studies, The Translator's Visibility examines contemporary novels by a cohort of writers including prominent figures such as Cristina Rivera Garza, César Aira, Mario Bellatin, Valeria Luiselli, and Luis Fernando Verissimo who foreground translation in their narratives. Drawing on Latin America's long tradition of critical and creative engagement of translation, these novels explicitly, visibly, use major tropes of translation theory such as gendered and spatialized metaphors for the practice, and the concept of untranslatability to challenge the strictures of intellectual property and propriety while shifting asymmetries of discursive authority, above all between the original as a privileged repository of meaning and translation as its hollow emulation. In this way, The Translator's Visibility show that translation not only serves to renew national literatures through an exchange of ideas and forms; when rendered visible, it can help us reimagine the terms according to which those exchanges take place. Ultimately, it is a book about language and power: not only the ways in which power wields language, but also the ways in which language can be used to unseat power. |
| dead space language translator: About Translation Peter Newmark, 1991 Peter Newmark's third book is an attempt to deepen and extend his views on translation. He goes easy on theories and models and diagrams and offers a few correlative statements to assist translators in finding a variety of options and in making their decisions. |
| dead space language translator: Routledge Encyclopedia of Translation Studies Mona Baker, 2003-09-02 The Routledge Encyclopedia of Translation Studies has been the standard reference in the field since it first appeared in 1998. The second, extensively revised and extended edition brings this unique resource up to date and offers a thorough, critical and authoritative account of one of the fastest growing disciplines in the humanities. The Encyclopedia is divided into two parts and alphabetically ordered for ease of reference:Part I (General) covers the conceptual framework and core concerns of the discipline. Categories of entries include:* c. |
| dead space language translator: Kitchen Table Translation Madhu H. Kaza, 2017-07 The Kitchen Table Translation issue of Aster(ix) explores the connections between translation (the movement of texts) and migration (the movement of bodies). It features immigrant and diasporic translators, and brings together personal, cultural, and political dimensions of translation with the literary and aesthetic aspects of the work. |
| dead space language translator: Iberian Babel: Translation and Multilingualism in the Medieval and the Early Modern Mediterranean , 2022-07-11 Translation and multilingualism are an integral part of Iberian culture, having shaped its literary traditions and cultural production for centuries, contributing to the transmission of knowledge and texts, and to the formation of the religious, linguistic, and ethnic identities. |
| dead space language translator: Translation, Manipulation and Interpreting Aiga Dukāte, 2009 The most provocative claim ever made about translation that «from the point of view of the target literature all translation implies a degree of manipulation of the source text for a certain purpose» (Hermans 1985:11), known as the manipulation hypothesis, serves as the departure point for this study. Translation is manipulation! What does it mean? How can it be? Can it be trusted? And what about its sister activity interpreting? The book provides answers to all these questions and more. It investigates the allegedly manipulative side of translation and interpreting, and offers an overview of scholarly and practitioner stances on translation and interpreting as manipulation as well as a fine-grained typology of translational manipulation with examples. This study would appeal to translators, interpreters, scholars, and students alike. |
| dead space language translator: Advances in Nuclear Science and Technology Jeffrey Lewins, Martin Becker, 2012-12-06 This volume represents the second of our occasional departures from the format of an annual review series, being devoted to one coherent topic. We have the pleasure therefore in presenting a concerted sequence of articles on the use of Simulators for Nuclear Power. An essential attribute of a quantified engineer in any discipline is to be able to model and predict, i.e. to analyze, the behaviour of the subject under scrutiny. Simulation goes, one would argue, a step further. The engineer providing a simulator takes a broader view of the system studied and makes the analysis available to a wider audience. Hence simulation may have a part to play in design but also in operation, in accident studies and also in training. It leads to synthesis as well as analysis. There is no doubt that the massive scale and the economic investment implied in nuclear power programmes demands an increased infra-structure in licensing and training as well as in design and operation. The simulator is a cheap alter native - admittedly cheap only in relative terms - but also perhaps an essential method of providing realistic experience with negligible or at least small risk. Nuclear power therefore has led to a wide range of simulators. At the same time we would not overlook the sub stantial role played by simulators in say the aero-industry; indeed the ergonomic and psychological studies associated with that industry hold many lessons. |
