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dead poets society standing on desk: O Captain! My Captain! Walt Whitman, 1915 |
dead poets society standing on desk: Dead Poets Society N.H. Kleinbaum, 2012-10-16 Todd Anderson and his friends at Welton Academy can hardly believe how different life is since their new English professor, the flamboyant John Keating, has challenged them to make your lives extraordinary! Inspired by Keating, the boys resurrect the Dead Poets Society--a secret club where, free from the constraints and expectations of school and parents, they let their passions run wild. As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams? But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams? |
dead poets society standing on desk: The Ballad of William Bloat Raymond Calvert, 1982 |
dead poets society standing on desk: Dead Poets Society Tom Schulman, 2000-03-01 Set in 1959 New England, Robin Williams stars in this story of an unorthodox English teacher's struggle to inspire independent thought and a passion for life in his class of young boys. 1989 Academy Award, Best Original Screenplay; WGA and Golden Globe Nominations. |
dead poets society standing on desk: The Story Grid Shawn Coyne, 2015-05-02 WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation. |
dead poets society standing on desk: Through a Screen Darkly Jeffrey Overstreet, 2007-02-05 In the style of a cinematic travel journal, film columnist and critic Jeffrey Overstreet of Christianity Today and lookingcloser.org leads readers down paths less traveled to explore some of the best films you’ve never seen. Examining a feast of movies, from blockbusters to buried treasure, Overstreet peels back the layers of work by popular entertainers and under-appreciated masters. He shares excerpts from conversations with filmmakers like Peter Jackson, Wim Wenders, Kevin Smith, Scott Derrickson, producer Ralph Winter, and stars like Elijah Wood, Ian McKellan, Keanu Reeves and the cast of Serenity, drawing “war-stories” from his encounters with movie stars, moviemakers, moviegoers and other critics in both mainstream and religious circles. He argues that what makes some films timeless rather than merely popular has everything to do with the way these artists—whether they know it or not—have captured reflections of God in their work. Through a Screen Darkly also includes a collection of reviews, humorous anecdotes and on-the-scene film festival reports, as well as recommendations for movie discussion groups and meditations on how different films echo the myriad ways in which Christ captured the attention and imagination of culture. |
dead poets society standing on desk: Locating Shakespeare in the Twenty-First Century Gabrielle Malcolm, Kelli Marshall, 2012-03-15 The first decade of the new century has certainly been a busy one for diversity in Shakespearean performance and interpretation, yielding, for example, global, virtual, digital, interactive, televisual, and cinematic Shakespeares. In Locating Shakespeare in the Twenty-First Century, Gabrielle Malcolm and Kelli Marshall assess this active world of Shakespeare adaptation and commercialization as they consider both novel and traditional forms: from experimental presentations (in-person and online) and literal rewritings of the plays/playwright to televised and filmic Shakespeares. More specifically, contributors in Locating Shakespeare in the Twenty-First Century examine the BBC’s ShakespeaRE-Told series, Canada’s television program Slings and Arrows, the Mumbai-based film Maqbool, and graphic novels in Neil Gaiman’s Sandman series, as well as the future of adaptation, performance, digitization, and translation via such projects as National Theatre Live, the Victoria and Albert Museum’s Archive of Digital Performance, and the British Library’s online presentation of the complete Folios. Other authors consider the place of Shakespeare in the classroom, in the Kenneth Branagh canon, in Jewish revenge films (Quentin Tarantino’s included), in comic books, in Young Adult literature, and in episodes of the BBC’s popular sci-fi television program Doctor Who. Ultimately, this collection sheds light, at least partially, on where critics think Shakespeare is now and where he and his works might be going in the near future and long-term. One conclusion is certain: however far we progress into the new century, Shakespeare will be there. |