| dead space language translator: The Poetics of Literary Transfer in Early Modern France and England Hassan Melehy, 2016-02-24 Examining both familiar and underappreciated texts, Hassan Melehy foregrounds the relationships that early modern French and English writers conceived with both their classical predecessors and authors from flourishing literary traditions in neighboring countries. In order to present their own avowedly national literatures as successfully surpassing others, they engaged in a paradoxical strategy of presenting other traditions as both inspiring and dead. Each of the book's four sections focuses on one early modern author: Joachim Du Bellay, Edmund Spenser, Michel de Montaigne, and William Shakespeare. Melehy details the elaborate strategies that each author uses to rewrite and overcome the work of predecessors. His book touches on issues highly pertinent to current early modern studies: among these are translation, the relationship between classicism and writing in the vernacular, the role of literature in the consolidation of the state, attitudes toward colonial expansion and the New World, and definitions of modernity and the past. |
| dead space language translator: Translation in a Postcolonial Context Maria Tymoczko, 2016-04-08 This ground-breaking analysis of the cultural trajectory of England's first colony constitutes a major contribution to postcolonial studies, offering a template relevant to most cultures emerging from colonialism. At the same time, these Irish case studies become the means of interrogating contemporary theories of translation. Moving authoritatively between literary theory and linguistics, philosophy and cultural studies, anthropology and systems theory, the author provides a model for a much needed integrated approach to translation theory and practice. In the process, the work of a number of important literary translators is scrutinized, including such eminent and disparate figures as Standishn O'Grady, Augusta Gregory and Thomas Kinsella. The interdependence of the Irish translation movement and the work of the great 20th century writers of Ireland - including Yeats and Joyce - becomes clear, expressed for example in the symbiotic relationship that marks their approach to Irish formalism. Translation in a Postcolonial Context is essential reading for anyone interested in translation theory and practice, postcolonial studies, and Irish literature during the 19th and 20th centuries. |
| dead space language translator: Creative Classical Translation Paschalis Nikolaou, 2023-09-30 This Element surveys transmissions of ancient Greek and Latin texts into anglophone literatures. Creativity through translation is a defining feature. It explores numerous textual manifestations and reasons for invention, along with integrations of thinking on classical translation over the centuries, helping shape present-day translation studies. |
| dead space language translator: Disability in Translation Someshwar Sati, G.J.V. Prasad, 2019-07-08 This volume explores how disability is seen, written about, read and understood through literature and translation. Foregrounding the asymmetrical world of power relations, it delves into the act of translation to exhibit how disability is constructed and deployed in language and culture. The essays in the volume reflect and theorise on experiences of translating various Indian-language stories (into English) which have disability as their subject. They focus on recovering and empowering marginal voices, as well as on the mechanics of translating idioms of disability. Furthermore, the book goes on to engage the reader to demonstrate how disability, and the space it occupies in our lives, can be reinforced or deconstructed in translation. A major intervention in translation and disability studies, this volume will be of great interest to scholars and researchers of literature, culture, and sociology. |
| dead space language translator: Writing-between-Worlds Ottmar Ette, 2016-02-22 This book proposes that there is no better, no more complex way to access a community, a society, an era and its cultures than through literature. For millennia, literature from a wide variety of geocultural areas has gathered knowledge about life, about survival, and about living together, without either falling into discursive or disciplinary specializations or functioning as a regulatory mechanism for cultural knowledge. Literature is able to offer its readers knowledge through direct participation in the form of step-by-step intellectual and affective experiences. Through this ability, it can reach and affect audiences across great spatial and temporal distances. Literature – what different times and cultures have been able to understand as such in a broad sense – has always been characterized by its transareal and transcultural origins and effects. It is the product of many logics, and it teaches us to think polylogically rather than monologically. Literature is an experiment in living, and living in a state of experimentation. About the author Ottmar Ette has been Chair of Romance Literature at the University of Potsdam, Germany, since 1995. He is Honorary Member of the Modern Language Association of America (MLA) (elected in 2014), member of the Berlin-Brandenburg Academy of Sciences and Humanities (elected in 2013), and regular member of the Academia Europaea (since 2010). |
| dead space language translator: Yiddish and the Field of Translation Olaf Terpitz, 2020-11-16 Yiddish literature and culture take a central position in Jewish literatures. They are shaped to a high degree, not least through migration, by encounter, transfer, and transformation. Translation, sustained by writers, translators, journalists amongst others, encompasses besides texts also discourses, concepts and medialities. The volume's contributions negotiate this dynamic field between Yiddish studies, translation and world literature in different spatial and temporal contexts. The focus on translation in Yiddish literature and culture allows insights into the glocal Yiddish cultural production as well as it delivers incentives to current transdisciplinary cultural theories. |
| dead space language translator: Translation and Tourism M. Zain Sulaiman, Rita Wilson, 2019-03-05 This book addresses one of the most central, yet criticised, solutions for international tourism promotion, namely translation. It brings together theory and practice, explores the various challenges involved in translating tourism promotional materials (TPMs), and puts forward a sustainable solution capable of achieving maximum impact in the industry and society. The solution, in the form of a Cultural-Conceptual Translation (CCT) model, identifies effective translation strategies and offers a platform for making TPM translation more streamlined, efficient and easily communicated. Using the English-Malay language combination as a case study, the book analyses tourism discourse and includes a road test of the CCT model on actual end-users of TPMs as well as tourism marketers in the industry. Guidelines for best practices in the industry round out the book, which offers valuable insights not only for researchers but also, and more importantly, various stakeholders in the translation, tourism and advertising industries. |
| dead space language translator: Translation as a Form Douglas Robinson, 2022-07-05 This is a book-length commentary on Walter Benjamin’s 1923 essay Die Aufgabe des Übersetzers, best known in English under the title The Task of the Translator. Benjamin’s essay is at once an immensely attractive work for top-flight theorists of translation and comparative literature and a frustratingly cryptic work that cries out for commentary. Almost every one of the claims he makes in it seems wildly counterintuitive, because he articulates none of the background support that would help readers place it in larger literary-historical contexts: Jewish mystical traditions from Philo Judaeus’s Logos-based Neoplatonism to thirteenth-century Lurianic Kabbalah; Romantic and post-Romantic esotericisms from Novalis and the Schlegels to Hölderlin and Goethe; modernist avant-garde foreclosures on the public and generally the communicative contexts of literature. The book is divided into 78 passages, from one to a few sentences in length. Each of the passages becomes its own commentarial unit, consisting of a Benjaminian interlinear box, a paraphrase, a commentary, and a list of other commentators who have engaged the specific passage in question. Because the passages cover the entire text of the essay in sequence, reading straight through the book provides the reader with an augmented experience of reading the essay. Robinson’s commentary is key reading for scholars and postgraduate students of translation, comparative literature, and critical theory. |
| dead space language translator: At Home in Many Worlds Raoul David Findeisen, 2009 This volume is dedicated to one of the founding figures of Israeli Chinese studies, Professor Irene Eber of The Hebrew University of Jerusalem. It assembles more than two dozen essays by colleagues from all over the world that reflect not only the wide range of her scholarly interests, but above all the fields of research which would not have been established without her and where her contributions will remain. Accordingly, the section Philosophy in China and Intellectual History discusses the thorny and complex process of 'organizing the heritage', from the earliest constructed traditions in Han times around the beginning of our era, up to the debates on modernization in present-day China. After an excursion in Chinese Literature, much space is devoted to Translating the Bible in China, a topic on which her numerous studies have proved seminal and that deals with Chinese perceptions. As its complement, perceptions of China in systematic and historical perspective are at the core of the section devoted to Jewish Life and Letters in the World. The contributions share their approach of paying particular attention to the translation processes strictly speaking and to the hermeneutical process of understanding across time and space more generally. A comprehensive list of publications by Irene Eber concludes the volume. |
| dead space language translator: Radio Corpse Daniel Tiffany, 1995 Focusing on the necrophilic dimension of Pound's poetry and the inflections of materiality enabled by the modernist image, Tiffany finds a continuum between Decadent practice and the avant-garde, between the image's prehistory and its political afterlife, between the corpse language of Victorian poetry and a conception of the radioactive image |
| dead space language translator: Rebuilding Babel: The Translations of W.H. Auden Nirmal Dass, 2021-11-15 |
| dead space language translator: Translation and Culture Katherine M. Faull, 2004 How we view the foreign, presented either in the interrelated forms of culture, language, or text, determines to a large degree the way in which we translate. This volume of essays examines the cultural politics of translation that have determined the production and dissemination of the foreign in domestic cultures as varied as contemporary North America, Europe, and Israel. The essays address from a variety of theoretical perspectives the question posed almost two hundred years ago by the German philosopher Friedrich Schleiermacher of whether the translator should foreignize the domestic or domesticate the foreign. |