dead poets society standing on desk: Counseling Persons with Parkinson's Disease Allan Hugh Cole, 2021 Counseling Persons with Parkinson's Disease offers a distinctive, practical, philosophically grounded, and person-centered approach to counseling those living with Parkinson's disease and other chronic illnesses. As a seasoned teacher of professional counselors who also lives with Parkinson's, the author demonstrates that chronic illness requires accepting and living with profound loss, but that this loss may lead to personal transformation and constructive ends, wherein one finds new hope, meaning, purpose, happiness, and passion for living. Equal parts memoir and professional resource, this book guides clinicians who give counsel, educators who teach counseling, and anyone wanting to know more about Parkinson's disease and providing support for those who live with it. Parkinson's disease; bereavement; grief, mourning; illness; counseling; task-centered; happiness-- |
dead poets society standing on desk: Understanding poetry C. Brooks, 1997 |
dead poets society standing on desk: Sophie's World Jostein Gaarder, 2007-03-20 A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: Who are you? and Where does the world come from? From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined. |
dead poets society standing on desk: The Congo and Other Poems Vachel Lindsay, 1914 More than 75 works, including a number of Lindsay's most popular performance pieces, The Congo and The Santa Fe Trail among them. |
dead poets society standing on desk: Prodigal Son John Patrick Shanley, 2017-03-16 A 17-year-old boy from the Bronx suddenly finds himself in a private school in New Hampshire. He’s violent, gifted, alienated, and on fire with a ferocious loneliness. Two faculty members wrestle with the dilemma: Is the kid a star or a disaster? A passionate, explosive portrait of a young man on the verge of salvation or destruction. |
dead poets society standing on desk: Letters to a Teacher Sam Pickering, 2007-12-01 Inspirational reflections on the art of teaching from the acclaimed essayist and teacher who inspired Dead Poets Society. Sam Pickering has been teaching for more than forty years. As a young English teacher at Montgomery Bell Academy in Tennessee, his musings on literature and his maverick pedagogy touched a student named Tommy Schulman, who later wrote the screenplay for Dead Poets Society. Pickering went on to teach at Dartmouth and the University of Connecticut, where he has been for twenty-five years. His acclaimed essays have established him as a nimble thinker with a unique way of enlightening us through the quotidian. Letters to a Teacher is a welcome reminder that teaching is a joy and an art. In ten letters addressed to teachers of all types, Pickering shares compelling, funny, always illuminating anecdotes from a lifetime in the classrooms of schools and universities. His observations touch on topics such as competition, curiosity, enthusiasm, and truth, and are leavened throughout with stories—whether from the family breakfast table, his revelatory nature walks, or his time teaching in Australia and Syria. More than a how-to guide, Letters to a Teacher is an invitation into the hearts and minds of an extraordinary educator and his students, and an irresistible call to reflection for the teacher who knows he or she must be compassionate, optimistic, respectful, firm, and above all, dynamic. “Perhaps the most poetic–even elegiac writing about education published in the past year.” —Library Journal |
dead poets society standing on desk: A Visit from the Goon Squad Jennifer Egan, 2010-06-08 NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review |
dead poets society standing on desk: Spring Snow Yukio Mishima, 2013-04-09 A classic of Japanese literature (Chicago Sun-Times) and the first novel in the masterful tetralogy, The Sea of Fertility, set in 1912 Tokyo, featuring an aspiring lawyer who believes he has met the successive reincarnations of his childhood friend. It is 1912 in Tokyo, and the hermetic world of the ancient aristocracy is being breached for the first time by outsiders—rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power. Shigekuni Honda, an aspiring lawyer and his childhood friend, Kiyoaki Matsugae, are the sons of two such families. As they come of age amidst the growing tensions between old and new, Kiyoaki is plagued by his simultaneous love for and loathing of the spirited young woman Ayakura Satoko. But Kiyoaki’s true feelings only become apparent when her sudden engagement to a royal prince shows him the magnitude of his passion—and leads to a love affair both doomed and inevitable. |
dead poets society standing on desk: To Live Deliberately Henry David Thoreau, 2019-09-17 Henry David Thoreau dropped the gauntlet with Walden in 1854, and it is more relevant than ever. To Live Deliberately is our visual reimagining of Thoreau's most well-known essay, Where I Lived and What I Lived For. Accompanied by 30 illustrations, the essay challenges the trappings of modern living and embraces an ascetic rejection of the material and the trivial in exchange for a reconnection with nature as a path toward self-discovery. We judiciously edited Thoreau's essay to avoid any unnecessarily confusing news references, and were amazed to discover that not only does this manifesto otherwise hold up, but it also feels surprisingly modern and more relevant than ever. Thoreau's rejection of news as largely gossip, and the obsession with travel and railroads as idle self-indulgence, bear a sobering resemblance to our modern preoccupation with social media and internet surfing. In both instances, the impulse to seek distraction is the same. The Obvious State Classics Collection is an evolving series of visually reimagined beloved works that speaks to contemporary readers. The pocket-sized, collectable editions feature the selected works of celebrated authors such as T. S. Eliot, Edgar Allan Poe, Walt Whitman, Sara Teasdale and Henry David Thoreau. |
dead poets society standing on desk: Humilitas John Dickson, 2011-06-07 Humility, or holding power loosely for the sake of others, is sorely lacking in today’s world. Without it, many people fail to develop their true leadership potential and miss out on genuine fulfillment in their lives and their relationships. Humilitas: A Lost Key to Life, Love, and Leadership shows how the virtue of humility can turn your strengths into true greatness in all areas of life. Through the lessons of history, business, and the social sciences, author John Dickson shows that humility is not low self-esteem, groveling, or losing our distinct gifts. Instead, humility both recognizes our inherent worth and seeks to use whatever power we have at our disposal on behalf of others. Some of the world’s most inspiring and influential players have been people of immense humility. The more we learn about humility, the more we understand how essential it is to a satisfying career and personal life. By embracing this virtue, we will transform for good the unique contributions we each make to the world. |
dead poets society standing on desk: The Cambridge Companion to Horace Stephen Harrison, 2007-02-08 Horace is a central author in Latin literature. His work spans a wide range of genres, from iambus to satire, and odes to literary epistle, and he is just as much at home writing about love and wine as he is about philosophy and literary criticism. He also became a key literary figure in the regime of the Emperor Augustus. In this 2007 volume a superb international cast of contributors present a stimulating and accessible assessment of the poet, his work, its themes and its reception. This provides the orientation and coverage needed by non-specialists and students, but also suggests provoking perspectives from which specialists may benefit. Since the last general book on Horace was published half a century ago, there has been a sea-change in perceptions of his work and in the literary analysis of classical literature in general, and this territory is fully charted in this Companion. |
dead poets society standing on desk: Long Way Down Jason Reynolds, 2017-10-24 “An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds. |
dead poets society standing on desk: Five centuries of English verse W.Stebbing, 1931 |
dead poets society standing on desk: The Keillor Reader Garrison Keillor, 2014-05-01 Stories, essays, poems, and personal reminiscences from the sage of Lake Wobegon When, at thirteen, he caught on as a sportswriter for the Anoka Herald, Garrison Keillor set out to become a professional writer, and so he has done—a storyteller, sometime comedian, essayist, newspaper columnist, screenwriter, poet. Now a single volume brings together the full range of his work: monologues from A Prairie Home Companion, stories from The New Yorker and The Atlantic, excerpts from novels, newspaper columns. With an extensive introduction and headnotes, photographs, and memorabilia, The Keillor Reader also presents pieces never before published, including the essays “Cheerfulness” and “What We Have Learned So Far.” Keillor is the founder and host of A Prairie Home Companion, celebrating its fortieth anniversary in 2014. He is the author of nineteen books of fiction and humor, the editor of the Good Poems collections, and a member of the American Academy of Arts and Letters. |