| dead space language translator: The Translator's Doubts Julia Trubikhina, 2019-08-28 Using Vladimir Nabokov as its “case study,” this volume approaches translation as a crucial avenue into literary history and theory, philosophy and interpretation. The book attempts to bring together issues in translation and the shift in Nabokov studies from its earlier emphasis on the “metaliterary” to the more recent “metaphysical” approach. Addressing specific texts (both literary and cinematic), the book investigates Nabokov’s deeply ambivalent relationship to translation as a hermeneutic oscillation on his part between the relative stability of meaning, which expresses itself philosophically as a faith in the beyond, and deep metaphysical uncertainty. While Nabokov’s practice of translation changes profoundly over the course of his career, his adherence to the Romantic notion of a “true” but ultimately elusive metaphysical language remained paradoxically constant. |
| dead space language translator: Performing Without a Stage Robert Wechsler, 1998 Performing Without a Stage is a lively and comprehensive introduction to the art of literary translation for readers of foreign fiction and poetry who wonder what it takes to translate, how the art of literary translation has changed over the centuries, what problems translators face in bringing foreign works into English and how they go about solving these problems. This book will also be of interest to translators, writers, editors, critics, and literature students, dealing as it does, often controversially, with such matters as the translator's fidelity to the author, the publishing and reviewing of translations, the nearly nonexistent public image of the stageless translator, and the value for writers and scholars of studying and practicing translation. |
| dead space language translator: Translators on Translation Kelly Washbourne, 2024-12-13 This is a book in pursuit of translators’ philosophies or personal theories of translation. From Vladimir Nabokov and William Carlos Williams to Ursula K. Le Guin and Langston Hughes, Translators on Translation coaxes each subject’s reflections on their art, their particular view of translation, and how they carry out their specific form of translation. The translators’ intellectual biographies expand our understanding of their views, often in their own words, on the aesthetic, political, and philosophical nature of translation; lend insight into their translation decision-making on specific works; afford critical summaries and contextualizations of their key theoretical and theoretico-practical works; unearth their figurative conceptualizations of translation; and construct their subject identities. As a person’s body of work can be diffuse, scattered, fragmentary, and contradictory, inner lives have to be constructed and reconstructed. Through a recovery and narrativizing of their writing and speaking on translation, their interviews, paratextual commentary, letters, lecture notes, and even fiction and poetry, these late twentieth-century subjects answer the question, What is translation to you? The book is supported by additional translators’ profiles and selected translations on the Routledge Translation Studies portal. Translators on Translation is key reading for courses on translation practice, translation history, translation theory, and creative writing courses that engage in translation while also being vital reading for practicing literary translators. |
| dead space language translator: Translation Federico Italiano, Michael Rössner, 2014-06-30 As recent years have revealed, the concept of »translation« has grown increasingly important in a globalizing world and a multi-media society. Seeing translation as the negotiation of differences in identity construction does not only contribute to the understanding of contemporary cultural processes - it also makes it possible to find orientation and critical insights in a world of constantly changing social, political and media spaces. This collection of essays discusses the »translational turn«, proposing new theoretical approaches and providing new insights into the relation between narration and identity construction, between translation processes and the media. |
| dead space language translator: Translation and Style Jean Boase-Beier, 2019-09-02 Style plays a major role in the translation of literary as well as non-literary texts, and Translation and Style offers an updated survey of this highly interdisciplinary area of translation studies. Jean Boase-Beier examines a variety of disciplines and theoretical approaches including stylistics, literary criticism, and narratology to investigate how we translate style. This revised and expanded edition of the 2006 book Stylistic Approaches to Translation offers new and accessible explanations on recent developments in the field, notably in the areas of Relevance Theory and cognitive stylistics. With many authentic examples to show how style affects translation, this book is an invaluable resource for both students and scholars working in translation studies and comparative literature. |