dead poets society standing on desk: Can You Tolerate This? Ashleigh Young, 2019-08-08 SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2019 WINNER OF A WINDHAM-CAMPBELL PRIZE 2017 'I love this book' MAGGIE NELSON 'An essay collection unlike any I've read' New York Times In Can You Tolerate This? Ashleigh Young ushers us into her early years, coming of age in a small town in the faraway yet familiar New Zealand, yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits - a boy with a rare skeletal disease, a French postman who built a stone fortress by hand, a generation of Japanese shut-ins - strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake intense physical exercise that masks something deeper, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender and exacting in her observations of herself and the world around her. |
dead poets society standing on desk: Disney A to Z Dave Smith, 1996 Includes full descriptions of all Donald Duck, Mickey Mouse, Pluto, and Goofy cartoons; the story of Mickey's birth; the Disney Channel Premiere films and Disney television shows; the Disney parks; Disney Academy Awards and Emmy Awards; the Mouseketeers throughout the years; and details of Disney company personnel and primary actors. |
dead poets society standing on desk: Existentialist Cinema W. Pamerleau, 2009-03-31 An exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others. |
dead poets society standing on desk: To Anacreon in Heaven and Other Poems Graham W. Foust, 2013 Poetry. Graham Foust has written a gorgeously subversive field guide to the inner life, the poet's life--an anthem, if you will, to a borderless country, unbound from assumption. Brace yourself for the shock of recognition.--Dawn Raffel On A Mouth in California: Since so much of Foust's work is a declaration of what he likes, embraces, and wants to incorporate into his corpus--that is, his body--these poems instruct the reader to become what you like so you can like what you are. And they mark Foust as one of the best erotic poets writing now.--Ange Mlinko in The Nation |
dead poets society standing on desk: Football Mark F. Bernstein, 2001-09-19 Mark Bernstein shows that much of the culture that surrounds American football, both good and bad, has its roots in the Ivy League. With their long winning streaks, distinctive traditions, and impressive victories, Ivy teams started a national obsession with football in the first decades of the twentieth century that remains alive today. In so doing they have helped develop our ideals about the role of athletics in college life. |
dead poets society standing on desk: Academy X Andrew Trees, 2008-12-01 Welcome to Academy X, an ethical wonderland in which up is down, right is wrong, and parents and students will stop at nothing (including lying, plagiarizing, and even seduction to name a few) in orderto get into the Ivy League. Caught in the middle is John Spencer, a bumbling but loveable English teacher struggling through the final weeks of his spring semester. But keeping focused on a Jane Austen seminar proves problematic when a His crush on the sexy school librarian andas well as a pending promotion threaten to divert his attentionare threatening to sink him in a sea of academic intrigue. Things become even more complicated when the college counseler asks John to lie (or at least exaggerate) in a recommendation letter for the very student who he's just discovered is a plagiarizer!And things are only about to get worse for John, who discovers that no price is too high to achieve a coveted admission to Harvard, Yale, or Princeton-even if that includes his own disgrace. Witty and rollicking, Academy X is a priceless peek into New York City's top private schools-indeed into elite schools all over the country.where parents risk all for their child's academic. |
dead poets society standing on desk: Robin Dave Itzkoff, 2018-05-15 A NEW YORK TIMES BESTSELLER A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE A SAN FRANCISCO CHRONICLE BEST BOOK OF THE YEAR A VULTURE BEST BOOK OF THE YEAR A generous, appreciative biography of Robin Williams by a New York Times culture reporter. The author, who had access to Williams and members of the comedian’s family, is an unabashed fan but doesn’t shy away from the abundant messiness in his subject’s personal life.—The New York Times Book Review From New York Times culture reporter Dave Itzkoff, the definitive biography of Robin Williams – a compelling portrait of one of America’s most beloved and misunderstood entertainers. From his rapid-fire stand-up comedy riffs to his breakout role in Mork & Mindy and his Academy Award-winning performance in Good Will Hunting, Robin Williams was a singularly innovative and beloved entertainer. He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations – all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed. But as Dave Itzkoff shows in this revelatory biography, Williams’s comic brilliance masked a deep well of conflicting emotions and self-doubt, which he drew upon in his comedy and in celebrated films like Dead Poets Society; Good Morning, Vietnam; The Fisher King; Aladdin; and Mrs. Doubtfire, where he showcased his limitless gift for improvisation to bring to life a wide range of characters. And in Good Will Hunting he gave an intense and controlled performance that revealed the true range of his talent. Itzkoff also shows how Williams struggled mightily with addiction and depression – topics he discussed openly while performing and during interviews – and with a debilitating condition at the end of his life that affected him in ways his fans never knew. Drawing on more than a hundred original interviews with family, friends, and colleagues, as well as extensive archival research, Robin is a fresh and original look at a man whose work touched so many lives. |
dead poets society standing on desk: United Cory Booker, 2017-01-03 NEW YORK TIMES BESTSELLER • United States Senator Cory Booker makes the case that the virtues of empathy, responsibility, and action must guide our nation toward a brighter future. Raised in northern New Jersey, Cory Booker went to Stanford University on a football scholarship, accepted a Rhodes Scholarship to Oxford University, then studied at Yale Law School. Graduating from Yale, his options were limitless. He chose public service. He chose to move to a rough neighborhood in Newark, New Jersey, where he worked as a tenants’ rights lawyer before winning a seat on the City Council. In 2006, he was elected mayor, and for more than seven years he was the public face of an American city that had gone decades with too little positive national attention and investment. In 2013, Booker became the first African American elected to represent New Jersey in the U.S. Senate. In United, Cory Booker draws on personal experience to issue a stirring call to reorient our nation and our politics around the principles of compassion and solidarity. He speaks of rising above despair to engage with hope, pursuing our shared mission, and embracing our common destiny. Here is his account of his own political education, the moments—some entertaining, some heartbreaking, all of them enlightening—that have shaped his civic vision. Here are the lessons Booker learned from the remarkable people who inspired him to serve, men and women whose example fueled his desire to create opportunities for others. Here also are his observations on the issues he cares about most deeply, from race and crime and the crisis of mass incarceration to economic and environmental justice. “Hope is the active conviction that despair will never have the last word,” Booker writes in this galvanizing book. In a world where we too easily lose touch with our neighbors, he argues, we must remember that we all rise or fall together—and that we must move beyond mere tolerance for one another toward a deeper connection: love. Praise for United “An exceedingly good book, and an important book, and a reminder of what makes Booker an important and, through it all, a promising public figure.”—PolitickerNJ “What sets Senator Booker’s work apart from that of similar political books is that it seeks to elevate discourse rather than bring down opponents of the opposite partisan persuasion. This is a refreshing take, one that is truly worthy of study and contemplation.”—The Huffington Post |
dead poets society standing on desk: Head Girl Freya Daly Sadgrove, 2021-02-16 'The first time I read Freya’s work I thought . . . uh oh. And then I thought, you have got to be kidding me. And then I thought, God fucking dammit. And then I walked around the house shaking my head thinking . . . OK – alright. And then – finally – I thought, well well well – like a smug policeman. Listen – she’s just the best. I’m going to say this so seriously. She is, unfortunately, the absolute best. Trying to write a clever blurb for her feels like an insult to how right and true and deadly this collection is. God, she’s just so good. She’s the best. She kills me always, every time, and forever.’ —Hera Lindsay Bird |
dead poets society standing on desk: A Desk-book of Errors in English Frank H. Vizetelly, 1906 |