| dead space language translator: Elsewhere, Within Here Trinh T. Minh-ha, 2010-10-18 Elsewhere, Within Here is an engaging look at travel across national borders--as a foreigner, a tourist, an immigrant, a refugee--in a pre- and post-9/11 world. Who is welcome where? What does it mean to feel out of place in the country you call home? When does the stranger appear in these times of dark metamorphoses? These are some of the issues addressed by the author as she examines the cultural meaning and complexities of travel, immigration, home and exile. The boundary, seen both as a material and immaterial event, is where endings pass into beginnings. Building upon themes present in he. |
| dead space language translator: Translation and Linguistic Hybridity Susanne Klinger, 2014-12-05 This volume outlines a new approach to the study of linguistic hybridity and its translation in cross-cultural writing. By building on concepts from narratology, cognitive poetics, stylistics, and film studies, it explores how linguistic hybridity contributes to the reader’s construction of the textual agents’ world-view and how it can be exploited in order to encourage the reader to empathise with one world-view rather than another and, consequently, how translation shifts in linguistic hybridity can affect the world-view that the reader constructs. Linguistic hybridity is a hallmark of cross-cultural texts such as postcolonial, migrant and travel writing as source and target language come into contact not only during the process of writing these texts, but also often in the (fictional or non-fictional) story-world. Hence, translation is frequently not only the medium, but also the object of representation. By focussing on the relation between medium and object of representation, the book complements existing research that so far has neglected this aspect. The book thus not only contributes to current scholarly debates – within and beyond the discipline of translation studies – concerned with cross-cultural writing and linguistic hybridity, but also adds to the growing body of translation studies research concerned with questions of voice and point of view. |
| dead space language translator: Translation, Travel, Migration Loredana Polezzi, 2016-04-08 The connection between travel and translation is often evoked in contemporary critical theory, both practices seen as metaphors of mobility and flux linked to globalized 'post-modern' society. Travel is a multiple activity, encompassing temporary and voluntary displacement, repeated movement, exile, economic migration, diaspora. Places of origin are often plural and unstable, in spite of the enduring appeal of traditional labels such as 'mother country' or 'patrie'. The multiple interfaces between translation, travel and migration are the focus of all contributions in this special issue. Starting from different points of view, and using a variety of methodologies, the authors raise fundamental questions about the way in which we perceive the link between language, national or ethnic identity, and individual voice. Topics range from the interaction between travel, travel narratives and translation in early English representations of China, to the special role played by interpreters in mediating the first contact between a literate and a non-literate culture; from the multiple functions and audiences addressed by contemporary Romani literature and its translation, to the political as well a cultural implications of translating popular music across the Bosporus. A number of the articles focus on detailed textual analysis, covering the intersection between exile, self-translation and translingualism in the work of Manuel Puig; the uses and limitations of translation in the works of migrant authors; or the impact on figurations of Europe of experimental work embracing polylingualism. Collectively, these contributions also underline the importance of a closer examination of our assumptions about who the translators and the interpreters are, and what roles they play in our society. |
| dead space language translator: Translating Apollinaire Prof. Clive Scott, 2015-03-26 Translating Apollinaire delves into Apollinaire’s poetry and poetics through the challenges and invitations it offers to the process of translation. Besides providing a new appraisal of Apollinaire, the most significant French poet of WWI, Translating Apollinaire aims to put the ordinary reader at the centre of the translational project. It proposes that translation’s primary task is to capture the responses of the reader to the poetic text, and to find ways of writing those responses into the act of translation. Every reader is invited to translate, and to translate with a creativity appropriate to the complexity of their own reading experiences. Throughout, Scott himself consistently uses the creative resource of photography, and more particularly photographic fragments, as a cross-media language used to help capture the activity of the reading consciousness. |
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Be the first to know about the Grateful Dead’s exclusive limited-edition releases, breaking news on the band, community events, and so much more. It’s all happenin’!
Grateful Dead May 19 - May 25, 2025
May 19, 2025 · Welcome back to the Tapers’ Section, where this week we have Grateful Dead music from 1969, 1981, and 1989. Our first stop this week is in Piedmont Park in Atlanta on …
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Be the first to know about the Grateful Dead’s exclusive limited-edition releases, breaking news on the band, community events, and so much more. It’s all happenin’!