dead poets society standing on desk: A Life In School Jane Tompkins, 1996-10-10 sroom and discovers how much of what she learned there needs to be unlearned. A painful and exhilarating story of spiritual awakening, Tompkins' book critiques our educational system, while also paying tribute to it. |
dead poets society standing on desk: Auralia's Colors Jeffrey Overstreet, 2008-05-20 When thieves find an abandoned child lying in a monster’s footprint, they have no idea that their wilderness discovery will change the course of history. Cloaked in mystery, Auralia grows up among criminals outside the walls of House Abascar, where vicious beastmen lurk in shadow. There, she discovers an unsettling--and forbidden--talent for crafting colors that enchant all who behold them, including Abascar’s hard-hearted king, an exiled wizard, and a prince who keeps dangerous secrets. When Auralia’s gift opens doors from the palace to the dungeons, she sets the stage for violent and miraculous change in the great houses of the Expanse. Auralia’s Colors weaves literary fantasy together with poetic prose, a suspenseful plot, adrenaline-rush action, and unpredictable characters sure to enthrall ambitious imaginations. |
dead poets society standing on desk: Prune Gabrielle Hamilton, 2014-11-04 NEW YORK TIMES BESTSELLER From Gabrielle Hamilton, bestselling author of Blood, Bones & Butter, comes her eagerly anticipated cookbook debut filled with signature recipes from her celebrated New York City restaurant Prune. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY NAMED ONE OF THE BEST BOOKS OF THE SEASON BY Time • O: The Oprah Magazine • Bon Appétit • Eater A self-trained cook turned James Beard Award–winning chef, Gabrielle Hamilton opened Prune on New York’s Lower East Side fifteen years ago to great acclaim and lines down the block, both of which continue today. A deeply personal and gracious restaurant, in both menu and philosophy, Prune uses the elements of home cooking and elevates them in unexpected ways. The result is delicious food that satisfies on many levels. Highly original in concept, execution, look, and feel, the Prune cookbook is an inspired replica of the restaurant’s kitchen binders. It is written to Gabrielle’s cooks in her distinctive voice, with as much instruction, encouragement, information, and scolding as you would find if you actually came to work at Prune as a line cook. The recipes have been tried, tasted, and tested dozens if not hundreds of times. Intended for the home cook as well as the kitchen professional, the instructions offer a range of signals for cooks—a head’s up on when you have gone too far, things to watch out for that could trip you up, suggestions on how to traverse certain uncomfortable parts of the journey to ultimately help get you to the final destination, an amazing dish. Complete with more than with more than 250 recipes and 250 color photographs, home cooks will find Prune’s most requested recipes—Grilled Head-on Shrimp with Anchovy Butter, Bread Heels and Pan Drippings Salad, Tongue and Octopus with Salsa Verde and Mimosa’d Egg, Roasted Capon on Garlic Crouton, Prune’s famous Bloody Mary (and all 10 variations). Plus, among other items, a chapter entitled “Garbage”—smart ways to repurpose foods that might have hit the garbage or stockpot in other restaurant kitchens but are turned into appetizing bites and notions at Prune. Featured here are the recipes, approach, philosophy, evolution, and nuances that make them distinctively Prune’s. Unconventional and honest, in both tone and content, this book is a welcome expression of the cookbook as we know it. Praise for Prune “Fresh, fascinating . . . entirely pleasurable . . . Since 1999, when the chef Gabrielle Hamilton put Triscuits and canned sardines on the first menu of her East Village bistro, Prune, she has nonchalantly broken countless rules of the food world. The rule that a successful restaurant must breed an empire. The rule that chefs who happen to be women should unconditionally support one another. The rule that great chefs don’t make great writers (with her memoir, Blood, Bones & Butter). And now, the rule that restaurant food has to be simplified and prettied up for home cooks in order to produce a useful, irresistible cookbook. . . . [Prune] is the closest thing to the bulging loose-leaf binder, stuck in a corner of almost every restaurant kitchen, ever to be printed and bound between cloth covers. (These happen to be a beautiful deep, dark magenta.)”—The New York Times “One of the most brilliantly minimalist cookbooks in recent memory . . . at once conveys the thrill of restaurant cooking and the wisdom of the author, while making for a charged reading experience.”—Publishers Weekly (starred review) |
dead poets society standing on desk: Funds of Identity Moisès Esteban-Guitart, 2016-08-18 This book provides an invaluable resource for researchers who wish to improve education by bridging students, school, family, and community resources. Based in connecting experiences in and out of school, it suggests a strategy to put students' practices, cultures, and identities in the center of a twenty-first-century education. |
dead poets society standing on desk: The Widening Spell of the Leaves Larry Levis, 2013-08-09 The result is a book of discursive meditations that will amply reward the reader. Part travelogue, part pilgrimage in which the shrines remain hidden until they are recognized later, Larry Levis’s startling and complex fifth book of poems is about the enslavement to desire for personal freedom, and the awareness of its price. |
dead poets society standing on desk: Hello from the Gillespies Monica McInerney, 2014 For the last thirty years, Angela Gillespie's annual Christmas letter has been full of her family's triumphs. But this year Angela surprises everyone, including herself - she tells the truth. Angela's husband is in the throes of a mid-life crisis. Her grown-up daughters are more out of control than ever. And her youngest child spends all of his time talking to an imaginary friend. With fantasy thoughts of a life before marriage and motherhood becoming more than just an innocent daydream, Angela's real life is slowly slipping out of focus. But, as the repercussions of her ruthlessly honest letter begin to pile up, a shocking event takes Angela from her family, and she realises she should have been more careful of what she wished for |
dead poets society standing on desk: The Book of the Dead Muriel Rukeyser, 2018 Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays. |
dead poets society standing on desk: Sound and Sense Laurence Perrine, 1963 |
dead poets society standing on desk: The Word on Fire Bible Robert Barron, 2021-09-07 The Acts of the Apostles, the Epistles, and the book of Revelation are accompanied by select commentaries from the Church Fathers, more recent saints and spiritual masters, and Bishop Robert Barron. Includes artworks inspired by or illuminating Scripture passages with essays by Michael Stevens and others. |
Features - Grateful Dead
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Gather round every Thursday as we tell the tales of Grateful Dead days of yore. Hosts Rich Mahan and Jesse Jarnow will take the lead, picking up special guests from the Dead universe …
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60 Years On - Grateful Dead
Apr 23, 2018 · The roses symbolize our deep love of the Dead. Inside the 60 I used a diamond like card, inspired from the gambling songs like Loser and Deal. The rays not only pull from …
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Grateful Dead May 5 - May 11, 2025
May 5, 2025 · Welcome back to the Tapers’ Section, where this week we have Grateful Dead music from 1974, 1984m and 1988. Our first stop this week is in Chicago on 7/25/74 with the …
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May 19, 2025 · Welcome back to the Tapers’ Section, where this week we have Grateful Dead music from 1969, 1981, and 1989. Our first stop this week is in Piedmont Park in Atlanta on …
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The Official Grateful Dead Podcast
Gather round every Thursday as we tell the tales of Grateful Dead days of yore. Hosts Rich Mahan and Jesse Jarnow will take the lead, picking up special guests from the Dead universe …
Archive | Grateful Dead
Official Site Of The Grateful Dead
60 Years On - Grateful Dead
Apr 23, 2018 · The roses symbolize our deep love of the Dead. Inside the 60 I used a diamond like card, inspired from the gambling songs like Loser and Deal. The rays not only pull from …
News - Grateful Dead
Be the first to know about the Grateful Dead’s exclusive limited-edition releases, breaking news on the band, community events, and so much more. It’s all happenin’!
Grateful Dead May 5 - May 11, 2025
May 5, 2025 · Welcome back to the Tapers’ Section, where this week we have Grateful Dead music from 1974, 1984m and 1988. Our first stop this week is in Chicago on 7/25/74 with the …
Grateful Dead Stella Blue
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Grateful Dead May 19 - May 25, 2025
May 19, 2025 · Welcome back to the Tapers’ Section, where this week we have Grateful Dead music from 1969, 1981, and 1989. Our first stop this week is in Piedmont Park in Atlanta on …
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